rapoport printing (14 resultados)

Soft cover. Condición: Good +. Black & White Photographs Ilustrador. 1st Edition. Unmarked, Solid Copy. Normal Shelfwear With Sunning To Spine Edges. Moderate Creasing To Front Cover Corners. Edition Not Stated But No Indication Of Other Printings.

Fine copy, with Near fine dust jacket (slight bumping at top, no tears). Black and white plates. Revised edition with photographs of Hawaii, 1978 - 1992, in Honor of the Photographer's 80th Birthday. An Aperture Monograph. Oversized.

Hardcover. Condición: Near Fine. A Facsimile printing of the 1697 edition. Limited edition numbered 455 of 2500 copies bound in half-leather of a total edition of 2800. Folio, 12 1/2 inches tall, printed on heavy watermarked Curtis paper stock, publisher's half-brown morocco and marbled boards, ruled and lettered in gilt, tan endpapers (hint of wear to corners, tight, clean, better than very good, nearly fine). Publisher's tan papered slipcase (moderate wear and soiling, good to very good).

Trade Paperback. Condición: Very Good. Inscribed By Spike Lee On Page 3, Black Stiff Wrap Cover With Large Silver "X" Across Front, Moderate Edge Wear, Back Cover Has Minor Cracking Of Plastic Laminate, A Black And White Photo Book Showing Stills Of The Making Of The Movie, Contents Clean, Binding Tight And Square, Over 15 Years Book Selling Experience, Buy With Confidence.

Paperback. Second printing. White wraps with color and b&w illustration and black lettering; 196 pp.; chiefly illustrations (some color). In 1967, Danny Lyon turned his camera toward life in American prisons. "Conversations with the Dead" reflects fourteen months he spent looking and listening inside six Texas penitentiaries. Free to enter the prisons at any time of day or night, Lyon moved among the prisoners as they functioned in groups, and as they existed in isolation. He photographed men in their cells, in the fields, working, eating, daydreaming -- passing so much time. Befriending them, he records the personal testimonies of their lives and the official documents which condemn them to living death. -- rear cove. Good (Ex art library with a sticker to front cover and inside rear cover, with penciled markings on half-title; wraps are edgeworn/scuffed/smudged/toned; front cover is curling upward; textblock edges are toned/scuffed/smudged; interior is clean but lightly age toned; binding is solid.).

Quarto, illus glossy light card covers, black lettering to spine, unpaginated, illus, VG (light creasing to edges, light soiling & chafing to covers, light to moderate cracking to gutters).

Condición: very good condition. A piece of art. Some text about the planes of the past with some stunning black and white photos. All covered in original airplane canvas. This is one of a series of similar publications. 20 p. photos square 18 x 18 cm booklet covered in original airplane canvas.

Couverture souple. Condición: Bon état. In-12 11,5 x 18 cm. Broché sous couverture illustrée, 144 pp., 62 photographies en noir et blanc. Exemplaire en très bon état. in-4°.

Condición: Very good. New York: Self-published by Larry Clark, [Rapoport Printing], [1979]., [1979]. Very good. - Quarto, 12-1/4 inches high by 9-1/4 inches wide. Hardcover, bound in black cloth titled in silver on the spine, in a pictorial black dust wrapper. The edges & corners of the dust jacket are very faintly creased. [62] unnumbered pages, with profuse black & white illustrations and plates from photographs by Larry Clark. Near fine in a very good dust wrapper. The second edition, but the first hardcover edition. Published using the sheets of the 1971 softcover edition. Some sources give the publication date of this book as 1983.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. Second edition, and first hardcover edition. Quarto. [62]pp. Black cloth stamped in silver on spine. A fine copy in near fine dust jacket with one internally repaired tear. The first clothbound issue; originally published in wrappers by Lustrum in 1971; here reissued as a clothbound edition by Larry Clark in 1979, using the sheets of the 1971 first edition. Roth. *The Book of 101 Books*, p.208; Parr and Badger. *The Photobook* Volume 1, p. 260; Hasselblad, *The Open Book* p.272-273.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. PLEASE NOTE: Due to the explicit nature of some of the content, you must be at least eighteen years of age to order this item. First edition thus (hardbound), first printing. Limited edition of the 1983 hardbound edition of the book, signed and numbered by Clark on the title page (from an edition of 400, this being #82; edition actually ends at #243, noted by Clark on several early numbered copies of the edition). Incudes an original gelatin silver print of "Death is more perfect than life." [Billy Mann: Dead 1970] (cover image of the book. Paper size 10 x 8 inches; image size 8 3/4 x 5 7/8 inches). The print is signed and numbered on verso, enclosed in the original envelope for the print (with the same limitation number). Hardbound . Black cloth-covered boards, with photographically-illustrated dust jacket. Photographs by Larry Clark. 64 pp., with black-and-white plates throughout. 12-1/4 x 9-1/4 inches. Scarce. [Cited in Andrew Roth, ed., The Book of 101 Books: Seminal Photographic Books of the Twentieth Century. (New York: PPP Editions in association with Roth Horowitz LLC, 2001), in Andrew Roth, ed., The Open Book. (Göteborg, Sweden: Hasselblad Center in association with Steidl Verlag, Göttingen, Germany, 2004), and in Martin Parr and Gerry Badger, The Photobook: A History, Volume I. (London and New York: Phaidon, 2004).]. Fine in Near Fine dust jacket (slight wear to the extremities, else Fine). The print has about a 1-inch crescent-shaped crease near the subject's head, visible only in raking light, otherwise Fine. An exerpt from the text by David Levi Strauss (The Book of 101 Books: Seminal Photographic Books of the Twentieth Century): "In Tulsa, Clark first eliminated one of the rhetorical mainstays of documentary photography: the distance of the 'objective' observer from his or her subjects. The initial shock of Tulsa was that it was photographed from inside the story, and this changed everything. Tulsa, which was Larry Clark's first book, was published by Ralph Gibson's Lustrum Press, and the book was really a collaboration between Clark and Gibson." Signed by Author.

First Hardcover Edition, preceded by a softcover edition published by Lustrum Press in 1971. SIGNED by photographer Larry Clark by photographer Larry Clark. Clark's controversial first book, documenting sex, drug use, and violence among his young friends in the suburbs of Tulsa, Oklahoma. Short closed tear on the bottom edge of the dust jacket rear panel, else Near Fine in a Near Fine dust jacket.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First hardcover edition. This is one of 400 copies of this classic photobook issued with a signed original silver gelatin photograph. "In Tulsa, Clark first eliminated one of the rhetorical mainstays of documentary photography: the distance of the 'objective' observer from his or her subjects. The initial shock of Tulsa was that it was photographed from inside the story, and this changed everything. Tulsa, which was Larry Clark's first book, was published by Ralph Gibson's Lustrum Press, and the book was really a collaboration between Clark and Gibson."?David Levi Strauss in Roth, Book of 101 Books, p. 208?209. The world Clark takes us inside is that of white IV drug users in his hometown, the titular city in Oklahoma from the title. This is the undated first hardcover edition (the Lustrum Press published the book as a paperback original). The publication date for this book is usually given as 1979, but the 1983 review of the book in the New York Times and the reference to the "1983" hardcover edition in the Grove Press edition (published in 2000), suggest the usual dating is incorrect. The printer of this edition is different from that of the Lustrum Press version, making it likely that the other bookseller trope about this book?that it was bound from unsold copies or sheets of the first edition?is also not true. [Thanks to Brian Cassidy of Type Punch Matrix for sorting all this out.] According to Cassidy, contemporary advertisements give the print run as 3000 copies. This is one of 400 of those that are numbered and signed by Clark with a laid-in original silver gelatin print of the cover image, captioned below the image, "Dead 1970", but sometimes also referred to as "Billy Man (1968)." The print, on 8 by 10 inch paper, has an image size of 5-7/8 by 8-5/8 inches. It is numbered, dated (1968) and signed by Clark in pencil on the back (verso). The print slides into an archival paper envelope with a matching number written on the outside. First hardcover edition. A fine copy in a fine dust jacket. The book is numbered 217/400 and signed by Clark in ink on the title page. The print and envelope also have the same number; the print is signed by Clark on the back. This is the most desirable format of this key 1970s photobook; copies with the print still laid in are increasingly uncommon as the prints are removed and sold into the photo market.

Condición: Good. Tls. from Howard Levey of Rapoport Printing Corp. to Frederick Ruffner explaining the "Stonestone" process; together with 6 large format prints 17 x 13 inches, folded in half (one of Leonard Bernstein and his wife), and 4 smaller double sided prints by others. Presented in a folder. From the collection of Frederick Gale Ruffner Jr (1926-2014) , the founder of Gale Research, Detroit.