faber and faber second enlarged and revised edition 1972 (6 resultados)

Cloth, colour roundel with vignette on front board, 4to, 30 cm, xii, 241, [16] pp, ills, facs, From the blurb: "Colour printing and the decoration and illustration of books and their bindings flourished in England in an extraordinary and unprecedented way between about 1830 and 1880. Ruari McLean describes how the period begins with the introduction of chromolithography and the inventions of Baxter and others, and ends with the introduction around 1880 of photo-mechanical methods, which spelled the death of the old hand crafts whose triumphs and even excesses are the subject of this book. Victorian Book Design, first published in 1963, is still the only full account of this fascinating period in printing history. For this second edition it has been greatly enlarged, with sixteen entirely new colour plates and numerous new black-and-white illustrations placed throughout the text. " Very Good in slightly fingersoiled dustwrapper.

Cloth, colour roundel with vignette on front board, 4to, 30 cm, xii, 241, [16] pp, ills, facs, From the blurb: "Colour printing and the decoration and illustration of books and their bindings flourished in England in an extraordinary and unprecedented way between about 1830 and 1880. Ruari McLean describes how the period begins with the introduction of chromolithography and the inventions of Baxter and others, and ends with the introduction around 1880 of photo-mechanical methods, which spelled the death of the old hand crafts whose triumphs and even excesses are the subject of this book. Victorian Book Design, first published in 1963, is still the only full account of this fascinating period in printing history. For this second edition it has been greatly enlarged, with sixteen entirely new colour plates and numerous new black-and-white illustrations placed throughout the text. " Very Good in a near Very Good price-clipped dustwrapper, the protective sleeve of which is neatly taped to the front board.

Cloth, colour roundel with vignette on front board, 4to, 30 cm, xii, 241, [16] pp, ills, facs, From the blurb: "Colour printing and the decoration and illustration of books and their bindings flourished in England in an extraordinary and unprecedented way between about 1830 and 1880. Ruari McLean describes how the period begins with the introduction of chromolithography and the inventions of Baxter and others, and ends with the introduction around 1880 of photo-mechanical methods, which spelled the death of the old hand crafts whose triumphs and even excesses are the subject of this book. Victorian Book Design, first published in 1963, is still the only full account of this fascinating period in printing history. For this second edition it has been greatly enlarged, with sixteen entirely new colour plates and numerous new black-and-white illustrations placed throughout the text. " Very Good in Very Good dustwrapper.

Cloth, colour roundel with vignette on front board, 4to, 30 cm, xii, 241, [16] pp, ills, facs, From the blurb: "Colour printing and the decoration and illustration of books and their bindings flourished in England in an extraordinary and unprecedented way between about 1830 and 1880. Ruari McLean describes how the period begins with the introduction of chromolithography and the inventions of Baxter and others, and ends with the introduction around 1880 of photo-mechanical methods, which spelled the death of the old hand crafts whose triumphs and even excesses are the subject of this book. Victorian Book Design, first published in 1963, is still the only full account of this fascinating period in printing history. For this second edition it has been greatly enlarged, with sixteen entirely new colour plates and numerous new black-and-white illustrations placed throughout the text. " Very Good in slightly used dustwrapper, spine-panel a trifle sunned.

Second edition greatly enlarged hard back binding in publisher's original oatmeal cloth covers, gilt and magenta title and author block lettering to the spine and to the front cover. 4to 11½'' x 9''. Contains [xii] 241 printed pages of text with with sixteen entirely new colour plates and numerous new black-and-white illustrations placed throughout the text. From the private library of Charles Benson (remote family connection to William Gilpin) with his bookplate to the front free end paper. Very Good condition book in Very Good condition dust wrapper with light rubbing to the tips and top corners, not price clipped. Dust wrapper supplied in archive acetate film protection, it does not adhere to the book or to the dust wrapper. Member of the P.B.F.A. ISBN 0571097928 BOOKS (Binding, Collecting, Printing, Paper).

Cloth, colour roundel with vignette on front board, 4to, 30 cm, xii, 241, [16] pp, ills, facs, From the blurb: "Colour printing and the decoration and illustration of books and their bindings flourished in England in an extraordinary and unprecedented way between about 1830 and 1880. Ruari McLean describes how the period begins with the introduction of chromolithography and the inventions of Baxter and others, and ends with the introduction around 1880 of photo-mechanical methods, which spelled the death of the old hand crafts whose triumphs and even excesses are the subject of this book. Victorian Book Design, first published in 1963, is still the only full account of this fascinating period in printing history. For this second edition it has been greatly enlarged, with sixteen entirely new colour plates and numerous new black-and-white illustrations placed throughout the text. " Near Fine in Very Good price-clipped dustwrapper, publisher's price-sticker on front flap.