Glenstone foundation us (16 resultados)

Hardback. Condición: New. The third installment commemorating Charles Ray's rotating exhibitions at Glenstone The diverse sculptural practice of American sculptor Charles Ray (born 1953) has long challenged perceptions of scale, material and subject matter, necessitating multiple viewings over time. Charles Ray: Volume III is part of an ongoing series of publications commemorating rotating exhibitions of the artist's work at Glenstone Museum, the third of which opened in the winter of 2021. Organized in close collaboration with the artist, the selections showcase Ray's practice from early in his career to the present day, with four works ranging in material from concrete and steel to handmade paper used to realize a recent self-portrait, Return to the one (2020). This catalog includes documentation of the exhibition at Glenstone, an original essay by the artist, a contribution from art historian Anna Lovatt and an introduction by Emily Rales, cofounder and director of Glenstone Museum. …

Hardback. Condición: New. Commemorating Charles Ray's rotating exhibitions at Glenstone MuseumThis book is part of an ongoing series of publications commemorating rotating exhibitions of the artist's work at Glenstone Museum, the second of which opened in Spring 2020. The catalog includes an essay by the artist, a contribution from art historian Russell Ferguson and an introduction by Emily Rales, cofounder and director of Glenstone Museum.…

Hardback. Condición: New. This book marks the long-term installation of Robert Gober's (born 1954) seminal Untitled (1992) at Glenstone Museum. Untitled is an immersive, multi-sensorial installation with diverse constituent parts: sinks with running water, darkened exterior pathways, a brightly-lit interior chamber, a hand-painted 360-degree mural and discrete sculptural elements made to appear like prison windows, boxes of rat bait and bundles of newspaper. Robert Gober includes never-before-published archival images of the work's original presentation at the Dia Center for the Arts in New York, an oral history based on interviews with the artist and collaborators, an original essay by author Jim Lewis and extensive imagery of the piece as installed at Glenstone Museum.…

Hardback. Condición: New. Accompanying the artist's first major US overview in 15 years, this volume celebrates over four decades of Wall's uncanny everyday dramasVancouver-based artist Jeff Wall (born 1946) has been making arresting, conceptually and politically complex pictures for over four decades. Using large-format photography that embraces both the deliberateness of painting and the immediacy of the moving image, he is known for immersive, sharply detailed scenes featuring figures enacting everyday dramas. Departing from the convention of street photography and its aspirations of authenticity, Wall instead favors the artificial and the cinematic; he meticulously plans and constructs his pictures, scouting locations, casting actors as subjects and organizing the shoots with the rigor of a movie production.Jeff Wall accompanies the artist's monographic exhibition at Glenstone, a survey of works made between 1978 and 2018. It is also his largest exhibition in the US since his widely acclaimed 2007 midcareer survey at the Museum of Modern Art. Comprising nearly 30 artworks, the catalog appraises the full range of the artist's pioneering oeuvre, from early pictures displayed in backlit lightboxes and black-and-white silver gelatin prints to more recent large-scale inkjet color prints. Jeff Wall also features an introduction by Glenstone cofounder and director Emily Wei Rales and an essay by art critic and poet Barry Schwabsky.…

Hardback. Condición: New. Throughout his career, American artist Brice Marden (born 1938) has explored various modes of painterly abstraction, producing monochrome canvases in nuanced, muted hues as well as calligraphic compositions on a grand scale. This book marks the long-term exhibition of Moss Sutra with the Seasons (2010-15) at Glenstone Museum, a monumental five-panel painting commissioned by Glenstone and inspired by the artist's fascination with moss, the changing seasons and traditional Chinese calligraphy, among other subjects. The catalog includes two original essays by art historian Suzanne Hudson, an interview with the artist about this commission and a photo-essay by the artist's daughter, Mirabelle Marden, who documented the process of creating the work. Also included are reproductions of all additional works by the artist in Glenstone's collection, a group which spans each decade of the artist's career and an introduction by Emily Wei Rales, Founder and Director of Glenstone Museum.…

Hardback. Condición: New. Vividly illustrated documentation of the artist's participatory dining installation at GlenstoneFor more than 30 years, community has been central to the work of artist Rirkrit Tiravanija (born 1961). With a keen focus on collective activities and rituals, Tiravanija frequently incorporates elements such as cooking, conversation and art-making into the experiences offered by his practice. This book commemorates Tiravanija's 2019-20 titular installation at Glenstone Museum. The participatory exhibition featured the serving of fresh soup, an active T-shirt printing factory and an evolving presentation of graffiti that unfolded across the reconfigured architecture of the museum's Charles Gwathmey-designed building.Anchoring this volume are texts from Molly Nesbit, Okwui Enwezor and Gavin Brown, offering perspectives that illuminate the artist's conceptual grounding. The fully illustrated publication also features reflections from staff involved in the exhibition's presentation, recipes of the soups served and extensive photography of the graffiti rendered throughout the run of the show.…

Hardback. Condición: New. Unpacking the popular culture, fine art and Americana references at the heart of Da Corte's Rubber Pencil Devil, on the occasion of his new Glenstone commissionThis volume accompanies Venezuelan American artist Alex Da Corte's (born 1980) ambitious 2025 presentation at Glenstone Museum. It marks the first installation of Rubber Pencil Devil (Hell House) (2022), a 17-foot-tall neon-covered house commissioned by Glenstone that holds Da Corte's groundbreaking video work Rubber Pencil Devil (2018), originally presented at the 57th Carnegie International. At nearly three hours long, the video is composed of 57 vignettes that reflect on the concept of "America" through uncanny, tender and at times violent scenes. Including previously unpublished archival documents alongside comprehensive new photographs of costumes, props and installations, this volume marks the first in-depth study of Rubber Pencil Devil. Ingrid Schaffner and David Getsy expand upon Da Corte's artistic trajectory over the past two decades, while author Simon Wu uses the artwork as a point of creative departure for an original piece of fiction.…

Hardback. Condición: New. The third installment commemorating Charles Ray's rotating exhibitions at Glenstone The diverse sculptural practice of American sculptor Charles Ray (born 1953) has long challenged perceptions of scale, material and subject matter, necessitating multiple viewings over time. Charles Ray: Volume III is part of an ongoing series of publications commemorating rotating exhibitions of the artist's work at Glenstone Museum, the third of which opened in the winter of 2021. Organized in close collaboration with the artist, the selections showcase Ray's practice from early in his career to the present day, with four works ranging in material from concrete and steel to handmade paper used to realize a recent self-portrait, Return to the one (2020). This catalog includes documentation of the exhibition at Glenstone, an original essay by the artist, a contribution from art historian Anna Lovatt and an introduction by Emily Rales, cofounder and director of Glenstone Museum. …

Hardback. Condición: New. Commemorating Charles Ray's rotating exhibitions at Glenstone MuseumThis book is part of an ongoing series of publications commemorating rotating exhibitions of the artist's work at Glenstone Museum, the second of which opened in Spring 2020. The catalog includes an essay by the artist, a contribution from art historian Russell Ferguson and an introduction by Emily Rales, cofounder and director of Glenstone Museum.…

Hardback. Condición: New. Accompanying the artist's first major US overview in 15 years, this volume celebrates over four decades of Wall's uncanny everyday dramasVancouver-based artist Jeff Wall (born 1946) has been making arresting, conceptually and politically complex pictures for over four decades. Using large-format photography that embraces both the deliberateness of painting and the immediacy of the moving image, he is known for immersive, sharply detailed scenes featuring figures enacting everyday dramas. Departing from the convention of street photography and its aspirations of authenticity, Wall instead favors the artificial and the cinematic; he meticulously plans and constructs his pictures, scouting locations, casting actors as subjects and organizing the shoots with the rigor of a movie production.Jeff Wall accompanies the artist's monographic exhibition at Glenstone, a survey of works made between 1978 and 2018. It is also his largest exhibition in the US since his widely acclaimed 2007 midcareer survey at the Museum of Modern Art. Comprising nearly 30 artworks, the catalog appraises the full range of the artist's pioneering oeuvre, from early pictures displayed in backlit lightboxes and black-and-white silver gelatin prints to more recent large-scale inkjet color prints. Jeff Wall also features an introduction by Glenstone cofounder and director Emily Wei Rales and an essay by art critic and poet Barry Schwabsky.…

Paperback. Condición: New. On Glenstone's dramatic expansion, featuring an original photo-essay by Iwan BaanIn 2018, Glenstone Museum opened the Pavilions, part of an expansion that includes additional exhibition space and over 130 acres. Designed by Thomas Phifer, the Pavilions features 11 distinct gallery spaces. Glenstone: The Pavilions features photographs by acclaimed architecture photographer Iwan Baan.…

Hardback. Condición: New. This book marks the long-term installation of Robert Gober's (born 1954) seminal Untitled (1992) at Glenstone Museum. Untitled is an immersive, multi-sensorial installation with diverse constituent parts: sinks with running water, darkened exterior pathways, a brightly-lit interior chamber, a hand-painted 360-degree mural and discrete sculptural elements made to appear like prison windows, boxes of rat bait and bundles of newspaper. Robert Gober includes never-before-published archival images of the work's original presentation at the Dia Center for the Arts in New York, an oral history based on interviews with the artist and collaborators, an original essay by author Jim Lewis and extensive imagery of the piece as installed at Glenstone Museum.…

Hardback. Condición: New. Vividly illustrated documentation of the artist's participatory dining installation at GlenstoneFor more than 30 years, community has been central to the work of artist Rirkrit Tiravanija (born 1961). With a keen focus on collective activities and rituals, Tiravanija frequently incorporates elements such as cooking, conversation and art-making into the experiences offered by his practice. This book commemorates Tiravanija's 2019-20 titular installation at Glenstone Museum. The participatory exhibition featured the serving of fresh soup, an active T-shirt printing factory and an evolving presentation of graffiti that unfolded across the reconfigured architecture of the museum's Charles Gwathmey-designed building.Anchoring this volume are texts from Molly Nesbit, Okwui Enwezor and Gavin Brown, offering perspectives that illuminate the artist's conceptual grounding. The fully illustrated publication also features reflections from staff involved in the exhibition's presentation, recipes of the soups served and extensive photography of the graffiti rendered throughout the run of the show.…

Hardback. Condición: New. Throughout his career, American artist Brice Marden (born 1938) has explored various modes of painterly abstraction, producing monochrome canvases in nuanced, muted hues as well as calligraphic compositions on a grand scale. This book marks the long-term exhibition of Moss Sutra with the Seasons (2010-15) at Glenstone Museum, a monumental five-panel painting commissioned by Glenstone and inspired by the artist's fascination with moss, the changing seasons and traditional Chinese calligraphy, among other subjects. The catalog includes two original essays by art historian Suzanne Hudson, an interview with the artist about this commission and a photo-essay by the artist's daughter, Mirabelle Marden, who documented the process of creating the work. Also included are reproductions of all additional works by the artist in Glenstone's collection, a group which spans each decade of the artist's career and an introduction by Emily Wei Rales, Founder and Director of Glenstone Museum.…

Paperback. Condición: New. On Glenstone's dramatic expansion, featuring an original photo-essay by Iwan BaanIn 2018, Glenstone Museum opened the Pavilions, part of an expansion that includes additional exhibition space and over 130 acres. Designed by Thomas Phifer, the Pavilions features 11 distinct gallery spaces. Glenstone: The Pavilions features photographs by acclaimed architecture photographer Iwan Baan.…

Hardback. Condición: New. Unpacking the popular culture, fine art and Americana references at the heart of Da Corte's Rubber Pencil Devil, on the occasion of his new Glenstone commissionThis volume accompanies Venezuelan American artist Alex Da Corte's (born 1980) ambitious 2025 presentation at Glenstone Museum. It marks the first installation of Rubber Pencil Devil (Hell House) (2022), a 17-foot-tall neon-covered house commissioned by Glenstone that holds Da Corte's groundbreaking video work Rubber Pencil Devil (2018), originally presented at the 57th Carnegie International. At nearly three hours long, the video is composed of 57 vignettes that reflect on the concept of "America" through uncanny, tender and at times violent scenes. Including previously unpublished archival documents alongside comprehensive new photographs of costumes, props and installations, this volume marks the first in-depth study of Rubber Pencil Devil. Ingrid Schaffner and David Getsy expand upon Da Corte's artistic trajectory over the past two decades, while author Simon Wu uses the artwork as a point of creative departure for an original piece of fiction.…