Silvana milano (Más de 5100 resultados)

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. book is tight with no markings, some soiling to page edges, dj has some rubbing and soiling, edges have curling/creasing along with a few small tears.

Hardcover. Condición: Very Good. 1st Edition. Black hardcover with photo illustrated dust jacket all in very good condition. The dust jacket is very lightly rubbed. Signed and dated 26 March 2010 by Olivo Barbieri across front fly page. Texts in Italian and English. 23 photographs by Barbieri reproduced, some in black & white some in color. Signed by Artist.…

1st Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.Literally as new, still in protective shrink wrap. Physical description: 63 pages: ill. (some col.) ; 24 cm. Subjects: Benozzo di Lese 1420-1497; Catalogs. Benozzo (di Lese) 1420-1497. 21st Century exhibition catalogues. 1 Kg.…

Soft cover. Condición: As New. 1st Edition. Oblong 4to, card covers, 47pp. A SEALED and AS NEW copy.

Soft cover. Condición: Very good. No jacket. In English and Arabic. Catalog published on the occasion of an exhibition helf at the Arab Museum of Modern Art, Doha from November 9, 2014 to February 15, 2015. Cover is lightly worn along edges. Binding is tight and inside is clean and unmarked.

Hardcover. First edition. Presentation inscription (not author's) on front endpaper; else very good condition in worn dust jacket. . 69 clr plates, 32 b/w plates. Folio.

Condición: NUOVO. Milano, Silvana editoriale cm.20,5x25, pp.224, ill.a col. brossura con cop.fig.a col. Trente-cinq ans nous séparent de l'adoption de la Charte de Florence par l'International Council on Monuments and Sites. Si ce document reste la principale référence en matière de jardins historiques, depuis les années 1980 les pratiques dans ce domaine ont évolué, avec des résultats contrastés. L'introduction du concept de « paysage culturel », la prise en compte du fait écologique, l'intérêt grandissant du public pour le patrimoine vert ont forcément modifié le regard que nous portons sur les jardins historiques. À cela s'ajoutent les nouvelles stratégies économiques mises en place par les propriétaires privés et publics et un contexte normatif international qui pèsent de plus en plus dans les processus de pérennisation des sites patrimoniaux si tant est qu'on puisse parler de « pérennisation » au sujet de lieux composés avant tout de matériaux organiques, dont l'aspect se transforme constamment en fonction des besoins, des rêves ou des idéaux politiques ou esthétiques qu'ils incarnent. D'où cette interrogation : qu'est-ce que notre époque demande au jardin, et au jardin historique en particulier ? Quelle est sa place, s'il en a une, dans le monde contemporain ? Sous la direction de Marco Martella.…

Hardcover. Condición: Like New. Like New. Dust jacket condition: Like New. Appears as new and unread. Texts in Italian with parallel English translation. (405, [3] pages) : illustrations (chiefly color. Due to weight, no foreign orders or domestic priority shipments accepted without prior arrangement as to shipping costs, which will exceed our usual rates.…

Condición: NUOVO. Milano, Silvana Ed. cm.23x28, pp.223, numerose illustrazioni e tavole a colori nel testo, brossura con copertina figurata a colori con bandelle. A cura di Mario Ruffini, Max Seidel.

paperback. Condición: Near Fine. DETAILS: tall sewn PAPERBACK, attractive copy, near fine, bit of old label residue on rear cover. MARIGNOLI, DUCCIO K. / MASCELLONI, ENRICO, ed. . A thousand and one days: Pakistani women artists. Edited by Duccio K. Marignoli, Enrico Mascelloni. Milano: Silvana Editoriale, 2005, 127pp., . No ISBN number in book: "The exhibition, A Thousand and One Days, opens a remarkable window into the world of modern-day Pakistan. Through the vehicle of fifty-one contemporary miniature paintings by eight Pakistani women artists, the visitor is presented with an unusual look at a prominent Islamic nation. The Academy is honored to present this exhibition, the first in an ongoing series of explorations of contemporary art from the Islamic world. Organized by Italian guest curators Enrico Mascelloni and Duccio K. Marignoli, this exhibition explores boundaries of experience in realm where for centuries women have been subservient to men. That a woman has recently served as Prime Minister of Pakistan has not changed many of the realities that have historically prevailed for women. Art is one arena of many, however, in which Pakistani women have given shape to their experiences and voiced independent aspirations for their lives. The art of small-scale paintings on paper has been one of the most sophisticated art forms in South and Southwest Asia for centuries. The achievements of the traditional Persian, Mughal, Decanni, Rajput, and Punjab schools of painting are internationally famous today. Revived during the British Colonial period, the miniature painting traditions of Pakistan have been recently rediscovered and transformed by a new generation of women artists. Among the themes developed by these painters are the tensions between traditionalism and modernism in contemporary Islamic cultures, and the ongoing dialogue about identity in post-colonial society. One of the most powerful images explored is the chaador, or veil, with which women cover themselves in many Middle Eastern Islamic nations. Several of the artists in this exhibition studied at the miniature painting department of the National College of Arts in Lahore (formerly the Mayo School of Arts). In her catalogue essay, "Contemporary Women Painters of Pakistan," Salima Hashmi touches on the political dimensions of this art, when she writes, "The homage to tradition and the reverence of its practice affords limitless chances for its subversion." It is noteworthy in this light that Hashmi points out the "irreverence inherent in the Sufi Islamic tradition prevalent in Pakistan." In a completely contemporary manner, the painters in this exhibition question both what we see and how we see it. The exhibition includes works by Tazeen Qayyum, Talha Rathore, Nusra Latif Qureshi, Saira Sheikh, Sumaira Tazeen, Sherbano Qizilbash, Mahreen Zuberi, and Reeta Saeed. The artists represented include women who live in Pakistan and several who are recent expatriates. Nusra Latif Qureshi, for example, lives in Melbourne, Australia, while Talha Rathore lives and works in New York City. The Academy is deeply grateful to Guest Curators Enrico Mascelloni and Duccio K. Marignoli for proposing the exhibition and bringing it to fruition." -- Stephen Little, Director, Honolulu Academy of Arts. - CONTENTS: A Thousand and One Days: A Dialog between Enrico Mascelloni and Duccio Marignoli -- Spinning Stories: The Art of Pakistani Women Miniaturists / Salima Hashmi -- CATALOG OF WORKS: -- Tazeen Qayyum -- Sherbano Qizilbash -- Nusra Latif Qureshi -- Talha Rathore -- Reeta Saeed -- Saira Sheikh -- Sumaira Tazeen -- Mahreen Zuberi -- Biographies -- Bibliography.…

Condición: Very Good. None. 24 page introduction followed by 58 mostly black & white plates. Missing small piece at top of spine. Paper darkening along top edge of covers. Clean, tight copy. Record # 607965.

1st Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.Literally as new, still in protective shrink wrap. Physical description: 63 pages: ill. (some col.) ; 24 cm. Subjects: Benozzo di Lese 1420-1497; Catalogs. Benozzo (di Lese) 1420-1497. 21st Century exhibition catalogues. 1 Kg.…

Condición: NUOVO. Milano, Silvana Editoriale cm-24x28, pp.96 ill.a colori. brossura con copertina figurata a colori. Il volume, a cura di Chiara Spangaro, presenta la selezione dei ritratti eseguiti dall'artista Pietro Costa tra il 2003 e il 2022, nei quali utilizza il sangue e la fotografia come medium. In essi sviluppa la ricerca già intrapresa dalla fine degli anni ottanta nella serie Bloodworks, che indaga il tema dell'identità tra arte e scienza, il concetto di ritratto fisico e biologico, la rappresentazione dell'io tra unicità e comunità. Le opere illustrano il suo lavoro sulla rappresentazione del soggetto singolo, della famiglia e del gruppo e aggiornano la sua pratica artistica apertasi ai ritratti corali nel 2018, quando ha iniziato la serie dei Family Portraits con il primo nucleo di otto soggetti che attraversa tre diverse generazioni. Prefazione di Simome Mangani. The Bloodwork Project, 19892022. A cura di Chiara Spangaro, Simone Mangani, Angelica Frey, Elisa Marani.…

Hardcover. Condición: Sehr gut. Estado de la sobrecubierta: Sehr gut. 1. Auflage. with XXI coloured plates, with illustrated jacket.

Softcover. Condición: Wie neu. Estado de la sobrecubierta: Ohne Schutzumschlag. 1. Auflage. 157 pages with many coloured illustrations.

Hardcover. Condición: Wie neu. Estado de la sobrecubierta: Sehr gut. 1. Auflage. 91 pages and 64 plates with many illustrations, partly coloured; clothbound with illustrated jacket; cased.

Condición: COME NUOVO. Milano, Silvana cm.23x28, pp.144, ill.a colori. brossura con copertina figurata a colori. Marco Borgianni (Vico Val d'Elsa, 1946) è un artista che si è imposto con determinazione agli occhi del collezionismo e della critica nella sua lunga carriera, dal 1965 a oggi. Questo volume accompagna un'importante monografica allestita a Siena, che vuole offrire la sintesi più completa del suo percorso artistico. Partendo dallo studio dei classici antichi, Borgianni ha esplorato metodicamente due ambiti, ovvero la rappresentazione della natura e lo studio della figura umana. In Marco Borgianni - come dichiara Antonio Paolucci nell'introduzione - la Bellezza abita la vita, affermazione evidente nelle opere qui raccolte, che offrono una reinterpretazione pittorica della scultura, spaziando da Jacopo Della Quercia, all'arte etrusca e greca, a Michelangelo, fino agli artisti contemporanei. Il volume accoglie testi critici ed è completato da apparati biografici. Siena, 29 maggio-31 luglio 2015. Ediz. italiana e inglese.…

Text in English. 61 pages. Paperback: H 24cm x L 17cm. Stiff paper covers lightly rubbed. First several leaves mildly bumped at upper fore-edge margins. Pages are otherwise bright and clean. Binding retains some crispness. A very good+ copy.

Soft cover. Condición: As New. First Edition. Quality trade softcover of 239 pages in FINE condition, clean tight and unmarked.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Fair. Book is in very good condition, with some dustiness and slight wear at the edges and corners, a bump to the top corner, and slight discoloration across the top edge of the cover, front and back; otherwise, cover is bright, binding is solid, and pages are clean. Jacket is slightly worn along the edges and at the corners, and has two closed tears (one about 2 inches, the other about 3 inches long) on the front, one of which was taped on the inside of the jacket; also has a triangular nickat the top front edge of the spine where paper is missing; otherwise, colors are bright and clear. Protected in a mylar cover.…

Condición: Very good. - Quarto [12 iinches high by 9-1/2 inches wide], cloth, in a dust wrapper. The book is housed in a plain black cardboard slipcase. The slipcase is lightly rubbed with a price-sticker on the rear panel. 191 pages plus colophon. Profusely illustrated in color and black & white. Near fine in a very good slipcase. The text is in Italian. …

brossura. Condición: in ottime condizioni. Collana Arte per tutti, 1. Figure in nero nel testo. Con 28 tavole a colori. Copertina morbida. Formato in.16 (11x17 cm). Pagg. 24 + tavole. Lievi segni. Ottimo stato.

brossura. Condición: in ottime condizioni. Collana Arte per tutti, 18. Figure in nero nel testo. Con 32 tavole a colori. Copertina morbida. Formato in.16 (11x17 cm). Pagg. 24 + tavole. Lievi segni. Ottimo stato.

brossura. Condición: in ottime condizioni. Catalogo esposizione. Roma, Museo Carlo Bilotti, Aranciera di Villa Borghese, settembre novembre 2010. Illustrazioni a colori e in nero. Testi in italiano e inglese. Copertina morbida con alette. Formato in.8 (17x24 cm). Pagg. 127. Ottimo stato.

Rilegato. Condición: in ottime condizioni. sovraccoperta. A cura Amici della Scala. Nuovo Banco Ambrosiano. Illustrazioni a colori e in nero. Tela editoriale. Sopraccoperta. Formato in.4. Pagg. 216. Lievi segni. Tracce di polvere al taglio superiore. Peso 1,6 kg. Ottimo stato.

Rilegato. Condición: in ottime condizioni. sovraccoperta. 290 illustrazioni a colori e in nero. Testimonianze di personalità del periodo. Legatura tela editoriale. Sopraccoperta illustrata. Formato in.4 (cm. 26x29,5). Pagg. 189, 2. Ottimo stato. Peso 1,55 kg.

Soft cover. Condición: Fine. No Jacket.

Condición: NUOVO. Milano, Silvana Editoriale cm.23,5x28, pp.294, 200 illustrazioni a colori nel testo. legatura editoriale copertina figurata. Il volume accompagna la più ampia ricognizione sull'arte australiana mai realizzata al di fuori del continente. Un viaggio artistico e culturale in una realtà lontana situata ai nostri antipodi caratterizzata da una ricchezza e una varietà sorprendenti, frutto di una contaminazione fertile di storie personali, lingue, origini etniche, religioni e tradizioni: dagli artisti afferenti alle molte culture aborigene e 'First Nations', a quelli che sono arrivati dal Pacifico, dall'Europa, dai paesi asiatici e dalle Americhe. Tale ricognizione racchiude un'ampia costellazione di pratiche e prospettive culturali, politiche e sociali, e prende in considerazione diversi mezzi espressivi quali pittura, performance, installazione, scultura, video, disegni e fotografia. A cura di, edited by Eugenio Viola. Milano, PAC (Padiglione d'Arte Contemporanea), da 17, Dicembre 2019 al 9 Febbraio 2020.…

Cartoné. Condición: Perfecto estado. 29 x 38cm.

Bella encuadernación cartoné c. Condición: Perfecto estado. 29 x 38cm.