Simon lawrence fleece press (13 resultados)

Paperback. Condición: Fine. First Edition. Wraps. 8vo. One of 330 copies bound in Iris Nevins' marbled paper over card wrappers, with a printed label onset to cover,including a wood-engraving. Printed in Van Dijk font on tinted Gainsborough paper. 130mm x 195mm, pp. [20] with seven engravings.An early Fleece Press printing of which, it is said, no more than half were bound & put into circulation and the remainder discarded. Fine.…

Landscape Hardcover. Condición: Near Fine. 1st Edition. Volume 2 only. Limited edition of 750 copies. The fore edge of the rear panel has some very light spotting. Very slight tanning to edges. Otherwise as new. Near Fine landscape hardcover.

Hardcover. Condición: Fine. No Jacket. 1st Edition. [Colophon]: "Simon Lawrence printed and published this book at his Fleece Press in late 1989 on dampened Zerkall mould made paper. Bill Hughes set the type, 10pt Spectrum, at Solo-Type. There are 220 copies bound in cloth and patterned paper created by Simon Brett, and 40 signed copies [this copy is one on the 40] bound in quarter leather which also contain four proof engravings signed by the artist. [signed]: Simon Brett." 5 1/4 in. x 7 3/4 in., frontispiece of a bookplate; title-page printed in red and black; contents with list of illustrations. [1]-[57] + signed colophon page, with the 4 proof engravings in a pocket in the inner back cover. Illustrated with the Simon Brett bookplate designs, and a mounted bookplate on p. [35]; with notes on the plates; chronology: 1969-89; and: The artist's approach Gray leather spine and sides with the title gilt-lettered on the spine, and violet & black patterned paper, designed by Simon Brett, over boards; gray-green endpapers, in the publisher's sturdy, gray cloth-covered slipcase. With the former owner's frog design bookplate (designed by Leo Wyatt) on the front paste-down. The very scarce signed edition with the four signed and numbered proofs [List of the bookplates featured]: John Gartner; Anthony Baker; Harry Robertson Page; Patricia Morison; Richard Thompson; David Collison; Clive Stewart-Lockhart; William Darby; Betty Wood; Rosemary Luck; P & D Colnaghi; St. John's School, Marlborough; Matthew Ellis; Hal Burton; Rebecca Parker; David Sloss; Nicholas Dudley; The Folio Society; James Davis; Peter Giffard; William R. Chambers; Peter Parker; H.R.H.; (Davis family); James Wilson; J. H. W.; Linda Sloss; Nicholas Ray; Alexander Schwartz. Loose prints in the special copies: Nicholas Dudley; John Gartner; Rosemary Luck; Peter Parker. Signed by Illustrator(s).…

Hardcover. Condición: Fine. No Jacket. Size of binding: 10 ¼ in. x 13 ½ in. Number 170 of 188 (of a total of 200) copies. There are 17 full-size and 2 smaller wood engravings, produced between 1925 and 1934. Bound in quarter green leather by Smith Settle and paste paper created by Sage Reynolds of New York. In a green cloth-covered drop-back box with a printed title label on the spine. The interior of this drop-back box shows a little light tanning from contact with the leather sides. Weight is 3 lbs. Postage may be extra for this item.…

Hardcover. Condición: Fine. First Edition. Hardback. Small book. 122 mms by 78. One of an edition of 250 standard copies which were 'printed and given away' as a keepsake. Containing 17 original tipped-in stamps, from woodcuts designed by John Lawrence,Christopher Wormell, Andrew Davidson, David Gentleman, Yvonne Skargon, Jeremy Sancha and Clare Melinsky. Bound in quarter tangerine cloth and a repeat pattern paper based on a design by Clare Melinsky, the book set in 8 point Baskerville, and printed on Zerkall rosa paper. Paper label to spine. 12mo. pp. [40] Fine.…

Fine. Hardcover book, First, Limited edition No. 94 of 325 copies No Slipcase. Set in Bell type and printed on Zerkall mould-made paper bound in quarter cloth with Whittington marbled paper covered boards. A regular contributer to The Guardian for many years, Enid wilson started her diary in 1950 and this volume is a selection of her writings over the years illustrated with beautiful wood-engravings by Kathleen Lindsley and Edward Stamp. A Fine copy Contents and plates clean. Pictures available. Lindsley, Kathy & Stamp, Edward (ilustrador).…

Hardcover. Condición: Fine. 1st Edition. Set in Miller Display. One of 500 copies printed in black and mauve (the illustrations in many colours) on uncoated paper. 260 plates (many tipped-in, double-page or folding). Maroon cloth with printed spine label. A fine copy with prospectus and a letter from Simon Lawrence. First edition, includes a DVD of the film 'The King's Stamp'. The colour plates are not altogether satisfactory - something of the excitement of Barnett Freedman's unique palette has been lost during production.…

Condición: Fine. One of a limited edition of 250 copies, square octavo, a concertina of 25 colour plates after original watercolours by Emily Sutton, showcasing favourite transferware designs from the artist's private collection, cased in pictorial boards, and housed in a matching green cloth slipcase by Smith Settle, with inlaid pictorial title plate; a fine copy of this collectable work by York-based artist Emily Sutton. Signed to colophon.…

Hardback. Condición: Very good. 24 x 24cm 136pp very good hardback depicting the history of the T.E. Lawrence's relationship with both his motorcycles, motorcycling and with the eponymous maker George Brough. It traces his early motorcycle experience and details the seven Brough Superiors that he owned and the eighth on order at the time of his death. Contains quotes from both TE's and Brough's letters and the text of the chapter from The Mint, on Speed. Includes black and white reproductions.…

Hardcover. Condición: Fine. 1st Edition. Set in Van Dijck type and printed in black with chapter headings in reddish-brown on a special making of Magnani paper. Number 27 of 44 (266) copies specially bound and with an extra print from the copper engraving Nymph Surprise II (1935). Illustrated with 12 tipped in plates and 16 engravings printed from the blocks (in various colours). Quarter ivory vellum with JBW patterned sides, yellow on white, lettered in gilt on the spine. Slipcase. A fine copy.…

Condición: Fine. First edition hard back binding in publisher's original finely grained pistachio cloth covered boards, printed label to the spine, printed on Monadnock Dulcet paper. Square quarto. 9½'' x 9¼''. Contains frontispiece, blue and black printed title, 136 + i pp with 29 monochrome illustrations, advertisements and archive photographs throughout. T. E. Lawrence is known for his passion for motorcycling. This volume tells the story of the relationship with both his motorcycles, motorcycling and with the eponymous maker George Brough. It traces his early motorcycle experience and details the seven Brough Superiors that he owned and the eighth on order at the time of his death. Contains quotes from both T. E.'s and Brough's letters and the text of the chapter from The Mint, on Speed. Fine condition book in Fine condition acetate dust wrapper. Original invoice from The Fleece Press dated 3rd May 2005 loosely inserted. Housed in Fine condition marble paper covered open-fronted slip case. Member of the P.B.F.A. BIO (Résumé, Memoir).…

Hardcover. Condición: As New. 1st Edition. Text set in Scotch Roman. 300 copies printed on Zerkall mould-made paper, this being one of 10 (actually 7) copies specially bound by Angela James in full grey morocco with black, white and pink inlays, four raised bands, gilt lettering and grey morocco doublures. Grey cloth box with gilt morocco label. Loose engraving by Gwen Raverat from 1922 within the box. With a T.L.s from Simon Lawrence ("Here, at last, is your copy.") explaining why there were only seven completed copies of the Angela James special binding and mentioning slight differences beteen each.…

Folio. 13.55 x 10.5 inches. Unpaginated. [50] leaves. Title page in red and black and headings printed in red. Bound in quarter green leather, gilt, over decorated green boards. Deckled edges. A fine copy complete in green solander box (with printed paper label), which has imprinting on the inside from contact with the leather binding. Illustrated by 17 wood engravings, including frontispiece, some protected by tissue guards and printed from the original blocks. Decorated by contents page and colophon vignettes. A selection of wood engravings by Leon Underwood (1890-1975), artist, sculptor and wood engraver, who worked on camouflage in both world wars. He drew inspiration from his travels in Mexico and West Africa. Introduction by George Tute (b. 1933), artist and wood engraver. A handsomely bound volume. ART / LITERATURE WOODCUTS ARTS- PRINTS 20TH CENTURY ILLUSTRATED FINE BINDING ART / LITERATURE.…