pace macgill gallery ny (11 resultados)

Paperback. Condición: Fine. 1st Edition. A FINE, like-new, bright, clean, tight, collector-worthy copy sans flaws. Book published in conjunction with the 1991 Pace/MacGill Gallery exhibition of the same name. ILLUSTRATED in 14 of Samaras' full-color and black-and-white photographs with many full page. LH1.

Soft cover. Condición: Fine. 1st Edition. 1st Printing. 22 pages. Published in 1991. Exhibition Catalog. One of the most beautiful exhibition catalogs on the art of Lucas Samaras. The first and only edition. Published in small and limited print run as a softcover original only. There is no ISBN. The Exhibition Catalog is now rare. Published on the occasion of the landmark exhibition held at Pace/MacGill Gallery New York City in 1991. Presents Lucas Samaras' new work following the immense controversy and success of his Whitney Museum of American Art splash. Samaras' focus is still himself, a vehement assertion, as Peter Schjeldahl notes in his Essay, that the only true subject (and the only reality) of the artist/photographer is oneself, whatever else he (or she) may be photographing. A painter and a sculptor before he turned full-time to photography, Samaras remains best-known for his Polaroid collages to this day: Elaborate, flamboyant, and daring self-portraits that are aggressively and uninhibitedly American despite their European roots. Samaras was not the first to create such a body of work. Pierre Molinier was. The difference is that Molinier did it for exclusively private reasons and kept his self-portraits hidden from view until the very end, when he killed himself. Samaras turned Molinier's private obsessions into a party, making auto-eroticism a central element of post-Modernist art (think of Robert Mapplethorpe and Cindy Sherman, to name only two very different descendants). "In his most profound achievement, he adopted one of photography's basic genres, portraiture, and used it as a basis for an inquiry into the self, which remains unmatched in its intensity and boundless in its ramifications. Samaras split himself into model, actor, director, audience, and critic. To each of these roles, he brought a skilled artist's hand and an eye deeply informed by the historical traditions and motifs of art. He became a rare figure in American art, not an artist who occasionally uses photography for tactical reasons, but an artist who made photography central to his aesthetic" (Ben Lifson). An absolute "must-have" title for Lucas Samaras collectors. This title is now collectible. As far as we know, this is the only copy of the Exhibition Catalog available online and is in especially fine condition: Clean, crisp, and bright. A rare copy thus. 16 color plates. "Samaras Album: Autointerview, Autobiography, Autopolaroid" was selected as one of the "Seminal Photography Books" in "The Book of 101 Books". One of the greatest artist/photographers of our time. A fine copy. (SEE ALSO OTHER LUCAS SAMARAS TITLES IN OUR CATALOG). no.

Condición: Good. 47 pp. Stiff grey stapled wraps with color pictorial matching dustjacket. Very good. Includes color plates. Includes additional essays by Stephanie H. Tung, Monica Dematte. Catalog created on occasion of exhibit "Hai Bo" from January 20 through February 26, 2011 at the Pace/Macgill Gallery in New York, NY.

Estado de la sobrecubierta: dj. First Edition. First edition and first printing. Oblong hardcover. A slim book of color photographs of an abandoned train line in New York City before it was revitalized into one of the more attractive urban redevelopments in recent times. Features essays by Adam Gopnik and John Stilgoe. A very near fine copy in green cloth boards and in a very near fine dust jacket.

1. Auflage,. Mit zahlreichen Abbildungen, 111 Seiten, Schönes Exemplar Sprache: Englisch Gewicht in Gramm: 1152 4°, orange illustrierter OPp mit Rückentitel.

Cloth. First Edition. Unpaged. A fine copy, no d.j. Size: 8vo - over 7¾" - 9¾" tall. Book.

Condición: Good. 16mo. Oblong. [23 pp]. Stiff, stapled embossed beige wraps. Very good with marginal soiling along spine. Color plates, including frontis. Catalogue for two exhibitions: "New paintings, polaroids, and drawings" held at the Holly Solomon Gallery from January 16 through February 15, 1992, and "Early black & white photographs," held at the Pace/MacGill Gallery, from January 16-through February 22, 1992. Scarce.From the Collection of the Art Historian Peter Selz.

Paperback. Condición: Very Good. Exhibition catalogue. Very Good w/ minute fading on a small part of cover. Essay by Rainer Crone & David Moos.

111 S. Hardcover. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: eng.

[112] pp.; 29.5 x 21 cm.; sewn bound; black-and-white & color; edition size 600 - 800; unsigned and unnumbered; offset-printed Exhibition catalogue / artist's book published in conjunction with show held January 25 - February 23, 1991. Includes reproductions of Hotel Drawings by Kippenberger accompanied by text by Stuart Morgan. Reference : No. 90 in "Annotated Catalogue Raisonné of the Books by Martin Kippenberger : 1977 - 1997" by Uwe Koch, Diedrich Diederichsen, Robert Ohrt. New York / Köln, NY / Germany : Distributed Art Publishers / Verlag der Buchhandlung Walther König, 2003, pp. 220. Fair / Very Good. Covers and contents clean and unmarked with light rubbing of edges. Moderate wear to dust jacket including personal library sticker wrapping around spine, rubbing of corners and edges, 1.7 cm. tear to top edge of recto, 2.5 cm. and 7 mm. losses to verso, and 20 cm. crease to verso. Additional creasing, rubbing, and scratching of dust jacket. Due to size and weight additional shipping charges will be required for international orders.

[112] pp.; 29.5 x 21 cm.; sewn bound; black-and-white & color; edition size 600 - 800; unsigned and unnumbered; offset-printed Exhibition catalogue / artist's book published in conjunction with show held January 25 - February 23, 1991. Includes reproductions of Hotel Drawings by Kippenberger accompanied by text by Stuart Morgan. Reference : No. 90 in "Annotated Catalogue Raisonné of the Books by Martin Kippenberger : 1977 - 1997" by Uwe Koch, Diedrich Diederichsen, Robert Ohrt. New York / Köln, NY / Germany : Distributed Art Publishers / Verlag der Buchhandlung Walther König, 2003, pp. 220. Good. LACKS DUST JACKET. 2 x 4 cm. piece of clear tape with sticker wrapping from verso, spine to recto covers. White paper covers with some light soiling marks. Contents clean and unmarked. Due to size and weight additional shipping charges will be required for international orders.