Jonathan clark fine art (131 resultados)

Paperback. Condición: New. Octavo, unpaginated, approx 50 pages, illustrated with drawings. A New copy.

Paperback. Condición: Fine. Qto., 42 pages, colour illustrated. looks unused, a Fine copy.

Spiral Bound. Condición: As New. No. First. Unpaginated. Colour phoographs.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Very Good/Very Good.

Soft cover. Condición: Very Good. No Jacket. Softcover. Condition: Very good, with just a faint hint of shelfwear to covers. Binding sound, no inscriptions. 4 page introductory essay by Andrew Lambirth. 22 plates, many in colour, including 3 fold-outs. This catalogue was produced to accompany the exhibition of work by the British artist Bryan Wynter (1915-1975) held at Jonathan Clark Fine Art, London in 2006.…

Soft cover. Condición: As New. No Jacket. Softcover. Condition: As new. 33 colour plates. This catalogue was produced to accompany the exhibition of work from the 1950's by the British artist Adrian Heath (1920-1992) held at the Jonathan Clark gallery, London in 2005. The catalogue includes an introduction by Dr.Alastair Grieve and an essay by the art critic William Packer.…

Soft cover. Condición: Fine. No Jacket. Card covers with black wire spiral binding. Condition: Fine. No inscriptions. 20 colour plates. This catalogue was produced to accompany the exhibition of work by Keith Purser (b.1944) held at Jonathan Clark Fine Art. The catalogue is undated, but this was his sixth solo exhibition with Jonathan Clark Fine Art, and the exhibition was probably held around 2005, as the majority of works in the catalogue are dated 2004-2005. Purser lives on the edge of the desert-like environment of Europe's largest shingle bank, in the shadow of the Dungeness power station and within sight of the coast of France.…

Illustrated Card Covers. Condición: Very Good. First Edition. 42 pages, colour & b/w illustrations, details of 41 exhibits, biography. Minor wear, unmarked. [813] Size: 255mm. x 210mm.

Softcover. Condición: Very Good. Estado de la sobrecubierta: N/A. Unpaginated, three fold-outs; illustrated throughout with colour photographs. Pictorial laminated light card covers. 4to. Light chipping to edges and wear to covers, corners starting to curl, bottom rear corner de-laminating. Internally, neat, clean, bright and tight. …

Soft cover. Condición: Fine. Qto., unpaginated, approx 40 pages, illustrated with colour plates. A New copy.

Soft cover. Condición: Fine. Estado de la sobrecubierta: Fine. Softcover in clear acetate dustjacket. Condition: Fine. Dustjacket condition: Fine. 38 plates (three folding), many in colour. This catalogue was produced to accompany the exhibition of Nudes by Ivon Hitchens (1893-1979) held at the Jonathan Clark gallery, London in 2005."Together with his domestic interiors and flower pieces, his nudes are an expression of that "joie de vivre" characteristic of the French painting tradition to which he had given his allegiance at the start of his career". The gallery represents the artist's estate and holds the largest inventory of Hitchens' work. These early paintings are a celebration of the "simple life", with views of idyllic landscapes, still-lifes and sunbathers.…

paperback. Condición: Very Good.

Stiff Card Paperback. Condición: As New. No. 20 paintings are illustrated in colour in this catalogue.

Paperback. Condición: Near Fine. Qto.,approx 48 pages, illustrated with 20 large colour plates. There is an art dealers label on the inside of the front cover, else looks unused.

Hardcover. Condición: Fine. Qto., 48 pages, illustrated. Bound in decorated orange coloured cloth. A Fine copy.

Soft cover. Condición: New. Qto., unpaginated, approx 40 pages, illustrated with colour plates. A New copy.

Hardcover. Condición: Fine. No Jacket. Orange hardcover with title in grey on front cover and spine. Condition: Fine, binding sound, no inscriptions. 48pp. Many colour and b/w illustrations. This catalogue was produced to accompany the exhibition of work by Eduardo Paolozzi held at Jonathan Clark Fine Art, London in 2016. It includes an introductory essay by Daniel F Hermann (curator of the Whitechapel Art Gallery). Jonathan Clark Fine Art (JCFA) represents the estate of Paolozzi.…

Soft cover. Condición: Very Good. Card covers Quarto size (4to) in colour printed stiff card covers, unpaginated, approx. 64pp, colour plates through.

23x27.5cm. Soft cover. Gallery catalogue of 17 paintings for sale, all illustrated in colour, with short introduction. Unpaginated (32pp plus single blank preliminary and final leaves). Card wrappers, front illustrated in colour. No price list. Near FINE copy.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Book and wrapper in fine condition.

Condición: Used - Very Good. VG paperback. A bright copy in tight binding Used - Very Good. VG paperback.

Soft Cover. Condición: Very Good. No Jacket. Paperback. 42pp. Numerous colour illustrations. Slightest wear. A very pleasing copy. (p11).

Paperback. Condición: Very Good.

Soft cover. Condición: Fine. 1st Edition. 8vo. Original card covers. Essay by Mel Gooding, 25 colour illusts, documentation.

First edition, first printing. Very good large format paperback.

Hardcover. Condición: Like New. Immediate dispatch from Somerset. Book in excellent unread/unused condition. Hardcover. English. See images for condition. About the book >.>.> The gravelly, green, wood- and stone-loving works of Christopher Bramham do not, on the face of it, share much with the light touch and creamy ambience of Henri Matisse's Nice-period paintings. But Chris Bramham loves Matisse, and in particular Matisse's early Nice period. Register this begin to sense why - and you have a beautiful key into his work. In an important sense, of course, Bramham's painting needs no key. It is beautiful. urgent, intimate work, and it convinces instantly, without the need for critical intercession. You feel in front of his art both the nervous excitability and the spiritual relief that always arise from unaffected truth teling But besides being direct and plain spoken, Bramham's work is also, at odd times, anxiously alert, even a little sly. (It is art, after all) So it is both a pleasure and a secret doorway to deeper connections when you notice the open book, facing away, on the chair in Bramham's marvellous. Still Life with Books (pages 27-29). The book that is open on top of the pile is the catalog.…

Soft cover. Condición: Near Fine. Book is in near fine condition. 100pp with colour illustrations.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Has some light general reading/shelfwear - otherwise this is a clean, tight copy. Dispatch within 24hrs from the UK. Book.

Condición: Used - Very Good. VG paperback. A bright, tidy copy with 48 colour illustrations. Used - Very Good. VG paperback.

Soft cover. Condición: Fine. 1st Edition. Oblong 16vo. Original card covers. Essay by Mel Gooding, 42 colour illusts, documentation.