steidl david zwirner (58 resultados)

Hardcover. Condición: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover without dustjacket as issued, 48 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket as issued, 144 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Near Fine. 88 pages, Folio. Minor shelfwear. Tightly bound, no marks. Volume is in Near Fine condition.

Hardcover. Condición: New. 1st Edition. Hardcover, 168 pgs. 10.25" x 12.25". Still sealed, new.

Hardcover. Condición: Very Good. No Jacket. Hardcover. Condition: Very good, with light shelfwear and a hint of sunning to cover edges. Half-title page bears the discreet blindstamp of the art gallery Offer Waterman & Co. with a reference number neatly written in the centre. 144pp. Many colour and b/w illustrations. This catalogue was produced to accompany the exhibition of work by the American artist Al Taylor (1948-1999) held at the David Zwirner gallery, New York from September 7 to October 27, 2012. Having begun his studio practice as a painter and draughtsman, in 1985 Taylor devised a uniquely innovative approach to process and materials that encompassed two-dimensional drawings and three-dimensional constructions, thereby creating compositions that were specifically grounded in the formal concerns of painting.

Tapa dura. Condición: Muy bien. Primera edición. EXCELENTE ejemplar. 171pp.

Hardcover. Condición: new. Hardcover. Robert Graham: Early Work 1963-1973 compiles rarely seen works by the American artist (1938-2008), providing an overview and reconsideration of Graham's initial engagement with Minimalism and figurative sculpture. Modeled after images found on television or in popular magazines, such as Life, Graham's early work presents Plexiglas-encased environments populated by miniature wax figurines engaged in leisurely or pleasurable activities. The ethereal surfaces of the artist's plastic enclosures are evocative of the highly finished and meticulous objects that have become associated with the so-called "Finish Fetish" aesthetic, and their interior spaces are suggestive of the geography of 1960s California as well as the modernist domestic interiors popularized by John Entenza's Case Study House Program. This volume is one of the few to focus on the early period of Graham's artistic practice--one characterized by a consistent preoccupation with scale and the human figure. Early Work 1963-1973 brings together rarely seen works by Robert Graham, providing an overview and reconsideration of his initial engagement with Minimalism and figurative sculpture. Modelled after images on television or in popular magazines such as Life, Graham's early work comprises Plexiglas-encased environments populated by miniature wax figurines engaged in leisurely or pleasurable activities. The ethereal surfaces of these enclosures evoke the highly finished and meticulous objects associated with the "Finish Fetish" aesthetic, while their interior spaces suggest the geography of 1960s California as well as the modernist domestic interiors popularized by John Entenza's Case Study House Program. Over the course of his career, Robert Graham developed an exceptionally focused artistic practice preoccupied with scale and the human figure. Since the early 1970s his works have been exhibited widely at venues including the Kunstverein, Hamburg, and the Whitney Museum of American Art, New York. Graham's work is held in major museum collections and he received numerous public commissions, including the 1984 Olympic Gateway in Los Angeles and the Duke Ellington Memorial in Central Park, New York, in 1997. Born in Mexico City in 1938, Graham died in Santa Monica, California, in 2008. Co-published with David Zwirner, New York Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

29 x 22,5 cm. 143 S. Fester Pappeinband. Sprache: Englisch, Mit zahlr. Abb. sehr guter Zustand. Hinweis: Versandkosten müssen bei Auslandsversand evtl. angehoben werden.

Condición: Good. Original blind stamped yellow cloth, illustrated with numerous (full page) colour photographs, 4to.

Hardcover. Condición: VG+. A black casebound book with the title in silver down the spine and a black-and-white plate glued to the front cover. Pages: (6), 7-171, (1). Profusely illustrated with color images. "Although Al Taylor began his career as a painter, in 1985 he devised an innovative approach that encompassed twodimensional drawings and three-dimensional objects. Taylor saw no distinction between his drawings and threedimensional works and referred to his constructions not as sculptures but as 'drawings in space' or 'drawing instruments.' These objects were usually fashioned out of unconventional materials, and often incorporated humble and humorous elements. They offered multiple viewpoints and would subsequently form the basis of further explorations on paper. 'Rim Jobs and Sideffects' presents two series, 'Rim Jobs' (1995) and 'Sideffects' (1995-97), which demonstrate Taylor's multi-dimensional compositions.".

Hardcover. Condición: As new. First Edition. Marcel Dzama: Even the Ghost of the Past with unopened DVD, published on the occasion of the exhibition at the David Zwirner Gallery in 2008. Essay by Cameron Shaw, interview by Spike Jonze. Unpaginated in this do-si-do format of two books bound together. DVD in plastic paste-down on inside cover has never been opened. As new condition. Hardcover. 8 1/4" x 10 3/8:.

Hardcover without dustjacket as issued; 172 pages, new condition; still mostly sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Hardcover. Condición: Good. 1st Edition. Book is in good condition no dustjacket.

First edition. Hardcover. 171 pages. Exhibition catalog for a show that ran September 14 through October 23, 2010. Features texts by Ulrich Loock and Philip Ording. Includes numerous illustrations, a checklist, biographical and bibliographical information. A clean near fine copy with some very slight tapping to the top corners. Internally a clean copy. No dust jacket as issued.

Imperial octavo, illus heavy boards, black lettering to spine, illus, VG (moderate rubbing & bruising to spine & board extrems, light to moderate chafing & soiling to boards).

Hardcover without dustjacket as issued, 340 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: new. Hardcover. Published to celebrate the critically acclaimed 2013 exhibition at David Zwirner in New York, a show that The New York Times art critic Ken Johnson called "near perfect," Richard Serra: Early Work devotes over three hundred pages to a key five-year period of the artist's earliest work. Anchored by exquisite black-and-white plates, from installation views of works in situ to documentary photographs, this "impressively realized" publication offers "a blow-by-blow account of Serra's rapidly expanding art-world presence," as described in a Bookforum review. Focusing specifically on work the artist produced during the period between 1966 and 1971, this classic tome documents the significance of his early work, with archival texts and reviews, alongside new scholarship by American art critic and historian Hal Foster. Produced in close collaboration with the artist, this monograph aims to reconsider the groundbreaking practices and ideas that so firmly situate Serra in the history of twentieth-century art. Its stunning selection of seminal works illuminates the debut of the artist's innovative, process-oriented experiments with nontraditional materials, such as vulcanized rubber, neon, and lead, and introduces the interplay of gravity and material--of "verticality and horizontality," writes Foster--that would remain a fundamental aspect of Serra's production over the subsequent decades. Also featured in the publication are key early examples of the artist's work in steel, as well as stills from some of his most important early films. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: New. Estado de la sobrecubierta: New. Fine hardcover in a Fine dust jacket. Overall a bright and attractive copy, as new. Unread.

Hardcover. Condición: New. Fine hardcover in illustrated boards. Clean and bright, as new. Still sealed in the publisher's plastic wrap. Unread.

Hardcover. Condición: Fine. Qto., 168 pages, colour illustrated. Unused, a Fine copy.

Hardcover. Condición: Very Good. First. Published on the occasion of the two-part exhibition Fred Sandback: David Zwirner, January 9 - February 14, 2009 and Zwirner & Wirth, January 13 - February 28, 2009.

Hardcover with dustjacket, 144 pages; very good condition, small crimp / crease to upper right corners of covers and some pages; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: New. 1st Edition. Large-format hardcover volume, measuring approximately 10.25" x 12.25", is new, still in shrink wrap. 168 pages. "Few artists' names can connote such diverse associations as the Virgin Mary, Rudolph Giuliani and elephant dung. (Put thus, it seems rather an achievement.) Controversy tends to dog the art of Chris Ofili, and former New York Mayor Giuliani's suspension of funding for the Brooklyn Museum upon its exhibition of his 1996 painting "The Holy Virgin Mary" in 1999 was but one instance of the ire Ofili routinely arouses. When these occasional media commotions subside, one sees that the work is actually pleasing in more familiar ways: Ofili's surfaces sparkle with smears of glitter and bright veneer, resembling nothing so much as African icons. But Ofili has always been political, specifically in his confrontations with racial cliché, and in his insistent incorporation of materials from popular black culture. "Devil's Pie" derives its title from singer-songwriter D'Angelo's 1998 lyric meditation on temptation and retribution. According to the song, the ingredients of a devil's pie include "materialistic, greed and lust, jealousy, envious / bread and dough, cheddar cheese, flash and stash, cash and cream." Similarly diverse in its references and dichotomies, Ofili's work contains contradictions. This catalogue collects his work in sculpture, painting, printmaking and graphite drawing for the first time and includes texts by art writer and curator Klaus Kertess and writer Cameron Shaw.".

Hardcover. Condición: Fine. Fine hardcover, 156 pages, heavily illustrated. Gorgeous and authoritative.

Hardcover. Condición: New. Fine hardcover in purple boards. Clean and bright, as new. Still sealed in the publisher's plastic wrap. Unread. No dust jacket, as issued.

Hardcover. Condición: Very Good. Has name written inside else book is LIKE NEW. Very Clean.

Hardcover without dustjacket as issued, unpaginated; as new condition, no internal marks, clean and crisp. Foreign shipping may be extra.

hardcover. Condición: Perfetto (Mint). Prima edizione (First Edition). Pubblicato in occasione della mostra presso la David Zwirner Gallery, New York 12 maggio - 21 giugno 2008. Un testo di Christian Viveros-Fauné. Illustrato a colori con opere di Neo Rauch. Cronologia . C, 24x21. pp. 44. . Perfetto (Mint). . Prima edizione (First Edition). . Book.