steidl gagosian (55 resultados)

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Presumed first edition w/NAP, hardcover published for the exhibition of the same title, with a related pamphlet laid in. The book has a light lean to the binding, mild bumps to the spine ends, some faint smudging to the covers, and minor sunning to the cloth at the head and tail. Overall, this is a solid, tight, Very Good copy in a like dust jacket, which has bumps to the spine ends and corners with light creasing to the head of the spine and upper corners, some slight wear to the edges, and faint rubbing to the covers with a small cluster of circular impressions to the back.

Soft cover. Condición: Very Good. Softcover, 9 1/4 by 7 inches, 479 pages. Covers have very slight to minimal wear. Pages clean. mostly a book of photos.

Softcover with dustjacket, 480 pages, in English; very good condition; except small tear at top of front cover; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condición: Sehr gut. 1. Auflage. B3 : 408 pages with 304 color & 13 bw. illustrations. - The Catalogue Raisonné of the Paintings of Ed Ruscha is a six-volume series of books co-published by Steidl and Gagosian Gallery. This is the second volume, which contains entries on 178 paintings completed between 1971 and 1982--from the artist's crisis at the onset of the 70s, when he quits painting pictures, to his first major museum retrospective, which opened in March 1982 at the San Francisco Museum of Modern Art. The catalogue includes a comprehensive exhibition history, bibliography and biographical chronology, as well as a preface by the editor Robert Dean, an essay by UCLA film historian Peter Wollen examining Ruscha's use of color as it relates to his use of language, and an essay by the late Reyner Banham.

Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover without dustjacket in printed slipcase, 530 pages, very good condition except light spotting to spine and light edgewear to slipcase; no internal marks. Foreign shipping may be extra.

554 S. mit zahlr. Abb. Sehr gutes Exemplar. Sprache: Englisch 4°, Orig.-Leinen im Orig.-Schuber.

Hardcover. First Edition. Light blue cloth over boards with silver lettering; light grey slipcase with silver lettering; 526 pp.; richly illustrated. This is volume 2 of a four-volume set; in great condition. VG- (Slipcase is lightly toned/scuffed/smudged/edgeworn; Boards have on very light smudge to the front cover; interior is clean and bright; binding is solid.).

hardcover. Condición: Perfetto (Mint). Prima edizione (First Edition). Volume pubblicato in occasione della mostra presso la Gagosian Gallery di New York, 5 maggio - 23 settembre 2006. Un'intervista a Richard Serra di Phong Bui. Illustrato con fotografie delle opere in bianco e nero. Elenco e dettagli delle opere in mostra . Cm 30x24. pp. 76. . Perfetto (Mint). . Prima edizione (First Edition). . In questo volume, quattro opere distinte dell'importante scultore americano Richard Serra sono legate da un tema comune: ognuna è basata sulla relazione tra lo spettatore e un'elevazione orizzontale o planare ad altezza occhi. Elevations, Repetitions è un complesso di 16 elementi di diverse altezze; Equal Weights and Measures è composto da sei blocchi uguali di acciaio forgiato. No Relief consiste in due lastre orizzontali di 60 piedi e sei pollici di spessore a filo del muro sui lati opposti di una stanza stretta. E Round è un'opera in acciaio forgiato con un diametro di 84 pollici e un peso di 50 tonnellate, posta su un pendio. Gli altri progetti recenti di Serra includono un'installazione permanente in otto parti al Guggenheim Museum di Bilbao e una rassegna della primavera 2007 al Museum of Modern Art. Book.

hardcover. Condición: Like New. No Jacket. Condition: Fine; Dust Jacket Condition: Hardcover in slipcase. No jacket as issued. The book is in Fine/ As New condition. Still in publishers shrinkwrap. Photos upon request.

Hardcover. Condición: Sehr gut. 1. Auflage. B3 : 558 pages, illustrated throughout. - This volume contains 165 works, and, of particular note, includes a major public commission for the Philip Johnson-designed Miami-Dade Public Library, which was a turning point for Ruscha. Paintings done immediately prior to this commission can be seen as a summation of the artist's earlier preoccupations and techniques, while those done after the commission show a major shift in direction occasioned by the use of airbrush techniques to produce dark, atmospheric canvases with links to film noir and to such Los Angeles noir writers as Raymond Chandler. With an introductory essay by Robert Dean, a personal tribute by artist Lawrence Weiner, a chronology and a comprehensive bibliography and list of exhibitions.

2017. detailed exploration of the artist's recent drawing practice, published in conjunction with an exhibition at the museum boijmans van beuningen in rotterdam. the catalog features over 70 works from five seriesrambles, composites, rifts, rotterdam verticals, and rotterdam horizontalsmany previously unseen, along with selections from serra's notebooks and films. the drawings extend serra's sculptural exploration of form, space, and material onto paper. far from simple sketches, they function as philosophical adjuncts to his sculptures, conveying the same intensity and physicality. the book includes essays by art historian neil cox, curator francesco stocchi, and a chronology by michelle white, as well as a text by albert camus selected by serra, offering a deeper context for the works. rotterdam: museum boijmans van beuningen,gagosian, steidl. isbn: 9783958293496. hardcover. book condition: mild shelfwear. near fine.

Hardcover. Condición: Very Good. missing case Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condición: New.

cm 25x33 pag. 384 ill. molte b/n e col. Inglese.

Hard Cover. Condición: Fine. First Edition. This is a fine hardcover copy bound in gray green cloth printed in silver, without dust jacket as issued. Missing slipcase. Completely clean inside and out. This is Volume 2, only of the five volume catalogue raisonne issued by Gagosian Gallery. Stated first edition. Illustrated mostly in color, some black & white. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Hardcover without dustjacket in printed slipcase, 554 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket in printed slipcase, 554 pages, slipcase has light edgewear to opening edges; books in as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket in printed slipcase, 530 pages, new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Condición: New. In.

Hardcover. Condición: Used-Like New. Slp. Volume III only of ongoing series (projected to be 6 volumes). Cloth, stout quarto, 554 pp., profusely illustrated in color. Some wear to slipcase. Book is Fine.

hardcover. Condición: New. First Edition. Volume II only of ongoing series (projected to be 6 volumes) Cloth, stout quarto, slipcase, 526 pp. profusely illustrated in color.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New. Qto., 408 pages, illustrated. Slipcased, in the shrink wrap as issued. Book.

Condición: NEW.

paperback. Condición: Fine. Prima edizione (First edition).  Pubblicato in occasione della mostra alla Gagosian Gallery di New York. Testo di Hans Ulrich Obrist. Fotografie di Taryn Simon (1075 tavole in quadricromia). Volume in lingua inglese Design: Joseph Logan e Taryn Simon. Cm 24,5 x 16,5. pp. 480. . Ottimo (Fine). . Prima edizione (First edition). . Taryn Simon ha vissuto all'aeroporto internazionale John F Kennedy dal 16 al 20 novembre 2009. Il JFK gestisce più passeggeri internazionali di qualsiasi altro aeroporto degli Stati Uniti. Contraband include fotografie scattate 24 ore su 24 di oltre 1000 articoli detenuti o sequestrati a passeggeri e posta che entrano negli Stati Uniti dall'estero. Per cinque giorni, sia nel sito di ispezione federale delle dogane e della protezione delle frontiere degli Stati Uniti che nel servizio postale internazionale del servizio postale degli Stati Uniti, Simon ha fotografato articoli tra cui assegni di viaggio American Express contraffatti, rum giamaicani, eroina, un falco morto, un passaporto messicano illegale, un pene di cervo, borse fatte con specie in via di estinzione, sigari cubani, DVD Disney contraffatti, khat, polvere d'oro, GHB nascosto come detergente per la casa, polvere per denti di letame di mucca, borse Louis Vuitton contraffatte, salsicce proibite, gioielli non dichiarati, steroidi e un uovo di struzzo.Catalogando una quantità così enorme di materiale in un periodo di tempo limitato, i modelli emergenti rivelano uno spaccato completo del commercio internazionale, esponendo i desideri e le richieste che guidano l'economia internazionale e le economie locali che li producono. Simon ha fotografato ogni oggetto su uno sfondo grigio neutro, producendo una documentazione scientificamente "oggettiva", priva di contesto. Rimosso dagli effetti personali del singolo passeggero, ogni oggetto perde le sue associazioni personali distintive e si trasforma in un artefatto della più ampia rete globale. Per Simon, il "contrabbando" solleva interrogativi su ciò che è ufficialmente considerato una minaccia all'autorità e alla sicurezza nella società contemporanea.Nata nel 1975 a New York, l'artista Taryn Simon si è laureata in semiotica dell'arte alla Brown University nel 1997, frequentando contemporaneamente corsi di fotografia alla Rhode Island School of Design. La sua pratica incorpora fotografia, testo e design grafico. Conosciuta per l'applicazione di sistemi di classificazione di immagini, Simon produce corpi di lavoro che portano alla luce narrazioni poco conosciute, minando al contempo la fiducia riposta nell'oggettività dell'immagine e del testo d'archivio. Book.

hardcover. Condición: New. Slp. Stout quarto, 494 pp., illustrated throughout in color. Slipcased.

Hardcover. Condición: Fine. 1st Edition. First edition, first printing. Hardcover. Fine gray cloth-covered boards, with title stamped in silver on cover and spine, no dust jacket as issued; contained in a heavy gray cardboard slipcase with title stamped in silver on both sides. Paintings and text by Edward Ruscha. Essays by Robert Dean, Dave Hickey and Larence Weiner. Edited by Robert Dean, with Erin Wright. Includes comprehensive catalogue entries, chronology, exhibition history and bibliography. Designed by Bruce Mau, Bruce Mau Design, Inc., Toronto, with Breanne Woods, Carolina Söderholm and Judith McKay. 564 pp., including 3 two-page gatefolds, profusely illustrated with four-color plates and additional black-and-white reference illustrations, beautifully printed by Steidl on Scheufelen Job Parilux paper. Book 11-5/8 x 9-5/8 inches; slipcase 12-1/8 x 10 inches. Fine. From the publisher: "This is the third volume in the ongoing series documenting Ruscha's entire corpus of paintings. As in the previous two volumes, each painting is given a double-page spread with exhibition and bibliographic history, and is reproduced in color. The artist's notebook sketches for paintings are reproduced in facsimile. This volume contains 165 paintings and, in addition, includes a major public commission for the Philip Johnson-designed Miami-Dade Public Library, which was a watershed mark for Ruscha. Paintings done immediately prior to this commission can be seen as a summation of the artist's earlier preoccupations and techniques, while those done after the commission show a major shift in Ruscha's direction occasioned by the artist's use of airbrush techniques to produce dark, atmospheric canvases that correspond to film noir and such Los Angeles writers as Raymond Chandler. The book includes an introductory essay by the editor, Robert Dean, and a personal tribute by artist Lawrence Weiner. It contains a chronology to 1987, as well as a comprehensive bibliography and list of exhibitions.".