Lenz press (222 resultados)

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New.

Softcover, 160 pages, as new condition, clean and crisp; publisher's stamp on first page; no other internal marks. Foreign shipping may be extra.

Condición: New.

Condición: New.

Condición: New.

Hardcover. Condición: new. Hardcover. The body as flexible habitat, from Arakawa and Gins to Lyle Ashton HarrisAustrian artist and curator Anna-Sophie Berger here assembles a group of works that register the body as a habitat that can be imaginatively stretched, altered, modified, adorned, replicated or destroyed. The starting point for Berger were two designs for necklaces by the Surrealist Meret Oppenheimone resembling a babys legs wrapped around a neck, and the other featuring a pendant with a grinning toothy mouth smoking a cigarette, designed to hang at the softest part of the throat. In a similar spirit, each work in Life and Limbs was chosen for its ability to trouble the limits of what a body can become: from the metamorphosis that comes from wearing a garment to complete transfigurations into surreal, new beings. This volume includes works by Arakawa and Madeline Gins, Moyra Davey, CoBrA, Sarah Charlesworth, Lyle Ashton Harris, Rosemarie Trockel and more. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Hardback. Condición: New. The body as flexible habitat, from Arakawa and Gins to Lyle Ashton HarrisAustrian artist and curator Anna-Sophie Berger here assembles a group of works that register the body as a habitat that can be imaginatively stretched, altered, modified, adorned, replicated or destroyed. The starting point for Berger were two designs for necklaces by the Surrealist Meret Oppenheim-one resembling a baby's legs wrapped around a neck, and the other featuring a pendant with a grinning toothy mouth smoking a cigarette, designed to hang at the softest part of the throat. In a similar spirit, each work in Life and Limbs was chosen for its ability to trouble the limits of what a body can become: from the metamorphosis that comes from wearing a garment to complete transfigurations into surreal, new beings. This volume includes works by Arakawa and Madeline Gins, Moyra Davey, CoBrA, Sarah Charlesworth, Lyle Ashton Harris, Rosemarie Trockel and more.…

Condición: NEW.

Paperback. Condición: new. Paperback. The life and afterlife of Rainer's landmark dance, with archival documentation and contemporary responsesYvonne Rainer's 1965 performance Parts of Some Sextets, for 10 people and 12 mattresses, represents a turning point in the American choreographer's oeuvre. Built on her formative years with the Judson Dance Theater, "my mattress monster," as Rainer calls it, was where she asserted her exploration of "ordinary" actions and her disregard for narrative constructions, creating an intricate choreography with a new scene every 30 seconds. More than half a century after its premiere, Rainer, in collaboration with dance artist Emily Coates, directed the 2019 revival of the piece for the Performa 19 Biennial in New York. Remembering a Dance focuses on the two distinct occurrences of this single dance. In this book, exquisitely designed by Nick Mauss, previously unpublished archival images and documents from the 1965 stagings at the Judson Memorial Church in New York and the Wadsworth Atheneum in Hartford resonate with contemporary responses and pose questions about the trajectories of artworks, performers and audiences. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Hardcover without dustjacket as issued, 260 pages; good condition, heavy bump with 1-inch tear at bottom of spine; no internal marks. As is. Foreign shipping may be extra.

Brossura. Condición: new. Milano, 2025; br., pp. 96, ill., cm 11x18. Libro.

Brossura. Condición: new. A cura di Gervasoni V. e Giusti L.Milano, 2024; br., pp. 96, ill. col., cm 11x18. Libro.

Brossura. Condición: new. A cura di Gervasoni V. e Giusti L.Testi di Antonio Moroni, Goisis Pietro Roberto e Whiteread Rachel.Testo Italiano e Inglese.Milano, 2024; br., pp. 96, ill., cm 11x18. The Mark of Trauma is the first book in a series of short essay collections inspired by the site-specific art projects specially conceived for GAMeC at Palazzo della Ragione, a symbolic, time-honored location within the city of Bergamo that embodies the values of community life and participation. Rachel Whiteread was asked to name an author who interests her-be it a researcher, a philosopher or a scholar-and whose thinking could be said to underpin the project, with a view to finding a path through the complexities of the present day, starting from the work produced but without necessarily lingering on it. Through the words of psychoanalysts Angelo Antonio Moroni and Pietro Roberto Goisis, the book highlights the main characteristics of the collective trauma that gave rise to Rachel Whiteread's project .And the Animals Were Sold. Libro.…

Condición: new.

Soft cover. Condición: Very Good. 1st Edition.

Hardcover. Condición: New. Hardcover; sealed, new.

Brossura. Condición: new. Edited by Ramos Filipa and Chus Martínez.English and Portuguese Text.Milano, 2023; paperback, pp. 288, ill., cm 11,5x18. Some may associate clay, pottery and ceramics to tradition, and tradition to the past. Some may associate technology, digital communication and data with the new, and the new with the future. What if the future is only a technology as old and unusual as clay? What if clay is a matter that renews itself constantly and gives time its unpredictable configurations?What if clay is the future and the future is clay? And if the feet of clay only reveal a vulnerability because the rest of the body is made of a different material? And if the feet of clay are actually rooting people to the earth, connecting them through the same matter? And if feet of clay are a way to establish a post-technological communication that requires no webs, no networks, no cables; only our many, one, two, eight, twenty feet and some clay?These are some of the questions and enigmas addressed by curators Chus Martínez and Filipa Ramos, who brought together a group of artists who have been using clay, pottery and ceramics in an exhibition entitled Feet of Clay, presented at Galeria Municipal do Porto in 2021. Like clay, the project has now been moulded into book format, bringing together exclusive texts and interviews with the participating artists: Neïl Beloufa, Isabel Carvalho, Gabriel Chaile, Pauline Curnier Jardin, Formabesta (Salvador and Juan Cidrás), Tamara Henderson, Ana Jotta and Eduardo Navarro. Libro.…

First Edition. First edition. Hardcover. 259 pages. Text in English with an introduction by Simon Castets and Elena Filipovic and additional contributions by Adam Linder, Jordan Carter, Aram Moshayedi, Hamza Walker, and several others. Includes numerous illustrations a checklist, and biographical information. A clean near fine copy in illustrated boards. No dust jacket as issued.…

Condición: NEW.

Condición: NEW.

Soft cover. Condición: New. New Condition This new book is a complete survey of the cast, forged, and fabricated metal sculptures made by Danish artist Sidsel Meineche Hansen since 2017. The artist's practice addresses the industrial complex of virtual and robotic bodies and their relationship to labor in tech, pornography and gaming. While some sculptures were conceived as individual pieces, others were created with digital counterparts within installations that typically include CGI animation, documentary video, drawing and prints.…

Brossura. Condición: new. A cura di Fishli F. e Olsen N.Milano, 2025; br., pp. 96, ill., cm 16,5x22. Libro.

Brossura. Condición: new. Milano, 2022; br., pp. 248, ill., cm 16,5x23,5. Libro.