Pucker gallery us gb (10 resultados)

Hardback. Condición: New. Common wisdom has it that a picture is worth a thousand words, but in this series of paintings artist Samuel Bak wonders: can a word be worth a thousand pictures? Words are constructed from letters, which stem from hieroglyphic representations of the world around us. The use of letters, words, and sentences in art is not the domain only of comics and cartoons. Examples exist in medieval art, in the art of the post-Impressionists, the Cubists, the Dadaists, the Conceptualists, and more. Bak has always integrated letters and words into his art, incorporating both Hebrew and English characters, cleverly visualizing turns of phrase, and playing on multiple meanings and double entendres. In this series, the letters of the word hope appear in various conditions and ambiguous states-sometimes monumental, sometimes disguised, unnaturally large or unusually small, at times solid and whole, at other times broken and in disarray. They are both impish and foreboding, sometimes clearly presented and other times defying order or even recognition. They are wounded yet resilient, detached but seeking connection. Four simple letters-H, O, P, E-belie the significance and complexity of the word they spell. Is hope something we find or something we build? We dwell in a world that shapes us as we shape it and this interactive dimension applies to the feeling of hope, familiar to every human being who has ever anticipated, wished, or expected. For Bak, the work of building hope, or believing in the hope that others offer, requires engaging with the discarded and broken pieces of a previously trusted world now irrevocably shattered by the Holocaust. In landscapes, still lifes, and figural works, Bak gathers the layered elements of hope for us to contemplate and reminds us that they hold within and among them a promise for rebuilding and renewal. At best, hope is a wager of trust embodied in the venture of going forth. In his essay, Henry Knight guides us through the multivalent forms of hope in Bak's work, asks us to question what we see and look beyond the visible, endeavors to define what hope after the Holocaust looks like, and teaches us that the process of creation after destruction represented by Bak's work is itself the ultimate act of hope.…

Hardback. Condición: New. Brother Thomas urged us to live In the details of loving kindness. This perpetual day book features weekly images of Brother Thomas' work with quotations from his writings. This book is the fifth volume of its kind, following This is the Day and Celebrate the Days. Brother Thomas' correspondence is a resource of wisdom: Biblical, prophetic, and wise. His perceptions about life, art, beauty, and the spirit will nourish the reader. For this coming year we will focus on living each day in the loving details of kindness and gratitude.…

Hardback. Condición: New. Common wisdom has it that a picture is worth a thousand words, but in this series of paintings artist Samuel Bak wonders: can a word be worth a thousand pictures? Words are constructed from letters, which stem from hieroglyphic representations of the world around us. The use of letters, words, and sentences in art is not the domain only of comics and cartoons. Examples exist in medieval art, in the art of the post-Impressionists, the Cubists, the Dadaists, the Conceptualists, and more. Bak has always integrated letters and words into his art, incorporating both Hebrew and English characters, cleverly visualizing turns of phrase, and playing on multiple meanings and double entendres. In this series, the letters of the word hope appear in various conditions and ambiguous states-sometimes monumental, sometimes disguised, unnaturally large or unusually small, at times solid and whole, at other times broken and in disarray. They are both impish and foreboding, sometimes clearly presented and other times defying order or even recognition. They are wounded yet resilient, detached but seeking connection. Four simple letters-H, O, P, E-belie the significance and complexity of the word they spell. Is hope something we find or something we build? We dwell in a world that shapes us as we shape it and this interactive dimension applies to the feeling of hope, familiar to every human being who has ever anticipated, wished, or expected. For Bak, the work of building hope, or believing in the hope that others offer, requires engaging with the discarded and broken pieces of a previously trusted world now irrevocably shattered by the Holocaust. In landscapes, still lifes, and figural works, Bak gathers the layered elements of hope for us to contemplate and reminds us that they hold within and among them a promise for rebuilding and renewal. At best, hope is a wager of trust embodied in the venture of going forth. In his essay, Henry Knight guides us through the multivalent forms of hope in Bak's work, asks us to question what we see and look beyond the visible, endeavors to define what hope after the Holocaust looks like, and teaches us that the process of creation after destruction represented by Bak's work is itself the ultimate act of hope.…

Hardback. Condición: New. Being born into a traditional Japanese artistic family means inheriting more than just a craft-it includes a family name, artistic style, tools, property, clientele, and a deep-rooted legacy. The Takatori lineage dates back over 400 years and began when Korean potter Hachizo was brought to Japan by warlord Kuroda Nagamasa to produce ceramics for the powerful Kuroda domain. Through generations, the Takatori potters weathered political turmoil and shifts in patronage, evolving to meet the aesthetic demands of the tea ceremony elite. Today, Miraku Kamei XV balances the Takatori tradition with modernization amid economic and urban change. Andrew Maske's book explores fifteen generations of this family of master potters, honoring their history, identity, and innovative expression.…

Hardback. Condición: New. Art and Life: The Story of Samuel Bak traces the development of a child prodigy deeply shaped by the catastrophic events of the Shoah, from his early artistic influences to his years in the Vilna Ghetto and Landsberg DP Camp, his formal training in Israel and Paris, and his fruitful art career in Rome, New York, Switzerland, and Boston. Augmenting the rich existing literature on Bak, Art and Life explores-in thoughtful prose and through reproductions of both iconic and rarely seen work created between 1942 and 2022-how he navigated the prevailing art trends of the mid-twentieth century in search of his own pictorial language. It considers the personal, historical, and artistic currents that led Bak, now aged 90, to create an astonishing body of work that bears witness to cataclysmic events, embodies our common humanity of suffering and hope, and poses questions about the repair of the world.…

Hardback. Condición: New. Common wisdom has it that a picture is worth a thousand words, but in this series of paintings artist Samuel Bak wonders: can a word be worth a thousand pictures? Words are constructed from letters, which stem from hieroglyphic representations of the world around us. The use of letters, words, and sentences in art is not the domain only of comics and cartoons. Examples exist in medieval art, in the art of the post-Impressionists, the Cubists, the Dadaists, the Conceptualists, and more. Bak has always integrated letters and words into his art, incorporating both Hebrew and English characters, cleverly visualizing turns of phrase, and playing on multiple meanings and double entendres. In this series, the letters of the word hope appear in various conditions and ambiguous states-sometimes monumental, sometimes disguised, unnaturally large or unusually small, at times solid and whole, at other times broken and in disarray. They are both impish and foreboding, sometimes clearly presented and other times defying order or even recognition. They are wounded yet resilient, detached but seeking connection. Four simple letters-H, O, P, E-belie the significance and complexity of the word they spell. Is hope something we find or something we build? We dwell in a world that shapes us as we shape it and this interactive dimension applies to the feeling of hope, familiar to every human being who has ever anticipated, wished, or expected. For Bak, the work of building hope, or believing in the hope that others offer, requires engaging with the discarded and broken pieces of a previously trusted world now irrevocably shattered by the Holocaust. In landscapes, still lifes, and figural works, Bak gathers the layered elements of hope for us to contemplate and reminds us that they hold within and among them a promise for rebuilding and renewal. At best, hope is a wager of trust embodied in the venture of going forth. In his essay, Henry Knight guides us through the multivalent forms of hope in Bak's work, asks us to question what we see and look beyond the visible, endeavors to define what hope after the Holocaust looks like, and teaches us that the process of creation after destruction represented by Bak's work is itself the ultimate act of hope.…

Hardback. Condición: New. Brother Thomas urged us to live In the details of loving kindness. This perpetual day book features weekly images of Brother Thomas' work with quotations from his writings. This book is the fifth volume of its kind, following This is the Day and Celebrate the Days. Brother Thomas' correspondence is a resource of wisdom: Biblical, prophetic, and wise. His perceptions about life, art, beauty, and the spirit will nourish the reader. For this coming year we will focus on living each day in the loving details of kindness and gratitude.…

Hardback. Condición: New. Common wisdom has it that a picture is worth a thousand words, but in this series of paintings artist Samuel Bak wonders: can a word be worth a thousand pictures? Words are constructed from letters, which stem from hieroglyphic representations of the world around us. The use of letters, words, and sentences in art is not the domain only of comics and cartoons. Examples exist in medieval art, in the art of the post-Impressionists, the Cubists, the Dadaists, the Conceptualists, and more. Bak has always integrated letters and words into his art, incorporating both Hebrew and English characters, cleverly visualizing turns of phrase, and playing on multiple meanings and double entendres. In this series, the letters of the word hope appear in various conditions and ambiguous states-sometimes monumental, sometimes disguised, unnaturally large or unusually small, at times solid and whole, at other times broken and in disarray. They are both impish and foreboding, sometimes clearly presented and other times defying order or even recognition. They are wounded yet resilient, detached but seeking connection. Four simple letters-H, O, P, E-belie the significance and complexity of the word they spell. Is hope something we find or something we build? We dwell in a world that shapes us as we shape it and this interactive dimension applies to the feeling of hope, familiar to every human being who has ever anticipated, wished, or expected. For Bak, the work of building hope, or believing in the hope that others offer, requires engaging with the discarded and broken pieces of a previously trusted world now irrevocably shattered by the Holocaust. In landscapes, still lifes, and figural works, Bak gathers the layered elements of hope for us to contemplate and reminds us that they hold within and among them a promise for rebuilding and renewal. At best, hope is a wager of trust embodied in the venture of going forth. In his essay, Henry Knight guides us through the multivalent forms of hope in Bak's work, asks us to question what we see and look beyond the visible, endeavors to define what hope after the Holocaust looks like, and teaches us that the process of creation after destruction represented by Bak's work is itself the ultimate act of hope.…

Hardback. Condición: New. Being born into a traditional Japanese artistic family means inheriting more than just a craft-it includes a family name, artistic style, tools, property, clientele, and a deep-rooted legacy. The Takatori lineage dates back over 400 years and began when Korean potter Hachizo was brought to Japan by warlord Kuroda Nagamasa to produce ceramics for the powerful Kuroda domain. Through generations, the Takatori potters weathered political turmoil and shifts in patronage, evolving to meet the aesthetic demands of the tea ceremony elite. Today, Miraku Kamei XV balances the Takatori tradition with modernization amid economic and urban change. Andrew Maske's book explores fifteen generations of this family of master potters, honoring their history, identity, and innovative expression.…

Hardback. Condición: New. Art and Life: The Story of Samuel Bak traces the development of a child prodigy deeply shaped by the catastrophic events of the Shoah, from his early artistic influences to his years in the Vilna Ghetto and Landsberg DP Camp, his formal training in Israel and Paris, and his fruitful art career in Rome, New York, Switzerland, and Boston. Augmenting the rich existing literature on Bak, Art and Life explores-in thoughtful prose and through reproductions of both iconic and rarely seen work created between 1942 and 2022-how he navigated the prevailing art trends of the mid-twentieth century in search of his own pictorial language. It considers the personal, historical, and artistic currents that led Bak, now aged 90, to create an astonishing body of work that bears witness to cataclysmic events, embodies our common humanity of suffering and hope, and poses questions about the repair of the world.…