Pindar press gb (223 resultados)
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Paperback. Condición: New. Marilyn Aronberg Lavin has taught the history of art at Washington University, the University of Maryland, Yale, Princeton, and Università di Roma, La Sapienza. Specializing in Italian 13th-16th century painting, she is internationally known for her books and articles on Piero della Francesca. Her othe…r books include The Place of Narrative: Mural Painting in Italian Churches, 431-1600 AD., and Seventeenth-Century Barberini Documents and Inventories of Art , both of which were recipients of international prizes for distinguished scholarship. She is one of the leaders in the use of computers and digitized imagery for research, teaching, and publication in the history of art. This book offers a series of case studies intended to introduce and define an important class of fifteenth-century Italian art not previously recognized. It is argued that the paintings and sculptures discussed were created privately by artists for personal satisfaction and internal needs, outside the traditional framework of patronage and commercial gain. Since there is no direct documentation from this period of a work being privately made, the selection presented here is necessarily speculative. Instead, the essays focus on works by Piero della Francesca, Mantegna, Michelangelo, Bellini, and Titian that appear in the artists' testaments, letters of refusals to sell, and inventories showing ownership at the time of death. The task at hand is to uncover the motivation and meaning of works of art in which the medieval craftsman began to rise to the status of independent artist, and the maker and the viewer confront each other face to face for the first time.
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Paperback. Condición: New. Michael Kitson (1926-98) taught European art history at the Courtauld Institute for thirty years. He had a special interest in landscape, and in the relationship between 17th-century artists and their later followers in Britain. His most substantial scholarly contributions are confined chiefly to the s…ubjects of this book, Claude Lorrain and Nicolas Poussin - especially to Claude. It is fair to say that he transformed the study of Claude Lorrain's work. His approach was informed by his earlier studies of English literature, both in its insistence on close scrutiny of the work of art, and in its emphasis on the aesthetic or 'poetic' qualities of Claude's work. The present volume contains twenty essays and reviews, chiefly concerning Claude Lorrain, but also including one on Gaspard Dughet, two on Nicolas Poussin (including the latest piece, an authoritative review of the 1994 Poussin"exhibition), and a comparison of Claude and Poussin in landscape. The writings range considerably in scale and scope, from closely focussed analyses of one or two paintings, or a group of drawings, to reviews of exhibitions and"catalogues raisonnés, and the introduction to the 1969 Hayward Gallery exhibition, which introduced a wider public to an"appreciation of Claude and ideal landscape. There is an introduction by Dr. Claire Pace covering the work of Professor Kitson, and a comprehensive index.
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Paperback. Condición: New. Lilian Armstrong is Professor of Art at Wellesley College, Massachusetts, and a specialist on Venetian Renaissance book illumination. She is the author of The Paintings and Drawings of Marco Zoppo and Renaissance Miniature Painters and Classical Imagery: The Master of the Putti and His Venetian Worksho…p, and she was a major contributor to the exhibition catalogue The Painted Page: Italian Renaissance Book Illumination 1450-1550 (ed. by Jonathan Alexander). Her publications have focussed particularly on the transition from illuminated manuscripts to the hand-illuminated early printed book in Venice. The present volume collects Professor Armstrong's papers on miniaturists active in Venice and Northern Italy in the 15th and early 16th centuries, and on the impact of the new invention of printing on these artists and their patrons. Included are papers on Marco Zoppo, primarily a monumental"painter, who nevertheless also painted in manuscripts and incunables. The studies variously identify miniaturists and designers of woodcuts through stylistic groupings, trace iconographic traditions for Pliny's Natural History and Petrarch's De viris illustribus, demonstrate the importance of heraldry for studying patronage of Venetian printed books, and explore the distribution of Venetian incunables throughout Europe based on analysis of their decoration.
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Paperback. Condición: New. Since turning to the field of Jewish art over twenty years ago, Vivian Mann has concentrated on investigating Jewish ceremonial art within the dual contexts of Jewish law, and the history of decorative arts in general, including the ceremonial art made for the Church and the Mosque. The introduction to… this volume considers classic rabbinic attitudes toward art and its relationship to spirituality. The remaining essays are divided into three groups: the first concerns medieval ceremonial art; the second, articles on the Jewish art of Muslim lands beginning with the early Middle Ages; and the third consists of essays on Judaica during the periods of the Renaissance and rococo.
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Paperback. Condición: New. Trained as both an archaeologist and an art historian, Richard Gem established his specialist interest in pre-Romanesque and Romanesque architecture with his doctoral research at Cambridge University. Since then he has researched, published and lectured widely in this subject, while holding posts in di…fferent fields of cultural resource management. Dr Gem's earlier work aimed to establish an understanding of English architecture in the 11th century that would break away from the view that cultural development in this period could be simply explained in terms of whether buildings were constructed before or after the Norman Conquest. He has taken a wide view of how cultural processes in England need to be seen in the context of broader European trends, in order to understand both English architecture's indebtedness to the Continent, and also what gives it its specific national character. His earlier papers applied this approach to the development of the Romanesque style of architecture in England through the course of the 11th century while more recently he has applied a similar approach to earlier centuries, including the Carolingian period. Taking a broad view of cultural trends as his starting point, he has always anchored his work on a detailed archaeological, historical and stylistic analysis of individual buildings before drawing conclusions. This publication includes Dr Gem's main work over a period of quarter of a century. Taken together, these studies present an overview of the development of English Church architecture from the 7th century to the 12th.
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Paperback. Condición: New. The author is Professor at the Institute of Fine Arts at New York University, and a noted authority on Italian medieval and Renaissance manuscript illumination. His numerous publications include Medieval Illuminators and Their Methods of Work, and he recently organized the exhibition The Painted Page:…Italian Renaissance Book Illumination 1450-1550 at the Royal Academy of London. The present volume presents a comprehensive selection of Professor Alexander's papers on Italian manuscript illumination, from the medieval period through the Renaissance. These feature some of the most celebrated works of one of the great ages of book production. A paper on marginal illustrations in Italian manuscripts is published here for the first time, and the older studies have been extensively revised and updated. There is a comprehensive index, and a new introduction by the author.
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Paperback. Condición: New. Christopher Walter, in his research on Byzantine art, has been particularly concerned by the significative value of iconography. The Byzantines, perhaps more than other cultural groups, were aware that pictures could "speak". The form and content of their "message" is explored here in a series of twent…y-six articles, together with the use to which this "message" could be put. The first group of six articles is concerned with manuscript illustration. The second group of six articles shows how pictures could be used for ecclesiological purposes, not only to set out the universal mission of the Church. and its relations with political authorities, but also the relations of a local Church with the ensemble. A third group of three articles is concerned with the use of pictures in order to instruct the faithful on the raison d'être of the liturgy. The fourth group of seven articles studies the use of pictures to make better known to the populace the role of saints in the life of terrestrial men. Finally two articles document the use of iconography on apotropaic objects like amulets. In an epilogue the author brings up to date the bibliography of the subjects studied in these articles.
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Paperback. Condición: New. The title is an allusion to the description by Suger, Abbot of St. Denis, of the men of the Auvergne. Suger depicts "that old pride" in a chapter of his Deeds of Louis the Fat, which chronicles the arrival of King Louis VI in the region (1122 and 1126), to succor Eimeric I, the Bishop of Clermont, obli…ged to flee his episcopal town after its seizure by the Count of Auvergne. The citation provides a frame of reference for the subject of this study: the Auvergnat laity and its relations with the Church as they can be deduced from the abundant representations of secular figures in Romanesque Auvergne. A wide-ranging interdisciplinary approach is brought into play in dealing with the art historical, historical, social, political, legal, theological, and liturgical aspects of the theme. The first three chapters treat the various contexts in which secular characters appear. Chapter 1 distinguishes between two series, of lay donors and of avaricious persons, Chapter 2 discusses figures of warriors in enigmatic contexts in the churches of Brioude and Riom-ès-Montagnes. Chapter 3 is concerned with non-noble figures, namely a group of rustic shepherds. Chapter 4 examines the ecclesiastical condition in the province through a case study of the monastic community of Mozac. The description of the peculiarities of Auvergnat Romanesque sculpture, and the inquiry into the imagery as a product of the rival forces of Church and laity, offers a new reading of such matters as property, social hierarchy, law, liturgy, and theology, as they are reflected in stone. The unrecorded past of the figures in various contexts of giving or of indulging in avarice, war, and bloodshed, is perhaps compensated by this sculptural abundance.
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Paperback. Condición: New. Dr Angeliki Lymberopoulou lectures on Byzantine Studies at the Open University, and is an expert on the art and society of Venetian-dominated Crete (1211-1669). During this period, Crete was perhaps the most important Venetian stronghold in the Mediterranean . The traditional view that there was little… cultural interaction between the native Greek Orthodox population and the Venetian colonists has recently been cast in doubt. From the early fourteenth century onwards, the two ethnically and religiously different inhabitants of Crete formed in fact a hybrid society, and Cretan artistic development reflects this progress. The book focuses as a case study on the church of the Archangel Michael at Kavalariana. This is a small church in the village of Kavalariana on the south-western part of the island. It is dated by a dedicatory inscription to the year 1327/28. The conservative iconographic programme of the wall paintings inside the church consists of seventeen religious scenes and thirty-three isolated saintly figures. As the paintings are signed Ioannes, they have been attributed to the prolific fourteenth-century Cretan artist Ioannes Pagomenos. A close examination of the style and comparisons with Pagomenos' oeuvre suggest, however, that Ioannes of Kavalariana was a separate artist with an identity of his own. A unique feature of the Kavalariana cycle is the pro-Venetian inscription which, in combination with the fourteen portraits of the donors that appear in the church, forms an important witness to Venetian/Cretan cultural interaction.
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Paperback. Condición: New. The Russian artist Kazimir Malevich was one of the great figures of twentieth-century art, and a pioneer of abstraction, whose painting The Black Square of 1915 has become an icon of modernism. Yet he is a creative figure about whom much still remains to be elucidated. Soviet scholarship ignored him fo…r decades, and Western scholars were inevitably only able to work with the limited visual and documentary material that was available to them. It was only after the fall of Communism in 1991 that access to such material became easier. This book represents the fruits of the research that has been conducted since then by a range of Russian and Western scholars who have been able to shed vital new light on the artist's life, his training, his art, his career, his relationships with other artists and movements, and his theories.
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Paperback. Condición: New. Andrew Ladis is Franklin Professor of Art History at the University of Georgia. Over the course of the last twenty years he has written extensively on Italian art. In addition to books on Taddeo Gaddi and on the Brancacci Chapel, he has made notable contributions to the study of early Italian painting…and sculpture with essays on such figures as Giovanni Pisano, Giotto, Jacopo del Casentino, Ambrogio Lorenzetti, and Niccolò di Tommaso. But the range of his interests, made apparent by this collection, extends far beyond fourteenth-century Florence and Siena to encompass Tuscan painting of the fifteenth century, Renaissance maiolica, the writings of Giorgio Vasari, biography, and modern historiography. Further, the assembled essays and book reviews embrace a wide array of art historical problems, such as connoisseurship, patronage, workshop procedure, and the relationship between form and meaning. Of particular note is a major interpretive essay on one of the key monuments of the Renaissance, the mural decoration of the Brancacci Chapel painted by Masaccio, Masolino, and Filippino Lippi. Appearing here in revised form, this study is newly accompanied by a copious number of illustrations, including some never before published.
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Paperback. Condición: New. Over the last fifty years Professor Cornelius Vermeule, formerly curator of Classical Art at the Boston Museum of Fine Arts, has consolidated his reputation as one of the foremost American authorities on Graeco-Roman art. His published work has covered the entire period from Mycenean to Byzantine art,…and his papers have included studies of metalwork, sculpture, numismatics and the history of collecting. His studies have been particularly concerned however with Greek and Roman sculpture, especially that of the Roman Empire. These four volumes are designed to make available the most important of Professor Vermeule's contributions to periodicals. Volume I covers studies published between 1953 and 1964, and volume II continues the selection up to 1973. Volume III contains studies published between 1974 and 1984, and volume IV brings the selection up to 1995. Each volume has a new preface by Professor Vermeule and a comprehensive index.
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Paperback. Condición: New. Over the last fifty years Professor Cornelius Vermeule, formerly curator of Classical Art at the Boston Museum of Fine Arts, has consolidated his reputation as one of the foremost American authorities on Graeco-Roman art. His published work has covered the entire period from Mycenean to Byzantine art,…and his papers have included studies of metalwork, sculpture, numismatics and the history of collecting. His studies have been particularly concerned however with Greek and Roman sculpture, especially that of the Roman Empire. These four volumes are designed to make available the most important of Professor Vermeule's contributions to periodicals. Volume I covers studies published between 1953 and 1964, and volume II continues the selection up to 1973. Volume III contains studies published between 1974 and 1984, and volume IV brings the selection up to 1995. Each volume has a new preface by Professor Vermeule and a comprehensive index.
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Paperback. Condición: New. This volume presents a selection of studies written during the past decades by Professor DaCosta Kaufmann on a variety of topics concerning the history of painting, sculpture, art theory, collecting, and architecture. It includes several of his ground-breaking essays interpreting art at the Prague cour…t of Rudolf II (1576-1512). However, the collection represents other aspects of the broad range of his interests as well: the papers gathered here range through Central Europe from the sixteenth to the early nineteenth century. In addition to essays on Rudolfine Prague, another "complex of papers deals with art at other courts in Salzburg, Germany, the Low Countries, and Denmark in the early "seventeenth century, and with art during the time of the Thirty Years' War. Two papers consider important developments in the history of collecting. Five essays offer interpretations of architecture (and sculpture) in Bohemia, Germany, Austria and Poland during the eighteenth and early nineteenth century. While concentrating on the visual arts and architecture of Central Europe, many of these essays engage with broader issues of cultural history. Many of them also offer approaches "which will be of more general methodological interest.
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Paperback. Condición: New. Romanesque mural painting was arguably the most visible field for religious images in Western churches between the eleventh and thirteenth centuries. Beyond its traditional justification as Bible of the illiterate mural painting demarcated the principal functional spaces within the church and propagate…d the sacred narratives, the systems of belief and institutional politics. The present volume provides the first accessible collection of essays devoted exclusively to the contextual interpretation of Romanesque mural painting. They are offered in homage to Otto Demus, who established the essential parameters for the field with his unsurpassed survey of the field over thirty years ago. Presenting previously unpublished research on individual case studies from Italy, France and Spain, the collection of essays published here pursues Demus's premise that mural painting was designed both to shape the experience and ritual use of distinctive spaces within the medieval church, and to advertise certain institutional affiliations and political agendas. The introduction, by Thomas Dale, provides a methodological overview to the field, assessing Demus's contribution to the study of Romanesque mural painting and surveying the scholarship of the past thirty years. It also furnishes the first overview of primary texts that refer to the functions and exegesis of mural painting between the tenth and thirteenth centuries. The ten essays are grouped under four topics 1. Patterns of Narrative Disposition in Sacred Space 2. Reinforcing the Praesentia of the Saints: The Church as Locus Sanctus 3. The Burial Crypt as Mediator between the Living and the Dead, Terrestrial and Celestial Space 4. Ecclesiastical Politics and Institutional Identity.
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Paperback. Condición: New. Professor Hillenbrand has written extensively over the last twenty-five years on Islamic architecture from Spain to India and from the seventh to the twentieth century. He has paid consistent attention to the architecture of Iran, focusing particularly on the Saljuq period (11th-12th centuries), but ha…s also worked on Umayyad monuments in the Levant between 660 and 750 A.D., a period when Islamic architecture came of age. Apart from recording unfamiliar buildings, he has increasingly concerned himself with the iconographic significance of Muslim buildings The papers in these two volumes closely reflect these interests. Some present primary material, others attempt to explore the achievements of a specific period or dynasty while yet others analyse the religious, royal, or political context of an important monument or school of architecture. The opportunity has been taken to add illustrations to articles, and to provide additional notes and a comprehensive index.
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Paperback. Condición: New. For the last forty years Florentine Mutherich has worked as editor of the corpus of Carolingian illuminated manuscripts she has recently published the School of Reims and is currently preparing the Franco-Saxon schools. In addition to her work on these volumes, she has explored various aspects of Carol…ingian book illumination. This volume presents a selection of her studies where the different types of school - court schools, and monastic and episcopal schools - are represented, as well as the different types of manuscripts. These are mostly Bibles, Gospel books, Psalters and Sacramentaries, but also secular works such as copies of late antique authors, Vergil, Aratus and the treatises of Roman land surveyors. Other articles deal with special problems such as the relationship to Roman or to Byzantine art.
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Paperback. Condición: New. Professor Lillich has studied medieval stained glass - the major painting medium of the Gothic era - for forty years. The articles in this volume discuss the development of stained glass in France from many perspectives, such as the glaziers who produced it, specific glazing techniques and formats of d…esign, evidence of the use of cartoons, types and uses of grisaille and its stylistic development, regional traditions in style, iconography and hagiography, as well as patrons and patronage, often with a particular focus on specifically monastic characteristics, requirements and achievements. Also considered are displaced panels, those dispersed to museums as well as spolia reused in later glazing campaigns and the reasons for such recycling. Of particular interest is the development of stained glass in the late Capetian period, from the aftermath of the High Gothic ensembles of Chartres and Bourges until the introduction of the revolutionizing technique of silver stain in the early fourteenth century. Areas of special importance are those that developed in parallel to the royal style associated with the Ile- de-France: the western French regions of Normandy and Aquitaine as well as, to the east, Lorraine at the francophone border and the county of Champagne.
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Paperback. Condición: New. Over the past sixty-five years Ernst Kitzinger has been one of the foremost interpreters of the art of Late Antiquity, Byzantium and the medieval West. Beginning with his "influential doctoral dissertation, reprinted here, on early medieval painting in the city of Rome, where western and eastern Byzant…ine traditions met, one of his principal concerns has been the movement and exchange of artistic ideas and patterns around the Mediterranean. Painting and mosaics have always been central to his enquiry. One focus has been the mosaics of Norman Sicily, on which he has published numerous ground-breaking books and papers. All of Professor Kitzinger's essays on Norman Sicily are included here. Other areas in which he has made outstanding contributions are the arts of Late Antiquity, with a particular emphasis on floor mosaics, medieval Rome, Byzantium in the early and high Middle Ages, and the arts of Anglo-Saxon England. These two volumes include all of Professor Kitzinger's major essays, apart from an earlier selection reprinted in 1975. Each has a new preface by Professor Kitzinger, and comes with a comprehensive index.
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Paperback. Condición: New. Over the last fifty years Professor Cornelius Vermeule, formerly curator of Classical Art at the Boston Museum of Fine Arts, has consolidated his reputation as one of the foremost American authorities on Graeco-Roman art. His published work has covered the entire period from Mycenean to Byzantine art,…and his papers have included studies of metalwork, sculpture, numismatics and the history of collecting. His studies have been particularly concerned however with Greek and Roman sculpture, especially that of the Roman Empire. These four volumes are designed to make available the most important of Professor Vermeule's contributions to periodicals. Volume I covers studies published between 1953 and 1964, and volume II continues the selection up to 1973. Volume III contains studies published between 1974 and 1984, and volume IV brings the selection up to 1995. Each volume has a new preface by Professor Vermeule and a comprehensive index.
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Paperback. Condición: New. Rembrandt Duits completed his PhD at the University of Utrecht , and works at the Photographic Collection of the Warburg Institute, where he also teaches Renaissance material culture. His thesis, Gold Brocade and Renaissance Painting, won the Karel van Mander Prijs for the best publication on art betwe…en 1500 and 1800. Gold Brocade and Renaissance Painting discusses the representation of Italian Renaissance patterned silks in paintings from Italy and the Southern Netherlands , from the 14th to the 16th century. It is the first study to approach this subject from the perspective of material culture, attempting to answer such questions as why the subject of luxury textiles gained so great a popularity in Renaissance painting, how artists catered for an audience that desired to have gold brocades depicted but did not always possess the financial means to own the actual fabrics, and what the skills artists developed in this field contributed to the rising social status of the medium of painting. The material culture of the grand courts at which real gold brocade played an essential role in the display of wealth and status is compared to that of the socially ambitious but less affluent middle class for whom paintings were often the only affordable substitute for courtly splendour. Thus, the book also addresses the problem of the distinction between fact and fiction, imagination and reality in the account of contemporary social history presented in paintings.
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Paperback. Condición: New. Asher Ovadiah is Professor of Art History at Tel Aviv University, and an authority on the Classical and Byzantine monuments of Israel. This selection of articles, published over the last twenty-five years, falls into four groups and is gathered around a number of common themes. A first group is concern…ed with the architecture of pagan temples, early churches, synagogues and a Roman theatre. A second deals with sculpture and reliefs, with the emphasis on iconography, style and symbolism, while a third group is concerned with mosaics in secular and religious contexts, with reference to the Classical heritage and anti-Classical trends, philosophical concepts and links with artistic centres. Finally, a fourth group treats the symbolic and allegorical significance of various works of art and Greek laudatory inscriptions.
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Paperback. Condición: New. The late Donald King (d. 1998) was the founding father of textile studies in England. His knowledge of the technology and history of textiles of all periods across many lands remains unsurpassed. An erudite and yet modest scholar, he did much to promote the academic understanding of textiles, both in t…his country and abroad. His role as Keeper of Textiles in the Victoria and Albert Museum, allowed first-hand technical analysis of a large number of medieval and later textiles over a very wide range of techniques. This laid the foundations for his abiding interest in textile techniques, which was allied to his fascination with textile terminology as it appeared in documentary sources. Much of his museum scholarship found its way into publications such as the Victoria and Albert Museum Bulletin and Hali magazine. From 1977 onwards, as President of C.I.E.T.A. (the International organisation for the study of early textiles), he led a powerful lobby of textile specialists, including all the major museum keepers of textiles across the globe. His scholarship during this period was well represented through detailed and erudite articles of technical, art historical and contextual significance, published in the C.I.E.T.A. Bulletin. His twin role as scholar and textile keeper represented the meeting of the academic and the museum worlds across textile studies. This publication gathers together for the first time a representative selection of Donald King's scholarship, in seventeen studies written and published over the period 1960-1999. Seven of the papers are grouped to illustrate the wide range of techniques across which he was able to publish (woven IX; embroidered X, XI; tapestry XII; printed XIIIand pile/carpet techniques XIV, XV). Three further papers (II, III, VIII) illustrate his tremendous facility for close technical analysis of his materials, whilst his linguistic gifts, which allowed him to solve the intricate puzzles posed by textile terminology used in medieval sources, are celebrated in four further papers (IV-VII). Study II shows how he integrated these different avenues of approach into the intricate textile method that he developed. Two more papers have been included, to illustrate Donald King's notable ability to communicate his enthusiasm and expertise about textiles to a wide audience. The study entitled 'Magic in the Web' (XVII) was designed to engage the general public and it was received with tremendous enthusiasm both as a lecture and as a published piece. The paper on 'Early Textiles with Hunting subjects in the Keir collection', (I) served both the academic and the museum world, and it illustrated for the connoisseur what could be learnt by those engaged in building up private collections of medieval textiles.
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EUR 60,04
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Paperback. Condición: New. A prominent scholar of Baroque painting, Richard Spear has explored a wide range of cultural, iconographic, connoisseurial, and conservation problems in his publications, many of which arose from two of his earliest research projects: organization of an international loan-exhibition, Caravaggio and His… Followers, and his dissertation on the Bolognese painter, Domenichino, which resulted in a two-volume monograph with catalogue raisonné. His directorship of the Oberlin College museum strengthened his view that the work of art is the essential fact of inquiry, regardless of the approaches he has taken to interpreting the art of Domenichino, Guido Reni, Guercino, Artemisia Gentileschi, Georges de La Tour, and Poussin, among other 17th-century artists. As Editor-in-Chief of the Art Bulletin (1985-88) he commissioned essays on "the state of research" in Western art history, whose varied methodologies and interdisciplinarity underpin his recent writings, notably The "Divine" Guido: Religion, Sex, Money and Art in the World of Guido Reni. This volume brings together more than thirty of Richard Spear's most important articles and selected chapters from his main books, organized in three sections, Caravaggio and Caravaggism, Italy and France, and Bolognese Painters. The author provides important addenda and retrospective critical reflections on each of the essays.
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EUR 61,39
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Paperback. Condición: New. John James is an Australian architect and medieval historian. Since 1969 he has been searching for the origins of the Gothic style, beginning with a five-year study of Chartres cathedral. At that time there were no coherent techniques for analysing the detailed construction history of existing stone st…ructures. This he created. He expanded his research to include all the early Gothic churches in the Paris region with a three-year survey of over 3500 buildings. His most important discovery has been that all churches of this period were constructed in many short campaigns by mobile building teams, and that major innovation was more likely to occur in the smaller buildings than in the larger. This volume makes available 42 of the author's studies on the development of Gothic architecture in France.
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Paperback. Condición: New. Recent discussions on Byzantine art have been dominated by the question of representing realia. Among these, however, the way works of art reflect the daily life of women have not received much space or attention. The present book studies various images representing women's status and her performative…tasks, and their significance from the fourth century to the fall of the Empire, through analysis of archaeological evidence and works of art. It addresses a wide range of questions, some pertaining both to pictorial traditions and to their late antique antecedents, others peculiar to changing and evolving Byzantine culture and mentality. The first chapter deals with the imagery of childbearing, starting with conception and concluding with the care given to the new born and the mother. The second chapter investigates motherhood imagery (breastfeeding, child care, and child-mother intimacy) and the portrayal of women as caretakers and managers of the household (preparing food, bringing water, carding and weaving, or working side by side with their husbands). The third chapter is dedicated to representations of women holding positions outside the house: midwives, maidservants, wet nurses, and mourners. Images of women engaged in disreputable occupations-dancers, musicians, prostitutes and courtesans - complete this chapter. The fourth chapter discusses images of women portrayed in the metaphorical margins - looking out from the gynaikon (the women's apartments), or at their private toilette; it also deals with representations of women who stray from the societal mainstream - concubines; adulteresses, women consenting to sexual acts or being coerced into them - considered symbolically as belonging to the margins of society. The book concludes with a discussion of the degree to which the visual material reliably reflects reality and changing attitudes toward women between Late Antiquity and late Byzantium; and further, to what extent it reveals embedded perceptions and conceptions of women, constructed by canonic regulations and imperial law, popular beliefs and accepted customs. The book aims to lift a veil from known and less known works of art and to present the rarely described picture of the daily life of women in Byzantine art over a very wide chronological span of time, in an effort to expand our knowledge of women in Byzantium and their realia.
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Paperback. Condición: New. Professor Hillenbrand has written extensively over the last twenty-five years on Islamic architecture from Spain to India and from the seventh to the twentieth century. He has paid consistent attention to the architecture of Iran, focusing particularly on the Saljuq period (11th-12th centuries), but ha…s also worked on Umayyad monuments in the Levant between 660 and 750 A.D., a period when Islamic architecture came of age. Apart from recording unfamiliar buildings, he has increasingly concerned himself with the iconographic significance of Muslim buildings The papers in these two volumes closely reflect these interests. Some present primary material, others attempt to explore the achievements of a specific period or dynasty while yet others analyse the religious, royal, or political context of an important monument or school of architecture. The opportunity has been taken to add illustrations to articles, and to provide additional notes and a comprehensive index.
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EUR 62,09
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Paperback. Condición: New. Professor Lodder is a leading specialist in art of the Russian avant-garde which flourished during the 1910s and 1920s. She is the author of a major study of Russian Constructivism, acclaimed as the standard work on the subject, and with her husband has written an important monograph on the Russian-bor…n sculptor Naum Gabo and edited a collection of the artist's writings. The present volume brings together her articles of the past twenty years, many of which focus on particular aspects of avant-garde responses to the social and political upheavals of the period, especially the Russian Revolution of 1917. Her essays cover subjects such as Vladimir Tatlin's seminal structure, The Model for a Monument to the Third International of 1920, the evolution of public monuments, the cultural debates during the revolutionary period, the development of new teaching programmes, and the implementation of Constructivist ideas in photography and design for textiles, clothing and the theatre. Her interests extend to International Constructivism and to the impact that Russian ideas made on the theory and practice of avant-garde figures working in Central and Eastern Europe during the 1920s. More recently she has concentrated on developments in the 1910s, including the innovative work of Kazimir Malevich and the relationship between art and science. The author has supplied additional notes to the original articles, which draw attention to subsequent research. Since the collapse of Communism in the erstwhile Soviet Union, public collections and archives have become more accessible and the new information has substantially altered existing preconceptions of the period. Occasionally, the need to correct errors exposed by recent developments in the field has involved making some extensive changes to the main body of the text.
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EUR 62,47
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Paperback. Condición: New. This selection of articles by Walter Cahn, the Carnegie Professor of the History of Art at Yale University, embraces work by the author that spans a period of some thirty years. Professor Cahn's interests here represented range from the illustration of the lost 10th-century Prayer Book of the late Caro…lingian Queen Emma to a 15th-century guide to the churches of Rome from the library of Margaret of York, Duchess of Burgundy, though their primary focus is Romanesque art of Latinate Europe in the 11th and the 12th century. Somewhat against the grain of academic specialization, the author is equally at home in sculpture, painting, book illumination, and fundamental questions of methodology. Among the topics that particularly engage his attention in this collection are connections between art and Biblical exegesis, Cistercian art and imagery, the role of art in the expression of orthodox and heretical beliefs, and perhaps most insistently, the figuration of religious, social and political structures within the pictorial languages of the medieval world.
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Paperback. Condición: New. As early as the 1950s, Professor Irving Lavin was recognized as a major voice in American art history. His sustained production of seminal scholarly contributions have left their mark on an astonishingly wide range of -subjects and fields. Bringing these far-reaching publications together will not only… provide a valuable resource to scholars and -students, but will also underscore fundamental themes in the history of art - historicism, the art of commemoration, the relationship between style and meaning, the -intelligence of artists - themes that define the role of the visual arts in human communication. Irving Lavin is best known for his array of fundamental publications on the Baroque artist Gian Lorenzo Bernini (1598-1680). These include new discoveries and studies on the master's prodigious childhood, his architecture and -portraiture, his invention of caricature, his depictions of religious faith and political leadership, his work in the -theatre, his attitude toward death and the role of the artist in the creation of a modern sense of social responsibility. All of Professor Lavin's papers on Bernini are here brought together in three volumes. The studies have been reset and in many cases up-dated, and there is a comprehensive index.
