montez press de (238 resultados)

Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Condición: New. Montez Press is very pleased to present The Interjection Calendar 009, guest edited by Hasti. The Interjection Calendar is a project devised and hosted by Montez Press. Each month an artist or writer is commissioned to produce a new piece of work for release on our website. At the end of the year the collection is published, demonstrating a diverse range of collaborations and experimental works, mapping the year in contemporary art writing, with equal space held for the emerging and the established. The Calendar reflects the current importance of online content media, pushing the relationship between image and text in this domain.??From the Editor's Note by Hasti:?Is it hot? Does it look good? Are you proud to serve it? The writers and artists featured in this Calendar work and live at intersections of all kinds-geographies, practices, genders, cultures, canons, interests, specialisms-imagine the overlap in the venn diagram where cunty al-Khwarizmi stands louchely at the bar with Omar Khayyam in a latex dress, necking neon cocktails made with Smirnoff Ice as a mixer, and Rostam in Tom of Finland leather watching from the wall.

Paperback. Condición: new. Paperback. Montez Press is very pleased to present The Interjection Calendar 010, celebrating a decade of artist-led contributions, guest edited by Rhea Dillon.The Interjection Calendar is a project devised and hosted by Montez Press. Each month an artist or writer is commissioned to produce a new piece of work for release on our website. At the end of the year the collection is published, demonstrating a diverse range of collaborations and experimental works, mapping the year in contemporary art writing, with equal space held for the emerging and the established. The Calendar reflects the current importance of online content media, pushing the relationship between image and text in this domain.From the Editors Note by Rhea Dillon:In editing there is no space. A lack of space due to the length of a piece. A lack of space due to time with the piece. And, a lack of space to hide from the reality of those outside of yourself. How do you learn to be in between first-person desire and third-person reception? Secondness, perhaps. Secondary, absolutely.All I know is that a mirror makes a reflection,anda reflection makes a symbol, and minelooks likea spade.A Mirror, A Symbol; A Spade Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: New. From its anatomy and autonomy to its death and diet, this issue focuses on the motif Body and all its meanings, direct and indirect, for instance as in relation to human and non-human bearers of bodies, its inhabitants like bacteria and organs, its social, medical and juridical conditions, its intoxications, chemical processes, traumas, transitions, well-being, replacements, weaknesses, and its opposites.Within the format of a magazine, each page of Pfeil represents the floor, walls, or ceiling which together create an imagined room displaying a printed exhibition. Each issue is dedicated to a specific word, and artists are invited and given space to work on and with this term, and to construct or deconstruct the architecture around it. Combined, the contributions transform into an organic display surrounding the leitmotif.Contributors: Adam Dickinson, Andrea Éva Gyori, A.L. Steiner, Alexandra Ivanciu, Barak Zemer, Bernhard Willhelm, Clara Lena Langenbach, Clémentine Bedos, Constance DeJong, Daisy Hildyard, Fanny Howe, Hanne Loreck, Hasti, Holly Hunter, Ingrid Jäger, Jannis Marwitz, Jess Arndt, Johannes Kuczera, Jolanta Nowaczyk, Henriette Maier, Mag Gabbert, Maja Smrekar, Manuel Vason, R.I.P. Germain, Rebekka Endler, Sonja YakovlevaEdited by Anja Dietmann and Nina Kuttler.

Paperback. Condición: New. Phone Plays is the first publication in Scores, a new imprint co-commissioned by Montez Press and London Performance Studios that publishes scripts and performance texts by artists, theatre-makers and performance-makers working between the visual and theatrical arts.Intended to be performed live over the phone, Sam Cottington's Phone Plays invite readers and audience members alike to engage with a series of unclear relationships and scenarios, invoked and mediated by contemporary communication technology.This collection of plays explore what critic Sianne Ngai has called the 'gimmicks of production': those moments when an object or person performs too much or too little; when it's too easy, undeserving of praise or overly produced, trying too hard, camp; and how in those moments, the sublimated labour in everyday judgements of taste or aesthetic value are revealed. Channelling conventions of soap opera and sci-fi, these plays explore the experiences of desire, subjugation and alienation inherent in communication.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. In Hannah Regel's brilliant collection, Oliver Reed, the figure of the horse becomes an object for language's brutality and the all too familiar subjugation of women's voices, bodies, and labour. An impressive hyperbolic pastiche of pleasurable misbehavior guides a girl named Sorry through her own undoing while naming new tools for calculated resistance. 'Kill the language. Kill it. Get the shovel. We're making a belt.' I would gladly do whatever she tells me to do and wouldn't think of doing otherwise. Regel creates a new order for the ecstatic wreckage of obedience.- Cassandra Troyan, author of Blacken Me Blacken Me, GrowledRegel doesn't really sound like anyone. Oliver Reed introduces a poetic sensibility that seems as at odds with convention as it is equal to the moment: fully formed, virtuosic, kind of lethal. These are pitiless, discomforting poems that explore our own creatureliness with a deadly curiosity. Each is a transformation: the actor becomes a strange muse and guiding presence, to 'smoulder a mobile furnace'; the horse, another of the book's recurring figures, becomes more than an emblem of eros, labour and suffering; the young girl's bratty insolence turns defiant and stricken. The voice wills these changes into being even as she 'wills herself barren'. As much as they trouble and seduce, the poems are also watchful, vigilant - they seem to offer a means of protection. Oliver Reed is an astonishing, masterful first book.- Sam Riviere, author of 81 AusteritiesThe second edition of Oliver Reed, published February 2024, includes a newly commissioned introduction by Olivia Kan-Sperling.In Oliver Reed, growing-up happens naturally, clip clip clop, at the same time as it requires someone or something-line break or literal incision-to break you in. Oliver Reed is about how a pony body gets trained and a pony mind gets educated, over and over and over again. Time, in this book, loops more than it progresses: "Sorry attends her Birth" after "Sorry is a Girl, Grown Up." I wish I'd read Oliver Reed at fourteen or eighteen; then again, I sort of feel like I did. This we already know: if looking at young girls never gets old, writing about them doesn't, either.- Olivia Kan-Sperling, editor at The Paris Review and author of Island Time.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. From bottom to top and back again, this issue is dedicated to the motif High, with all its connected meanings. We encounter physical, mental, and social states of up and down, high and low, how they relate to each other and yet constantly contradict. Inside are tales of drug history, addiction, the reproduction crisis, hopes and disappointments, radiation with benefits, high-pitched dolphin tones, and even a frightened cupcake.Within the format of a magazine, each page of Pfeil represents the floor, walls, or ceiling which together create an imagined room displaying a printed exhibition. Each issue is dedicated to a specific word, and artists are invited and given space to work on and with this term, and to construct or deconstruct the architecture around it. Combined, the contributions transform into an organic display surrounding the leitmotif.Contributors: Alejandra Lopez, Bod Mellor, Cecilia Gentili, Christiane Blattmann, Claire DeVoogd, Cordula Ditz, Gerrit Frohne-Brinkmann, Jac Common, Jan Matthe, Jane Joritz-Nakagawa, Jakob Tanner, Jasmin Werner, Katie Della-Valle, Katy Lewis Hood, Leah Jun Oh, Lila de Magalhaes, Lucy Beech, Masha Silchenko, Marina Pinsky, Michael Kent, Michelle Esther OBrien, Moesari, Nina Kuttler, Paige Emery, Paul Niedermayer, Penny Goring, Riar Rizaldi, Sands Murray-Wassink, Silvia Federici, Tang Han, Tina KaempeEdited by Anja Dietmann Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. From bottom to top and back again, this issue is dedicated to the motif High, with all its connected meanings. We encounter physical, mental, and social states of up and down, high and low, how they relate to each other and yet constantly contradict. Inside are tales of drug history, addiction, the reproduction crisis, hopes and disappointments, radiation with benefits, high-pitched dolphin tones, and even a frightened cupcake.Within the format of a magazine, each page of Pfeil represents the floor, walls, or ceiling which together create an imagined room displaying a printed exhibition. Each issue is dedicated to a specific word, and artists are invited and given space to work on and with this term, and to construct or deconstruct the architecture around it. Combined, the contributions transform into an organic display surrounding the leitmotif.Contributors: Alejandra López, Bod Mellor, Cecilia Gentili, Christiane Blattmann, Claire DeVoogd, Cordula Ditz, Gerrit Frohne-Brinkmann, Jac Common, Jan Matthé, Jane Joritz-Nakagawa, Jakob Tanner, Jasmin Werner, Katie Della-Valle, Katy Lewis Hood, Leah Jun Oh, Lila de Magalhaes, Lucy Beech, Masha Silchenko, Marina Pinsky, Michael Kent, Michelle Esther O'Brien, Moesari, Nina Kuttler, Paige Emery, Paul Niedermayer, Penny Goring, Riar Rizaldi, Sands Murray-Wassink, Silvia Federici, Tang Han, Tina KämpeEdited by Anja Dietmann.

Paperback. Condición: new. Paperback. There is no pause without prior exertion, and this issue of the magazine explores rest and all its associated contexts and contradictions. Amidst increasing environmental pollution, a tenuous global political climate, and a performance-oriented society demanding ever greater productivity, the balance between rest and labour becomes skewed. Pausing carries the risk of falling behind, but this risk can be mitigated by knowing when to rest. This issue examines rest as activity and as resistance. It questions how the individual body, in cohesion with a community, can generate weight through relaxation and distribute it.Within the format of a magazine, each page of Pfeil represents the floor, walls, or ceiling which together create an imagined room displaying a printed exhibition. Each issue is dedicated to a specific word, and artists are invited and given space to work on and with this term, and to construct or deconstruct the architecture around it. Combined, the contributions transform into an organic display surrounding the leitmotif.Contributors: Asma Ben Slama, Camila Caneque, Christiane Blattmann, Eileen Myles, Federico Tosi, Gelare Khoshgozaran, Hanne Loreck, Hans-Christian Dany, Hyemin Yang, Ingrid Jaeger, Jenni Bohn, Jochen Lempert, Julia Schulze Darup, Mariona Berenguer, Matthias Schubert, Mikolaj Sobczak, Mirene Arsanios, Nat Raha, Nicholas Grafia, Niclas Riepshoff, Omar Hahad, Sarah Drath, Stacy Skolnik, Thomas Laprade, Vir Andres HeraEditor: Anja DietmannCurator: Nadine Droste Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: New. A novel in three parts, Sinkhole: Three Crimes submerges readers in a grotesque and comical world on the edge of collapse - much like our own. Britain is immersed in a toxic swamp, and sinkholes are opening up in the ground with alarming frequency. Amid the mayhem, three crimes take place: Stonehenge has been stolen, a porn-addicted ghost writer faces the phantoms of her past, and a murder takes place among ex-pats in a Goan village.

Paperback. Condición: new. Paperback. A novel in three parts, Sinkhole: Three Crimes submerges readers in a grotesque and comical world on the edge of collapse much like our own. Britain is immersed in a toxic swamp, and sinkholes are opening up in the ground with alarming frequency. Amid the mayhem, three crimes take place: Stonehenge has been stolen, a porn-addicted ghost writer faces the phantoms of her past, and a murder takes place among ex-pats in a Goan village. "Britain is immersed in a toxic swamp, and sinkholes are opening up in the ground with alarming frequency. Amid the mayhem, three crimes take place: Stonehenge has been stolen, a porn-addicted ghost writer faces the phantoms of her past, and a murder takes place among ex-pats in a Goan village."-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. There is no pause without prior exertion, and this issue of the magazine explores rest and all its associated contexts and contradictions. Amidst increasing environmental pollution, a tenuous global political climate, and a performance-oriented society demanding ever greater productivity, the balance between rest and labour becomes skewed. Pausing carries the risk of falling behind, but this risk can be mitigated by knowing when to rest. This issue examines rest as activity and as resistance. It questions how the individual body, in cohesion with a community, can generate weight through relaxation and distribute it.Within the format of a magazine, each page of Pfeil represents the floor, walls, or ceiling which together create an imagined room displaying a printed exhibition. Each issue is dedicated to a specific word, and artists are invited and given space to work on and with this term, and to construct or deconstruct the architecture around it. Combined, the contributions transform into an organic display surrounding the leitmotif.Contributors: Asma Ben Slama, Camila Cañeque, Christiane Blattmann, Eileen Myles, Federico Tosi, Gelare Khoshgozaran, Hanne Loreck, Hans-Christian Dany, Hyemin Yang, Ingrid Jäger, Jenni Bohn, Jochen Lempert, Julia Schulze Darup, Mariona Berenguer, Matthias Schubert, Mikolaj Sobczak, Mirene Arsanios, Nat Raha, Nicholas Grafia, Niclas Riepshoff, Omar Hahad, Sarah Drath, Stacy Skolnik, Thomas Laprade, Vir Andres HeraEditor: Anja DietmannCurator: Nadine Droste.

Paperback. Condición: new. Paperback. From its anatomy and autonomy to its death and diet, this issue focuses on the motif Body and all its meanings, direct and indirect, for instance as in relation to human and non-human bearers of bodies, its inhabitants like bacteria and organs, its social, medical and juridical conditions, its intoxications, chemical processes, traumas, transitions, well-being, replacements, weaknesses, and its opposites.Within the format of a magazine, each page of Pfeil represents the floor, walls, or ceiling which together create an imagined room displaying a printed exhibition. Each issue is dedicated to a specific word, and artists are invited and given space to work on and with this term, and to construct or deconstruct the architecture around it. Combined, the contributions transform into an organic display surrounding the leitmotif.Contributors: Adam Dickinson, Andrea Eva Gyori, A.L. Steiner, Alexandra Ivanciu, Barak Zemer, Bernhard Willhelm, Clara Lena Langenbach, Clementine Bedos, Constance DeJong, Daisy Hildyard, Fanny Howe, Hanne Loreck, Hasti, Holly Hunter, Ingrid Jaeger, Jannis Marwitz, Jess Arndt, Johannes Kuczera, Jolanta Nowaczyk, Henriette Maier, Mag Gabbert, Maja Smrekar, Manuel Vason, R.I.P. Germain, Rebekka Endler, Sonja YakovlevaEdited by Anja Dietmann and Nina Kuttler Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Phone Plays is the first publication in Scores, a new imprint co-commissioned by Montez Press and London Performance Studios that publishes scripts and performance texts by artists, theatre-makers and performance-makers working between the visual and theatrical arts.Intended to be performed live over the phone, Sam Cottingtons Phone Plays invite readers and audience members alike to engage with a series of unclear relationships and scenarios, invoked and mediated by contemporary communication technology.This collection of plays explore what critic Sianne Ngai has called the gimmicks of production: those moments when an object or person performs too much or too little; when its too easy, undeserving of praise or overly produced, trying too hard, camp; and how in those moments, the sublimated labour in everyday judgements of taste or aesthetic value are revealed. Channelling conventions of soap opera and sci-fi, these plays explore the experiences of desire, subjugation and alienation inherent in communication. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. Phone Plays is the first publication in Scores, a new imprint co-commissioned by Montez Press and London Performance Studios that publishes scripts and performance texts by artists, theatre-makers and performance-makers working between the visual and theatrical arts.Intended to be performed live over the phone, Sam Cottington's Phone Plays invite readers and audience members alike to engage with a series of unclear relationships and scenarios, invoked and mediated by contemporary communication technology.This collection of plays explore what critic Sianne Ngai has called the 'gimmicks of production': those moments when an object or person performs too much or too little; when it's too easy, undeserving of praise or overly produced, trying too hard, camp; and how in those moments, the sublimated labour in everyday judgements of taste or aesthetic value are revealed. Channelling conventions of soap opera and sci-fi, these plays explore the experiences of desire, subjugation and alienation inherent in communication.

Paperback. Condición: new. Paperback. Montez Press is very pleased to present The Interjection Calendar 009, guest edited by Hasti. The Interjection Calendar is a project devised and hosted by Montez Press. Each month an artist or writer is commissioned to produce a new piece of work for release on our website. At the end of the year the collection is published, demonstrating a diverse range of collaborations and experimental works, mapping the year in contemporary art writing, with equal space held for the emerging and the established. The Calendar reflects the current importance of online content media, pushing the relationship between image and text in this domain.From the Editors Note by Hasti:Is it hot? Does it look good? Are you proud to serve it? The writers and artists featured in this Calendar work and live at intersections of all kindsgeographies, practices, genders, cultures, canons, interests, specialismsimagine the overlap in the venn diagram where cunty al-Khwarizmi stands louchely at the bar with Omar Khayyam in a latex dress, necking neon cocktails made with Smirnoff Ice as a mixer, and Rostam in Tom of Finland leather watching from the wall. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condición: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Condición: New. Phone Plays is the first publication in Scores, a new imprint co-commissioned by Montez Press and London Performance Studios that publishes scripts and performance texts by artists, theatre-makers and performance-makers working between the visual and theatrical arts.Intended to be performed live over the phone, Sam Cottingtonâs Phone Plays invite readers and audience members alike to engage with a series of unclear relationships and scenarios, invoked and mediated by contemporary communication technology.This collection of plays explore what critic Sianne Ngai has called the âgimmicks of productionâ: those moments when an object or person performs too much or too little; when itâs too easy, undeserving of praise or overly produced, trying too hard, camp; and how in those moments, the sublimated labour in everyday judgements of taste or aesthetic value are revealed. Channelling conventions of soap opera and sci-fi, these plays explore the experiences of desire, subjugation and alienation inherent in communication.