Markus wiener publishing inc (977 resultados)

Paperback. Condición: Fair. Abu Abdalla Ibn Battuta (1304-1354) was one of the greatest travelers of pre-modern times. He traveled to Black Africa twice. He reported about the wealthy, multi-cultural trading centers at the African East coast, such as Mombasa and Kilwa, and the warm hospitality he experienced in Mogadishu. He also visited the court of Mansa Musa and neighboring states during its period of prosperity from mining and the Trans-Saharan trade. He wrote disapprovingly of sexual integration in families and of hostility towards the white man. Ibn Battuta's description is a unique document of the high culture, pride, and independence of Black African states in the fourteenth century. This book is one of the most important documents about Black Africa written by a non-European medieval historian.…

Paperback. Condición: Good. Abu Abdalla Ibn Battuta (1304-1354) was one of the greatest travelers of pre-modern times. He traveled to Black Africa twice. He reported about the wealthy, multi-cultural trading centers at the African East coast, such as Mombasa and Kilwa, and the warm hospitality he experienced in Mogadishu. He also visited the court of Mansa Musa and neighboring states during its period of prosperity from mining and the Trans-Saharan trade. He wrote disapprovingly of sexual integration in families and of hostility towards the white man. Ibn Battuta's description is a unique document of the high culture, pride, and independence of Black African states in the fourteenth century. This book is one of the most important documents about Black Africa written by a non-European medieval historian.…

Paperback. Condición: Very Good. Abu Abdalla Ibn Battuta (1304-1354) was one of the greatest travelers of pre-modern times. He traveled to Black Africa twice. He reported about the wealthy, multi-cultural trading centers at the African East coast, such as Mombasa and Kilwa, and the warm hospitality he experienced in Mogadishu. He also visited the court of Mansa Musa and neighboring states during its period of prosperity from mining and the Trans-Saharan trade. He wrote disapprovingly of sexual integration in families and of hostility towards the white man. Ibn Battuta's description is a unique document of the high culture, pride, and independence of Black African states in the fourteenth century. This book is one of the most important documents about Black Africa written by a non-European medieval historian.…

Paperback. Condición: Good. No further information has been provided for this title.

Paperback. Condición: Very Good. A detailed analysis of Puerto Rican society during the Spanish colonial period, highlighting the roles and responsibilities of women and workers. Rather than celebrating the victors, the author has composed the book from the viewpoint of the colonized, suppressed and exploited.…

Paperback. Condición: Good. This work covers topics such as gender, religion, war, ecology, and nationalism, creating both thematic narratives and the strands of a larger chronological account. It explores major historical turning points, and reveals the dynamic of increasing global interactions.

Paperback. Condición: Good. This work presents the development of humankind across cultures and economies in a global manner, from ancient times on, as a gigantic drama played out with the cradles of civilization as the stage. It also highlights the exploits of daring traders, missionaries and warriors.…

Paperback. Condición: Good. A documentary history of Puerto Rico, its problems, present status, tensions and prospects. Organized into ten historically-arranged sections, it begins with the island's discovery and settlement by the Spanish and ends with the Operation Bootstrap programme for industrialization.…

Paperback. Condición: Good. Native Americans supplied the maracas, African slaves brought drums and ritual music, and Spaniards brought guitars, brass instruments, and clarinets along with European ballroom dancing. The advent of blues and jazz gave new forms to styles of songs, notably feeling songs, which joined the more traditional styles of trova and bolero. Cuban culture represents a convergence of these diverse backgrounds, and the musical heritage presented in this book reflects these traditions as well. In colonial times, African ritual sounds mixed with Catholic liturgies and brass bands of the Spanish military academies. Ballroom dances, including French music from Haiti popular in 18th-century Havana society, existed side by side with the cabildos (guilds and carnival clubs) and the plantations. The son, considered the expression of Cuban musical identity, had its origins in a rural setting in which African slaves and small farmers from Andalusia worked and played music together, developing many variations over the years, including big band music. Cuban music is now experiencing a major renaissance, and is enjoyed throughout the world.…

Paperback. Condición: Good. The story Rinaldi relates is emblematic of the fate of countless others whose lives were shaped by the scourge of slavery. The protagonist's mother, a daughter of free blacks in Philadelphia, was kidnapped from her parents by slave catchers. After the kidnapping, she was enslaved on a Virginia tobacco plantation for 37 years before making her escape to Gettysburg on the night before the historic Civil War battle erupted. She was nine months pregnant - and determined that her child would not be born a slave.…

Paperback. Condición: Good.

Paperback. Condición: Good. A 10th century Iraqi took to collecting verse graffiti left behind by travellers. The result of his pastime was a little book that conjures up his nostalgic mood in a manner rarely attempted in Arabic literature. This work offers a translation of his work and discusses its cultural context.…

Paperback. Condición: Fair. Abu Abdalla Ibn Battuta (1304-1354) was one of the greatest travelers of pre-modern times. He traveled to Black Africa twice. He reported about the wealthy, multi-cultural trading centers at the African East coast, such as Mombasa and Kilwa, and the warm hospitality he experienced in Mogadishu. He also visited the court of Mansa Musa and neighboring states during its period of prosperity from mining and the Trans-Saharan trade. He wrote disapprovingly of sexual integration in families and of hostility towards the white man. Ibn Battuta's description is a unique document of the high culture, pride, and independence of Black African states in the fourteenth century. This book is one of the most important documents about Black Africa written by a non-European medieval historian.…

Paperback. Condición: Good. Abu Abdalla Ibn Battuta (1304-1354) was one of the greatest travelers of pre-modern times. He traveled to Black Africa twice. He reported about the wealthy, multi-cultural trading centers at the African East coast, such as Mombasa and Kilwa, and the warm hospitality he experienced in Mogadishu. He also visited the court of Mansa Musa and neighboring states during its period of prosperity from mining and the Trans-Saharan trade. He wrote disapprovingly of sexual integration in families and of hostility towards the white man. Ibn Battuta's description is a unique document of the high culture, pride, and independence of Black African states in the fourteenth century. This book is one of the most important documents about Black Africa written by a non-European medieval historian.…

Paperback. Condición: Very Good. Abu Abdalla Ibn Battuta (1304-1354) was one of the greatest travelers of pre-modern times. He traveled to Black Africa twice. He reported about the wealthy, multi-cultural trading centers at the African East coast, such as Mombasa and Kilwa, and the warm hospitality he experienced in Mogadishu. He also visited the court of Mansa Musa and neighboring states during its period of prosperity from mining and the Trans-Saharan trade. He wrote disapprovingly of sexual integration in families and of hostility towards the white man. Ibn Battuta's description is a unique document of the high culture, pride, and independence of Black African states in the fourteenth century. This book is one of the most important documents about Black Africa written by a non-European medieval historian.…

Paperback. Condición: Very Good.

Paperback. Condición: Good. No further information has been provided for this title.

Paperback. Condición: Very Good. An exploration of African-American freedom fighters in Jamaica, presenting a history of resistance instead of a history of domination. The context of marronage is carefully established: the plantation system as an economic and ideological machine fuelled by the abuse of black working power.…

Paperback. Condición: Very Good. A detailed analysis of Puerto Rican society during the Spanish colonial period, highlighting the roles and responsibilities of women and workers. Rather than celebrating the victors, the author has composed the book from the viewpoint of the colonized, suppressed and exploited.…

Paperback. Condición: Very Good.

Paperback. Condición: Good.

Paperback. Condición: Good. This work covers topics such as gender, religion, war, ecology, and nationalism, creating both thematic narratives and the strands of a larger chronological account. It explores major historical turning points, and reveals the dynamic of increasing global interactions.

Paperback. Condición: Very Good. This volume discusses 500 years of western African history, beginning with the writings of travellers Ibn Battuta, Leo Africanus and Mungo Park. Topics covered include: religious wars; the trans-Sahara and cross-Atlantic slave trade; the French and British colonial periods; and modern times.…

Paperback. Condición: Good. This work presents the development of humankind across cultures and economies in a global manner, from ancient times on, as a gigantic drama played out with the cradles of civilization as the stage. It also highlights the exploits of daring traders, missionaries and warriors.…

Paperback. Condición: Very Good. Arabic Islamic thought allowed the development of autonomous norms of beauty that were independent of moral or religious criteria. The artistic work was viewed separately from the divine scheme and was free of metaphysical associations.Beauty, however, had a significant place in religious thought. The Arab-Muslim tradition views the beauty of the universe, emphasized in the Koran, and the literary superiority of the Koranic text itself as compelling evidence for the divine hand. Under the influence of Greek thought, philosophers, sufis, and theologians dealt with the beauty-love relationship as the basic factor in the motion of the universe. Sufi worship is based on passion for God's beauty, which is manifest in the human image.Having created a huge empire on the territory of the great ancient civilizations, the Arab conquerors saw themselves as the heirs of these cultures and acted accordingly as great patrons of the arts. The sponsorship of the arts, which bestowed a brilliance on the monarchs, was viewed as beneficial to the image of the Muslim community when facing its Christian antagonists.Poetry, calligraphy, music, architecture, and the decorative arts flourished in this system of sponsorship. It was Muslim orthodoxy itself, based on the Prophet's distance to the poets, that let art go its profane way. Sufi poets adopted the vocabulary of erotic and bacchic poetry to address God, and craftsmen applied the same architectural and decorative idiom to both religious and profane monuments. In music, virtuosity was associated with diabolic rather than divine inspiration. Music, poetry, and wine belonged to the same hedonistic experience.Doris Behrens-Abouseif's book provides a panorama of the concepts of beauty in classical and post-classical Arabic culture through the 15th century, drawing on Arabic texts from philosophy, theology, mysticism, poetry, and literary criticism as well as historiographic sources and tales from the Thousand and One Nights. Behrens-Abouseif elucidates the ways in which beauty was measured by the degree of pleasure it elicited in the recipient, an attitude that anticipates modernity in both East and West.…

Paperback. Condición: Good. Arabic Islamic thought allowed the development of autonomous norms of beauty that were independent of moral or religious criteria. The artistic work was viewed separately from the divine scheme and was free of metaphysical associations.Beauty, however, had a significant place in religious thought. The Arab-Muslim tradition views the beauty of the universe, emphasized in the Koran, and the literary superiority of the Koranic text itself as compelling evidence for the divine hand. Under the influence of Greek thought, philosophers, sufis, and theologians dealt with the beauty-love relationship as the basic factor in the motion of the universe. Sufi worship is based on passion for God's beauty, which is manifest in the human image.Having created a huge empire on the territory of the great ancient civilizations, the Arab conquerors saw themselves as the heirs of these cultures and acted accordingly as great patrons of the arts. The sponsorship of the arts, which bestowed a brilliance on the monarchs, was viewed as beneficial to the image of the Muslim community when facing its Christian antagonists.Poetry, calligraphy, music, architecture, and the decorative arts flourished in this system of sponsorship. It was Muslim orthodoxy itself, based on the Prophet's distance to the poets, that let art go its profane way. Sufi poets adopted the vocabulary of erotic and bacchic poetry to address God, and craftsmen applied the same architectural and decorative idiom to both religious and profane monuments. In music, virtuosity was associated with diabolic rather than divine inspiration. Music, poetry, and wine belonged to the same hedonistic experience.Doris Behrens-Abouseif's book provides a panorama of the concepts of beauty in classical and post-classical Arabic culture through the 15th century, drawing on Arabic texts from philosophy, theology, mysticism, poetry, and literary criticism as well as historiographic sources and tales from the Thousand and One Nights. Behrens-Abouseif elucidates the ways in which beauty was measured by the degree of pleasure it elicited in the recipient, an attitude that anticipates modernity in both East and West.…

Paperback. Condición: Good. With a section on Hugo Chavez, this work focuses on the social history and the analysis of the spectrum of revolutionary change since Bolivar. It also includes sections such as: Simon Bolivar - The Liberator; The Age of Caudillos - Juan Manuel de Rosas; and, Hugo Chavez - A Venezuelan Populist in the Era of Globalization. …

Paperback. Condición: Good. A documentary history of Puerto Rico, its problems, present status, tensions and prospects. Organized into ten historically-arranged sections, it begins with the island's discovery and settlement by the Spanish and ends with the Operation Bootstrap programme for industrialization.…

Paperback. Condición: Good.

Paperback. Condición: Good. Native Americans supplied the maracas, African slaves brought drums and ritual music, and Spaniards brought guitars, brass instruments, and clarinets along with European ballroom dancing. The advent of blues and jazz gave new forms to styles of songs, notably feeling songs, which joined the more traditional styles of trova and bolero. Cuban culture represents a convergence of these diverse backgrounds, and the musical heritage presented in this book reflects these traditions as well. In colonial times, African ritual sounds mixed with Catholic liturgies and brass bands of the Spanish military academies. Ballroom dances, including French music from Haiti popular in 18th-century Havana society, existed side by side with the cabildos (guilds and carnival clubs) and the plantations. The son, considered the expression of Cuban musical identity, had its origins in a rural setting in which African slaves and small farmers from Andalusia worked and played music together, developing many variations over the years, including big band music. Cuban music is now experiencing a major renaissance, and is enjoyed throughout the world.…