jpr ringier zurich (24 resultados)

Hardcover. Condición: VERY GOOD. Very nice condition. Large oblong glossy black hardcover with illustrated cover, no dust jacket, 118 pages. Like new except for slightest wear. **We provide professional service and individual attention to your order, daily shipments, and sturdy packaging. FREE TRACKING ON ALL SHIPMENTS WITHIN USA.

240 pp.; 23 x 16 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann''s groundbreaking 1969 exhibition When Attitudes Become Form, also at the Kunsthalle, introduced European audiences to artists like Joseph Beuys, Eva Hesse, Richard Serra and Lawrence Weiner. It also introduced the now-commonplace practice of curating an exhibition around a theme. Since Szeemann''s death in 2005, there has been research underway at his archive in Tessin, Switzerland. An invaluable resource, this volume provides access to previously unpublished plans, documents and photographs from the archive, along with important essays by Hal Foster and Jean-Marc Poinsot. There is also an informative interview with Tobia Bezzola--curator at the Kunsthauz Zurich and Szeemann''s collaborator for many years. Two of Szeemann''s most ambitious exhibitions are presented as case studies: Documenta 5 (1972) and L''Autre, the 4th Lyon Biennial (1997). A biography, an illustrated chronology of Szeemann''s exhibitions and a selection of his writings complete this exhaustive survey." -- publisher''s statement. Texts by Szeemann, Yves Aupetitallot, Mark Nash, Florence Derieux, Hal Foster, Jean-Marc Poinsot, François Aubart, Fabien Pinaroli, Balthasar Burkhard, Sadie Woods, Karin Prätorius, Urs and Rös Graf, Lucia Pesapane, Irmeline Lebeer and John Anthony Thwaites, Jean-Christophe Ammann, Bazon Brock, François Burkhardt, Johannes Cladders, Lucia Pesapane, Claes Oldenburg, Lawrence Weiner, Haeju Kim, Julija Cistiakova, Yuka Tokuyama, Thierry Prat, Thierry Raspail, Chris Burden. Copiously illustrated with images of Szeemann, exhibitions curated by Szeemann. Illustrated chronology of exhibitions curated / organized by Szeemann, selected bibliography. Very Good. Light handling wear evident. Contents clean and unmarked.

Cartonato. Catalogo pubblicato in occasione della mostra Review. Vidèos et films de la collection Pierre Hubert, Le Magasin, Centre National d'Art Contemporain, Grenoble, dal 4 Giugno al 3 settembre 2006.Con numerose immagini a colori.With many color images. Numero di tavole: pp.s.n. altezza 0 larghezza 0 Esemplare in condizioni molto buone. Tracce di polvere alla copertina e ai tagli. Testo in inglese e francese. Book in good conditions. Text in English and French. Traces of dust on the cover and edges.

Oversize Paperback. Condición: Fine. Estado de la sobrecubierta: Fine. Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 159 pages filled with full page prints and exhibition photos. Dust jacket has french folds over flat black paperback covers.

Fol., gepr. OKLdr. mit OSU, Buch zur Ausstellung;. 268 S. mit zahlr. Abb., SU gering abgegriffen, innen sauber Sprache: Englisch Gewicht in Gramm: 2550.

Softcover. Condición: Sehr gut. 1. Auflage. Z : 17 x 24 cm, 178 pages with numerous colour illustrations. - An artist, film-maker and documentarist, Mika Taanila (born 1965, lives and works in Helsinki) integrates and goes beyond the various planes of contemporary art. His films, video clips and installations are built according to the principles of connection, interaction and collaboration. Between sound and image, between the latest electronic culture and technological aspirations of the 1960s, between documentary film and advanced experiment, between fiction and reality, Taanila is working out a novel and protean approach to our representations of modernity and progress through his futuristic techno-utopias.

Brossura. Con molte immagini in bianco e nero.With many black and white images. Numero di tavole: pp.184 altezza 0 larghezza 0 Esemplare in condizioni molto buone. Due copie presentano tracce di polvere alla copertina e ai tagli e lievissimi segni di usura agli angoli. Testo in inglese e francese. Books in good conditions, like new. Treces of dust on the cover and at tails. Text in English and French.

Softcover. 63 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. D03101 9783037640142 Sprache: Englisch Gewicht in Gramm: 550.

Cartonato con sovracoperta. This book is published on occasion of the exhibition Private View, 1980-2000. Collection Piere Hubert, Musée cantonal des Beaux-Arts de Lausanne, June 14-September 11, 2005.Con numerosissime immagini a colori.With many color images. Numero di tavole: pp.268 9782940271788 altezza 0 larghezza 0 Esemplare in condizioni molto buone. Tracce di polvere alla sovraccoperta e ai tagli. Lievissimi segni di usura alla sovraccoperta. Testo in francese ed inglese. Book in good conditions. Text in French and English.

Cartonato con sovracoperta. Distorted faces series: paintings (1986-2007)Noir portrait series (1978)Distorted faces series: works on paper (1978-1985)Sketches for giant face paintings (1992)Other portraits & faces (1993-2006)Con molte illustrazioni in bianco e nero all'interno. With many, black and white illustrations, inside. Quasi 16 centimetri di altezza e 12 centimetri di larghezza, il volume è rivestito da un manifesto di 53 x 37 pollici su foglio ripiegato, di Jim Shaw, profondamente inquietante , in bianco e nero del volto distorto di Ronald Reagan.Almost 16 inches tall and 12 inches wide and jacketed in a 53 x 37-inch foldout poster of Jim Shaw's deeply disturbing black-and-white, of Ronald Reagan's distorted face.This book was published on the occasion of the exhibition Distorted faces % portrait, 1978-2007 which took place in Geneva at Bfas blondeau fine art services from may 24 to july 14, 2007.In co-edition with Bfas blondeau fine art services, Geneva. Numero di tavole: pp.s.n. 9783905701135 altezza 0 larghezza 0 Esemplare in condizioni molto buone. Una copia presenta lievissimi segni di usura agli angoli della sovraccoperta e tracce di polvere. Testo in inglese. Books in very good conditions. English text.

Hardcover. Condición: Sehr gut. 1. Auflage. Z : 17,5 x 24,5 cm, Hardcover, 104 Seiten, 33 farnige Abbildungen - Die Publikation versammelt die großformatigen Graphitzeichnungen des Malers und Grafikers Thomas Müllenbach. Aus der Auseinandersetzung mit der Populärkultur und dem kontinuierlichen Dialog mit der Kunstgeschichte hat der Künstler eine Sprache der Direktheit und Reduktion entwickelt, indem er lebensgroß unterschiedliche Sujets aus der Realität zieht. Vom Alltag in der heimischen Küche über die Navigationsinstrumente im Cockpit einer MD 11 bis hin zur Ausstattung eines Operationssaals eines Krankenhauses und dem Ort der nuklearen Katastrophe von Tschernobyl hinterfragt die Künstlerin unser Verhältnis zur Technik.

Hardcover. Condición: Near Fine. NF. Hardcover, flexible binding, no DJ, 272 pp, color and b&w illustrations, touch of edgewear to covers, else a nice, clean and bright copy.

HARDCOVER. Condición: NEW. Estado de la sobrecubierta: NEW. 1st Edition. 4to in illustrated thick boards with glossy colour printed dust jacket, 156pp on various types of paper, colour plates, illustrations in text, etc. On a series of 5 exhibitions by the artist duo during 2007 to 2008 at various galleries. . [CONDITION: An AS NEW unread and unmarked copy in an AS NEW complete Dust Jacket ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Brossura. This book is published on occasion of Doug Aitken's exhibition "Ultraworld" at the Museè d'Art moderne de la Ville de Paris/ARC November 10 to December 31, 2005.Questo libro è stato pubblicato in occasione della mostra "Ultraworld", tenutasi al Museo d'Arte moderna di Parigi.Presenti numerose immagini a coloriWhit many color illustrations, inside. Numero di tavole: pp.s.n. 9783905701111 altezza 0 larghezza 0 Esemplare in ottime condizioni. Una copia presenta tracce di polvere alla copertina e lievissimi segni di usura. Testo in inglese. Books in very good conditions. English text.

Brossura. This publication is realised on the occasion of the exhibition Shifting Identities- (Swiss) Art Now at Kunsthaus Zürich from June 6th to August 31st, 2008. Numero di tavole: pp.240 9783905829716 altezza 0 larghezza 0 Esemplare in buone condizioni. Copertina lievemente ingiallita con tracce di polvere e segni d'usura. Lievissimo ingiallimento delle pagine e tagli con tracce di polvere. Testo in inglese. Piccolo bollino blu alla quarta di copertina.Text in English. Book in good condition. Slightly yellowed pages and edges with traces of dust. Slightly yellowed cover with spost of dust and signs of use. A small blue sticker on the fourth cover's page.

Softcover. Condición: Sehr gut. 1. Auflage. Z : 124 pages, numerous illustrations - Forde is an independent contemporary art space based in the cultural alternative center Usine in Geneva. This publication presents by means of original invitation cards as well as photos and texts related to each exhibition, the activities of the sixth curatorial mandate (2002-2004). An interview with the artist-curators, Donatella Bernardi, Cicero Egli, Daniel Ruggiero, and personal introductions supplement this book that documents two years of collective work.

Paperback. Condición: Very Good. No Jacket. Reprint. Bound in colour printed limp wraps, with clear titles to front wrap and spine, this dated 2008 reprint is VG. 255pp with Introduction by Alexandra Kokoli, Section One; Reviewing, Section two: Art/World, section three, A Kind of Machine. Condition all VG.

Paperback. Condición: Very good +. Estado de la sobrecubierta: good +. second edition. 9 x 11 in. 520 pp. Paper wraps with vinyl DJ. Condition of book is VERY GOOD+ ; paper wraps spotless. Binding tight, text spotless. DJ is GOOD+ ; small closed tear at spine head with an interior repair of archival tape. Otherwise very clean with a hint of wear to edges. Art. Stax.

Softcover. Condición: Sehr gut. 1. Auflage. Z : 178 pages, 100 illustrations en couleur et 60 ill. en n&b) - Cette luxueuse publication, consacrée à la revue surréaliste légendaire à tête de bête publiée à Paris par Albert Skira entre 1933 et 1939, en reproduit la mise en page originelle et les planches les plus célèbres pour revenir sur les principaux thèmes et figures qui ont marqué son histoire.

Soft cover. Condición: Fine. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated wrappers; no dust jacket as issued. Paintings by Anselm Reyle. Text in German and English. Essays by Bruce Hainley and Dominic Eichler. Includes a list of illustrations, biography, exhibition history and a bibliography. 248 pp., with 200 six-color plates. 11-1/4 x 8-1/4 inches. Published on the occasion of an exhibition at Kunsthalle Zürich. Fine. From the publisher: "This luxurious four-color album, with two additional fluorescent colors, has been made to the young German artist's specifications. While Reyle is primarily a painter, it is light in particular with which his paintings are concerned, both the light hitting pigment on canvas and, particularly, electric light, pale and acid, from the lamps and neon signs of the modern landscape. His found objects, almost readymades, function, therefore, like indices to his pictorial work. The phosphorescence of the paint, or that the paint gives to the objects, can be understood as a puzzle about a problematic medium, one whose solution here induces a new confidence and surprising expectations and wakes up the gaze. Reyle is represented in New York by Gavin Brown.".

272 S. mit vielen Abb. Orig.-Kunststoffeinband. Ausstellungskatalog des migros museums für gegenwartskunst. Mit Texten von Michael Baldwin, Charles Harrison and Mel Ramsden. (Erstmals 2003 erschienen).

Hardcover. Condición: Sehr gut. Limitierte Ausgabe. Z : 30,5 x 40,6 cm, in cardboard box, 440 pages, 210 b/w illustrations - In the early 1990's, while being a student at Glasgow's school of Art, Jonathan Monk began working on the series One in Ten in One . The artist photographed the outside of a box of Ilford photographic paper (usually decorated with a classic b/w photograph) and then printed this image onto each sheet of photo paper that was in the box. Up to now, there have been about 16 different versions of this conceptual piece, varying in format and number of paper sheets according to the various kinds of Ilford products. This volume for the first time displays the various versions of the project on 440 completely unreadable pages. The book comes in an Ilford box and is limited to an edition of 600 copies.

143, (1)pp. Prof. illus. in color. Lrg. oblong 4to. Boards.

Gr.8°, 144 S., 27 farbig / 35 sw Abb., Broschur, Tadell. Heike Munder, Raphael Gygax (Hg.)- Die Arbeiten des koreanischen Künstlerduos MOON Kyungwon & JEON Joonho thematisieren grundlegende Fragestellungen zur Zivilisation in unserer Zeit vor dem Hintergrund politischer, sozioökonomischer und ökologischer Veränderungen. Das 2012 initiierte Ausstellungsprojekt News from Nowhere geht von einer postapokalyptischen Welt aus, in der die Menschheit nahezu eliminiert wurde und alle bis dato gültigen Überzeugungen auf ihre Hinfälligkeit überprüft werden müssen. Das Projekt ist auf kontinuierliche Weiterentwicklung angelegt und fand bereits in Kassel (documenta 13) und Chicago statt. Für die Ausstellung News from Nowhere: Zurich Laboratory kollaborieren MOON & JEON mit dem Team von Urban-Think Tank (ETH Zürich). U-TT ist eine richtungsweisende Denkfabrik für Urban Design und nachhaltige, soziale Architektur. Zusammen mit den Künstlern entwickelte U-TT die Idee einer mobilen Agora, die auch in der Ausstellungsarchitektur aufgenommen wird. Ebenfalls Partner der Ausstellung sind das Future Cities Laboratory und der Lehrstuhl für Informationsarchitektur der ETH Zürich, deren Wissenschaftler aus verschiedenen Disziplinen stammen und sich mit der nachhaltigen Zukunft von Städten auseinandersetzen. 1100 gr. Schlagworte: Kunst - 20 Jht. nach 1945.