lars muller publishers ch (700 resultados)

Paperback. Condición: New. 1. Working at Oscar Niemeyer's studio in Copacabana, Rio de Janeiro - for two months, Swiss architect Martino Pedrozzi was able to realize his dream. Over twenty years later, he presents his memories of the time spent with the legendary Brazilian architect. Through twenty-six personal, insightful and at times humorous fragments, "Mini Cigarillos" captures the impact these two months had on the young architect and o?ers a fascinating glimpse into the life and work of Oscar Niemeyer.

Paperback. Condición: New. The famous Italian designer Massimo Vignelli allows us a glimpse of his understanding of good design in this book, its rules and criteria. He uses numerous examples to convey applications in practice - from product design via signaletics and graphic design to Corporate Design. By doing this he is making an important manual available to young designers that in its clarity both in terms of subject matter and visually is entirely committed to Vignelli's modern design.

Hardback. Condición: New. In Brazil soccer is more than just a sport. It is hope for a better future, a distraction from everyday life, creator of identity and community. If there is no ball around, people kick fruit or cans; when there is no field, they make one. Soccer marks the soul of the Brazilian people, as well as the image of city and landscape. Any land that is somewhat level and not overgrown or built up becomes a soccer field. Even though there may be a lack of meeting places, parks, or village centers, there is always a campo de pelada. In this volume, two Brazilian photographers seek and find soccer in places where one might not expect to find it. Leonardo Finotti creates a kind of inventory, showing pictures from his series Campos Sagrados, for which he traveled through all of Brazil, to neighborhoods rich and poor, to industrial zones, urban peripheries, and to the country, to take photographs from an elevated standpoint of temporary and "real" soccer fields and their surroundings. In his photo series Brasilieiros Futebol Clube Ed Viggiani accompanies his fellow countrymen everywhere where soccer is played or a team followed.

Paperback. Condición: New. Are We Human? rethinks the philosophy of design in a multi-dimensional exploration from the very first tools and ornaments to the constant buzz of social media. The average day involves the experience of thousands of layers of design that reach to outside space but also reach deep into our bodies and brains. Even the planet itself has been completely encrusted by design as a geological layer. There is no longer an outside to the world of design. Design has become the world. Design is what makes the human. It is the very basis of social life. But design also engineers inequalities and new forms of neglect, such as lawlessness, poverty, and the climate at the same time as the human genome and the weather are being actively redesigned. We can no longer reassure ourselves with the idea of "good design." Design itself needs to be redesigned.

Paperback. Condición: New. What feeds the inspiration of the designer? Observation. In Jasper Morrison's collection of pictures, the icons of design history meet up with the unassuming projects of everyday life, and curious findings with the archetypes of modernism. Every picture tells a story nad creates a new one in juxtaposition with its neighbour - without words, in the language of form. Morrison responds to the arbitrariness of form with simplicity and complexity, poetry and humour in a repetoire of compelling designs "a world without words" is a school of seeing that addresses designers and consumers alike, who wish to explore the universe of goods.

Hardback. Condición: New. In Brazil soccer is more than just a sport. It is hope for a better future, a distraction from everyday life, creator of identity and community. If there is no ball around, people kick fruit or cans; when there is no field, they make one. Soccer marks the soul of the Brazilian people, as well as the image of city and landscape. Any land that is somewhat level and not overgrown or built up becomes a soccer field. Even though there may be a lack of meeting places, parks, or village centers, there is always a campo de pelada. In this volume, two Brazilian photographers seek and find soccer in places where one might not expect to find it. Leonardo Finotti creates a kind of inventory, showing pictures from his series Campos Sagrados, for which he traveled through all of Brazil, to neighborhoods rich and poor, to industrial zones, urban peripheries, and to the country, to take photographs from an elevated standpoint of temporary and "real" soccer fields and their surroundings. In his photo series Brasilieiros Futebol Clube Ed Viggiani accompanies his fellow countrymen everywhere where soccer is played or a team followed.

Paperback. Condición: New. Buckminster Fuller (1895-1983) was an architect, engineer, geometrician, cartographer, philosopher, futurist, inventor of the famous geodesic dome, and one of the most brilliant thinkers of his time. For more than five decades, he set forth his comprehensive perspective on the world's problems in numerous essays, which offer an illuminating insight into the intellectual universe of this renaissance man. These texts remain surprisingly topical even today, decades after their initial publication.While Fuller wrote the works in the 1960's and 1970's, they could not be more timely: like desperately needed time-capsules of wisdom for the critical moment he foresaw, and in which we find ourselves. Long out of print, they are now being published again, together with commentary by Jaime Snyder, the grandson of Buckminster Fuller. Designed for a new generation of readers, Snyder prepared these editions with supplementary material providing background on the texts, factual updates, and interpretation of his visionary ideas.Initially published in 1969, and one of Fuller's most popular works, Operating Manual for Spaceship Earth is a brilliant synthesis of his world view. In this very accessible volume, Fuller investigates the great challenges facing humanity, and the principles for avoiding extinction and "exercising our option to make it." How will humanity survive? How does automation influence individualization? How can we utilize our resources more effectively to realize our potential to end poverty in this generation? He questions the concept of specialization, calls for a design revolution of innovation, and offers advice on how to guide "spaceship earth" toward a sustainable future.And it Came to Pass - Not to Stay brings together Buckminster Fuller's lyrical and philosophical best, including seven "essays" in a form he called his "ventilated prose," and as always addressing the current global crisis and his predictions for the future. These essays, including "How Little I Know," "What I am Trying to Do," "Soft Revolution," and "Ethics," put the task of ushering in a new era of humanity in the context of "always starting with the universe." In rare form, Fuller elegantly weaves the personal, the playful, the simple, and the profound.

Paperback. Condición: New. What feeds the inspiration of the designer? Observation. In Jasper Morrison's collection of pictures, the icons of design history meet up with the unassuming projects of everyday life, and curious findings with the archetypes of modernism. Every picture tells a story nad creates a new one in juxtaposition with its neighbour - without words, in the language of form. Morrison responds to the arbitrariness of form with simplicity and complexity, poetry and humour in a repetoire of compelling designs "a world without words" is a school of seeing that addresses designers and consumers alike, who wish to explore the universe of goods.

Paperback. Condición: New. Are We Human? rethinks the philosophy of design in a multi-dimensional exploration from the very first tools and ornaments to the constant buzz of social media. The average day involves the experience of thousands of layers of design that reach to outside space but also reach deep into our bodies and brains. Even the planet itself has been completely encrusted by design as a geological layer. There is no longer an outside to the world of design. Design has become the world. Design is what makes the human. It is the very basis of social life. But design also engineers inequalities and new forms of neglect, such as lawlessness, poverty, and the climate at the same time as the human genome and the weather are being actively redesigned. We can no longer reassure ourselves with the idea of "good design." Design itself needs to be redesigned.

Paperback. Condición: New. The sequel to the authors' Are We Human?, this provocative book is an urgent manifesto for an alternative architectural philosophy. It treats bacteria as the real architects, construction workers, maintenance crews and inhabitants of buildings. Colomina and Wigley draw on the latest research into microbes to rethink the past and possible futures of the built environment. The book explores the intimate entanglements of the microbes within bodies and buildings over the last 10,000 years, culminating in the antibiotic philosophy of contemporary architecture. The diseases of our time are diseases of the built environment. The deadly combination of rapidly declining microbial diversity and rising antibiotic-resistant bacteria is as great a threat as climate change. Hostility to bacteria has to give way to new forms of hospitality from a more symbiotic architecture that learns from bacteria, embracing them and reconnecting with soil, plants and other species. Buildings based on fear of bacteria, which is to say fear of life itself, must give way to buildings learning from models of coexistence based on bacteria themselves.The main goal of the book is to rethink the very idea of shelter in terms of forms of inclusion rather than prophylactic forms of exclusion.

Paperback. Condición: New. Baur, Ruedi; Khorsandian, Odyssée Ilustrador. Bad news about climate change, shrinking resources, global health crises, species extinction and growing inequalities cause consternation and insecurity for many people, especially since the Covid pandemic. The ambition of this book is to explain in simple but precise terms and by means of Ruedi Baur's concise illustrations what "finance" is, and how its most innovative form, sustainable finance, can reconcile the well-being of mankind with the capacities of our planet.Is there a way to convince society that a fundamental transition is necessary, even more: that it is possible? Can sustainable finance help? Financing Our Common Future offers encouraging perspectives by showing how little-known groups of financial stakeholders, such as development banks, are actively working to make sustainable finance happen. The book invites you to enjoy a journey through multitude situations, to question our preconceptions and to open our mindset to a deeper thought, so we can envision ways of moving forward.

Paperback. Condición: New. Helvetica is a sans-serif typeface. It is simple and clean, and commonly seen in advertising, signage, and literature. The R has a curved leg, and the i and j have square dots. The Q has a straight angled tail, and the counterforms inside the O, Q, and C are oval. It is an all-purpose type design that can deliver practically any message clearly and efficiently. It is one of the most popular typefaces of all time. Helvetica: Homage to a Typeface presents 400 examples of Helvetica in action, selected from two diametrically opposed worlds. Superb applications by renowned designers are juxtaposed with an anonymous collection of ugly, ingenious, charming, and hair-raising samples of its use.

Paperback. Condición: New. Buckminster Fuller (1895-1983) was an architect, engineer, geometrician, cartographer, philosopher, futurist, inventor of the famous geodesic dome, and one of the most brilliant thinkers of his time. For more than five decades, he set forth his comprehensive perspective on the world's problems in numerous essays, which offer an illuminating insight into the intellectual universe of this renaissance man. These texts remain surprisingly topical even today, decades after their initial publication.While Fuller wrote the works in the 1960's and 1970's, they could not be more timely: like desperately needed time-capsules of wisdom for the critical moment he foresaw, and in which we find ourselves. Long out of print, they are now being published again, together with commentary by Jaime Snyder, the grandson of Buckminster Fuller. Designed for a new generation of readers, Snyder prepared these editions with supplementary material providing background on the texts, factual updates, and interpretation of his visionary ideas.Initially published in 1969, and one of Fuller's most popular works, Operating Manual for Spaceship Earth is a brilliant synthesis of his world view. In this very accessible volume, Fuller investigates the great challenges facing humanity, and the principles for avoiding extinction and "exercising our option to make it." How will humanity survive? How does automation influence individualization? How can we utilize our resources more effectively to realize our potential to end poverty in this generation? He questions the concept of specialization, calls for a design revolution of innovation, and offers advice on how to guide "spaceship earth" toward a sustainable future.And it Came to Pass - Not to Stay brings together Buckminster Fuller's lyrical and philosophical best, including seven "essays" in a form he called his "ventilated prose," and as always addressing the current global crisis and his predictions for the future. These essays, including "How Little I Know," "What I am Trying to Do," "Soft Revolution," and "Ethics," put the task of ushering in a new era of humanity in the context of "always starting with the universe." In rare form, Fuller elegantly weaves the personal, the playful, the simple, and the profound.

Paperback. Condición: New. The famous Italian designer Massimo Vignelli allows us a glimpse of his understanding of good design in this book, its rules and criteria. He uses numerous examples to convey applications in practice - from product design via signaletics and graphic design to Corporate Design. By doing this he is making an important manual available to young designers that in its clarity both in terms of subject matter and visually is entirely committed to Vignelli's modern design.

Paperback. Condición: New. Iranian graphic design looks back on a brief history. The first poster designers completed independent artistic training and created painterly-illustrative works in the 1960s. The simultaneous opening to the West under Shah Mohammad Reza Pahlavi promoted global cultural exchange. With the proclamation of the Islamic Republic in 1979 and the First Gulf War (1980-1988), however, this was rapidly interrupted. At the end of the 1980s, a new generation of designers took up the graphic heritage of the pre-war period. At the turn of the millennium, the Iranian poster finally conquered international festivals and caused a great stir in the Western community. The volume Contemporary Iran brings together Iranian cultural posters from 1960 to the present. Despite the many different creative approaches, they always demonstrate the search for a fusion of history and contemporaneity, Iran's own tradition and Western inspiration, art and everyday culture. An often unorthodox interpretation of Persian cultural heritage is combined with the confident use of computer-generated graphics. Thus, some posters confirm common Western notions of Islamic aesthetics, while others radically undermine them and irritate and surprise us.

Paperback. Condición: New. Baur, Ruedi; Khorsandian, Odyssée Ilustrador. Bad news about climate change, shrinking resources, global health crises, species extinction and growing inequalities cause consternation and insecurity for many people, especially since the Covid pandemic. The ambition of this book is to explain in simple but precise terms and by means of Ruedi Baur's concise illustrations what "finance" is, and how its most innovative form, sustainable finance, can reconcile the well-being of mankind with the capacities of our planet.Is there a way to convince society that a fundamental transition is necessary, even more: that it is possible? Can sustainable finance help? Financing Our Common Future offers encouraging perspectives by showing how little-known groups of financial stakeholders, such as development banks, are actively working to make sustainable finance happen. The book invites you to enjoy a journey through multitude situations, to question our preconceptions and to open our mindset to a deeper thought, so we can envision ways of moving forward.

Paperback. Condición: New. Peace appeals, reminders of human rights, calls to protect nature - posters have proven an effective medium in accompanying social and political struggles worldwide since the 1920s. Through the poster, these universal and timeless topics are able to reach a broad public and encourage critical debate. While some posters are meant to shed light and are aimed at reflection, others appeal more strongly to the emotions of their audience. Some dismantle past and present autocrats cynically, ironically or humorously - while others construct idols that exemplify a different world. Dystopian images function as a provocation and warning, while utopian messages keep the belief in change alive. Symbols such as the raised fist or the dove of peace demonstrate their global and lasting power in ever new interpretations. Proven visual formulas and argumentation strategies are taken up in posters of the latest civil protest movements and are supplemented by new rhetoric. The designers, acting individually or collectively, are united by commitment and an emancipatory attitude as well as the conviction that resistance requires its own aesthetic in order to function. The publication brings together works from around one hundred years that demonstrate the tradition of the poster as a medium of protest and assert its validity and necessity in the present day.

Paperback. Condición: New. 1. The architecture of the Soviet Union in the 1920s and 1930s was integral to shaping twentieth century modernism. Russian architect Konstantin Melnikov (1890-1974) was a key figure of this movement, with many of his realized projects becoming icons of modernism. Because he refused to conform to architectural standards after Stalin's cultural turn in 1932, his works were largely forgotten for several decades. He was rehabilitated and received public recognition for his imaginative constructions only a few years prior to his death in 1974. This publication presents models of Konstantin Melnikov's built and unbuilt works, created under the direction of Pavel Kuznetsov by the students of the Accademia di Architettura in Mendrisio. The models are accompanied by photographs, sketches and project descriptions expanding on Melnikov's work. An essay by Pavel Kuznetsov situates the architect in his historical context, shedding light on an under-appreciated figure of architectural history.

Paperback. Condición: New. The sequel to the authors' Are We Human?, this provocative book is an urgent manifesto for an alternative architectural philosophy. It treats bacteria as the real architects, construction workers, maintenance crews and inhabitants of buildings. Colomina and Wigley draw on the latest research into microbes to rethink the past and possible futures of the built environment. The book explores the intimate entanglements of the microbes within bodies and buildings over the last 10,000 years, culminating in the antibiotic philosophy of contemporary architecture. The diseases of our time are diseases of the built environment. The deadly combination of rapidly declining microbial diversity and rising antibiotic-resistant bacteria is as great a threat as climate change. Hostility to bacteria has to give way to new forms of hospitality from a more symbiotic architecture that learns from bacteria, embracing them and reconnecting with soil, plants and other species. Buildings based on fear of bacteria, which is to say fear of life itself, must give way to buildings learning from models of coexistence based on bacteria themselves.The main goal of the book is to rethink the very idea of shelter in terms of forms of inclusion rather than prophylactic forms of exclusion.

Paperback. Condición: New. Advertising creates dream worlds, yet always simultaneously bears witness to its era. Both these tendencies are exemplified in fashion posters. Moving beyond the latest modish trends and beauty ideals, fashion posters reflect moral codes and social conditions. In particular, they pander to the longing to escape routine everyday life, for these posters suggest that it is possible to attain a completely new identity simply by opting for a different garment or style. Androgynous models and less normative images of men and women in the advertising industry mark the dawn of a new era that entails constantly balancing aspirations to individuality against a sense of collective belonging.Fashion posters from past and present are lifestyle propositions; they tell stories, seduce and shock. Playing with convention and provocation, bodies are sometimes lavishly veiled and disguised, sometimes sensually staged. At times consumers are only indirectly encouraged to shop. A button or a coat collar as a pars pro toto illustrate product quality in historical posters. A new, somewhat controversial approach to fashion advertising emerges in Benetton campaigns from the early 1990s. Overtly erotic ostentation contrasts with poetic allusions that are for example the hallmark of highly aesthetic Japanese fashion posters. En Vogue brings together fashion advertising spanning roughly a hundred years and deploying myriad different PR strategies, in each case reflecting the cultures and periods in which it was created.

Paperback. Condición: New. Helvetica is a sans-serif typeface. It is simple and clean, and commonly seen in advertising, signage, and literature. The R has a curved leg, and the i and j have square dots. The Q has a straight angled tail, and the counterforms inside the O, Q, and C are oval. It is an all-purpose type design that can deliver practically any message clearly and efficiently. It is one of the most popular typefaces of all time. Helvetica: Homage to a Typeface presents 400 examples of Helvetica in action, selected from two diametrically opposed worlds. Superb applications by renowned designers are juxtaposed with an anonymous collection of ugly, ingenious, charming, and hair-raising samples of its use.

Paperback. Condición: New. Iranian graphic design looks back on a brief history. The first poster designers completed independent artistic training and created painterly-illustrative works in the 1960s. The simultaneous opening to the West under Shah Mohammad Reza Pahlavi promoted global cultural exchange. With the proclamation of the Islamic Republic in 1979 and the First Gulf War (1980-1988), however, this was rapidly interrupted. At the end of the 1980s, a new generation of designers took up the graphic heritage of the pre-war period. At the turn of the millennium, the Iranian poster finally conquered international festivals and caused a great stir in the Western community. The volume Contemporary Iran brings together Iranian cultural posters from 1960 to the present. Despite the many different creative approaches, they always demonstrate the search for a fusion of history and contemporaneity, Iran's own tradition and Western inspiration, art and everyday culture. An often unorthodox interpretation of Persian cultural heritage is combined with the confident use of computer-generated graphics. Thus, some posters confirm common Western notions of Islamic aesthetics, while others radically undermine them and irritate and surprise us.

Paperback. Condición: New. The publication explores the different yet corresponding architectural concepts of Umberto Riva and Bijoy Jain. On the basis of building visits and ongoing conversations, the author Mirko Zardini interprets Umberto Riva's and Bijoy Jain's motivations and inds unlikely resonance in their complementary approaches. The publication accompanies the exhibition held under the same name at the Canadian Centre for Architecture.

Paperback. Condición: New. If metropoles were the 20th century's favorite playground, borders are the laboratory for globalized phenomena in the 21st century. Hot spots for migrants, barbed wire, Green borders, checkpoints, go slow for cross-border workers, crypto-currency mining farms, casinos, brothels, tax havens, condominiums, principalities, white elephants, and so on: such places, residues of nation states, are all to be found on borders.Border inhabitants are often left to their own device. To date, borders lack a political project. In order to realize this project, the editors have worked in-situ with those living in border regions in Switzerland, France, Germany, Austria, Italy, Liechtenstein, Iraq, Iran, Afghanistan and Eritrea. They have started to imagine, describe and model the real territory and a potential project for it. A collective intelligence - a res publica - is taking form.Oræ, plural of the Latin noun ora, translates as "borders" in English. Figuratively speaking, it signifies "the beginning of something." Oræ is a project of a territory, whose setting is its borders and whose authors are its inhabitants. Its political and poetic program consists of experiencing the world from its margins.This guide invites readers to an unplanned journey inside oræ. It is a non-hierarchical succession of fragmentary narratives coming from borders and the imaginations of those living in their vicinity.The project "oræ - Experiences on the Border" was conceived as Switzerland's nominated National Participation in the 17th Venice architecture biennial, commissioned by the Swiss Arts Council Pro Helvetia.

Paperback. Condición: New. If metropoles were the 20th century's favorite playground, borders are the laboratory for globalized phenomena in the 21st century. Hot spots for migrants, barbed wire, Green borders, checkpoints, go slow for cross-border workers, crypto-currency mining farms, casinos, brothels, tax havens, condominiums, principalities, white elephants, and so on: such places, residues of nation states, are all to be found on borders.Border inhabitants are often left to their own device. To date, borders lack a political project. In order to realize this project, the editors have worked in-situ with those living in border regions in Switzerland, France, Germany, Austria, Italy, Liechtenstein, Iraq, Iran, Afghanistan and Eritrea. They have started to imagine, describe and model the real territory and a potential project for it. A collective intelligence - a res publica - is taking form.Oræ, plural of the Latin noun ora, translates as "borders" in English. Figuratively speaking, it signifies "the beginning of something." Oræ is a project of a territory, whose setting is its borders and whose authors are its inhabitants. Its political and poetic program consists of experiencing the world from its margins.This guide invites readers to an unplanned journey inside oræ. It is a non-hierarchical succession of fragmentary narratives coming from borders and the imaginations of those living in their vicinity.The project "oræ - Experiences on the Border" was conceived as Switzerland's nominated National Participation in the 17th Venice architecture biennial, commissioned by the Swiss Arts Council Pro Helvetia.

Paperback. Condición: New. Josef Muller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Poster campaigns for longtime clients such as the Tonhalle concert hall in Zurich or the Automobile Club of Switzerland follow strict functional criteria - and yet exhibit a variety of design solutions and exciting, dynamic compositions. This book presents selected posters by Muller-Brockmann and places them in the context of their own time while also examining the validity of his solutions from today's point of view.

Paperback. Condición: New. Josef Muller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Poster campaigns for longtime clients such as the Tonhalle concert hall in Zurich or the Automobile Club of Switzerland follow strict functional criteria - and yet exhibit a variety of design solutions and exciting, dynamic compositions. This book presents selected posters by Muller-Brockmann and places them in the context of their own time while also examining the validity of his solutions from today's point of view.

Paperback. Condición: New. With Apple, Ken Miki playfully presents a complete basic course in visual communication - all based on a simple and familiar object: the apple. First, all five senses are activated in a step-by-step analysis of the apple by touching, looking at, smelling, tasting and listening to the sound of eating it. The apple is then used to illustrate the topics of form, color, size, surface, texture, writing, line, body and text - the fundamental elements a designer works with. Addressing each theme based on this everyday object enables a playful approach that also makes for highly effective learning. A unique textbook that offers inspiration and food for thought for both experienced graphic artists and those less familiar with the world of design.

Paperback. Condición: New. The publication explores the different yet corresponding architectural concepts of Umberto Riva and Bijoy Jain. On the basis of building visits and ongoing conversations, the author Mirko Zardini interprets Umberto Riva's and Bijoy Jain's motivations and inds unlikely resonance in their complementary approaches. The publication accompanies the exhibition held under the same name at the Canadian Centre for Architecture.

Hardback. Condición: New. Following the pair of monographic "Sauerbruch Hutton Archives" (Archive, 2006; Archive 2, 2016) Lars Mu?ller Publishers presents a reader edited by the architects. Matthias Sauerbruch and Louisa Hutton have asked a diverse group of authors to reflect on the various conditions that have shaped the conception, production and dissemination of architecture in Europe over the course of the last three decades, and of the architecture that has resulted. The essays generally include observations on one or more of Sauerbruch Hutton's buildings, but these do not necessarily form the focus of the respective texts.The authors include critics who have written on the work of the practice in the past, architectural colleagues and writers whose opinions and observations are respected by the editors as well as a handful of people who either live or work in one of their buildings and so have experienced Sauerbruch Hutton's architecture firsthand. Further, a photographic essay by the Finnish artist Ola Kolehmainen will augment the twenty-fi ve essays with works created between 1990 and 2020. Analogous to the written pieces, these are images in their own right and of their own subjects that have been triggered by the presence of one of Sauerbruch Hutton's buildings.