hatje cantz verlag dez 2022 (30 resultados)

Taschenbuch. Condición: Neu. Neuware -Tomi Ungerer ist der breiten Öffentlichkeit durch Kinderbücher wie Die drei Räuber oder Otto bekannt. Doch sein zeichnerisches und grafisches Werk ist vor allem durch satirische soziopolitische Beobachtungen aus seiner Zeit in den USA geprägt. Dieser wunderbar gestaltete Katalog zeigt einen Querschnitt durch alle Schaffensphasen des Künstlers über 80 Jahre hinweg - von sehr frühen Arbeiten bis zu späten Collagen und Objekten. Die Auswahl der gezeigten Arbeiten spürt dabei mit wachem Blick den Verbindungen zwischen Ungerers Motiven aus biografischen, satirischen und politischen Bildfindungen nach. Darüber hinaus sind in diesem Band bisher nicht veröffentlichte Werke aus dem Nachlass Ungerers zu sehen.TOMI UNGERER (1931-2019) gilt über den deutschsprachigen Raum hinaus als einer der einflussreichsten Zeichner und Illustratoren. Aufgewachsen in Colmar im Elsass, lebte und arbeitete der Schalk und Provokateur in New York, Kanada und zuletzt in Südirland. 264 pp. Englisch, Deutsch.

Buch. Condición: Neu. Neuware -The Fire of Heaven presents the work of world-renowned artist Enrique Martínez Celaya in conversation with the life and work of the influential twentieth-century California poet Robinson Jeffers. Despite existing in different lifetimes, Jeffers's approach to life as art and his reverence for the natural beauty of the California coastline inextricably link the uncompromising poet to Martínez Celaya. The artist's multi-faceted practice explores the map of a territory shaped by self, memory, ideations of home, exile, myth, and identity. His practice presumes art should be an ethical effort that aims to understand better and engage with the world and ourselves. Beyond these threads of commonality, Martínez Celaya draws directly from Jeffers's writings, such as the 1928 poem The Summit Redwood, which serves as the exhibition's namesake and describes 'the fire from heaven' as a force untamed and ignited at whim. Martínez Celaya's work created during his stay at the poet's landmark home in Carmel-by-the-Sea is complemented by Jeffers's handwritten poems, notes, and photographs.ENRIQUE MARTINEZ CELAYA (\*1964) was born in Cuba and raised in Spain and Puerto Rico. He has realized exhibitions, interventions, and social and intellectual interactions worldwide with major museums, galleries, and institutions, including the Berliner Philharmonie, The State Hermitage Museum, and The Phillips Collection. A painter, sculptor, and writer, he lives in Los Angeles. 144 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware -Filip Markiewicz sees the Ultrasocial Pop project as a total work of art in which music,theater and fine arts penetrate and overlap each other. The ensemble of works producedfor the various exhibition locations is organized in the form of a visual essay, which in itsnon-linear form is based on the continuous changes occurring in social media news feeds.FILIP MARKIEWICZ (\*1980, Esch/Alzette, Luxembourg) is a visual artist who works with various media, such as painting, drawing, video and installation. Under the name RAFTSIDE, he has also been active as a composer for film and theater since 1999. In 2015 Markiewicz represented Luxembourg at the 56th Venice Biennale. 160 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware -Books to Do ist keine übliche Werkmonografie, sondern ein Meta-Buch über bereits realisierte und noch zu realisierende Buchprojekte von Albert Coers in Form einer To-do-Liste. Es ist Ideen- und Stoffsammlung, Dokumentation, Selbst-Anregung und lustvoll utopisches Arbeitsprogramm zugleich. Doch egal, ob real oder fiktiv, eines haben die Projekte von Coers alle gemeinsam: Es sind nicht nur überaus kluge, sondern auch lustige konzeptuelle Werke, die sich auf immer wieder neue Weise den Themen Sprache, Schrift und Buch nähern.ALBERT COERS (\*1975) studierte unter anderem Germanistik und Kunstgeschichte in Pisa sowie bildende Kunst an der AdBK München. Im Zentrum seines Schaffens steht die Arbeit mit sprachbezogenem Material und die Publikation von Künstlerbüchern. Er lebt und arbeitet in Berlin und München. 192 pp. Deutsch.

Taschenbuch. Condición: Neu. Neuware -Present on the international contemporary art scene since the early 1980's, Clegg & Guttmann take up a visual rhetoric reminiscent of the bourgeois portraits of the Dutch Golden Age, while at the same time referencing the group images that crystallize the powers of the 20th and 21st centuries. They use the conventions of 17th century Dutch portraiture to place them in a contemporary context. Clegg & Guttmann's portraits, presented in this volume, are rejected commissions which involve a very particular protocol in the Clegg & Guttmann method. Thus, the subjects have commissioned a portrait from the artists, but are free to refuse the result. However, the artists retain the right to show and publish the work, which remains their property, even after the commissioner has refused it. This reverse tactic is also symbolic of the power issues in the particular category of portraiture.MICHAEL CLEGG (\*1957, Dublin) and YAIR MARTIN GUTTMANN (\*1957, Jerusalem) have been working together as the artist duo Clegg & Guttmann since 1980. The focus of their joint work is on installations and photographic projects. In addition, both artists are also active as university teachers: Clegg is a professor at the Karlsruhe University of Arts and Design and Guttmann is a professor at the Academy of Fine Arts Vienna. 112 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware -Bastiaan van Aarle challenges our notion of time and movement. Unexpectedly, by choosing a medium and a subject that epitomizes stillness. By taking photos of mountains-all within the same frame, but spread over a certain period of time-these monuments of immutability, seemingly start to shift and reveal a movement, we don't experience ourselves: the rotation of the planet in space. Taking inspiration from color photography's beginnings, van Aarle transferred the different images to cyan, magenta, yellow and black. When brought together again, they reveal subtle traces of the passing of time in colored tinges. The effect is so otherworldly that it feels as if the rocks exist in a different dimension-as if the soft hues come fuming from the mountain's deepest history, floating gently in the thin mountain air. What is revealed here about the world is only exposed in the image, it can neither be conceived beforehand nor be seen with the mere eye: It is the magic of photography.Belgian landscape photographer, BASTIAAN VAN AARLE (\*1988) explores the boundaries of photography, its medium-specific properties, and how these relate to the perception of reality. He is especially interested in the transformative qualities of light, be it through invasive advertising panels or the White Nights of the North. 112 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware - Present on the international contemporary art scene since the early 1980's, Clegg & Guttmann take up a visual rhetoric reminiscent of the bourgeois portraits of the Dutch Golden Age, while at the same time referencing the group images that crystallize the powers of the 20th and 21st centuries. They use the conventions of 17th century Dutch portraiture to place them in a contemporary context. Clegg & Guttmann's portraits, presented in this volume, are rejected commissions which involve a very particular protocol in the Clegg & Guttmann method. Thus, the subjects have commissioned a portrait from the artists, but are free to refuse the result. However, the artists retain the right to show and publish the work, which remains their property, even after the commissioner has refused it. This reverse tactic is also symbolic of the power issues in the particular category of portraiture.MICHAEL CLEGG (\*1957, Dublin) and YAIR MARTIN GUTTMANN (\*1957, Jerusalem) have been working together as the artist duo Clegg & Guttmann since 1980. The focus of their joint work is on installations and photographic projects. In addition, both artists are also active as university teachers: Clegg is a professor at the Karlsruhe University of Arts and Design and Guttmann is a professor at the Academy of Fine Arts Vienna.

Taschenbuch. Condición: Neu. Neuware - Bastiaan van Aarle challenges our notion of time and movement. Unexpectedly, by choosing a medium and a subject that epitomizes stillness. By taking photos of mountains-all within the same frame, but spread over a certain period of time-these monuments of immutability, seemingly start to shift and reveal a movement, we don't experience ourselves: the rotation of the planet in space. Taking inspiration from color photography's beginnings, van Aarle transferred the different images to cyan, magenta, yellow and black. When brought together again, they reveal subtle traces of the passing of time in colored tinges. The effect is so otherworldly that it feels as if the rocks exist in a different dimension-as if the soft hues come fuming from the mountain's deepest history, floating gently in the thin mountain air. What is revealed here about the world is only exposed in the image, it can neither be conceived beforehand nor be seen with the mere eye: It is the magic of photography.Belgian landscape photographer, BASTIAAN VAN AARLE (\*1988) explores the boundaries of photography, its medium-specific properties, and how these relate to the perception of reality. He is especially interested in the transformative qualities of light, be it through invasive advertising panels or the White Nights of the North.

Buch. Condición: Neu. Neuware -Social inequality, population growth, climate change. The artist Dawn DeDeaux does not shy away from difficult topics. Since the 1970s, she has been probing humanity's present and future in videos, performances, and installations. This catalogue, published to coincide with her first comprehensive museum exhibition at the New Orleans Museum of Modern Art, presents DeDeaux's work spanning five decades: from early multimedia works using radio and satellite to recent works from her MotherShip series, in which she imagines humanity's escape from a destroyed Earth. In her work, art is always closely intertwined with philosophy, science, and new technologies. Consequently, the text contributions go beyond art to contextualize her work. DAWN DeDEAUX (\*1952) is a pioneer in the field of art and new technology. Based in New Orleans, she has had participated in exhibitions at the Whitney Museum of American Art, Mass MoCa, and the Transart Foundation for Art and Anthropology, among others. 320 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware -This comprehensive monograph published in collaboration with Dirimart gathers works of contemporary artist Sarkis-conceived and presented in the context of the one city he keeps returning to: Istanbul. His iconic installation Çaylak Sokak, first exhibited in 1986, is considered a turning point in the history of contemporary art in Turkey. Named after the street Sarkis grew up in, Çaylak Sokak recreates his family home featuring a bathtub and his father's shoes bearing the German words for war spoils KRIEGS and SCHATZ. A reference to German cultural theorist Aby Warburg's concept of a 'Leidschatz' as 'humanity's treasure of suffering', 'Kriegsschatz' became a key concept in Sarkis' oeuvre. Drawing on his own Turkish-Armenian identity, Sarkis's continunes his works presented at the Venice Biennale in 2015, the centennial of the Armenian genocide:his latest body of work Red Stained Glass traces the present through fragments from the past. Photographs from Istanbul are rendered in red, fractured, and recombined to further explore themes such as time and memory, presence and absence, identity and exile.Paris-based Sarkis Zabunyan (\*1938, Istanbul) is known by his first name SARKIS. He had his breakthrough with the exhibition Live In Your Head: When Attitudes Become Form at Kunsthalle Bern in 1969, was followed by his participation in documenta 6 and 7. Major exhibitions include Passages at the Centre Pompidou in 2010, Hôtel Sarkis, a retrospective at the Museum of Contemporary Art in Geneva (MAMCO) in 2011, and his installation Respiro in the Turkish pavilion at the 56th Venice Biennale in 2015. 504 pp. Englisch.

Buch. Condición: Neu. Neuware -Salt's ionic lattices are one of the central elements of organic life. But even though the extraction of sea salt is one of the oldest forms of human landscaping, we rarely ask where salt comes from and how it is produced. Sea salt production sites are found all over the world, usually located around shallow shorelines. Tom Hegen has explored these magical landscapes from the air and obtained spectacular images in the process. This gorgeously illustrated book shows how the landscape has been shaped by salt mining and how the mining process has created structures that take on an almost painterly, abstract quality in Hegen's photographs. Salt Works is a study of color and geometry, an ode to beauty of the everyday.TOM HEGEN (\*1991, Augsburg) is one of the most high-profile aerial photographers of our time. In his works, the Augsburg-based photographer documents the traces that man leaves on the earth's surface. He has received several awards, most recently the Red Dot Design Award (2021) and the German Design Award (2019). 288 pp. Englisch.

Buch. Condición: Neu. Neuware -Salt's ionic lattices are one of the central elements of organic life. But even though the extraction of sea salt is one of the oldest forms of human landscaping, we rarely ask where salt comes from and how it is produced. Sea salt production sites are found all over the world, usually located around shallow shorelines. Tom Hegen has explored these magical landscapes from the air and obtained spectacular images in the process. This gorgeously illustrated book shows how the landscape has been shaped by salt mining and how the mining process has created structures that take on an almost painterly, abstract quality in Hegen's photographs. Salt Works is a study of color and geometry, an ode to beauty of the everyday.

Buch. Condición: Neu. Neuware - Salt's ionic lattices are one of the central elements of organic life. But even though the extraction of sea salt is one of the oldest forms of human landscaping, we rarely ask where salt comes from and how it is produced. Sea salt production sites are found all over the world, usually located around shallow shorelines. Tom Hegen has explored these magical landscapes from the air and obtained spectacular images in the process. This gorgeously illustrated book shows how the landscape has been shaped by salt mining and how the mining process has created structures that take on an almost painterly, abstract quality in Hegen's photographs. Salt Works is a study of color and geometry, an ode to beauty of the everyday.TOM HEGEN (\*1991, Augsburg) is one of the most high-profile aerial photographers of our time. In his works, the Augsburg-based photographer documents the traces that man leaves on the earth's surface. He has received several awards, most recently the Red Dot Design Award (2021) and the German Design Award (2019).