glenstone foundation (62 resultados)

Hardcover. Condición: new. Hardcover. This book marks the long-term installation of Robert Gobers (born 1954) seminal Untitled (1992) at Glenstone Museum. Untitled is an immersive, multi-sensorial installation with diverse constituent parts: sinks with running water, darkened exterior pathways, a brightly-lit interior chamber, a hand-painted 360-degree mural and discrete sculptural elements made to appear like prison windows, boxes of rat bait and bundles of newspaper. Robert Gober includes never-before-published archival images of the works original presentation at the Dia Center for the Arts in New York, an oral history based on interviews with the artist and collaborators, an original essay by author Jim Lewis and extensive imagery of the piece as installed at Glenstone Museum. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. white, blindstamped cloth boards. 108 pp., color and BW illus. white dustjacket. Photo may differ from copy. Presents selected work of American Minimalist Fred Sandback (1943-2003). With essays by Emily Wei Rales, Harry Cooper, and Briony Fer, in addition to the many illustrations. VG/VG- (light scuffs, smudges to white cloth boards. corners may be rubbed. dustjacket scuffed & scratched; may have rubbed/worn patches to lower edges; tear to upper spine edge).

Hardcover. Condición: VG+. First. White cloth over boards, color pictorial dj. 256 pp. Profusely illustrated in color. Published in conjunction with the exhibition held May 2013 through February 2015, the first in-depth representation of Fischli/Weiss's work in the United States since 1996. With a foreword by Emily Wei Rales and Mitchell P. Rales. Introduction by Emily Wei Rales. Wonderfully and highly illustrated!

Hardcover. Condición: new. Hardcover. Chronicling Charles Ray's fourth installation at the Glenstone Museum, an intimate trio of three figures selected by the artistThe fourth in a series of publications commemorating Glenstone Museum's series of exhibitions by American artist Charles Ray (born 1953), this slim volume assesses Ray's wide-ranging sculptural practice through a roundtable discussion with the artist, art historian Jason E. Smith, curator Jack Bankowsky and Glenstone director Emily Wei Rales. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: New. The third installment commemorating Charles Ray's rotating exhibitions at Glenstone The diverse sculptural practice of American sculptor Charles Ray (born 1953) has long challenged perceptions of scale, material and subject matter, necessitating multiple viewings over time. Charles Ray: Volume III is part of an ongoing series of publications commemorating rotating exhibitions of the artist's work at Glenstone Museum, the third of which opened in the winter of 2021. Organized in close collaboration with the artist, the selections showcase Ray's practice from early in his career to the present day, with four works ranging in material from concrete and steel to handmade paper used to realize a recent self-portrait, Return to the one (2020). This catalog includes documentation of the exhibition at Glenstone, an original essay by the artist, a contribution from art historian Anna Lovatt and an introduction by Emily Rales, cofounder and director of Glenstone Museum.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. No marks in text. Not a library book. Ships in a cardboard enclosure. Tim's Used Books, providers of good used books at reasonable prices, our open shop in Provincetown, Massachusetts--since 1991. We travel almost anywhere to buy good libraries--if you're downsizing give us a shout. Thank you.

Hardback. Condición: New. The third installment commemorating Charles Ray's rotating exhibitions at Glenstone The diverse sculptural practice of American sculptor Charles Ray (born 1953) has long challenged perceptions of scale, material and subject matter, necessitating multiple viewings over time. Charles Ray: Volume III is part of an ongoing series of publications commemorating rotating exhibitions of the artist's work at Glenstone Museum, the third of which opened in the winter of 2021. Organized in close collaboration with the artist, the selections showcase Ray's practice from early in his career to the present day, with four works ranging in material from concrete and steel to handmade paper used to realize a recent self-portrait, Return to the one (2020). This catalog includes documentation of the exhibition at Glenstone, an original essay by the artist, a contribution from art historian Anna Lovatt and an introduction by Emily Rales, cofounder and director of Glenstone Museum.

Hardback. Condición: New. In his sculptural practice, American artist Charles Ray (born 1953) has long been fascinated by the concept of representation, the depiction of the human form and questions of scale. Known for his keen sense of-and respect for-the uncanny, Ray has carved a widely admired path that crisscrosses the arenas of minimalism and conceptual art, while continually pushing the boundaries of visual perception. This book marks the long-term exhibition of works at Glenstone Museum selected by the artist, including Baled Truck (2013), a sculpture made of solid machined stainless steel, emblematic of the artist's meticulous fabrication process. It also includes a conversation with-and text by-the artist and installation photography.

Hardcover. Condición: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Hardback. Condición: New. This book marks the long-term installation of Robert Gober's (born 1954) seminal Untitled (1992) at Glenstone Museum. Untitled is an immersive, multi-sensorial installation with diverse constituent parts: sinks with running water, darkened exterior pathways, a brightly-lit interior chamber, a hand-painted 360-degree mural and discrete sculptural elements made to appear like prison windows, boxes of rat bait and bundles of newspaper. Robert Gober includes never-before-published archival images of the work's original presentation at the Dia Center for the Arts in New York, an oral history based on interviews with the artist and collaborators, an original essay by author Jim Lewis and extensive imagery of the piece as installed at Glenstone Museum.

Hardback. Condición: New. Commemorating Charles Ray's rotating exhibitions at Glenstone MuseumThis book is part of an ongoing series of publications commemorating rotating exhibitions of the artist's work at Glenstone Museum, the second of which opened in Spring 2020. The catalog includes an essay by the artist, a contribution from art historian Russell Ferguson and an introduction by Emily Rales, cofounder and director of Glenstone Museum.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Estado de la sobrecubierta: dj. First Edition. First edition and first printing. Hardcover. 136 pages. Published in conjunction an exhibition that ran April 2011 through January 2013. Features texts by Jack Bankowsky and Emily Wei Rales. Includes color illustrations of works by Robert Gober, Damien Hirst, Barbara Kruger, Louise Lawler, Sherrie Levine, Jeff Wall, and others. A fine copy in red cloth boards and in a fine dust jacket.

Hardcover. Condición: new. Hardcover. Commemorating Charles Ray's rotating exhibitions at Glenstone MuseumThis book is part of an ongoing series of publications commemorating rotating exhibitions of the artists work at Glenstone Museum, the second of which opened in Spring 2020. The catalog includes an essay by the artist, a contribution from art historian Russell Ferguson and an introduction by Emily Rales, cofounder and director of Glenstone Museum. Commemorating Charles Rays rotating exhibitions at Glenstone Museum Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: New. Commemorating Charles Ray's rotating exhibitions at Glenstone MuseumThis book is part of an ongoing series of publications commemorating rotating exhibitions of the artist's work at Glenstone Museum, the second of which opened in Spring 2020. The catalog includes an essay by the artist, a contribution from art historian Russell Ferguson and an introduction by Emily Rales, cofounder and director of Glenstone Museum.

Hardcover. Condición: new. Hardcover. The third installment commemorating Charles Ray's rotating exhibitions at GlenstoneThe diverse sculptural practice of American sculptor Charles Ray (born 1953) has long challenged perceptions of scale, material and subject matter, necessitating multiple viewings over time. Charles Ray: Volume III is part of an ongoing series of publications commemorating rotating exhibitions of the artists work at Glenstone Museum, the third of which opened in the winter of 2021. Organized in close collaboration with the artist, the selections showcase Rays practice from early in his career to the present day, with four works ranging in material from concrete and steel to handmade paper used to realize a recent self-portrait, Return to the one (2020). This catalog includes documentation of the exhibition at Glenstone, an original essay by the artist, a contribution from art historian Anna Lovatt and an introduction by Emily Rales, cofounder and director of Glenstone Museum. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: new. Hardcover. In his sculptural practice, American artist Charles Ray (born 1953) has long been fascinated by the concept of representation, the depiction of the human form and questions of scale. Known for his keen sense ofand respect forthe uncanny, Ray has carved a widely admired path that crisscrosses the arenas of minimalism and conceptual art, while continually pushing the boundaries of visual perception. This book marks the long-term exhibition of works at Glenstone Museum selected by the artist, including Baled Truck (2013), a sculpture made of solid machined stainless steel, emblematic of the artists meticulous fabrication process. It also includes a conversation withand text bythe artist and installation photography. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: new. Hardcover. Accompanying the artists first major US overview in 15 years, this volume celebrates over four decades of Walls uncanny everyday dramasVancouver-based artist Jeff Wall (born 1946) has been making arresting, conceptually and politically complex pictures for over four decades. Using large-format photography that embraces both the deliberateness of painting and the immediacy of the moving image, he is known for immersive, sharply detailed scenes featuring figures enacting everyday dramas. Departing from the convention of street photography and its aspirations of authenticity, Wall instead favors the artificial and the cinematic; he meticulously plans and constructs his pictures, scouting locations, casting actors as subjects and organizing the shoots with the rigor of a movie production.Jeff Wall accompanies the artists monographic exhibition at Glenstone, a survey of works made between 1978 and 2018. It is also his largest exhibition in the US since his widely acclaimed 2007 midcareer survey at the Museum of Modern Art. Comprising nearly 30 artworks, the catalog appraises the full range of the artists pioneering oeuvre, from early pictures displayed in backlit lightboxes and black-and-white silver gelatin prints to more recent large-scale inkjet color prints. Jeff Wall also features an introduction by Glenstone cofounder and director Emily Wei Rales and an essay by art critic and poet Barry Schwabsky. Accompanies a major career survey retrospective. There are very few books, in print, available on the artist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardback. Condición: New. Accompanying the artist's first major US overview in 15 years, this volume celebrates over four decades of Wall's uncanny everyday dramasVancouver-based artist Jeff Wall (born 1946) has been making arresting, conceptually and politically complex pictures for over four decades. Using large-format photography that embraces both the deliberateness of painting and the immediacy of the moving image, he is known for immersive, sharply detailed scenes featuring figures enacting everyday dramas. Departing from the convention of street photography and its aspirations of authenticity, Wall instead favors the artificial and the cinematic; he meticulously plans and constructs his pictures, scouting locations, casting actors as subjects and organizing the shoots with the rigor of a movie production.Jeff Wall accompanies the artist's monographic exhibition at Glenstone, a survey of works made between 1978 and 2018. It is also his largest exhibition in the US since his widely acclaimed 2007 midcareer survey at the Museum of Modern Art. Comprising nearly 30 artworks, the catalog appraises the full range of the artist's pioneering oeuvre, from early pictures displayed in backlit lightboxes and black-and-white silver gelatin prints to more recent large-scale inkjet color prints. Jeff Wall also features an introduction by Glenstone cofounder and director Emily Wei Rales and an essay by art critic and poet Barry Schwabsky.

Hardcover. Condición: New. Qto., 84 pages, colour illustrated. A New copy with the wrap around colour sleeve. Book.

Quarto. Hardcover. Grey cloth in illustrated jacket. 188 pages : color illustrations ; 29 cm.

Hardcover. Condición: VG+. Color illustrated dustjacket with long illustrated flaps inside covers, black boards with embossed lettering. (8) 9-139 pp. Features many full color plates. This catalogue accompanies Glenstone's second exhibition which features painting, sculpture, and photography by American and European artists from the Glenstone collection dating from 1959 to 1989. It examines the trajectory of overlapping aesthetic tendencies including Process art, Arte Povera, and Conceptual Art.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2023. Hardback. . . . . .

Hardcover. Condición: new. Hardcover. Unpacking the popular culture, fine art and Americana references at the heart of Da Corte's Rubber Pencil Devil, on the occasion of his new Glenstone commissionThis volume accompanies Venezuelan American artist Alex Da Corte's (born 1980) ambitious 2025 presentation at Glenstone Museum. It marks the first installation of Rubber Pencil Devil (Hell House) (2022), a 17-foot-tall neon-covered house commissioned by Glenstone that holds Da Corte's groundbreaking video work Rubber Pencil Devil (2018), originally presented at the 57th Carnegie International. At nearly three hours long, the video is composed of 57 vignettes that reflect on the concept of "America" through uncanny, tender and at times violent scenes. Including previously unpublished archival documents alongside comprehensive new photographs of costumes, props and installations, this volume marks the first in-depth study of Rubber Pencil Devil. Ingrid Schaffner and David Getsy expand upon Da Corte's artistic trajectory over the past two decades, while author Simon Wu uses the artwork as a point of creative departure for an original piece of fiction. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: New. Throughout his career, American artist Brice Marden (born 1938) has explored various modes of painterly abstraction, producing monochrome canvases in nuanced, muted hues as well as calligraphic compositions on a grand scale. This book marks the long-term exhibition of Moss Sutra with the Seasons (2010-15) at Glenstone Museum, a monumental five-panel painting commissioned by Glenstone and inspired by the artist's fascination with moss, the changing seasons and traditional Chinese calligraphy, among other subjects. The catalog includes two original essays by art historian Suzanne Hudson, an interview with the artist about this commission and a photo-essay by the artist's daughter, Mirabelle Marden, who documented the process of creating the work. Also included are reproductions of all additional works by the artist in Glenstone's collection, a group which spans each decade of the artist's career and an introduction by Emily Wei Rales, Founder and Director of Glenstone Museum.