Parchment gallery (42 resultados)

Condición: FINE. First printing. A collection of pages from 3 of his notebooks, in which Baraka merges the printed word with graphic design, covering a period of over 30 years, from the 1950s when he was in Greenwich Village with Frank O'Hara and Larry Rivers. Published in conjunction with an exhibit being held at the University of Charleston. Although the introduction mentions 450 copies, the editor, William Plumley stated that the actual edition was 250, of which approximately half were signed on the title page. This is one of the SIGNED copies.(Baraka has also corrected the misprint in his name on the title page) Baraka defies classification - a beat poet, a playright, an artist, a member of the New York school - but perhaps most proudly a black activist. 34 pages, large format (approximately 8x11), inside sheets matte finish, fine paper, printed in black and white, brief introduction, biographical information and back cover by Plumley. A full color image of the black and white one on the cover is tipped inside the front cover. Fine in stapled, glossy illustrated wrappers.…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Broadside. Illustrated by the author. Measuring 8½" x 11", laid in to a folded protective folio and publisher's unused mailing envelope. One of 99 numbered copies Signed by Wilbur. A humorous, previously unpublished poem explaining the difference between a room and a moor.…

Condición: D'occasion - Comme neuf.

WARREN, Robert Penn. SNOWFALL. [No place: Parchment Gallery, 1984]. Printed Broadside Poem, measuring 10.5- by 16.5-inches. Signed, Limited Edition of 80 numbered copies, all signed by Warren with three holograph corrections by him in the text. These copies, however, are is marked "Overrun" in pencil and have number between 1 and 10. Several copies available. Very Good (lower corners with creases). $25.00.…

Condición: FINE. Limited, signed edition. Broadside poem; a single sheet, printed on recto only, measuring 5 1/2 by 8 1/2 inches, containing an illustration and text by Amiri Baraka. Issued in conjunction with an exhibition of Baraka's "painted poems," this depicts an African-American man, wearing a beret, printed in soft blues, blacks, greens and browns, with the text "Don't ever be sad enough not to believe in whatever makes you beautiful." Limited to 199 numbered copies and 26 proof copies, labeled PP, each individually numbered and SIGNED by Amiri Baraka. A fine copy, with a separate colophon leaf, in the original printed publisher's envelope.…

Condición: FINE. Limited, signed edition one of 26 copies. Broadside poem; a single sheet, printed on recto only, measuring 5 1/2 by 8 1/2 inches, containing an illustration and text by Amiri Baraka. Issued in conjunction with an exhibition of Baraka's "painted poems," this depicts an African-American man, in a brimmed, printed in magenta, blacks, greens and browns, with the text "Suppose you wanted to know the truth about everythigng" Limited to 199 numbered copies and 26 hors de commerce copies - labeled p/p. SIGNED by Amiri Baraka. A fine copy, with a separate colophon leaf, in the original printed publisher's envelope.…

Condición: FINE. Limited, signed edition. Broadside poem by this award-winning African American poet (nominated twice for the National Book Award, first poet-laureate of Rhode Island, among others), printed in brown ink on a single sheet of 80 pound laid text, measuring 9 by 12 inches, illustrated with a sketch of Harper's father by Chris Sperry. Includes a separate colophon sheet, Both are laid into publisher's stiff purple folded protective folio and publisher's mailing envelope. Issued in commemoration of Harper's appearance at the University of Charleston in 1998, this was produced in two states - the first state consisted of 100 numbered, signed copies and the second state consisted of 50 copies, each individually SIGNED in pencil by Harper, but labeled 'P/P' for private use, and intended for patrons of the Speakers Series. This is a copy of the second state. Fine in fine portfolio.…

May 19, 1998. Condición: Used: Very Good. Larry Rivers | HUNTER Sam | Editions Cercle d'Art, 1990, in-4 cartonnage reliure éditeur de 358 pages sous jaquette illustrée en bel état général (traces d'usage). Couverture en très bel état général. Dos solide. Intérieur bien frais. [T34].

Unbound. Condición: Fine. First Edition. First edition. Measuring 8" x 11". Fine in publisher's protective folded sheet, with colophon leaf, laid into an unused publisher's envelope. One of 100 numbered copies Signed by Mailer. A reproduction of Mailer's self portrait, published "in honor of Mr. Mailer's visit to the University of Charleston February 4, 1998" (from the colophon). Signed. …

No Binding. Condición: Fine. No Jacket. 1st Edition. A print SIGNED by Amiri Baraka, one of 199 numbered and signed copies in an edition that also included 26 hors commerce copies. Parchment Gallery Graphics at the University of Charleston issued this print in connection with an exhibition of Baraka's "painted poems" in 1996. The print features the text: "Don't ever be sad enough not to believe whatever makes you beautiful!" PHYSICAL DETAILS: Single page printed on Swarthmore paper measuring 8.5 x 5.5 inches (215 x 138 mm), with separate colophon leaf in the publisher's unaddressed envelope. CONDITION: Fine. Signed by Author(s).…

Unbound. Condición: Fine. Silk-screened broadside. Measuring 11" x 14". Fine. Laid into a plain envelope with a colophon sheet, also fine. One of 150 copies Signed by Yevtushenko. A poem, published here for the first time.

Unbound. Condición: Fine. First edition. One quarto sheet, measuring 8¾" x 11½" printed recto only. Fine in unused University of Charleston envelope, along with a colophon sheet and identification sheet in a facsimile of Fuentes' hand. One of 199 Signed copies published. A composite portrait, by Fuentes, of twenty-eight famous Mexican revolutionaries and leaders.…

Unbound. Condición: Fine. First edition. Illustrated by Ricardo Martinez, with a facsimile manuscript page by Fuentes and decorative Mayan border by Red Clay Press. One quarto sheet, measuring 8¾" x 11½" printed recto only. Fine in unused University of Charleston envelope, along with a colophon sheet. One of 199 numbered and Signed copies published. Chac Mool is a central deity in Mayan mythology.…

Unbound. Condición: Fine. Broadside. Measuring 8" x 10", laid into a silkscreened folded protective folio and unused publisher's envelope. With a colophon sheet laid in. Fine. One of 150 numbered copies Signed by Yevtushenko (of 160 total). Yevtushenko's first commercially distributed art reproduction. *OCLC* locates no copies.…

Softcover. Condición: Fine. First edition. Quarto. [36]pp. Illustrated in black and white. Fine in stapled wrappers. Baraka has *Signed* the title page and corrected a typo in his printed name. One of a stated edition of 450 copies, which as per one knowledgeable source, may have been closer to 250, with an unspecified number being signed. The first collection of Baraka's "painted poems," made over three decades, and published in conjunction with a 1996 exhibition of his work at the University of Charleston (West Virginia). …

No Binding. Condición: Fine. No Jacket. 1st Edition. A print SIGNED by Amiri Baraka, one of 26 hors commerce copies marked p/p from a total edition 225 copies. Parchment Gallery Graphics at the University of Charleston issued this print in connection with an exhibition of Baraka's "painted poems" in 1996. The print features the text: "Suppose you wanted to know the truth about everything!" PHYSICAL DETAILS: Single page printed on Swarthmore paper measuring 8.5 x 5.5 inches (215 x 138 mm), with separate colophon leaf in the publisher's unaddressed envelope. One of 26 hors commerce copies marked p/p signed by Amiri Baraka.CONDITION: Fine. Signed by Author(s).…

Unbound. Condición: Fine. First edition (unsigned issue). Single sheet measuring 10 7/8 by 12 7/16 inches, printed on recto only. Illustrated. Photolithographically reproduces in color on laid paper a portrait of John Ashbery by Larry Rivers. Left and right blank margin lightly creased, with two tiny edge tears, else a near fine copy. Published in an edition of 150 numbered copies and 30 "hors commerce" copies, all of which were to be signed by John Ashbery and Larry Rivers; this is an out-of-series issue, and is NOT numbered and NOT signed]. Ashbery is seated at a typewriter, composing a poem with the printed text of the poem, entitled "Pyrography" reproduced in the top margin background, as if in a dreamscape.…

First Edition. 4to, images of 30 nudes. Paper wraps. Inscribed by Felringhetti: "For Helen with Love" Generally a very good copy. The male and femaile nudes are illustrated in black and white. Lawrence Ferlinghetti (ilustrador).

No Binding. Condición: Fine. Limited Edition. About the print: 150 copies were printed for a special art exhibit "Doubly Gifted, Writers Who Paint" sponsored by University of Charleston in the Frankenberger Gallery, November 1-6, 1997. This is copy 69. Printed by the technique of photolithography, on 80 lb. laid text, partial cotton, in full color. Print is in fine condition in shrink wrap. Colophon on backside of print. Additional photos available upon request. Rivers, Larry (ilustrador). Signed by Author(s). …

Unbound. Condición: Fine. First Edition. First edition. Single sheet measuring 8½" x 10¾" photolithographed and printed in brown ink reproducing a simple but accomplished self-portrait of Anne Tyler, with separate printed colophon sheet, laid into publisher's folded paper portfolio. Fine. One of 100 numbered copies Signed by Anne Tyler (of a total edition of 115 copies). Tyler, who studied art, drew this self-portrait in the 1970s. Signed.…

1st edition. Of an edition of 100 copies, this is No. 96. It is signed by the poet. Broadside, 12 x 9 ins., printed in brown ink. Illustrated with a portrit by Chris Sperry. Fine with explanatory leaf and in original stiff paper portfolio. Black History, African American History, poetry.

Soft portfolio. Condición: Very Good. First Edition. No. 67 of 80, with each print signed in pencil by Corso. Folio, 46 by 31.5 cm. Quite uncommon, given limitation, with only five institutional holdings appearing on OCLC First Search. Light wear to portfolio, with light ink line through word "Six" and "Five" written above, although all six plates are present here. One plate, "Herman Saturn", is trimmed neatly on top but has remnants of matting, it would appear, around margin, not affecting illustration. Other plates without defect. …

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Original black ink and marker drawing of Allen Ginsberg's desk. Measuring 8½" x 11". Composed on the recto of a letter from William Plumley, president emeritus of Mountain State Press (see below). Near fine with two small tape remnants at the topedge and two creases from being mail. [With] a copy of the published broadside, measuring 8½" x 10½", that is numbered ("22/50") and Signed by Ginsberg, with accompanying page with publishing details and housed in a black envelope with slip stapled on restating the limitation. Fine. The origin of this broadside is described in the Plumley letter, which is a request for a drawing from Ginsberg for an intended, but never published, book of drawings by American writers, to help raise funds for Mountain State Press. Plumley's says that he has already received "original pieces" from Tennessee Williams and Gregory Corso, and asks: "Would you help?" Ginsberg does, as he explains in an Autograph Notes Signed at the bottom of the letter: "Dear Mr. Plumley: See other side for Doodle. Send me a copy of book, thanks, Allen Ginsberg." The original drawing includes several elements not included in the published broadside: Ginsberg's Signature, a handwritten title ("Desk at the moment"), and brief note ("2:37 AM Answering Mail November 14, 1981"). Despite the limitation, the broadside is very uncommon with *OCLC* locating only three copies. The art, obviously, is unique. Certainly one of the more quirky pieces of Ginsbergiana.…

Softcover. Condición: Fine. First edition. Single sheet, measuring 8" x 10", consisting of a photographically reproduced image of an oil lamp, quill pen, and a brief passage from *The Color Purple*. The broadside is housed in a brown leatherette silk-lined folder, stamped in gold. With a colophon leaf in a paper folder laid in, all housed in an unprinted envelope. Fine. One of 49 copies Signed by Alice Walker in gold ink and numbered in white over a Parchment Gallery Graphics blindstamp. The colophon states: "Originally intended for an edition of 99 pieces (as stated on the [printed] image) only 49 copies and one Printer's Proof were issued for commercial purposes." An attractive publication, published in a remarkably small limitation. *OCLC* locates three copies (UC Berkeley, Delaware, Georgia).…

Unbound. Condición: Fine. First edition. Illustrated by Chris Sperry. Measuring approximately 9" x 12". A fine copy laid into publisher's folded protective folio and unused publisher's mailing envelope, with a colophon sheet laid in (envelope with a tiny faint stain in one corner, otherwise all fine). One of 100 numbered copies Signed by Harper. *OCLC* locates four copies.…

Unbound. Condición: Fine. Facsimile, proof state. Image measures approximately 5½" x 7½" on an 8½" x 11" sheet of textured paper. Laid into an unprinted bifolium and unprinted black envelope. Fine. Proof state, Signed by Amiri Baraka only; 125 copies Signed by both Rivers and Baraka were published in honor of Baraka's visit to the University of Charleston in 1996.…

Unbound. Condición: Fine. First edition, advance proof copy. Single sheet. Measuring 8.5" x 10.75", printed on recto only. Printed by photolithography in brown ink, reproduces a one-line self portrait drawing of Anne Tyler. A fine copy, of a total edition of 115 copies, this is one of 15 out-of-series copies, reportedly issued as a proof, not signed by Tyler. The other 100 were numbered and signed.…

Unbound. Condición: Fine. First edition. Measuring 6¾" x 11¾". Fine, housed in a protective folded sheet with colophon slip laid in. One of 100 numbered copies, Signed by Le Guin. A reproduction of "a little portrait sketch of my cat Lorenzo Bean (who was the inspiration for quite a lot of poems and a small book called The Art of Bunditsu, and a character model for Harriet the Catwing)" (from the colophon sheet). *OCLC* locates no copies.…

Unbound. Condición: Fine. First edition. Measuring approximately 7" x 8½". A fine copy, laid into publisher's unusued mailing envelope with colophon leaf. One of 99 numbered copies Signed by Atwood. From the colophon: "This is [Atwood's] first individually printed art work and it does not have a title, but clearly it shows an interesting metaphor that connects her to her craft as writer - mother bird hatching the alphabet." A striking image, nicely printed on Arches deckle-edge rag paper. *OCLC* locates two copies (Yale, University of Illinois).…

Unbound. Condición: Fine. First edition, proof state. Single sheet printed on recto only measuring 5½" by 8½". Illustration and text by Amiri Baraka. A fine copy housed in an unaddressed University of Charleston envelope. Issued in conjunction with an exhibition of Amiri Baraka's "painted poems," this image/poem is of an African-American man, wearing a flat cap, printed in blacks, greens, purples and browns, with the text, "Dont ever be sad enough not to believe in whatever makes you Beautiful!" Published in an edition of 199 numbered copies signed by Amiri Baraka, this is one of 26 or so proof copies Signed and marked P/P. …