Lisson gallery new york (29 resultados)

Paperback. Square tan wraps w/ mounted color illustration, black English & Chinese printing. 111 pgs w/ primarily color illustrations. Liu Xiaodong, the usually itinerant Chinese painter, has been situated in New York City under lockdown since the middle of February, unable to travel back to his home in Beijing. From a small New York apartment, the artist has made a series of watercolour paintings documenting the changing landscape of the city over the past four months. A keen observer of modern life, Liu Xiaodong has been addressing radical shifts in society for over three decades, commenting on this emerging world through his work, in the manner of a contemporary history painter. The content of Liu Xiaodong's paintings is never transitory; his identified subject matter transpires as in-depth, complex artistic and social projects, be it documenting the life of transsexuals in Singapore (2001) or transgender and transnational artists in Berlin (2018), the forced relocation and supposed progress of Three Gorges Project in China (2003) or the complexities of multicultural life in his London series, Half Street (2013). This new body of work serves as a record of this landmark moment in history: first recording the picturesque, poignant scenes of Spring in New York under the pandemic--with empty children's playgrounds, deserted streets, blossoms falling from the trees, and portraits of his wife and daughter--to the subsequent crowds and zeal of the Black Lives Matter protests that have swept the city, and many others in recent weeks.-- Lisson Gallery (July 2020). Good+ (Wraps are lightly edgeworn/scuffed/smudged; private-ownership stamp on half-title; textblock edges are lightly scuffed/smudged; interior is clean; binding is solid.).…

Soft Cover. Condición: Very Good. First Ediition. british painter john virtue, white cover w/signature large panels of white canvas w/black paint, covers w/full-page flaps, spine uncracked, book body clean, tight and unmarked.

Softcover. oversized, square tan wraps w/ mounted color illustration, black English & Chinese printing. 111 pgs w/ primarily color illustrations. Liu Xiaodong, the usually itinerant Chinese painter, has been situated in New York City under lockdown since the middle of February, unable to travel back to his home in Beijing. From a small New York apartment, the artist has made a series of watercolour paintings documenting the changing landscape of the city over the past four months. A keen observer of modern life, Liu Xiaodong has been addressing radical shifts in society for over three decades, commenting on this emerging world through his work, in the manner of a contemporary history painter. The content of Liu Xiaodong's paintings is never transitory; his identified subject matter transpires as in-depth, complex artistic and social projects, be it documenting the life of transsexuals in Singapore (2001) or transgender and transnational artists in Berlin (2018), the forced relocation and supposed progress of Three Gorges Project in China (2003) or the complexities of multicultural life in his London series, Half Street (2013). This new body of work serves as a record of this landmark moment in history: first recording the picturesque, poignant scenes of Spring in New York under the pandemic--with empty children's playgrounds, deserted streets, blossoms falling from the trees, and portraits of his wife and daughter--to the subsequent crowds and zeal of the Black Lives Matter protests that have swept the city, and many others in recent weeks.--Lisson Gallery (July 2020). New/Sealed (remains in publisher's shrinkwrap; may have bumping, rubbing to edges, corners etc).…

paperback. Condición: Very Good. Catalogue for the Simon Linke exhibition, Lisson Gallery London and Tony Shafrazi Gallery New York 1987; 16 pages colour and b&w plates of Linke's Artforum advertisement-inspired paintings; essay by Jeffrey Deitch; printed in an edition of 1500 copies; foxing to prelims, and reverse sides of wraps, o.w. Very Good . unpaginated. landscape 8vo. Very Good. profusely illustrated (ilustrador).…

First Edition. First edition. Softcover. Exhibition catalog for a show that ran February 1988. Features text by Peter Schjeldahl. Includes numerous color and black and white illustrations. A near fine copy in wrappers with a small institutional stamp from a publisher to the title page. Otherwise a clean copy from of marks.…

Hardcover. Condición: As new. Oblong Quarto. Hardcover. Black and white cloth boards. No jacket, as issued. [176] pages : illustrations ; 19 x 26 cm. The first major monograph on American painter Ted Stamm (1944-1984) is a comprehensive survey of the entire Wooster series, including an essay by art historian Alex Bacon and an illustrated chronology of the artist's career. In 1974, Stamm encountered an irregular shape on the pavement on his street in SoHo, a rectangle joined on the left by a slightly shorter triangle. Titled the Wooster series for the location of this revelation, these geometric forms with hard edges furthered the artist's exploration of shaped canvases, formalist elements of the line, and literal as well as depicted shapes. Exhibition: Lisson Gallery, New York, USA (09.03.-14.04.2018).…

Hardcover. Condición: New. In shrinkwrap. Quarto. Illustrated boads, no jacket, as issued. 95 pages : color illustrations ; 28 cm. Newspaper clippings, photographs and more accompany a look back on 50 years of colourful geometrical paintings from Irish-born artist Sean Scully (born 1945).00The career spanning publication reveals formal and conceptual resonances between his earliest grid paintings and his equally innovative recent large-scale works.00Text from Lisson Gallery ?Sean Scully: LA Deep? press release:00?Scully?s so-called Supergrid series of works began while still a student in London and Newcastle in the UK during the 1960s, progressing towards a sophisticated language of overlapping, interwoven stripes painted between taped boundaries. Influenced by his tutor Ian Stephenson, whose dripped and dotted paintings featured in Michelangelo Antonioni?s Swinging Sixties film Blow Up, Scully began working on his own complex, focus-pulling compositions that likewise refused to fully reveal themselves at first sight, allowing only glimpses into its structure and necessitating prolonged viewing times. In epic feats of labor and painterly engineering, Scully built up dozens of horizontal and vertical lines, only to intensify this grid with multiplying layers of crisscrossing diagonals, creating expansive panels that exceeded even his tall frame and bodily span.?00Exhibition: Lisson Gallery, Los Angeles, USA (23.09. - 04.11.2023).…

Pamphlet. This is not a book. The original pamphlet/gallery guide/catalogue for an exhibition of work by Pedro Reyes, held at Lisson Gallery, NYC, February 28 - April 15, 2017. The pamphlet reproduces all 168 works-on-paper in the show as well as the 24 sculptures, along with annotation for each work. Accordion-fold pamphlet; 14 panels; 193 color illustrations; 5 x 13.5 inches, folds out to 35 inches. Condition: Fine with a hint of handling. Laid-in is the 3-page gallery press release. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

Softcover. goldenrod portfolio w/ black printing. 12 gate-fold plates. "New Yorkbased painter Stanley Whitney (born 1946) is known for his vivid multicolored abstract paintings, with stacked irregular rectangles of color in a loose grid composition on square-format canvases. In this new slipcased volume, featuring a unique design with 12 gatefolds, Whitney extends his trademark style to a smaller scale. He produces his smaller "afternoon paintings" with the leftover paint after completing a large painting. These works express Whitney's dedication to the consistency of his painting, which he likens to athletic training or the "wood-shedding" that jazz musicians invoke when describing time spent honing their improvisatory skills behind closed doors. Featuring an introductory essay by writer and critic Lynne Tillman, this book provides an intimate, expressive glimpse into the mind of a master when he is "more relaxed, more loose, more carefree."--Amazon. New (sealed in publisher's wrap; bumping & creasing to spine ends & corners, may have bumping & creasing to contents to those areas).…

Paperback. Condición: Fine. Softcover in illustrated wraps. 4to. One of an edition of 1500 copies. Crisp and clean. Published on the occasion of John Virtue's exhibition "Ten New Works" in winter/spring 1990 at the Lisson Gallery in London and the Louver Gallery in New York. Essay by Richard Cork. All plates in black-and-white. 947830200. …

Paperback. Condición: Very Good+. First Edition. Softcover in printed wraps with French flaps, clean and bright. First edition. Catalogue is in - As New - condition, small sticker affixed to rear wrap, b&w plates throughout. Published on the occasion of Virtue's exhibition in London and New York in January-April 1990. Limited Edition of 1500. Price sheet laid in. Essay by Richard Cork. Free of any markings, not ex-library. ; 4to 11" - 13" tall; Unpaginated pages.…

Paperback. Condición: VG. White cloth boards with orange lettering. Unpaginated. Color illustrations. Catalog of an exhibition at Lisson Gallery, New York, November 3-December 21, 2018.

Hardcover. Condición: Fine. Published in 2021 by Lisson Gallery to mark the occasion of Sean Scully: The 12/Dark Windows (May 6-June 18, 2021). 111 pp. Features an interview of Sean Scully by Kelly Grovier and an introduction by Ossian Ward. During 2020, a year rocked by a global pandemic and political unrest, Sean Scully (born 1945) painted two new monumental series of paintings, titled The 12 and Dark Windows. Through essays and an interview, this publication sets out the historical context for these works. In fine condition. Some minor folds at the bottom right corner of the front cover. Otherwise in excellent condition. See pictures for details. All proceeds to Amnesty International.…

Hardcover. Condición: New. Estado de la sobrecubierta: New. Qto., 80 pages, colour illustrated. A New copy in dust jacket.

Paperback. Condición: Very Good. First Edition. Wraps. 4to. Illustrated wraps. pp 36 (unpaginated). 11 illustrations. Exhibition catalogue. ISBN 9780947830205 About fine.

Broschiert. Quart. 80 S. Broschur. Sprache: Englisch, Mit zahlr. farb. und schw.-w. Abb. Einband etwas berieben, sonst sehr gutes Exemplar.

First edition. 4to, 64 pp, wraps. The catalog for the retrospective exhibition, profusely illustrated in color. With texts by Pavel Pys and Laure Prouvost. Fine.

HARDCOVER. Condición: NEW. Estado de la sobrecubierta: Issued without a dustjacket. 1st Edition. Medium size 4to in thick boards with colour plate to front cover (as issued), unpaginated, approx. 80pp on various types of paper, colour plates, etc . [CONDITION: NEW unread and unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Cloth. Condición: Fine Condition. Estado de la sobrecubierta: No Jacket, As Issued. 128 pages 78 illustrations in color. Illustrated boards. Published on the occasion of the exhbition from the Lisson Gallery, New York NY September 9-October 16, 2021. Plates. List of Works in Exhibition. Book.

Condición: Fine. As issued. 23 pp.; 24.4 x 11.8 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Booklet published in conjunction with show held at Lisson Gallery, Los Angeles, April 15 - June 10, 2023. Includes text by Briony Fer and list of works.…

Hardcover. Condición: As New. Estado de la sobrecubierta: None, As Issued. 1st Edition. 1st Printing. Signed. 86 pages. Published in 2018. Exhibition Catalog. One of the most beautiful books on the painterly art and achievement of Stanley Whitney. The first and only edition. Published in a small and limited print run as a hardcover original only. A brilliant production by Lisson Gallery NYC: Oversize-volume format. Pristine-white softer cloth boards with red titles embossed on the cover and spine, as issued. Art by Stanley Whitney. Text by Andrianna Campbell, which is illuminating. Printed on pristine-white, thick coated stock paper in the United Kingdom to the highest standards. The reproduction quality is exemplary in every respect. Without DJ, as issued. Published on the occasion of the landmark retrospective exhibition of the same name held at Lisson Gallery New York City in 2018. Presents Stanley Whitney's "In The Color". Beguiling, vivid, and sensuous work that adapts the Mondrian Grid to suit his singular purpose and to stunning, iridescent effect. "An investigation into Stanley Whitney's profound relationship to color and its spatial effects throughout his career. Color inspires and informs the work of New York artist Stanley Whitney, whose paintings explore the many possibilities created by the tessellation and juxtaposition of irregular rectangles in varying shades of strength and subtlety. Within the composition of these adjacent nodes, a structure that fluctuates between freedom and constraint, between endless open fields and controlled boundaries is ultimately a play between complementing and competing areas of color" (Publisher's blurb). Stanley Whitney works at the rigorous, high standard and level of execution that are worthy of comparison with the greatest colorists in the Western tradition: Matisse, on the one hand, and Howard Hodgkin, on the other, to name only two of his great predecessors. Still, while Whitney himself emphasizes his artistic debt and intimate connection to Western painting, it is surely not accidental that his passionate engagement with color - as well as form, that is to say, "in the color", not merely in color - also owes to his African-American heritage, immanently accessible to him as a given strength: His is "lively" art refined and elevated to an exalted, near-pure abstraction. An absolute "must-have" title for Stanley Whitney collectors. This copy is very boldly and beautifully signed in black pen-marker on the title page by Stanley Whitney. It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary classic. As far as we know, this is the only such signed copy of the Exhibition Catalog available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. Lavishly illustrated with color plates. One of the most brilliant artists of our time. A fine copy. ISBN 0947830723. Signed by Author.…

Original Wraps. Condición: Fine. No Jacket as issued. 1st Edition. Lisson Gallery Catalogue 91. Published on the occasion of the exhibition 2 May - 16 June. pp64. Copiously illustrated in colour with documentation. A firm, clean copy. Appears unused.

Card covers, stapled spine. Condición: Very good in wraps. First Edition. 19 x 25cm very good black card-covered sketchbook published by the Lisson Gallery, New York on the occasion of the exhibition: Stanley Whitney Drawings, 8 September-21 October, 2017. Stanley Whitney is an American artist who primarily works in abstract painting and printmaking.…

[28] pp.; 24 x 18 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Booklet published in conjunction with presentation of the artist's work at TEFAF, May 4 - 8, 2017 held at The Park Avenue Armory, New York City. Includes reproductions of archival photographs and letters, and color reproductions of works from 1948 - 1950. Very Good. Light edgewear and rubbing of covers. Clean and unmarked.…

Hardback. Condición: Very good. 20 x 26cm 170pp very good hardback exhibition catalogue, off-white boards have minor marks. The first major monograph on American painter Ted Stamm is a comprehensive survey of the entire Wooster series, including an essay by art historian Alex Bacon and an illustrated chronology of the artist's career. In 1974, Stamm encountered an irregular shape on the pavement on his street in SoHo, a rectangle joined on the left by a slightly shorter triangle. Titled the Wooster series for the location of this revelation, these geometric forms with hard edges furthered the artist's exploration of shaped canvases, formalist elements of the line, and literal as well as depicted shapes.…

Paperback. Condición: Fine. Estado de la sobrecubierta: Fine. First edition. A commemorative catalogue of the captivating conceptual, minimalist and modern art pieces from the last fifty years of the renowned Lisson Gallery in New York. Artist | Work | Lisson, a stunning and commemorative visual catalogue of the art displayed in the renowned Lisson Gallery over the past fifty years, edited by Ossian Ward. Published by Lisson in 2017.In the publisher's original paper wraps, in the original plastic wrapper. Contains numerous monochrome and colour illustrations throughout of the various artwork in the Gallery listed from A-Z, with the occasional leaf explaining the artist, exhibition, or artwork to the left of the piece displayed.First founded in 1967, the Lisson Gallery today is one of the most successful modern art galleries in the world, specialising particularly in conceptual, abstract and minimalist art that is both innovative and challenges the way we think. Artists include those from London, Kenya, Milan and New York among many other regions, and introductory texts have been written by Ward, Gregory Hilty, the Curatorial Director, and Alex Logsdail, the son of its found Nicholas Logsdail. In the publisher's original paper wraps, in the original plastic wrapper. Externally, very smart, with minimal marks and edgewear. A very small crease near front joint of front wrapper. Plastic wrapper is in excellent condition, with the odd small handling mark. End papers are bright and clean. Internally, firmly bound. Pages are bright and clean. Fine. Various (ilustrador). book.…

First Edition. First Edition. Slim quarto. A facsimile of Stanley Whitney's sketchbooks, reproducing dozens of his color drawings and evocative handwritten notes; published on the occasion of an exhibition at Lisson Gallery (Sep. 8 - Oct. 21, 2017). This copy SIGNED by Whitney to top of first page; dated 2018. Minor scuffing to printed black wrappers, with original sticker to lower corner of front panel. Signed. …

First Printing. 20 x 20 cm. 36 unpaginierte S. OKarton. Sehr gutes, frisches Exemplar. Enthält 32 Tafeln mit Kombinationen der Farben Gelb, Schwarz, Rot und Blau. [Vgl. Maffai / de Donno. Sol LeWitt Artist s Books, S. 74-75].

Title-page & 34 plates. Sm. sq. 4to. Wraps.