John libbey publishing uk (7 resultados)

PB. Condición: very good, wraps (softcover). 160pp This issue of FILM HISTORY focuses on three concerns: local film, the local context of reception and local exhibition. B&W illustrations (ilustrador).

Soft cover. Condición: Fine. 1st Edition. uk1st.edition.1st.printing/fine large glossy softwraps original.

Soft cover. Condición: Fine. 1st Edition. uk1st.ediiton.1st.printing.near fine softwraps original.79.

Soft Covers. Condición: Very Good. None. First Edition. 23 cm, 248 pp, b&w photo illus, soft covers. Gift inscription, likely from author, is simply signed "Phil.".

Paperback. Condición: Near fine in wraps. First Edition. 20 x 24cm 170pp near fine paperback detailing London's two Arts Laboratories, artist-run spaces associated with some of the most innovative developments in the arts in Britain in the late 60s. The book chronicles their extraordinary range of activities. The Drury Lane Arts Lab (1967-60) screened Andy Warhol's over 3 hour long film, 'Chelsea Girls', gave John and Yoko their first joint exhibition. The Robert Street New Arts Lab (1969-71) housed Britain's first video workshop, TVX, the London Filmakers Co-op's first film workshop and a 6-days-a-week cinema dedicated to showing new work by moving-image artists.…

Journal. Condición: Near Fine. (Vol. 12, No. 4). [nice clean copy, with the slightest bump to top of spine, no other significant wear]. (B&W and color photographs, facsimiles) Most of this issue of this scholarly cinema journal is devoted to various aspects of the history and technology of colour (color to us Americans) film. Following an introduction by the issue's editor, the color-related articles are: "Foolish Wives: The colour restoration that never happened," by Richard Koszarski; "Cinecolor," by John Belton; "Demonstrating three-colour Technicolor: Early three-colour aesthetics and design," by Scott Higgins: "Analysis of Technicolor stock"; "Getting It Right: Robert Harris on Colour Restoration" (an interview with the noted film preservationist); "Technicolor revival," by Richard W. Haines. Other articles in this issue: "Aural gratification with Kalem films: a case history of music, lectures and sound effects, 1907-1917," by Herbert Reynolds; and "Inventing Film Study and Its Object at Columbia University, 1915-1938," by Peter Decherney.…

Journal. Condición: Near Fine. (Vol. 16, No. 3). [minor soiling to rear cover, otherwise as new]. (B&W photographs) Most of this issue of this scholarly cinema journal is devoted to the history, technology and aesthetics of 3-D movies, notably: "The Tragedy of 3-D Cinema" by Rick Mitchell; an article about dual-band 3-D cameras of the 1950s, by Ray Zone; and a 3-D filmography, by Gary Palmer. There are also in-depth examinations of how the 3-D process was employed for the films KISS ME KATE and Alfred Hitchcock's DIAL M FOR MURDER. And just so it doesn't get overlooked, in addition to all the 3-D stuff, there's also quite a substantial article (over one-third of the issue) by James Labosier, the very precise title of which is adequately self-explanatory: "From the Kinetoscope to the Nickelodeon: Motion Picture Presentation and Production in Portland, Oregon from 1894 to 1906.".…