Queen's university ca (Más de 4300 resultados)

Paperback. Condición: New. For a change Orpheus / listens to the other / musicians once the hum / of his lyre no longer / hangs like moss from branches / in the forest airIn New Songs for OrpheusJohn Reibetanz updates Ovid's poetry. Ovid's words showed him to be a person of deep empathy for natural, animal, and human worlds, and so Reibetanz posits that the Roman writer would likely be eager to take account of all that we have learned about them in the past two thousand years.Ovid would be familiar with recent discoveries about the complex inner lives and societies of non-human animals, and about the intricate interrelationships sustained in forests. The poems in New Songs for Orpheus look at and listen to the real creatures into which Ovid's characters were transformed, acts viewed not as punishment or deprivation, but as a release into other intriguing forms of life. In the human realm, he might find a suitably cataclysmic counterpart to the Trojan War in the barbarities and sacrifices of World War II, or perhaps see an analogue to the Fall of Troy in the fall of the Two Towers in September 2001.The songs Orpheus sings then transform into more contemporary shapes, as characters and incidents from the Canadian musical Come from Away - like those in Ovid's "restored" world after the flood - are celebrated in a reaffirmation of community after the divisive horrors of 9/11. In all these times and places, metamorphosis brings new meaning into a life, be it human, plant, or animal. …

Paperback. Condición: New. Injury the guide explained / is what / guides explainChatty Cathy, while not the first talking doll, was certainly the most widely known, and the only one elevated to idiom. This unauthorized chronicle of her later career luridly illustrates the perils of reaching such linguistic heights with so very little to say.In The Decline and Fall of the Chatty Empire Jojo, Gypsy May, Marge, Tootles, and Cathy's entire gang undertake an abject odyssey to celebrity. On their adventure, they have many picnics, listen to NPR inattentively, play charades, and discover sharp things hidden in love's thick folds. They end where they began, unutterably broken and luminous.Returning to the snarfs and loving exasperation of his first book, Excitement Tax, John Emil Vincent swipes left and right like no one else writing today. Because why would they.…

Paperback. Condición: New. Injury the guide explained / is what / guides explainChatty Cathy, while not the first talking doll, was certainly the most widely known, and the only one elevated to idiom. This unauthorized chronicle of her later career luridly illustrates the perils of reaching such linguistic heights with so very little to say.In The Decline and Fall of the Chatty Empire Jojo, Gypsy May, Marge, Tootles, and Cathy's entire gang undertake an abject odyssey to celebrity. On their adventure, they have many picnics, listen to NPR inattentively, play charades, and discover sharp things hidden in love's thick folds. They end where they began, unutterably broken and luminous.Returning to the snarfs and loving exasperation of his first book, Excitement Tax, John Emil Vincent swipes left and right like no one else writing today. Because why would they.…

Paperback. Condición: New. For a change Orpheus / listens to the other / musicians once the hum / of his lyre no longer / hangs like moss from branches / in the forest airIn New Songs for OrpheusJohn Reibetanz updates Ovid's poetry. Ovid's words showed him to be a person of deep empathy for natural, animal, and human worlds, and so Reibetanz posits that the Roman writer would likely be eager to take account of all that we have learned about them in the past two thousand years.Ovid would be familiar with recent discoveries about the complex inner lives and societies of non-human animals, and about the intricate interrelationships sustained in forests. The poems in New Songs for Orpheus look at and listen to the real creatures into which Ovid's characters were transformed, acts viewed not as punishment or deprivation, but as a release into other intriguing forms of life. In the human realm, he might find a suitably cataclysmic counterpart to the Trojan War in the barbarities and sacrifices of World War II, or perhaps see an analogue to the Fall of Troy in the fall of the Two Towers in September 2001.The songs Orpheus sings then transform into more contemporary shapes, as characters and incidents from the Canadian musical Come from Away - like those in Ovid's "restored" world after the flood - are celebrated in a reaffirmation of community after the divisive horrors of 9/11. In all these times and places, metamorphosis brings new meaning into a life, be it human, plant, or animal. …

Paperback. Condición: New. A classic of New Mexican Cinema, Y Tu Mamá También courted controversy with its explicit depictions of teenage sexuality and its forthright perspective on the country's inequality. The cinematic sensation gained international accolades for its mixing of genres and film styles and inspired a wide body of writing from both critics and scholars. The multimedia lives of Y Tu Mamá También (especially in music, music videos, and social media) have kept the film relevant for audiences too young to have seen it when it debuted.Juan Llamas-Rodriguez revisits Y Tu Mamá También after more than two decades of social, industrial, and technological change to show how it astutely captures a particular moment in Mexican history and film production. The film was a turning point for Mexican stardom on the world stage, and the performances and celebrity of its stars, Diego Luna and Gael García Bernal, reframed millennial Mexican masculinities. The eclectic and popular bilingual soundtrack is a focal point, read as engendering a queer listening and as an integral aspect of the film's queering of time. Rather than being legibly classified as gay or bisexual, Y Tu Mamá También flouts sexual mores and national stereotypes and continues to spur new forms of longing and desire among audiences today.Moving beyond heavily debated questions of identity and representation, Llamas-Rodriguez explores the waves of reception, scholarship, celebrity culture, and social media content around Y Tu Mamá También that have shaped its queer legacy, and the circuits of influence that enliven global cinema across media and national borders.…

Paperback. Condición: New. Father Luigi Giussani engaged tirelessly in educational initiatives throughout the course of his life. Much of his thought was communicated through the richness and rhythm of oral discourse, preserved as audio and video recordings in the archive of the Fraternity of Communion and Liberation in Milan. This volume presents the last three spiritual exercises of the Fraternity of Communion and Liberation, drawing from the transcripts of these recordings. In these exercises Giussani investigates the rise of ethics and the decline of ontology that have accompanied modernity and the spread of rationalism. Bearing up against old age and illness, he resisted the urge to withdraw, instead finding new avenues of communication and the technological means to reach all corners of the movement. To Give One's Life for the Work of Another explores the nature of God, the powerful human experience of self-awareness, and the fundamental components of Christianity, in the unmistakable voice of a consummate teacher. At a time when young people are abandoning the church and questioning the value of faith, Father Giussani's method of judging and verifying Christianity as an experience is a timeless intervention.…

Paperback. Condición: New. Eleonore Schönmaier explores three great forests of her life through the lens of experiential environmentalism. Along woodland trails and on the shores of essential bodies of water, she reveals beauty and loss in equal measure in these poems.Wildlife appears at regular intervals, never when expected. In Schönmaier's boreal forest childhood, she witnesses human and environmental exploitation and lives a life of labour. In a moment of joy, a canoe transforms into a sled. As she moves into adulthood, music creates a pulse to her life and her poems. In a heatwave, two pianists perform Wasserklavier in a botanical garden. A singer works in the Dutch resistance. A Greek composer creates love songs. An organist rides the rear carrier of a bicycle. Turkish composer Fazl Say performs his Black Earth.Goldfinches, blue-winged teals, waterthrushes, blue herons, and flickers inhabit the pages of Rush of Wingspan. The soundscape of these poems is intimate in scale - about nature, art, animals, cycling - chamber music more than opera. Love is the blue-river thread in the warp and weft of the collection. Schönmaier's focus on planetary and human rights is the red-blood contrast.…

Paperback. Condición: New. Céline Sciamma's 2011 film Tomboy is the central work in the French filmmaker's coming-of-age trilogy. Bracketed between La Naissance des pieuvres / Waterlilies (2007), an examination of girlhood and teenage desire, and the 2014 film Bande de filles / Girlhood, about the lives of a group of Black girls in their late teens living in the Paris suburbs, Tomboy is a quiet, understated examination of gender and queer selfhood amidst the shifting sands of late childhood and early adolescence.Tomboy is an intimate and luminous film, tender but stark, and never sentimental. Written, cast, and filmed in a matter of months, it follows the experiences and burgeoning friendships of a ten-year-old child who moves to a new town during the summer holidays. First introducing themself as Mikaël, they are, we later learn, Laure to their parents and younger sister. Sciamma's film is not interested in why the character is passing but in how. Cristina Johnston focuses on specific elements of Mikaël/Laure's haptic and spatial experience, showing how the filmmaker's signature engagement with surfaces and textures allows queer potentialities to unfold organically.While Johnston centres her analysis on Tomboy, she also connects the film to broader themes within Sciamma's trilogy, public reception of the films, and the significance of Sciamma's identity as a queer director. Ultimately the book offers insight into a film that deserves to be watched and appreciated for its nuanced portrayal of childhood, queerness, and passing as experience rather than ideology.…

Paperback. Condición: New. Why are my problems / always the worst? // And why / because I wrote that / do you think I don't believe it?White Lily is John Emil Vincent's love note to Louise Glück and Laurie Anderson, two artists inspired and bedevilled by white lilies.Under their spell the poet dives into parable, fable, received wisdom, compact discs, and ruined utopias like a gleeful truant child. The white lily is ever present - its meanings, messages, and seductive scent. The collection begins with a meditation on Anderson's song "White Lily" and its treatment of Rainer Werner Fassbinder's fourteen-hour film Berlin Alexanderplatz. It goes on to ponder whether, if we take them in earnest, our mistakes come to serve as the surest sign of seriousness.Throughout, Vincent's poems trouble what's exact and exacting, always with the white lily as companion, a promise of rebirth delivered in funeral tones.…

Paperback. Condición: New. Here the long edge / of town Low / winter fog / . My breath / my offering We are / our bodies burning Firmly rooted in fire-haunted landscapes that are at once psychological, emotional, and fiercely real, Patrick Errington's first collection traces the brittle boundaries between presence and absence, keeping and killing, cruelty and tenderness. In these poems human voices whisper through the natural world - a hand turns on a lamp to extinguish the stars; stones outline a sleeping form; a black eye is a storm cloud. Errington stokes vivid images, formal grace, and subtle humour into the flickers of life that hold fast against unforgiving terrain. Here language functions like a controlled burn, one that could at any moment preserve, perfect, or reduce to ash. Urgent, resonant to the bone, the swailing burns to the ember-edge of grief, memory, and control to find the wildness, wilderness, and wonder that remain.…

Paperback. Condición: New. When the trees came down no one knew how / to interpret the light. homeless / it bounces off glass surfaces / pierces the wandering eye-These poems walk streets and take snapshots of the impact financialization of our homes has on our sense of community and belonging.Meandering through physical and philosophical materials - cement, memory, water, narrative, history, sand, light, concrete, and others' voices - Daniela Elza documents this urgent moment. The reader winds through fragments amidst urban fragmentation. A sequence of triptych poems hearkens to silos, skyscrapers, and streets. Readers here have a choice: they can read across the page or down. She channels Syrian architect Marwa Al-Sabouni, who says, "The fabric of our cities is reflected in the fabric of our souls." SCAR/CITY emerges from the Vancouver context to take on global issues of predatory finance and a market that mines homes for profit. It steps outside of binary conversations in favour of poetic reflection and interrogates a system that results in perceptible depravity and scarcity, which leaves us homeless, metaphorically and literally.French philosopher Gaston Bachelard says, "The space we love is unwilling to remain permanently enclosed . Space calls for action, and before action, the imagination is at work." Amidst negotiations and advocacy in the fight for security of tenure and lease renewal, SCAR/CITY is a poetic call to action.…

Paperback. Condición: New. that moment / when nothing happens, you want it all to come / back to get you, even the hard stuff -Our increasingly nihilistic age is marked by profound sorrow. We are grieving institutions, art forms, the natural world, our communities - even our very humanity. We are overwhelmed by lives lost to war, violence, genocide, poverty, natural disasters, and disease. We live with the knowledge that a random occurrence could bring an absurd end to any life at any time.In At Beckett's Grave Robin Durnford gazes at the granite slab marking the resting place of the Irish playwright. In the middle of the ornate tombstones of an overgrown cemetery in Paris, Durnford finds a powerful metaphor in Samuel Beckett - the artist, the exile, the anti-fascist who joined the French resistance. Beckett's work - and the stark memory of his life - cuts through grandiose self-regard with a razor-sharp message: there is no final meaning. Yet we move forward, regardless.It turns out that the pause - the stage direction central to so many of Beckett's plays - may be the answer. Grief for an absent loved one never truly ends. Grief itself will never end. Yet, the poetic pause creates space for grief to breathe. During that lingering breath, abiding sorrow carves a path toward hope, one word, one poem, at a time.…

Paperback. Condición: New. Yes it is both river and sea / yes they mingle together here / yes one empties for the other / yes it tastes like tearsIn a powerful interplay of striking descriptions with tender intimations, Empties, Neil Surkan's third poetry collection, reckons with fatherhood in a depleted and collapsing environment: Is it possible to nurture new shoots while the fires close in?Feelings of emptiness, acts of emptying, and physical empties coalesce in these vivid and timely poems. Through a queer lens, Surkan's speaker scrutinizes masculinity and fatherhood as he confronts the necessary emptiness that comes with becoming someone's ancestor. Arrays of drained and discarded entities - empty bottles, broken pots and cups - summon a world, husked and untenably extracted, that teeters toward collapse, but even those empty spaces are receptacles for fleeting moments of vulnerability and tenderness. At its core, Empties explores the conditions of life on the verge of hopelessness. It finds, among shadows of doom and despair, unlikely but nonetheless inevitable reasons to hope.These are poems that teach endurance "in the face of all that won't / be saved" while still finding much in the world "to cherish / as it brinks." In direness, there is also awe: one mustn't forget, Surkan reminds us, that only empty bottles can sing.…

Paperback. Condición: New. A film that transcends time, Sally Potter's Orlando follows its titular character through nearly four hundred years of British history. Orlando starts life as a young man in the 1600s and then, mid-film, becomes a woman in the 1800s. Plot, production, and performance have all contributed to the film becoming a touchstone for Tilda Swinton's ethereal and gender-bending mode.A Russian-French-Dutch-American-Italian-British co-production, Orlando was hailed as a monumental work of international art house cinema upon its release in 1992. Some understood Potter's film, a work of ruthless and ingenious adaptation, as moving away from the lesbian content of Virginia Woolf's novel. Russell Sheaffer uses a detailed analysis of screenplay drafts and more than three decades of reception to argue that while the film moves away from a direct investment in same-sex relationships, Orlando's articulations of embodiment, desire, and time have made the film continually more queer in the years since its release.Taking cues from adaptation theory and gender studies, this book meticulously charts the distinct shift from lesbian feminist text to queer film classic, arguing that the film is as much an adaptation of Woolf's A Room of One's Own as it is of its eponymous novel.…

Paperback. Condición: New. A classic of New Mexican Cinema, Y Tu Mamá También courted controversy with its explicit depictions of teenage sexuality and its forthright perspective on the country's inequality. The cinematic sensation gained international accolades for its mixing of genres and film styles and inspired a wide body of writing from both critics and scholars. The multimedia lives of Y Tu Mamá También (especially in music, music videos, and social media) have kept the film relevant for audiences too young to have seen it when it debuted.Juan Llamas-Rodriguez revisits Y Tu Mamá También after more than two decades of social, industrial, and technological change to show how it astutely captures a particular moment in Mexican history and film production. The film was a turning point for Mexican stardom on the world stage, and the performances and celebrity of its stars, Diego Luna and Gael García Bernal, reframed millennial Mexican masculinities. The eclectic and popular bilingual soundtrack is a focal point, read as engendering a queer listening and as an integral aspect of the film's queering of time. Rather than being legibly classified as gay or bisexual, Y Tu Mamá También flouts sexual mores and national stereotypes and continues to spur new forms of longing and desire among audiences today.Moving beyond heavily debated questions of identity and representation, Llamas-Rodriguez explores the waves of reception, scholarship, celebrity culture, and social media content around Y Tu Mamá También that have shaped its queer legacy, and the circuits of influence that enliven global cinema across media and national borders.…

Paperback. Condición: New. Written in less than ten days in 1994, The Adventures of Priscilla: Queen of the Desert became a cultural phenomenon that fundamentally altered mainstream ideas about queer identity worldwide.The iconic imagery of Priscilla still resonates as a symbol of global queer pride and liberation in spite of a critical reception that has varied since its release. Renée Middlemost provides valuable insight into the key debates surrounding the film through an overview of its production, initial reception, and legacy - adaptation into a stage musical, theme for an Olympic float, and inspiration for reality television programs. The evolution of Priscilla's reputation also offers insight into ever-changing cultural attitudes: wild praise upon release, academic and critical backlash, and finally a nuanced but warm welcome into the history of Australian cinema. Equal parts road movie, musical, and comedy, Priscilla moved between genres, pulling off a radical centring of queer lives for mainstream consumption in the mid-1990s.Passing its thirtieth anniversary, The Adventures of Priscilla: Queen of the Desert endures as cult object and cultural touchstone, adored by devoted audiences while serving as a reminder of progress made and the work still needed for acceptance. As Middlemost says of her first viewing in a suburban Sydney multiplex in 1994: "It was rude, it was sparkly, it shocked the family members who had begrudgingly taken me; I loved it.".…

Paperback. Condición: New. the body / knows what / it truly / wants yet / the mind / wavers allIn Edward Carson's provocative new work, the poetic moving parts of movingparts confront and breathe new life into what's true and what's not in Aesop's fable "The Fox and the Crow," as well as the shifting, often fragmentary ground between what's said and what's not about identity and intimacy in Sappho's lyrics.Reflecting the moment-to-moment ways our minds think, these poems take us from a creative process of disconnection and reassembly to a sonic pacing of words arising out of their stillness on the page. A flair for syntactical compression is found throughout, balanced by a capricious yet transforming diction, what John Ashbery described as seeking to stretch "the bond between language and communication." Calling witness to the narratives of history while pivoting their reach forward to the present, the rhythms, allusions, and resulting outcomes of Carson's use of language expand both narrative and discovery. movingparts is brought full circle when an unexpected historical connection between Sappho and Aesop is revealed, hinting that what is true or false in the past or present of our lives can arrive at an intimacy with and illumination of more than we imagine.…

Paperback. Condición: New. The day's an old room / stripped of its furniture; there are / never enough beds in winter. / By late afternoon, the shadows / are forming a blue inconsolable hall // as sparrows retreat to makeshift / cots of pine bark and eaves. // Even the parched marsh grass / has stilled, every blade / become an ear. Sensuous, atmospheric, and spare, The Unlit Path Behind the House collects poems that seek light in difficult places. In lines filled with an intense music, Margo Wheaton listens for the lyricism inside the day's blessings and catastrophes. Wheaton's poems sing at the intersections where public and private worlds collide: the steady cadence of a boy carrying an unconscious girl in his arms, the afternoon journey of a woman taking books to prisoners, the rhythmic breathing of a homeless man asleep in a parking lot. In these works, fireflies pulse in the dark, lovers clasp and unclasp, and street signs sing like Blake's angels. Deeply informed by the natural world, Wheaton's writing is marked by great meditative depth; while passionately engaged, these poems evoke a field of mystery and stillness. Whether exploring themes of isolation, spiritual dispossession, desire, or the sanctity of daily rituals, The Unlit Path Behind the House conveys our longing for home and the different ways we try to find it.…

Paperback. Condición: New. "My best actions are a parrot's / bright feathers in the dark jungle / trying to catch your eye / with the colour and flight / which says, I am here / and trying to do what's right." Do we make the universe, or does it make us? In Outside, Inside, Michael Penny positions each of us at the centre of this mystery, but lightens this presumption with irony and word-play that is as entertaining as it is thought-provoking. The three hundred short, linked poems in this collection begin with a complaint about the unknowability of what's outside and what's inside, but then shift to an engagement with the very nature of this outside/inside dichotomy. Penny then explores the many ways the question arises for us: through travel, wind, rain, signs, ladders, landscape, the sun, the moon, even parrot feathers, and, of course, in how we use words and find meaning in them. Ultimately, the poems ask whether we construct what's outside, or whether what's outside constructs us.…

Paperback. Condición: New. Between The Sexes What is the chance she smiles on this rivalry declared in the unspoken as chivalry, even one glance shot in the glass, while ahead he waits holding the door half-open, half-closed. Andrew Steinmetz's second collection of poetry turns a clinical eye on his favourite subjects - love, marriage, power, fantasy, and art. At the crossroads of the credos "know thyself" and "heal thyself," Steinmetz adopts a "hurt thyself" attitude that is sardonic and compassionate. Using a tersely sensitive language that relies on the poet's own speaking voice, Hurt Thyself betrays a slightly ominous and skewed philosophical rigor. The implications of the poet's examined life are poems that feel emotionally exposed yet discriminating and sceptical.…

Paperback. Condición: New. and it was in these bare sands / that you fell, / beloved.When John Baglow's partner Marianne MacKinnon died in 2006, he decided to assemble a new collection of poems in her memory. No one else knew of what proved to be a slow-moving ambition, but a member of the family mentioned one evening that Marianne had appeared in a dream, saying, "Tell John to finish my book." After that, what choice did he have?In a famous photograph by James Crombie, a murmuration of starlings takes, for a magical moment, the shape of a giant bird. This is the metaphor that best describes the collection: individual poems moving together in liquid formation, arcing and swooping as they will, and for perhaps just a singular moment assuming the outline of the author, helplessly ever-changing. Some of these poems, inspired by love, grief, and wonder, have been tucked away for years; others are freshly written. All here find their place.There is no narrative in Murmuration, no chronology. Nor are the many personal remembrances and representations in the book confined to one person. Nevertheless, together they are one way of seeing, one way of being. Marianne would approve.…

Paperback. Condición: New. take the harp, take / the Fitbit and the Band-Aid box. Fold the whole / grey sheet of sky, lumpy and unalluring / into your rucksack.A strong theme of journeys is threaded through Take the Compass. In a sense, every poem is itself a journey - into the past or the present, or toward what we hope and fear for the future. Poems can be journeys of repair and recovery, adventure and discovery. However, even in pandemic times when our journeying is curtailed, or at least confined, when we are abiding in one physical location with chafing and restiveness, we are still travelling. One of those journeys is discovering where language can take us.Maureen Hynes's poems travel through cities and their outskirts to rivers, forests, and graveyards. They travel in time into the troubled present, across decades into early childhood, and into our perilous collective futures, seeking guides for these explorations. The title poem addresses the search for tools and instruments that will "ward off adversity" - tools to help us move forward to our chosen destinations. Take the Compass calls on art and nature as invisible helpers, and on uncountable things - personal values and traits such as courage - to "break the bad news into nine living petals."As with all her collections, Hynes shows a commitment to social justice, to acknowledging historical and contemporary inequities, to the search for sources of remedy, repair, and renewal, and to the sustaining power of love. The variety of poetic forms she has chosen lets this search carry the complexity and seriousness of its themes. …

Paperback. Condición: New. Céline Sciamma's 2011 film Tomboy is the central work in the French filmmaker's coming-of-age trilogy. Bracketed between La Naissance des pieuvres / Waterlilies (2007), an examination of girlhood and teenage desire, and the 2014 film Bande de filles / Girlhood, about the lives of a group of Black girls in their late teens living in the Paris suburbs, Tomboy is a quiet, understated examination of gender and queer selfhood amidst the shifting sands of late childhood and early adolescence.Tomboy is an intimate and luminous film, tender but stark, and never sentimental. Written, cast, and filmed in a matter of months, it follows the experiences and burgeoning friendships of a ten-year-old child who moves to a new town during the summer holidays. First introducing themself as Mikaël, they are, we later learn, Laure to their parents and younger sister. Sciamma's film is not interested in why the character is passing but in how. Cristina Johnston focuses on specific elements of Mikaël/Laure's haptic and spatial experience, showing how the filmmaker's signature engagement with surfaces and textures allows queer potentialities to unfold organically.While Johnston centres her analysis on Tomboy, she also connects the film to broader themes within Sciamma's trilogy, public reception of the films, and the significance of Sciamma's identity as a queer director. Ultimately the book offers insight into a film that deserves to be watched and appreciated for its nuanced portrayal of childhood, queerness, and passing as experience rather than ideology.…

Paperback. Condición: New. When the trees came down no one knew how / to interpret the light. homeless / it bounces off glass surfaces / pierces the wandering eye-These poems walk streets and take snapshots of the impact financialization of our homes has on our sense of community and belonging.Meandering through physical and philosophical materials - cement, memory, water, narrative, history, sand, light, concrete, and others' voices - Daniela Elza documents this urgent moment. The reader winds through fragments amidst urban fragmentation. A sequence of triptych poems hearkens to silos, skyscrapers, and streets. Readers here have a choice: they can read across the page or down. She channels Syrian architect Marwa Al-Sabouni, who says, "The fabric of our cities is reflected in the fabric of our souls." SCAR/CITY emerges from the Vancouver context to take on global issues of predatory finance and a market that mines homes for profit. It steps outside of binary conversations in favour of poetic reflection and interrogates a system that results in perceptible depravity and scarcity, which leaves us homeless, metaphorically and literally.French philosopher Gaston Bachelard says, "The space we love is unwilling to remain permanently enclosed . Space calls for action, and before action, the imagination is at work." Amidst negotiations and advocacy in the fight for security of tenure and lease renewal, SCAR/CITY is a poetic call to action.…

Paperback. Condición: New. Yes it is both river and sea / yes they mingle together here / yes one empties for the other / yes it tastes like tearsIn a powerful interplay of striking descriptions with tender intimations, Empties, Neil Surkan's third poetry collection, reckons with fatherhood in a depleted and collapsing environment: Is it possible to nurture new shoots while the fires close in?Feelings of emptiness, acts of emptying, and physical empties coalesce in these vivid and timely poems. Through a queer lens, Surkan's speaker scrutinizes masculinity and fatherhood as he confronts the necessary emptiness that comes with becoming someone's ancestor. Arrays of drained and discarded entities - empty bottles, broken pots and cups - summon a world, husked and untenably extracted, that teeters toward collapse, but even those empty spaces are receptacles for fleeting moments of vulnerability and tenderness. At its core, Empties explores the conditions of life on the verge of hopelessness. It finds, among shadows of doom and despair, unlikely but nonetheless inevitable reasons to hope.These are poems that teach endurance "in the face of all that won't / be saved" while still finding much in the world "to cherish / as it brinks." In direness, there is also awe: one mustn't forget, Surkan reminds us, that only empty bottles can sing.…

Paperback. Condición: New. Impulse said preserve the mess of construction, the unbiblical / carnage. This is my excuse for everything. Intensive and extensive, aboutness convenes across geographies and temporalities, in conversation with interlocutors living and dead, real and imagined. Set against a break-up with God, insomniac nights, and smoke-filled skies, this virgule-infused song of negation is by turns wry, performative, and sober. Threads of self-making are juxtaposed with an ever-unfolding present exposing the limits and possibilities of convergence. Marked by digression, asides, qualifiers, and a substructure of endnotes that together create layers of indeterminacy, aboutness takes the reader from Twin Peaks to Ganesh, Roland Barthes to Catullus, blue flamingoes to Ophelia, Agnes Martin to St Augustine. Haunted by the ghost of the text not realized, this is poetry that resists ossification and refuses to stand still, where the process of production is itself invited to the carnival.…

Paperback. Condición: New. The world's / face like a / picture plane. / Its space / offered to the / eye as a / colour might be.In these poems, everyday occurrences - an imprint in grass, crumbs in a wrapper, the sound of a thermostat engaging - are opportunities for thinking through close attention. Small Theatres is the latest instalment in Mark Truscott's exploration of our perceptions and feelings of separation from the world around us.Truscott has mobilized the materiality of language, pushing it into territories of its own failure. These poems find a haunting, opaque song, as they shift theme and method toward time-based disciplines such as music and drama. Small Theatres looks for meaning in an increasingly meaningless world where simultaneous scarcity and excessive availability are products of mechanisms seemingly beyond our grasp. Marshalling minimalist and objectivist techniques and a relentless attention to the fissures running through each thought and every moment of our lives, these poems give shape to a reality constantly on the verge of collapse.Composed at home in the quiet of early morning, Small Theatres evokes practices of solitude, domesticity, and sober attentiveness to the seemingly insignificant.…

Paperback. Condición: New. Once upon a time, you folded / around me like an envelope.Confronting the contradictions, pains, and passions of infidelity, Danielle Hubbard's new poetry collection jaggedly depicts a mother's death against the backdrop of a shattering extramarital affair.Following a strong narrative arc, The Electrocutionist shocks life into a full cast of characters - narrator, husband, lover, mother, father, sisters - each of whom is treated to their own portrait poem. The twin settings of rural Manitoba and Vancouver Island come to life as characters themselves. An electric physicality welds the collection together: What to do in the face of a mother's terminal diagnosis? When a secret affair crashes into the open? When a marriage ties itself in knots? When a husband leaves? Run, run, run.Both concrete and surreal, flailingly emotional and tongue-in-cheek, The Electrocutionist bridges the age-old tradition of romance and the modern desire to explode the strictures of monogamy.…

Paperback. Condición: New. so the long stretch of life / reveals its curvature / by those widely separated // moments when we are / brushed / by this awareness // of an other / that we do not knowIn his latest collection of poems, poet, deep state researcher, and radical medievalist Peter Dale Scott interrogates topics that have occupied his later thought and writing, such as moreness (our need, as humans, to be more than we are), minding, and enmindment (the generative synergy, engaging both hemispheres of our bicameral mind, of intellectual and spiritual enlightenment, now out of kilter).In pursuit of these themes, Scott's voice ranges far, from engaging with poets of the past and, hopefully, the future to critiques of coercive political power, from elegies for important figures in his life - Leonard Cohen, Daniel Ellsberg, Czeslaw Milosz, and Robert Silvers - to fan letters for "minders" Chelsea Manning and Dr Christine Blasey Ford.Dreamcraft is a book that crosses distances and straddles boundaries, moving from whistleblower law to the mimetic properties of DNA, from "the entropic spread / of the drifting cosmos / after the big bang" to "the push of lawn grass / under foot.".…

Paperback. Condición: New. Naomi Guttman's new poetry collection was inspired by the role of nursing in human evolution and culture.