Mit press whitechapel (31 resultados)

Paperback. Condición: Near fine. ON&BY ANDY WARHOL is an attempt to include everything written on Warhol and by him. It includes texts by about 40 writers and is edited by Gilda Williama. 271 pages, paper with stiff wraps. 8 1/4" x 5 7/8". Near fine condition.

Paperback. Condición: Very Good. 207 pages, illustrations; 21 cm. Documents of Contemporary Art Series. Tight, clean copy. Previous owner's blind stamp/flyleaf, otherwise unmarked. *** "Art that seeks to produce situations in which relations are formed among viewers is placed in historical and theoretical context in key writings by critics and artists. The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ranging from El Lissitzky's exhibition designs to Allan Kaprow's happenings, from minimalist objects to installation art. More recently, this kind of participatory art has gone so far as to encourage and produce new social relationships. Guy Debord's celebrated argument that capitalism fragments the social bond has become the premise for much relational art seeking to challenge and provide alternatives to the discontents of contemporary life. This publication collects texts that place this artistic development in historical and theoretical context. Participation begins with writings that provide a theoretical framework for relational art, with essays by Umberto Eco, Bertolt Brecht, Roland Barthes, Peter Bürger, Jen-Luc Nancy, Edoaurd Glissant, and Félix Guattari, as well as the first translation into English of Jacques Rancière's influential 'Problems and Transformations in Critical Art.' The book also includes central writings by such artists as Lygia Clark and Hélio Oiticica, Joseph Beuys, Augusto Boal, Felix Gonzalez-Torres, Thomas Hirschhorn, and Rirkrit Tiravanija. And it features recent critical and curatorial debates, with discussions by Lars Bang Larsen, Nicolas Bourriaud, Hal Foster, and Hans-Ulrich Obrist. Copublished with Whitechapel Art Gallery, London." - Publisher. Size: 8vo.…

1st printing of 1st edition. Contributions by Peter Cook, Manfredo Tafuri, Dieter Rams, Benjamin Weil and others: 207 pages. A clean fine paperback book in decorative wrappers (soft cover book).

Paperback. Condición: Fine. 1st. 271 pages; 21 cm. Tight, clean copy. A fine copy of the first printing. *** "The socio-cultural impact of Andy Warhol painter, sculptor, printmaker, filmmaker, publisher, TV personality, socialite, graphic artist, collector, illustrator, rock impresario, photographer, model and author is incalculable. A pioneer in virtually every media in which he worked from his unmistakeable blotted-line advertising illustrations in the 1950s; to photography-based paintings of car wrecks and movie stars in the 1960s; to pre-Stonewall cult films that dared to explore sexually provocative subjects; to his re-invention of the celebrity magazine in the 1970s with Interview Andy Warhol also influenced such contemporary staples as reality TV, computer art and the rock-gig light show. As the inventor of the Polaroid selfie and master of the tweet-like short epithet (It's so nice to be invited to your own house by the person who's renting it you feel at home and you're still making money), Andy Warhol seems only to grow in cultural relevance in the twenty-first century." - Publisher. Size: 8vo. Collectible. …

Softcover, 240 pages; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Paperback. Condición: Very good. First Edition. THE MAGAZINE: Documents of Contemporary Art edited by GWEN ALLEN with pieces by LUIS CAMNITZER, DAN GRAHNAM, MARTHA ROSLER, LUCY R. LIPPARD, CLEMENTE PADIN, RAYMOND PETTIBON and others. 240 pages, paper with stiff wraps. Index. VEry good condition.

Trade Paperback. First edition (first printing). A paperback copy in very good condition. The first major anthology to focus on relationships between science fiction and contemporary art, with topics ranging from accelerating technological change to global urbanization.Over the past two decades, artists and writers have increasingly used science fiction as a lens through which to search for fragments of truth emerging from the past or the future. The proliferation of science fiction in contemporary art practice and discourse reflects an increased understanding of how this narrative field continues to grow in relevance. This book is the first major anthology to focus on relationships between science fiction and contemporary art, and offers an essential read for all those exploring this vital genre. Organizing its contributions according to four distinct approaches--"estrangement," "futures," "posthumanism," and "ecologies"--this unique collection gathers key examples of the influence of science fiction in recent cultural development. It considers topics that include the integration and acceleration of technological change, global urbanization and concepts of futurity, the boundaries of social structures and nonhuman life, and the threatening evidence of climate change. Writers include Peio Aguirre, Margaret Atwood, J. G. Ballard, Tiffany E. Barber, Jean Baudrillard, Franco 'Bifo' Beradi, Rosie Braidotti, Rachel Carson, Jeffrey Deitch, Donna Haraway, Cathy Lane, Amna Malik, Tom McCarthy, Alondra Nelson, Gwyneth Shanks, Jan Tumlir, Xin Wang, Gilda Williams. …

Trade Paperback. First Edition. First edition (first printing). A paperback copy in very good condition. The first accessible reader on magic's generative relationship with contemporary art practice. From the hexing of presidents to a renewed interest in herbalism and atavistic forms of self-care, magic has furnished the contemporary imagination with mysterious and often disorienting bodies of arcane thought and practice. This volume brings together writings by artists, magicians, historians, and theorists that illuminate the vibrant correspondences animating contemporary art's varied encounters with magical culture, inspiring a reconsideration of the relationship between the symbolic and the pragmatic. Dispensing with simple narratives of reenchantment, Magic illustrates the intricate ways in which we have to some extent always been captivated by the allure of the numinous. It demonstrates how magical culture's tendencies toward secrecy, occlusion, and encryption might provide contemporary artists with strategies of remedial communality, a renewed faith in the invocational power of personal testimony, and a poetics of practice that could boldly question our political circumstances, from the crisis of climate collapse to the strictures of socially sanctioned techniques of medical and psychiatric care. Tracing its various emergences through the shadows of modernity, the circuitries of ritual media, and declarations of psychic self-defence, Magic deciphers the evolution of a "magical-critical" thinking that productively complicates, contradicts and expands the boundaries of our increasingly weird present. …

Softcover, 240 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Trade Paperback. Later printing. A paperback copy in very good condition. A survey of contemporary art and theory that proposes alternatives to outdated linear models of timeWhat does 'contemporary' actually mean? This is among the fundamental questions about the nature and politics of time that philosophers, artists and more recently curators have investigated over the past two decades. If clock time--a linear measurement that can be unified, followed and owned--is largely the invention of capitalist modernity and binds us to its strictures, how can we extricate ourselves and discover alternative possibilities of experiencing time? Recent art has explored such diverse registers of temporality as wasting and waiting, regression and repetition, déjà vu and seriality, unrealized possibility and idleness, non-consummation and counter-productivity, the belated and the premature, the disjointed and the out-of-sync--all of which go against sequentialist time and index slips in chronological experience. While such theorists as Giorgio Agamben and Georges Didi-Huberman have proposed "anachronistic" or "heterochronic" readings of history, artists have opened up the field of time to the extent that the very notion of the contemporary is brought into question. This collection surveys contemporary art and theory that proposes a wealth of alternatives to outdated linear models of time. Artists surveyed include Marina Abramovic, Francis Alÿs, Matthew Buckingham, Janet Cardiff, Paul Chan, Olafur Eliasson, Bea Fremderman, Toril Johannessen, On Kawara, Joachim Koester, Christian Marclay, nova Milne, Trevor Paglen, Katie Patterson, Raqs Media Collective, Dexter Sinister, Simon Starling, Hito Steyerl, Hiroshi Sugimoto, Tehching Hsieh, Time/Bank, Mark von Schlegell Writers include Giorgio Agamben, Mieke Bal, Geoffrey Batchen, Hans Belting, Walter Benjamin, Franco Berardi, Daniel Birnbaum, Georges Didi-Huberman, D?gen Zenji, Peter Galison, Boris Groys, Brian Dillon, Elena Filipovic, Joshua Foer, Elizabeth Grosz, Adrian Heathfield, Rachel Kent, Bruno Latour, George Kubler, Doreen Massey, Alexander Nagel, Jean-Luc Nancy, Daniel Rosenberg, Michel Serres, Michel Siffre, Nancy Spector, Nato Thompson, Christopher Wood, George Woodcock.…

Trade Paperback. Later printing. A paperback copy in very good condition. A definitive guide to the rising status of sound in art, through original critical writings and artists' statements.The "sonic turn" in recent art reflects a wider cultural awareness that sight no longer dominates our perception or understanding of contemporary reality. The background buzz of myriad mechanically reproduced sounds increasingly mediates our lives. Tuning into this incessant auditory stimulus, some of our most influential artists have investigated the corporeal, cultural, and political resonance of sound. In tandem with recent experimental music and technology, art has opened up to hitherto excluded dimensions of noise, silence, and the act of listening. Artists working with sound have engaged in new forms of aesthetic encounter with the city and nature, the everyday and cultural otherness, technological effects and psychological states. New perspectives on sound have generated a wave of scholarship in musicology, cultural studies, and the social sciences. But the equally important rise of sound in the arts since 1960 has so far been sparsely documented. This volume is the first sourcebook to provide, through original critical writings and artists' statements, a genealogy of sonic pathways into the arts, philosophical reflections on the meanings of noise and silence, dialogues between art and music, investigations of the role of listening and acoustic space, and a comprehensive survey of sound works by international artists from the avant-garde era to the present.…

Trade Paperback. First Edition. First edition (first printing). A paperback copy in very good condition. Considering art at the center of network theory, from the rise of the electronic media age in the 1960s to the present.The dawn of the electronic media age in the 1960s began a cultural shift from the modernist grid and its determination of projection and representation to the fluid structures and circuits of the network, presenting art with new challenges and possibilities. This anthology considers art at the center of network theory, from the 1960s to the present. Artists have used the "space of flows" as a basis for creating utopian scenarios, absurd yet functional propositions or holistic planetary visions. Others have explored the economies of reciprocity and the ethics of generosity, in works that address changed conditions of codependence and new sites of social negotiation. The "infra-power" of the network has been a departure point for self-organized counterculture and the creation of new types of agency. And a "poetics of connectivity" runs through a diverse range of work that addresses the social and material complexity of networks through physical structures and ambient installation, the mapping of the Internet, or the development of robots and software that take on the functions of artist or curator. Artists surveyed include Joseph Beuys, Ursula Biemann, Heath Bunting, Critical Art Ensemble, Fernand Deligny, Peter Fend, Gego, Jobim Jochimsen, Koncern, Christine Kozlov, Pia Lindman, Mark Lombardi, Diana McCarty, Marta Minujín, Aleksandra Mir, Tanja Ostojic, Ola Pehrson, Walid Raad, Artüras Raila, Hito Steyerl, Tomaso Tozzi, Suzanne Treister, Ultra Red, Wolf Vostell, Stephen Willats Writers include Jane Bennett, Hakim Bey, Luc Boltanski, Manuel Castells, Ève Chiapello, Guy Debord, Umberto Eco, Okwui Enwezor, Michael Hardt, Bruno Latour, Marshall McLuhan, Marcel Mauss, Reza Negarestani, Antonio Negri, Sadie Plant, Lane Relyea, Craig Saper, Saskia Sassen, Pit Schultz, Steven Shaviro, Tiziana Terranova, Paolo Virno.…

Softcover. Condición: Very good. Great condition. Glue is slightly exposed between front cover and first page, but binding is secure and inside is clean and unmarked.

Erste Auflage. 21 x 15 cm. 239 S. Illustrierter OKlappkarton. Sehr gutes Exemplar. ON&BY. Durchgehend mit meist farbigen Abbildungen versehen. Texte in englischer Sprache. Auswahl von Texten von und über Christian Marclay aus der Serie "ON&BY" der Whitechapel Gallery in London.

Soft cover. Condición: Near Fine. 1st Edition. Condition: Fine, unread, and excellent book, all pages and cover are excellent with no markings, no tears. // An investigation through texts, interviews, and documentation of the complex relationship between the urban, the rural, and contemporary cultural production. What, and where, is "the Rural"? From the rocks that break a farmer's plough on a field in Japan to digital infrastructures that organize geographically dispersed interests and ambitions, vast parts of our lives are still connected and dependent on resources, production, and infrastructures located within rural geographies, and the rural remains a shared cultural space. This anthology presents a timely and varied look at rural art, thinking, and practice, with writings that explore how artists respond to the socioeconomic divides between rural and urban areas, including reimagined farming practices, food systems, architecture, community projects, and transnational local networks. Edited by three artists who have worked in rural areas and communities for the last twenty years, this anthology serves as a document, tool, and navigation device for future artistic practice, where "the rural" is viewed through an audience-based model of art that works from within the culture it addresses. // 240 pages; format: 21,0 x 15,0 x 2,1 cm; Bookweight: 580 g.…

Soft cover. Condición: As New. As new. Third Whitechapel and 5th MIT printing. Softcover with French folds. A pristine, new, unread copy. Includes contributions from Paul Auster ('Gotham Handbook' from Double Game), Andy Warhol, Mary Kelly, Nan Goldin, Maurice Blanchot, Sophie Calle, Marcel Duchamp, and many other prominent artists and writers. Whitechapel Gallery and the MIT Press: London, 2008. …

Paperback. Condición: Very Good. Paperback in very good condition. Light shelf and handling wear, including minor blemish to pageblock head. Within, pages are tightly bound, content unmarked. CN.

Soft cover. Condición: Very Good. Very good. Bumping to spine and fore-edge tips. Second printing. Softcover with French flaps. Includes contributions from Paul Auster ('Gotham Handbook' from Double Game), Andy Warhol, Mary Kelly, Nan Goldin, Maurice Blanchot, Sophie Calle, Marcel Duchamp, and many other prominent artists and writers. Whitechapel Gallery and the MIT Press: London, 2008.…

Softcover, 240 pages; very good condition; a few small scrapes to spine; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Near Fine. 1st Edition. Condition: Near fine, unread, and excellent book, all pages excellent with no markings, cover with minor shelf rubbings, and no tears. // The first accessible reader on magic's generative relationship with contemporary art practice. From the hexing of presidents to a renewed interest in herbalism and atavistic forms of self-care, magic has furnished the contemporary imagination with mysterious and often disorienting bodies of arcane thought and practice. This volume brings together writings by artists, magicians, historians, and theorists that illuminate the vibrant correspondences animating contemporary art's varied encounters with magical culture, inspiring a reconsideration of the relationship between the symbolic and the pragmatic. Dispensing with simple narratives of reenchantment, Magic illustrates the intricate ways in which we have to some extent always been captivated by the allure of the numinous. It demonstrates how magical culture's tendencies toward secrecy, occlusion, and encryption might provide contemporary artists with strategies of remedial communality, a renewed faith in the invocational power of personal testimony, and a poetics of practice that could boldly question our political circumstances, from the crisis of climate collapse to the strictures of socially sanctioned techniques of medical and psychiatric care. Tracing its various emergences through the shadows of modernity, the circuitries of ritual media, and declarations of psychic self-defence, Magic deciphers the evolution of a "magical-critical" thinking that productively complicates, contradicts and expands the boundaries of our increasingly weird present. // 240 pages; format: 21,0 x 15,0 x 2,5 cm; Bookweight: 580 g.…

Soft cover. Condición: Near Fine. 1st Edition. Soft covers; French flaps. 238pp. About fine. *** A selection of texts on documentary making. Part of the "Documents of Contemporary Art" series documenting major ideas in contemporary art.

Softcover. Condición: Fine. Octavo. 239 pages.

Soft cover. Condición: Very Good. 240 pages. Some creasing at the spine but tightly bound. A few page tips creased at bottom. Internally in excellent unmarked condition.

Trade Paperback. Condición: Near Fine. First Edition. Exhibition catalog for a show held at the publisher's gallery. Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows light scuffing to back cover only, text/interior is clean and free of marking of any kind. Small format paperback, illustrated cover. Features 9 color plates and 36 b&w plates and illustrations featuring photographic portraits and works by Annesley, David; Michael Blus; Phillip King; Roland Piche; Christopher Sanderson; Tim Scott; William Tucker; Isaac Witkin; Derrick Woodham. 88 pages.…

Soft cover. Condición: Very Good. 1st Edition. First edition; later printing. Paperback original. French flaps. Superficial crease to spine. 240pp. *** A selection of texts on sound by various authors. Part of the "Documents of Contemporary Art" series documenting major ideas in contemporary art.

Soft cover. Condición: Near Fine. 336 pages. Light surface wear. Internally in excellent unmarked condition.

Soft cover. Condición: Very Good. Excellent copy of this beautiful out of print Whitechapel Gallery/ MIT Press paperback edition from 2006. Appears unread with minimal signs of shelf or cosmetic wear on spine edges. Contents are clean and binding is tight. Contents have an age-yellowed tinge to pages chosen for this "Archive" edition. Other titles from the Whitechapel Documents of Contemporary Art Series available.…

Soft cover. Condición: Very Good. Very Good; some rubbing/bumping/soil to extremities; soil to top edge of pages, but only as seen with the book closed; a few dog eared pages; else Fine. Hinges sound, spine straight, pages clean and bright. "Rather than a book of queer theory for artists, this is a book of artist's queer tactics and infectious concepts.". Book.…

Paperback. Condición: New. Paperback - new, sealed in shrinkwrap. CM.

Softcover. Condición: gut. 2014. ON&BY CHRISTIAN MARCLAY. In englischer Sprache. pages.