mca sydney (20 resultados)

Softcover (with flaps). Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. First Edition. Australian contemporary art. First softcover edition. Size: A4 (300 x 210mm approx.). Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. Slight foxing front/rear pages, but body of book mostly clean and unfoxed. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Art & Design; Australia; Australian Art & Architecture; ISBN: 9768097167. ISBN/EAN: 9789768097163. All our pictures shown here are of the actual item, not stock photos. Inventory No: 14179. This book is extra heavy, and may involve extra shipping charges to some countries. For further info on this title, click on the "Contact Seller" button within this listing. We will try to reply within 24 hours. Otherwise you can order right now (inclusive of shipping options) from the "Add to Basket" button to the right.

Pictorial Wraps. Condición: Near Fine. First Edition. With essays by Vivienne Webb & Jeff Gibson. Preface by Elizabeth Ann Macgregor. Illustrated in colour. Published on the occasion of the exhibition titled Stephen Birch: Looking Out My Back Door, which took place at the Museum of Contemporary Art, Sydney, from 16 March - 20 May 2007. Curated by Vivienne Webb. Includes biographical details on Stephen Birch, selected bibliography, list of works, MCA ambassadors, plus acknowledgements. Printed in Australia. A bare trace of shelfwear, otherwise a very nice clean tight solid softcover copy. 60pp. Scarce. SB-63.

Paperback quarto, very good condition, colour & black & white & sepia (brown-tinted) photos & drawings, minor edgewear. 98 pp. Published for the exhibition "Avoiding Myth & Message: Australian Artists and the Literary World", Museum of Contemporary Art, Sydney 7 April - 12 July 2009, curated by Glenn Barkley. Also includes "The Reader", which reproduces a number of works by both artists and writers. All of these texts have in some way influenced the research and development of the exhibition. The Reader allows an insight into the curatorial process and features texts reproduced within the exhibition. (No 147 of a limited edition of 1000 copies. Contains 69 pages + 29 pages of The Reader, starting at the rear and printed upside down.).

1. Aufl. 511 S. mit Illustr. im Text und vielen Kunstabb. auf Tafeln, diesen gegenüber die jew. Künstlerbiografie. Der Cellophanumschlag des OU leicht angestaubt, faltig und mit kleinen Einrisse, der OU oben leicht angerändert, dort und im Rückenbereich farbblass. Der Buchschnitt leicht angestaubt, das erste Blatt (Vortitel) seitlich mit schwachen Gebrauchsspuren. -Ein gutes Exemplar! -In Englisch! -Achtung: für dieses Buch ist wg. des Gewichts (über 2000 gr.) und/oder des Verpackungsmaßes u./o. des Wertes ein Paketversand erforderlich. Die höheren Versandkosten werden mit Ihnen abgestimmt! Anm. zur Rechnungstellung: Die Buchpreise beinhalten die reduzierte MwSt von 7 %, diese wird gesondert ausgewiesen // Rechnungen für Kunstgegenstände wie Grafiken, Gemälde weisen gem. § 25a Abs.3 Satz 1 UStG (Differenzbesteuerung) bzw. § 25a Abs.3 Satz 2 UStG (Margenbesteuerung) keine MwSt aus (brutto = netto). Sprache: Englisch Gewicht in Gramm: 2600 30x23,5 cm. Farb. illustr. OKart. mit OU.

Soft cover. Condición: Very Good. First Edition of 750 Copies. Light general wear to covers. Spine not creased. Internally clean. 231pp Size: 155mm x 235mm. Book.

Softcover, 88 pages; in English; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

first edition 216pp [text in Norwegian/Finnish/English] ills.[b/w and col.] FINE in wrappers.

hardcover. Condición: Very Good. no dust jacket as issued No dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

Soft cover. Condición: Very good+. First Edition. 4to, 168pp. Fully illustrated in color and in black & white. Softcover, bound in original stiff pictorial wrappers. In very good plus condition. Tight binding and crisp, unmarked, interior. Very slight scuffing to extremities, otherwise like new.

Paperback small folio, very good plus condition, thick card covers (with flaps), colour text-photos (many full-page), maps, glossy paper, minor edgewear. Heavy (1.7 Kg), and extra postage may be requested to destinations outside Australia. 271 pp. This art book was published on the occasion of the exhibition: 'They are Meditating: Bark Paintings from the MCA's Arnott's Collection', Museum of Contemporary Art, Sydney, 2008. Assembled by Californian businessman and graphic designer, Jerome Gould from the 1960s to the early 1980s, it was gifted to the Museum by Arnott's Biscuits Ltd in 1993 - coinciding with the Year of the World's Indigenous People. The collection features works from important artists and represents the creative hubs in and around Groote Eylandt, Yirrkala, Galiwin'ku (Elcho Island), Milingimbi, Ramingining, Gunbalanya (Oenpelli), Wadeye (Port Keats), and the Tiwi Islands over time. The bark paintings of Aboriginal artists in Arnhem Land, Port Keats and the Tiwi Islands are the product of a unique legacy of many thousands of years length. Michael, Linda (catalogue editor). Mundine, Djon (guest curator). Munro, Keith (curator, Aboriginal and Torres Strait Islander programs). (This book, ISBN 9781921034237, is a large format paperback.).

Hardcover with dustjacket, 168 pages; very good condition, clean and crisp; warmly inscribed on title page "For Barbara" and signed "Julie"; no other internal marks. From the library of MOMA curator Barbara London. Foreign shipping may be extra.

Softcover, 160 pages, in English; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra for this book.

Softcover/Paperback. Condición: Fine. First Edition. Exhibition catalogue and program from a season of silent movies at the MCA, Sydney, to commemorate the centenary of cinema; illustrated, 32pp. Pictorial wrappers. Fine. book.

Condición: FINE. Part of an ongoing series of exhibitions at the Museum of Contemporary Art Australia that aims to position work by individual Australian artists in a broader global dialogue through pairings with international artists. In South of no North, the work of two photographers, New Zealander Laurence Aberhart and American William Eggleston, was shown alongside that of Australian painter Noel McKenna. The three share a connection through their respective interest in the vernacular, a regional sense of place and a similar visual sensibility, drawing their subject matter from travels, the built environment, and everyday narratives. Includes texts by Glenn Barkley and Noel McKenna. pp. 140 illusts #1219/010724 First Edition. SCARCE Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\, Fremantle WA. Hardcover original cloth binding.

Hardcover. Condición: As New. No Jacket. 1st Edition. Condition of book (sketchpad): As New 26.0 x 22.0cms, c 92pp, b/w & colour illusts, very good spiral bound hardback with cardboard covers (like a sketchpad) This exhibition presented 'a broad selection of art works that reflect the strong resurgence of drawing in [contemporary Australia] claiming that a new generation employ it as a finished, autonomus & self-generative discipline 85pp This would make a perfect gift.

Softcover, 240 pages; in English and Korean; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

511 S., überaus zahlr. teilw. farb. Abb. 4° Br. *Umschlagrücken lichtrandig, sonst gutes Expl.*.

1st edition softback with french flaps As New quarto 87pp., col. & b/w pls., Retrospective exhibition catalogue of the noted Australian installation artist's work since the 1970's.

Broschiert. Condición: Sehr gut. 151 S., zahlr. Abb. Sehr gutes Ex. - OUT OF HUMOUR KAY CAMPBELL -- WIT'S END: THE COMIC SPIRIT AND CONTEMPORARY ART PAMELA HANSFORD -- IF YOU READ THIS YOU'RE A DICKHEAD OR -- YOU'VE GOT TO BE FUCKIN' KIDDING -- (INFECTIOUS HUMOUR, AFFECTED ART AND REFERENTIAL EFFECT) PHILIP BROPHY -- PLATES -- SMILING SABOTEURS: IRONY AND CONTEMPORARY ART CATHERINE LUMBY GAG -- GEORGE ALEXANDER -- FOLLY -- EDWARD COLLESS THE PAINTER'S DILDO (PORTRAIT OF DALE FRANK) -- CONTRIBUTORS' BIOGRAPHIES // JEFF GIBSON; Delusions of Grandeur FROM SERIES Personality 1991 Inadequate Personality FROM SERIES Personality 1991; Egopathy FROM SERIES Personality 1991 Arithomania FROM SERIES Personality 1991 JENNY WATSON; This Tear's Fashion 1984; Eye of the Storm 1984; ROBERT MACPHERSON; Scale from the Tool (Sabco) 1977; Gilgai: Rain and Six Kinds of Rain, Seven Frog Poems for Clement Wragge 1990-91 DALE FRANK; DETAIL, The Artist's Fairy Floss Sold On The Merry-go-round Of Life (Sucker Dealer) 1991; The Artist's Fairy Floss Sold On The Merry-go-round Of Life (Sucker Dealer) 1991; Classicism 1950; ALEKS DANKO Heavy Aesthetic Quality - Grave Tard Edition 1971; JANET BURCHILL; 3RD VERSION OF MUTE 1985-1990 Square Peg in a Round Hole 1991 JENNIFER MCCAMLEY Chair 1991 MARIA KOZIC; Read This (daffodils, carnations, pansies) 1990 LINDA MARRINON; Sorry 1983 What I Must Bear 1982; ARI PURHONEN; Cell 1990 KATHY TEMIN; The Duck-Rabbit Problem iggi MATTHYS GERBER; DETAIL Nude (Black Painting) 1990; Nude (Black Painting) 1990; L'Origine du Monde 1992 TIM JOHNSON; PAGE FROM Fittings 1972 PAGE FROM Public Fittings 1972; HANY ARMANIOUS; The Witness 1992; Prank 1989; PETER TYNDALL; detail,; A Person Looks At A Work of Art /; someone looks at something.; 1980 // The Museum of Contemporary Art inherits a special orientation towards foreign contemporary art reflected in the Bequest of John Wardell Power. Within this context, the Museum is selective in its focus on Australian art, and seeks to work collaboratively, where appropriate. The Museum's policies and programs not only actively involve artists from many countries, but also draw contribution from independent professionals in many fields, including curators, writers, critics, editors, publishers and designers. Such is the case with this book and the exhibition which inspired it. Kay Campbell, a Senior Curator at the MCA, has worked with Pamela Hansford in drawing together a selection of Australian artists and writers whose work depends in various ways on registers of humour or irony. Wit's End provides a series of intellectually challenging readings of work by artists with whom many may already be familiar. Other artists may be quite unfamiliar to most readers and regular museum and gallery visitors. It is one of the MCA's most crucial roles to promote an active awareness of art's possible constructions and multiple meanings, and to elicit enquiry at many levels : from those seeking first encounters and understanding of evolving forms of contemporary art, to those with a long-developed or even professional commitment. This book is a multi-faceted look at aspects of contemporary art that is engaging and amusing. My thanks go to the Australia Council for an initial grant for the development of Wit's End through project development grants, and to Ashley Barber of Librex Press for managing the production of the publication and co-publishing this book with the Museum. Kay Campbell has contributed greatly to the Museum's collection management and exhibition programs. In this project she has more personally helped to realize a lively and challenging exhibition and associated publication. Great appreciation must also be extended to Pamela Hansford for critical contribution in shaping and editing Wit's End. Wit's Endis the third MCA project focussing exclusively on Australian art. Publications such as this have a life beyond the exhibiting of works of art and, as such, represent a significant contribution to the dialogue between artists, on the one hand, and curators and critics on the other. The Museum is delighted with the perspective provided by Pamela Hansford as an independent editor, and with the contribution of Librex Press, which has made it possible for this exchange to reach a wider audience. It is hoped that the collaborative nature of the project will be a model for future Museum projects. Leon Paroissien Director, Museum of Contemporary Art. ISBN 1875632085 Sprache: Deutsch Gewicht in Gramm: 550.

1st edition softback with french flaps As New quarto 183pp., colour & b/w plates, bibliog., index, 'documents Bedford's work from 1998, when he took the Kimberley school of art in new directions'.