Image text ithaca us (22 resultados)
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 14,07
Gastos de envío gratisSe envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 5 disponibles
Paperback. Condición: New. A collaborative homage to the visual language of magazine freebies, ads and special offersTaking inspiration from vintage catalogs and classified ads, Everything Must Go! acts as a playful memento mori that compiles writing, photography and illustration in a variety of formats and genres, to celebrate…and parody the graphic design and language of freebies, special offers and advertisements. "Are you tired of being burdened by images?" reads one caption. "Cut out this picture and dip it in honey," proposes another.Dovetailing word and image in a superbly designed mock-magazine layout, this artist's book originated as a collaboration between photographer and bookmaker Jason Fulford and nine artists at the acclaimed experimental Image Text Ithaca MFA Program.Featuring a letterpress-printed cover in day-glo orange ink, the publication invites viewers to interact with works by Karine Baptiste, Caiti Borruso, Eleanor Eichenbaum, Cable Hoover, Marissa Iamartino, Will Matsuda, Erika Morillo, Michael Popp and Irit Reinheimer. Take what you wish, but Everything Must Go.
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Librería: Rarewaves USA, HEBRON, KY, Estados Unidos de AmericaRarewaves USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 14,50
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Paperback. Condición: New. A collaborative homage to the visual language of magazine freebies, ads and special offersTaking inspiration from vintage catalogs and classified ads, Everything Must Go! acts as a playful memento mori that compiles writing, photography and illustration in a variety of formats and genres, to celebrate…and parody the graphic design and language of freebies, special offers and advertisements. "Are you tired of being burdened by images?" reads one caption. "Cut out this picture and dip it in honey," proposes another.Dovetailing word and image in a superbly designed mock-magazine layout, this artist's book originated as a collaboration between photographer and bookmaker Jason Fulford and nine artists at the acclaimed experimental Image Text Ithaca MFA Program.Featuring a letterpress-printed cover in day-glo orange ink, the publication invites viewers to interact with works by Karine Baptiste, Caiti Borruso, Eleanor Eichenbaum, Cable Hoover, Marissa Iamartino, Will Matsuda, Erika Morillo, Michael Popp and Irit Reinheimer. Take what you wish, but Everything Must Go.
- Tapa blanda
Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 17,35
Gastos de envío gratisSe envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 5 disponibles
Paperback. Condición: New. A meditation on the meaning of text-image collaboration, from the author of Sprawl and Margaret the FirstAuthor Danielle Dutton's A Picture Held Us Captive asks what it means for a writer to work "with" someone or something else-to make art in dialogue with an energy not one's own. Dutton (born 1975) e…xplores ekphrastic fiction, looking at a wide range of writers and artists including John Keene and Edgar Degas; Eley Williams and Bridget Riley; Ben Lerner and Anna Ostoya; Amina Cain and Bill Viola; Lydia Davis and Joseph Cornell; as well as her own textual responses to visual artists Richard Kraft and Laura Letinsky. A Picture Held Us Captive-which includes a series of images at once illustrative and refusing simple illustration-considers the ways in which ekphrasis operates as a diptych. A work of both commentary and self-reflection, Dutton considers a dialectic between art's ability to make strange what has grown familiar and the writer's desire to make recognizable the experience of one artwork in the space of another.Danielle Dutton is an American writer and the cofounder of the feminist press Dorothy. Born in California in 1975, Dutton now resides in Missouri where she teaches creative writing at Washington University in St Louis. She has authored four books, including Sprawl and Margaret the First. She contributed the text to Here Comes Kitty: A Comic Opera, a book of collages by Richard Kraft. Her fiction has appeared in major publications such as the Paris Review, Harper's and Guernica.
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Librería: Rarewaves USA, HEBRON, KY, Estados Unidos de AmericaRarewaves USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 17,74
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Paperback. Condición: New. A meditation on the meaning of text-image collaboration, from the author of Sprawl and Margaret the FirstAuthor Danielle Dutton's A Picture Held Us Captive asks what it means for a writer to work "with" someone or something else-to make art in dialogue with an energy not one's own. Dutton (born 1975) e…xplores ekphrastic fiction, looking at a wide range of writers and artists including John Keene and Edgar Degas; Eley Williams and Bridget Riley; Ben Lerner and Anna Ostoya; Amina Cain and Bill Viola; Lydia Davis and Joseph Cornell; as well as her own textual responses to visual artists Richard Kraft and Laura Letinsky. A Picture Held Us Captive-which includes a series of images at once illustrative and refusing simple illustration-considers the ways in which ekphrasis operates as a diptych. A work of both commentary and self-reflection, Dutton considers a dialectic between art's ability to make strange what has grown familiar and the writer's desire to make recognizable the experience of one artwork in the space of another.Danielle Dutton is an American writer and the cofounder of the feminist press Dorothy. Born in California in 1975, Dutton now resides in Missouri where she teaches creative writing at Washington University in St Louis. She has authored four books, including Sprawl and Margaret the First. She contributed the text to Here Comes Kitty: A Comic Opera, a book of collages by Richard Kraft. Her fiction has appeared in major publications such as the Paris Review, Harper's and Guernica.
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Librería: Rarewaves USA, HEBRON, KY, Estados Unidos de AmericaRarewaves USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 28,34
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Paperback. Condición: New. A superbly made hybrid photobook on the stories that objects invite us to tellIn July of 2017, photographer Matthew Connors (born 1976) and novelist and critic Lucy Ives (born 1980) embarked on a strange project: to remove and catalog all the contents of Connors's car, a 1992 Volvo 240 station wagon.Al…though the New York-based duo began the endeavor without knowing where it would lead, their investigation-of parts, tools, ephemera, litter, personal items, unidentifiable disjecta, among other objects-lasted more than two years and resulted in a series of photographs by Connors and an essay by Ives on narrative forms and temporalities inherent to contemporary media.This collaborative publication, designed by Elana Schlenker, poses questions about where narrative originates and how we establish our stories in relation to the objects and timescales that carry, ground and surround us.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 28,82
Gastos de envío gratisSe envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 5 disponibles
Paperback. Condición: New. A superbly made hybrid photobook on the stories that objects invite us to tellIn July of 2017, photographer Matthew Connors (born 1976) and novelist and critic Lucy Ives (born 1980) embarked on a strange project: to remove and catalog all the contents of Connors's car, a 1992 Volvo 240 station wagon.Al…though the New York-based duo began the endeavor without knowing where it would lead, their investigation-of parts, tools, ephemera, litter, personal items, unidentifiable disjecta, among other objects-lasted more than two years and resulted in a series of photographs by Connors and an essay by Ives on narrative forms and temporalities inherent to contemporary media.This collaborative publication, designed by Elana Schlenker, poses questions about where narrative originates and how we establish our stories in relation to the objects and timescales that carry, ground and surround us.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 32,27
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Paperback. Condición: New.
- Tapa dura
Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 34,78
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Hardback. Condición: New. A call-and-response between Lutz's photography of labor conditions in America and Saunders' writings In Orange Blossom Trail, American writer George Saunders (born 1958) and American photographer Joshua Lutz (born 1975) offer an alternately poetic and searing evocation of the cruelty and tender beauty o…f contemporary American life. Lutz (whose photobooks, including Mind the Gap and Hesitating Beauty, have been named Best Art Books by Time and PhotoEye) and Saunders (Man Booker Prize-winning author of Lincoln in the Bardo and MacArthur Award recipient) first met on a magazine assignment, where they discovered a shared interest in both the psychological and material conditions of the laboring individual and the Buddhist teachings of attachment and the sacredness of existence. Through Lutz's photos and three texts by Saunders, the book asks: When do we zoom in and when do we zoom out from the individual lives whose labor supports other lives? Orange Blossom Trail is a meditation, in two voices, on the alienation of the industrialized landscape and the brutality of American inequality. Replete with a cover printed in four-color silkscreen, white foil-stamped text and textured colored endpapers, the volume is treated with special touches while remaining affordable.
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Librería: Rarewaves USA, HEBRON, KY, Estados Unidos de AmericaRarewaves USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 37,18
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Hardback. Condición: New. These beautiful, unsettling and playful photographs show how certain sci-fi tropes-from digital servants to sex robots-have been consistently gendered as femaleThe latest photobook from Brooklyn-based photographer Hannah Whitaker (born 1980) imagines the embodied forms of personified technology which ha…ve long been central to sci-fi narratives: digital servants, sex robots, machine-learning projects.Ursula addresses the consistency with which these figures are gendered as female, subservient and sexualized, and slyly points to our society's insidious failures to fully see women without imposing such roles and distinctions.Immersed in techno-futuristic design tropes, Whitaker's photographs-at once playful, maximalist and estranging-are accompanied by texts by David Levine and Dawn Chan.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 41,70
Gastos de envío gratisSe envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 4 disponibles
Hardback. Condición: New. These beautiful, unsettling and playful photographs show how certain sci-fi tropes-from digital servants to sex robots-have been consistently gendered as femaleThe latest photobook from Brooklyn-based photographer Hannah Whitaker (born 1980) imagines the embodied forms of personified technology which ha…ve long been central to sci-fi narratives: digital servants, sex robots, machine-learning projects.Ursula addresses the consistency with which these figures are gendered as female, subservient and sexualized, and slyly points to our society's insidious failures to fully see women without imposing such roles and distinctions.Immersed in techno-futuristic design tropes, Whitaker's photographs-at once playful, maximalist and estranging-are accompanied by texts by David Levine and Dawn Chan.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 55,40
Gastos de envío gratisSe envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 5 disponibles
Hardback. Condición: New.
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Librería: Rarewaves USA United, HEBRON, KY, Estados Unidos de AmericaRarewaves USA United
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 16,14
Envío por EUR 42,90Se envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Paperback. Condición: New. A collaborative homage to the visual language of magazine freebies, ads and special offersTaking inspiration from vintage catalogs and classified ads, Everything Must Go! acts as a playful memento mori that compiles writing, photography and illustration in a variety of formats and genres, to celebrate…and parody the graphic design and language of freebies, special offers and advertisements. "Are you tired of being burdened by images?" reads one caption. "Cut out this picture and dip it in honey," proposes another.Dovetailing word and image in a superbly designed mock-magazine layout, this artist's book originated as a collaboration between photographer and bookmaker Jason Fulford and nine artists at the acclaimed experimental Image Text Ithaca MFA Program.Featuring a letterpress-printed cover in day-glo orange ink, the publication invites viewers to interact with works by Karine Baptiste, Caiti Borruso, Eleanor Eichenbaum, Cable Hoover, Marissa Iamartino, Will Matsuda, Erika Morillo, Michael Popp and Irit Reinheimer. Take what you wish, but Everything Must Go.
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Librería: Rarewaves USA United, HEBRON, KY, Estados Unidos de AmericaRarewaves USA United
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 19,45
Envío por EUR 42,90Se envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Paperback. Condición: New. A meditation on the meaning of text-image collaboration, from the author of Sprawl and Margaret the FirstAuthor Danielle Dutton's A Picture Held Us Captive asks what it means for a writer to work "with" someone or something else-to make art in dialogue with an energy not one's own. Dutton (born 1975) e…xplores ekphrastic fiction, looking at a wide range of writers and artists including John Keene and Edgar Degas; Eley Williams and Bridget Riley; Ben Lerner and Anna Ostoya; Amina Cain and Bill Viola; Lydia Davis and Joseph Cornell; as well as her own textual responses to visual artists Richard Kraft and Laura Letinsky. A Picture Held Us Captive-which includes a series of images at once illustrative and refusing simple illustration-considers the ways in which ekphrasis operates as a diptych. A work of both commentary and self-reflection, Dutton considers a dialectic between art's ability to make strange what has grown familiar and the writer's desire to make recognizable the experience of one artwork in the space of another.Danielle Dutton is an American writer and the cofounder of the feminist press Dorothy. Born in California in 1975, Dutton now resides in Missouri where she teaches creative writing at Washington University in St Louis. She has authored four books, including Sprawl and Margaret the First. She contributed the text to Here Comes Kitty: A Comic Opera, a book of collages by Richard Kraft. Her fiction has appeared in major publications such as the Paris Review, Harper's and Guernica.
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Librería: Rarewaves USA United, HEBRON, KY, Estados Unidos de AmericaRarewaves USA United
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 29,69
Envío por EUR 42,90Se envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Paperback. Condición: New. A superbly made hybrid photobook on the stories that objects invite us to tellIn July of 2017, photographer Matthew Connors (born 1976) and novelist and critic Lucy Ives (born 1980) embarked on a strange project: to remove and catalog all the contents of Connors's car, a 1992 Volvo 240 station wagon.Al…though the New York-based duo began the endeavor without knowing where it would lead, their investigation-of parts, tools, ephemera, litter, personal items, unidentifiable disjecta, among other objects-lasted more than two years and resulted in a series of photographs by Connors and an essay by Ives on narrative forms and temporalities inherent to contemporary media.This collaborative publication, designed by Elana Schlenker, poses questions about where narrative originates and how we establish our stories in relation to the objects and timescales that carry, ground and surround us.
- Tapa dura
Librería: Rarewaves USA United, HEBRON, KY, Estados Unidos de AmericaRarewaves USA United
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 39,14
Envío por EUR 42,90Se envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Hardback. Condición: New. These beautiful, unsettling and playful photographs show how certain sci-fi tropes-from digital servants to sex robots-have been consistently gendered as femaleThe latest photobook from Brooklyn-based photographer Hannah Whitaker (born 1980) imagines the embodied forms of personified technology which ha…ve long been central to sci-fi narratives: digital servants, sex robots, machine-learning projects.Ursula addresses the consistency with which these figures are gendered as female, subservient and sexualized, and slyly points to our society's insidious failures to fully see women without imposing such roles and distinctions.Immersed in techno-futuristic design tropes, Whitaker's photographs-at once playful, maximalist and estranging-are accompanied by texts by David Levine and Dawn Chan.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 13,52
Envío por EUR 75,82Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 5 disponibles
Paperback. Condición: New. A collaborative homage to the visual language of magazine freebies, ads and special offersTaking inspiration from vintage catalogs and classified ads, Everything Must Go! acts as a playful memento mori that compiles writing, photography and illustration in a variety of formats and genres, to celebrate…and parody the graphic design and language of freebies, special offers and advertisements. "Are you tired of being burdened by images?" reads one caption. "Cut out this picture and dip it in honey," proposes another.Dovetailing word and image in a superbly designed mock-magazine layout, this artist's book originated as a collaboration between photographer and bookmaker Jason Fulford and nine artists at the acclaimed experimental Image Text Ithaca MFA Program.Featuring a letterpress-printed cover in day-glo orange ink, the publication invites viewers to interact with works by Karine Baptiste, Caiti Borruso, Eleanor Eichenbaum, Cable Hoover, Marissa Iamartino, Will Matsuda, Erika Morillo, Michael Popp and Irit Reinheimer. Take what you wish, but Everything Must Go.
- Tapa blanda
Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 16,73
Envío por EUR 75,82Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 5 disponibles
Paperback. Condición: New. A meditation on the meaning of text-image collaboration, from the author of Sprawl and Margaret the FirstAuthor Danielle Dutton's A Picture Held Us Captive asks what it means for a writer to work "with" someone or something else-to make art in dialogue with an energy not one's own. Dutton (born 1975) e…xplores ekphrastic fiction, looking at a wide range of writers and artists including John Keene and Edgar Degas; Eley Williams and Bridget Riley; Ben Lerner and Anna Ostoya; Amina Cain and Bill Viola; Lydia Davis and Joseph Cornell; as well as her own textual responses to visual artists Richard Kraft and Laura Letinsky. A Picture Held Us Captive-which includes a series of images at once illustrative and refusing simple illustration-considers the ways in which ekphrasis operates as a diptych. A work of both commentary and self-reflection, Dutton considers a dialectic between art's ability to make strange what has grown familiar and the writer's desire to make recognizable the experience of one artwork in the space of another.Danielle Dutton is an American writer and the cofounder of the feminist press Dorothy. Born in California in 1975, Dutton now resides in Missouri where she teaches creative writing at Washington University in St Louis. She has authored four books, including Sprawl and Margaret the First. She contributed the text to Here Comes Kitty: A Comic Opera, a book of collages by Richard Kraft. Her fiction has appeared in major publications such as the Paris Review, Harper's and Guernica.
- Tapa blanda
Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 27,90
Envío por EUR 75,82Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 5 disponibles
Paperback. Condición: New. A superbly made hybrid photobook on the stories that objects invite us to tellIn July of 2017, photographer Matthew Connors (born 1976) and novelist and critic Lucy Ives (born 1980) embarked on a strange project: to remove and catalog all the contents of Connors's car, a 1992 Volvo 240 station wagon.Al…though the New York-based duo began the endeavor without knowing where it would lead, their investigation-of parts, tools, ephemera, litter, personal items, unidentifiable disjecta, among other objects-lasted more than two years and resulted in a series of photographs by Connors and an essay by Ives on narrative forms and temporalities inherent to contemporary media.This collaborative publication, designed by Elana Schlenker, poses questions about where narrative originates and how we establish our stories in relation to the objects and timescales that carry, ground and surround us.
- Tapa blanda
Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 30,43
Envío por EUR 75,82Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 5 disponibles
Paperback. Condición: New.
- Tapa dura
Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 32,93
Envío por EUR 75,82Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Hardback. Condición: New. A call-and-response between Lutz's photography of labor conditions in America and Saunders' writings In Orange Blossom Trail, American writer George Saunders (born 1958) and American photographer Joshua Lutz (born 1975) offer an alternately poetic and searing evocation of the cruelty and tender beauty o…f contemporary American life. Lutz (whose photobooks, including Mind the Gap and Hesitating Beauty, have been named Best Art Books by Time and PhotoEye) and Saunders (Man Booker Prize-winning author of Lincoln in the Bardo and MacArthur Award recipient) first met on a magazine assignment, where they discovered a shared interest in both the psychological and material conditions of the laboring individual and the Buddhist teachings of attachment and the sacredness of existence. Through Lutz's photos and three texts by Saunders, the book asks: When do we zoom in and when do we zoom out from the individual lives whose labor supports other lives? Orange Blossom Trail is a meditation, in two voices, on the alienation of the industrialized landscape and the brutality of American inequality. Replete with a cover printed in four-color silkscreen, white foil-stamped text and textured colored endpapers, the volume is treated with special touches while remaining affordable.
- Tapa dura
Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 38,44
Envío por EUR 75,82Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 4 disponibles
Hardback. Condición: New. These beautiful, unsettling and playful photographs show how certain sci-fi tropes-from digital servants to sex robots-have been consistently gendered as femaleThe latest photobook from Brooklyn-based photographer Hannah Whitaker (born 1980) imagines the embodied forms of personified technology which ha…ve long been central to sci-fi narratives: digital servants, sex robots, machine-learning projects.Ursula addresses the consistency with which these figures are gendered as female, subservient and sexualized, and slyly points to our society's insidious failures to fully see women without imposing such roles and distinctions.Immersed in techno-futuristic design tropes, Whitaker's photographs-at once playful, maximalist and estranging-are accompanied by texts by David Levine and Dawn Chan.
- Tapa dura
Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 53,38
Envío por EUR 75,82Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 5 disponibles
Hardback. Condición: New.
