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Condición: Very Good. 1980. hardcover. Fine in fine dust wrapper. DW showing light shelf wear and age. Bookplate of previous owner pasted in, text not affected. Text and illustrations crisp and clear and remains a fine copy. . . . . Books ship from the US and Ireland.

Condición: Very Good. 1980. hardcover. Fine in fine dust wrapper. DW showing light shelf wear and age. Bookplate of previous owner pasted in, text not affected. Text and illustrations crisp and clear and remains a fine copy. . . . .

Condición: Good. 1969. No edition remarks. Unpaginated. Paperback book with blue cover. Pages are bright and clear with no visible markings. Binding throughout remains firm. Pencil inscription to first page. Paper cover has mild edge wear with mild corner curling. Heavy tanning to spine and edges. Mild scratching and marking to covers. …

Hardcover. Condición: Near Fine. 1st Edition. Small 4to, 95 pp, very well illustrated throughout in colour and black and white. Laminated boards, a very light scuff to the spine and a small mark on the rear end paper else a fine copy.

Hardcover. Condición: Very Good. No Jacket. 1st Edition. 357 pages. Rubbing out of a signature on end paper, very minor dent to front cover (hardly noticeable) Clean hardback. No dust jacket. Susanne DuVerger: Printed Writings 1500-1640: Series 1, Part One, Volume 5 (The Early Modern Englishwoman: A Facsimile Library of Essential Works.…

hardcover. Condición: Very Good. Creased Dust Jacket. Slight Tear to Dust Jacket. 1979 Tanning to edge of pages Appears unread, may have minor damage from transit/storage. Next day dispatch from the UK (Mon-Fri). Please contact us with any queries.

Hardcover. Condición: Very Good. Bound in original quarter green buckram, lettered gilt, taupe cloth covers, with oval green leather label blocked in gold with the monogram of its intended recipient, Georgiana Burne-Jones's monogram. One of 263 bindings with cloth covered boards (plus 62 with velum bindings) copies. [i-vi], 1-51, [52-56] pp.  Titles and various initials in gilt, blue and red throughout, along with illustrations and floral borders in multiple colors throughout after Edward Burne-Jones, Charles Fairfax Murray, William Morris, and George Wardle. A fantastically produced facsimile of Morris's first major calligraphic manuscript, now housed in the Victoria and Albert Museum, which he produced for his close friend and confidant, Georgiana Burne-Jones.  Described by his daughter and biographer, May Morris, as "a tangle of swift delicate pen-work in brown with leaves and flowers lightly painted in thin colour." The manuscript is positively bursting with floral patterns, with the text of Morris's poems seeming to nestle between outcroppings of foliage. The manuscript was very much a collaborative project, with one miniature contributed by Edward Burne-Jones and others by Charles Fairfax Murray, who worked as a glass painter for Morris & Co., and ornaments by George Wardle, a draughtsman for Morris who cut several blocks for the aborted Earthly Paradise, who went on to be general manager of Morris's firm.  This copy is an unnumbered. In the original clamshell box.  Some staining to boards and page edges. Condition overall: Very Good.…