Mit press 1998 (140 resultados)

Paperback. Condición: VG. Paperback. VG. 135pp. Extremities lightly rubbed & soiled; stickers on rear cover & spine. Index.

Paperback. Condición: VG. Paperback. VG. 339pp. Index, Refs. Wear extremities.

Paperback. Condición: VG-. Paperback. VG-. 362pp. Index, Refs. Light soiling, wear extremities.

Hardcover. Condición: New. This book is brand new; never used or opened. No remainder marks. The dustjacket may have some shelfwear.

Paper Back. Condición: Very Good.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. Hard Cover. Fine/Fine. First Edition. 8vo - over 7¾" - 9¾" tall. 250 pp., bibliography and index. Size: 8vo - over 7¾" - 9¾" tall.

Trade Paperback. Condición: VG-. used trade paperback edition. lightly shelfworn, corners a bit bumped, some creasing/scuffing/wear to covers. binding is straight and tight with no marks to text or other serious flaws.

Trade Paperback. Condición: Used - Very Good. 'Hersey is exploring the ways that life imitates art, a subject which has been thought about by many observers of both; but here with an additional application of the theory of sexual selection. This book is written with an immense relish that adds strong literary persuasion to its already persuasive argument.'-- Anne Hollander, author of 'Sex &Suits: The Evolution of Modern Dress' (1995) The beauty of the human body has found a daring beholder in art historian George Hersey, who for the first time brings modern Darwinian theories of sexual selection (mate competition, attractor manipulation, and the like) into the history of art. 'The Evolution of Allure' shows how Western art has channeled mate choice, exploiting the cosmetics, clothes, muscles, organs, and ornaments that showcase the body. From the Medici Venus to Vitruvius, Leonardo, Durer, and the phone-sex goddesses of 'D-Cup Superstars,' Hersey9s lively, erotically charged text shows that the formulas set forth by the Greek sculptor Polykleitos have established a Western canon of human gestures and proportions and may have influenced human evolution. The beauty of the human body has found a daring beholder in art historian George Hersey, who for the first time brings modern Darwinian theories of sexual selection into the history of art. Hersey shows how Western art has channeled mate choice, exploiting the cosmetics, clothes, muscles, organs, and ornaments that showcase the body. 146 illustrations. Very nice clean tight copy, free of any marks.…

Hardcover. Condición: New. 1st Edition. 4to, illustrated boards, 173pp., ills. New and sealed. Extra postage may be asked.

Hardcover. Dust Jacket Included. F. F/VG+ 1st Hb 181pp Index, Refs, Notes. DJ: wear extremities and corners.

Paper Back. Condición: Very Good. No interior markings.

Trade Paperback. Condición: Used - Very Good. 'This is a terrific book for anyone thinking about a career in architecture. It's very useful and valuable.'-- Richard Meier, Richard Meier &Partners 'Required reading for would-be architects, it's also of value for those who teach them.' This revisededition of the best basic guide to the architectural profession includes new information pertinent to current education andpractice and addresses issues and concerns of great interest tostudents choosing among different types of programs, schools, firms, and architectural career paths. Very nice clean, tight copy free of any marks. Lots of underlining.…

Fine in Fine dust jacket; Most books shipped within 24 hours. Dust jacket in brodart protective covering. ; B&W Photographs; 8vo.; 452 pages; 0262193892. First Edition. Binding is Hardcover.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. 8vo, cloth, dust jacket, xix + 574pp., 66 plates. First edition. VG+/VG: a clean and sound book lightly rubbed at the rear board; a lightly dust-soiled jacket with minor scratches to the rear panel and a closed tear to the head of the front panel. Extra postage may be asked.…

Hardcover. Condición: VG. Estado de la sobrecubierta: Very Good. used hardcover in a dust jacket. jacket is slightly worn about the edges, but with no tears and not price clipped. jacket protected in mylar covering. po stamp to top edge of page block. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws. …

Trade Paperback. Condición: Used - Good. 'Into the Fire' Founded in the early 1950s, Perspecta is the oldest and most distinguished of the student-edited American architectural journals that have appeared in recent decades. Perspecta 29 examines the legacy of the academic and professional confrontations of the 1960s. The issue is assembled around the transcript of the 1992 conference 'Rethinking Designs of the 60s' (with Denise Scott Brown, Ed Logue, Cedric Price, Martha Rosler, Paul Rudolph, Ron Shiffman, Susanna Torre, Michael Webb, and others). It includes documents from the Architects' Resistance (1967-70), a student group whose activities coincided with the dissolution of Yale's Department of City Planning and an explosion and fire at the Yale Art and Architecture Building in 1969, as well as internal documents from the university related specifically to these events.The issue presents contemporary American projects that represent another generation of commitment to activist practice--continuing to approach design as a socially engaged, oppositional mission. Also included are an interview with Virginia Schaff and essays by Susan Piedmont-Palladino, Michael Sorkin, Thomas Fisher, Graham Finney, William McDonough, and Robert Goodman. Founded in the early 1950s, PERSPECTA, the Yale Architectural Journal, is the oldest and most distinguished of the student-edited American architectural journals that have appeared in recent decades. This edition examines the legacy of the academic and professional confrontations of the 1960s. 130 illustrations. Used copy with some sun fading to the cover. Binding is tight no interior rmarks.…

Trade Paperback. Condición: Used - Very Good. Marsden Hartley (1877-1943) is best known as an American modernist andpioneering artist of the early twentieth century. But he was also a prolific writerwho published dozens of essays and reviews and several volumes of poetry and prose.The autobiographical account of his life in the manuscript collection of Yale?sBeinecke Library has often been consulted by scholars and curators writing aboutHartley. It is the most revealing document he left about his personal life andrelationships -- both for its disclosures and omissions -- but has never beenpublished before.Transcribed from Hartley's own handwritten manuscripts, thisedition is accompanied by photographs (some never before published), notes, and anintroduction discussing Hartley's fascination with autobiography in the context ofhis struggle with notions of self-representation in art. Susan Ryan also describesthe circumstances surrounding the composition of Somehow a Past, and explains thedistinctions between this original version and two later ones also in the BeineckeLibrary.Somehow a Past is compelling both as historical document and as personalnarrative. Although solitary, self-involved, and saturnine, Hartley neverthelessknew nearly every figure of the international avant-garde in his day and unfolds hislife largely through a chain of personal encounters. His traffic with such majorliterary and artistic figures as Alfred Stieglitz, Vasili Kandinski, Gertrude Stein, Mabel Dodge, Eugene O?Neill, Robert McAlmon, and Charles Demuth is recorded as arehis travels both domestic and foreign.Somehow a Past is gossipy, discursive, andself-distanced. Hartley drafted it several times, truncating the description of histraumatic childhood, and leaving out any overt reference to his homosexuality. Yetthere are moments of crystal clear self-characterization and leitmotifs thatcommemorate his troubled youth. Marsden Hartley (1877-1943) is best known as an American modernist and pioneering artist and writer of the early 20th century. This autobiographical account of his life is the most revealing document he left about his personal life and relationships but has never been published before. SOMEHOW A PAST is compelling both as historical document and as personal narrative. 45 illustrations. Slight scratching/scuffing on cover. Book has minor shelf wear. Sold as is.…

Very good or better.

Trade Paperback. Condición: Used - very good.

Morrison, Philip / Tsipis, Kosta. Reason enough to hope: America and the world of the twenty-first century. Cambridge, Mass.: MIT Press, 1998, xv, 210pp., very good dust-jacket, slight wear, very good black cloth, previous owner's gift inscription on front endpaper. 9780262133449 ISBN 026213344X.

, Leeuwen, Thomas A. P. van. The springboard in the pond : An intimate history of the swimming pool. Cambridge, Mass. : MIT Press, 1998, 1999, 2d printing, vi, 321pp., large oblong PAPERBACK, good copy with light wear to edges of covers, one corner lightly bumped.

Trade Paperback. Condición: Used - Very Good. 'Into the Fire' Founded in the early 1950s, Perspecta is the oldest and most distinguished of the student-edited American architectural journals that have appeared in recent decades. Perspecta 29 examines the legacy of the academic and professional confrontations of the 1960s. The issue is assembled around the transcript of the 1992 conference 'Rethinking Designs of the 60s' (with Denise Scott Brown, Ed Logue, Cedric Price, Martha Rosler, Paul Rudolph, Ron Shiffman, Susanna Torre, Michael Webb, and others). It includes documents from the Architects' Resistance (1967-70), a student group whose activities coincided with the dissolution of Yale's Department of City Planning and an explosion and fire at the Yale Art and Architecture Building in 1969, as well as internal documents from the university related specifically to these events.The issue presents contemporary American projects that represent another generation of commitment to activist practice--continuing to approach design as a socially engaged, oppositional mission. Also included are an interview with Virginia Schaff and essays by Susan Piedmont-Palladino, Michael Sorkin, Thomas Fisher, Graham Finney, William McDonough, and Robert Goodman. Founded in the early 1950s, PERSPECTA, the Yale Architectural Journal, is the oldest and most distinguished of the student-edited American architectural journals that have appeared in recent decades. This edition examines the legacy of the academic and professional confrontations of the 1960s. 130 illustrations. Used copy with light wewar. some fading to cover.…

ISBN 0-262-61134-1. Trade Paperback. Reprint edition. Very Good condition with some highlighting.

Hardcover 2nd Printing Data Encryption; Computer Science; Wiretapping; The Politics of Wiretapping and Encryption. (342 Pgs.) Pictorial DJ, VVG / VVG.

Hardcover. Condición: Used - Good. Why do so few women occupy positions of power and prestige? Virginia Valian uses concepts and data from psychology, sociology, economics, and biology to explain the disparity in the professional advancement of men and women. According to Valian, men and women alike have implicit hypotheses about gender differences -- gender schemas -- that create small sex differences in characteristics, behaviors, perceptions, and evaluations of men and women. Those small imbalances accumulate to advantage men and disadvantage women. The most important consequence of gender schemas for professional life is that men tend to be overrated and women underrated. Book has minor shelf wear.…

Hard Cover. Condición: Very Good+. Estado de la sobrecubierta: Very Good. Hard Cover. Very Good+/Very Good. 8vo - over 7¾" - 9¾" tall. Book has 360 pages with illustrations. DJ has some light wear to the edge. Clean and tight. Explores how assumptions about gender, games, and technology shape the design, development, and marketing of games as industry seeks to build the girl market.…

Fine bright pictorial gatefold wraps with crisp text. Profusely illustrated with the artist's work throughout.

Trade Paperback. Condición: Used - Very Good. The ostensible subject of this inquiry is the primitive hut, a one-room structure built of common or rustic materials. Ann Cline gracefully weaves together two stories: one of primitive huts in times of cultural transition, and another of diminutive structures in our own time of architectural transition. From these narrative strands emerges a deeper inquiry: What are the limits of architecture? What ghosts inhabit its edges? What does it mean to dwell outside it? An exploration of the smallest and simplest of dwellings offers answers to some of the largest and oldest questions about architecture. Cline blends autobiography, historical research, and cultural criticism in an original and imaginative attempt to rethink architecture by studying its boundary conditions and formative structures. 61 illustrations. Very nice clean, tight copy free of any marks.…

Condición: very good. Pbk 159ppp a very good clean tight unmarked text almost as new.

Soft cover. Condición: Fine. Pbk, 255p, illustr, covers faintly rubbed at extremities, otherwise an unread copy, excellent, clean, tight and unmarked as new.