gruppo editoriale milan (101 resultados)

Hardcover. Condición: Very Good +. Estado de la sobrecubierta: Very Good +. Part of a series featuring 19th century painters, Anna Maria Mascheroni, Editor-in-Chief; first published in Milan in 1988. Translated by Kerry Milis. With a biography of the the artost, accompanied by numerous annotated black-and-white reproductions of many works and full-page color reproductions covering about two-thirds of the volume. Size: 4to - over 9¾" - 12" tall.

Soft cover. Condición: Very Good. 63pp, Profusely illustrated account of the life of Erwin Rommel. Part of the series "La Seconda Guerra Mondiale: i Grandi Protagonisti". Text in Italian. No marks or tears. Size: 4to - over 9?" - 12" tall. Book.

Soft cover. Condición: Very Good. 60pp, Profusely illustrated account of the life of Adolf Hitler. Part of the series "La Seconda Guerra Mondiale: i Grandi Protagonisti". Text in Italian. No marks or tears. Size: 4to - over 9?" - 12" tall. Book.

PAPERBACK. first Italian edition. no pagination color, b/w illustrations quarto paper. cover wear otherwise very good-.

Hardcover. Condición: As New. Hardcover in illustrated boards. Square 8vo. First edition. With the artist's card affixed to front pastedown page, along with a card from his gallery. Also on this page is a museum barcode sticker. Remnant impression of paperclip on front free endpage. The rest of the book is free from markings and is in Fine condition. Plates are in black-and-white and color. 175 pp. ; B&W Illustrations.

Soft cover. Condición: Very Good. 79pp, Profusely illustrated in color. A discussion and description of ornate amber, ivory, and wax objects, and lacquered boxes. Text in Italian. No marks or tears. Size: 4to - over 9?" - 12" tall. Book.

Soft cover. Condición: Very Good. 79pp, Profusely illustrated in color. A discussion and description of ornate jewelry and objects. Text in Italian. No marks or tears. Size: 4to - over 9?" - 12" tall. Book.

Paperback. Condición: Fine. First Edition. Softcover in glossy wraps. First printing of first edition. Book is crisp and clean. Introductory text by Romeo Martinez and Bryn Campbell is in Italian. Photos from the 1940s through the 1980s. All plates in black and white. 4to. 64 pp.

Softcover, 64 pages, in Italian; very good condition, no internal marks. Foreign shipping may be extra.

Original Printed Boards. Condición: Very Good. First Edition. Half-inch crack in front joint.

Original Printed Boards. Condición: Very Good. First Edition.

Paperback. Condición: Very Good. I Grandi Fotografi Serie Argento. Text is in Italian. 64 pages.; 8 3/4 x 11 1/4 ".

Paperback. Condición: Fine. I Grandi Fotografi Serie Argento. Text is in Italian. 64 pages; 8 3/4 x 11 1/4 ".

Paperback. Condición: Fine. I Grandi Fotografi Seri Argento. Text is in Italian. 64 pages; 8 3/4 x 11 1/4 ".

Paperback. Condición: Very good. Paperback. 64pp. Lightly rubbed and edgeworn, else very good. Text in Italian.

First Edition. First edition. Softcover. Text in Italian. A nicely printed retrospective collection of black and white images. A clean near fine copy in wrappers.

First Edition. First edition. Softcover. Text by Philippe Garner in Italian. A nicely printed retrospective collection of black and white and some color images. A clean near fine copy in wrappers.

Soft cover. Condición: Very Good. scratch across front cover. Manuel Alvarez Bravo (1902-2002) was a Mexican artistic photographer and one of the most important figures in 20th century Latin American photography. Illustrated with 51 photographs. Text in Italian, captions in Spanish and Italian. 64pp 0.65lb 11.4x8.6x0.2in.

square black hardcover ~ 2º 4to ~ 4º (quarto). large book (8"x8"). dustwrapper in protective plastic book jacket cover. fine cond. binding square & tight. covers clean. edges clean. contents free of markings. dustwrapper in fine cond. small tear on front, not price clipped (no price listed). nice clean copy. no library markings, store stamps, stickers, bookplates, no names, inking, underlining, remainder markings etc~. first edition. first printing (NAP). 2 color title pg. 249p. glossy pages throughout. 203 glossy photos & illustrations, many full page, some in color. 9 intinerary b&w maps at rear with numbered sites listed. world history. history of italy. medieval history. renaissance history. art history. ~Venice: "most noble and singular city", "triumphant city", "unique in the world". Enthusiastic adjectives have been employed in her description, a vast literature on the subject of this city is now in existence. A great deal of what has been written fastens on 1797 ~ the year of the fall of the "Most Serene Republic" ~ as an emblematic date signifying a traumatic rupture between a "before" whose nobility and magnifence is praised, and an "after" in which by contrast only decline and uneasiness are perceived. This literature, along with the stereotyped pictures that we come across every day, is still under the influence of the Romantic tradition of the 19th century and of the myth of the "death of Venice". In this brief historical sketch an attempt is made to outline a different approach to more than a thousand years of history of the city that through antonomasia came to be known as the "Dominante". It seeks first of all the prerequisites that permitted the assertion of the growing naval and commercial power of the inhabitants of the Rialto archipelago, and then the causes of the grandiose and impetuous growth of trade on the routes of the East, due in part to her "singular government" and to the particular economic and social formation that the Republic gave to herself and that is the true key to understanding the lasting power of the "Queen of the Adriatic". Her slow decline was of course partly determined by external factors, such as the opening up of new transoceanic trade routes and the assertion of the great nation states in the 16th century, but also, and perhaps in a more decisive manner, by internal causes which are identified above all in the sclerosis of a social structure which did not allow the replacement of ruling classes that was required in order to deal with the "new world". The "fall of the Republic", the inevitable outcome of this decline is nothing but an obligatory stage in the descending parabola of Venice, but this is effectively resisted, before and after, when the remedies proposed set the city in search of a new and different identity. It is not really a question of a debate over historical interpretations, simply because history cannot merely serve for the study of what has been in order perhaps to make it the object of romantic regret: the connection between past and present is important above all in the understanding of the processes of the present day. Venice is in need, as is said today, of a "productive reconversion", which would exploit the potentialities of her historic function as centre of cultural and commercial mediation, thus restoring vigour to the fabric of her economy and consequently permitting the maintenance of her social fabric in all its rich variety. Nor can the "monumental restoration" set itself the unique objective of preserving, in an immense museum consecrated to tourism, the testimony of the "triumphant city" as seen through the eyes of admiring travellers in the 16th century. At the same time the exploitation of the city for tourism also has to change: precisely because Venice is an unrepeatable "unicum" it is not sufficient to fuel the myth of a few places delegated to its representation. For this reason the final part of the book gives space to a series of itinerar.

Hardcover. Condición: As New. First Edition. 64 pages. Pictorial boards, no dust jacket as issued. Book Condition: Very Fine. The book appears unread and looks New. Collectible.; 4to - over 9 3/4" - 12" tall.

hardcover. Condición: Good. Botero, Fernando Ilustrador.

Hardcover. Condición: Collectible, Fine. Estado de la sobrecubierta: Very Good. Botero, Fernando Ilustrador. Quarto, hardcover, fine in VG blue pictorial dj All in French. 45 color plates.(all framable) First part of book describes each plate, gives date, and title of piece. Four page introductory biography of painter. Book.

First Edition. Fine copy in the original colour printed boards. Particularly and uncommonly well-preserved; tight, bright, clean and especially sharp-cornered. ; 63 pages; Description: 63 p. Ill. Subjects: Lartigue, Jacques Henri - photography. 3 Kg.

Paperback. Condición: Very Good. In Italian. 4to, 62pgs.

hardcover. Condición: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Quarto, text in French, 45 color reproductions, publisher's black cloth lettered in gilt at spine (minor bumps to extremities, minor fading along top edge, minor shelfwear, still a very good copy). Pictorial dust jacket (minor wear, very good or better).

Condición: Near Fine. Estado de la sobrecubierta: None. Exhibition catalog. 58 pages, illustrated throughout with works by Warhol and De Chirco in color and b&w. Pictorial stiff wrappers. Beautiful copy. Like new. Record # 606037.

Hardcover. Condición: Very Good. Text in Italian. Pages clean; binding tight; minor wear to covers. 398 pages. Size: 6 1/2" x 9 1/2".

First Edition. Fine copy in the original colour printed boards. Particularly and uncommonly well-preserved; tight, bright, clean and especially sharp-cornered. ; 63 pages; Description: 63 p. Ill. Subjects: Lartigue, Jacques Henri - photography. 1 Kg.

Condición: Good. Original wrappers, illustrations in b/w, 4to. Italian text.