editions norma fr (74 resultados)

Hardback. Condición: New. "I only feel comfortable at home with my dog, my pencils and my paper" - Yves Saint Laurent, The Guardian, February, 2000Successor of Christian Dior then director of his own fashion house, Yves Saint Laurent has established himself as a visionary designer throughout his career. Inseparable from the myth of Saint Laurent, his dogs accompanied him as much in the habitation of his apartments shared with Pierre Bergé, as in the effervescence of the workshop on Avenue Marceau, and fashion shows. The author highlights the forgotten dogs of childhood, extravagant chihuahuas, such as Hazel, who were faithful companions of the artist for more than 20 years. Effigies on annual greeting cards, evening models for Rive Gauche, and muses of Warhol or Hockney, the four famous French Bulldogs - all named Moujik - will be an integral part of the legend of the creator.Enriched by a new iconography by Hedi Slimane, artistic director of Saint Laurent from 2012 to 2016 and artistic director of Céline since 2018, the book includes nearly 80 images from photographic archives, and drawings by Yves Saint Laurent.

Hardback. Condición: New. Joan Mitchell, an extraordinary figure in 20th-century art, remains one of the most celebrated painters of the Abstract Expressionist movement. Born in 1925, in Chicago, Illinois, she grew to redefine abstraction, blending emotional intensity with lyrical beauty. Her work, characterised by dynamic brushstrokes, vivid colours, and profound emotional depth, established her as a towering presence in a predominantly male art world.Joan Mitchell had at least nine dogs during her lifetime, and Georges du Soleil, a brown poodle, was her first beloved canine companion. Known for her deep affection for animals, Mitchell treasured Georges as a constant presence during her New York years. Like the other dogs that would follow, Georges was more than just a companion; he was also part of the vibrant, dynamic environment that nourished her creativity and her ability to channel emotion into her art."Dogs are objects of love (I suppose people could be? Sometimes)" wrote Joan Mitchell.From her first dog, the adored Georges du Soleil, to Skye Terriers Idée, Isabelle, and Ibertelle ("Bertie"), Brittany Spaniel Patou, German Shepherds Iva, Marion, and Madeleine, and not forgetting Prunelle and Belle-Bête; all of them cherished companions in her life and work, all of them celebrated here. Joan Mitchell and her dogs: a love story.

Hardback. Condición: New. "Building in Lebanon is my way of taking a position with regard to the war." This statement by the French-Lebanese architect Youssef Tohme is key to getting into and grasping Intensive Beirut.This illustrated essay blends reflections on the urban development of the Lebanese capital with the experience gained on the projects of this architect-contractor, engaged in the effort to reopen the debate on architecture in his country. In a place where every situation is never more than a temporary state, the analysis of space is fundamental. The first part of the book examines Youssef Tohme's ideas, illustrated with 25 photos by Ziad Antar, a Lebanese visual artist-photographer. Equipped with a Holga and a Rollefleix, Antar has captured the architect's key projects - St. Joseph University in Beirut (designed with the office of 109 architects), the Villa T and the Villa M in Kornet Chehouane, and the Villa SC in Akoura. The second part, authored by Karine Dana, facilitated exchanges of ideas between Youssef Tohme and important figures of the Lebanese cultural scene such as the architect Tony Chakar, the artist Ziad Abilama and the singer Ahmed de Maschrou.Text in English and French.

Hardback. Condición: New. Pierre Bonnard and His Dogs offers a fresh perspective on the painter's work through the central place his dogs held within it. Present in his photographs, drawings, and paintings-from his Nabi beginnings to his final years in Le Cannet-they accompanied both his artistic journey and his private life. Drawing on rare sources, Stéphane Guégan shows how these companions shaped Bonnard's vision: they animate his compositions, disrupt perspective, and bring movement, tenderness, and moral reflection. The book traces this relationship from the joyful decorative scenes of his early years to the later works marked by solitude shared with Marthe. As the fourth title in the Amigos Forever series, it sheds new light on one of the most sensitive painters of the twentieth century and reveals how, through his dogs, Bonnard reflected on creation, freedom, and the vital connection uniting all living beings.

Hardback. Condición: New. Pierre Bonnard and His Dogs offers a fresh perspective on the painter's work through the central place his dogs held within it. Present in his photographs, drawings, and paintings-from his Nabi beginnings to his final years in Le Cannet-they accompanied both his artistic journey and his private life. Drawing on rare sources, Stéphane Guégan shows how these companions shaped Bonnard's vision: they animate his compositions, disrupt perspective, and bring movement, tenderness, and moral reflection. The book traces this relationship from the joyful decorative scenes of his early years to the later works marked by solitude shared with Marthe. As the fourth title in the Amigos Forever series, it sheds new light on one of the most sensitive painters of the twentieth century and reveals how, through his dogs, Bonnard reflected on creation, freedom, and the vital connection uniting all living beings.

Hardback. Condición: New. The life of Gustave Caillebotte is shrouded in legend - untimely death, hidden genius, generous patron of Monet, Pissaro, Sisley and Degas - making him one of the most appreciated and mysterious painters of the Impressionist movement. This biography, written by a descendant of the painter, journalist and producer of programs on France Culture, is illustrated with numerous previously unpublished photographic documents. It takes a detailed look at Gustave Caillebotte's history and career, placing his pictorial work in the context of his family, social and economic environment, for the life of Gustave Caillebotte is above all a lesson in history and geography, that of the Parisian bourgeoisie under the Second Empire and the blossoming of the Impressionist movement in the Ile-de-France region. The biography describes Gustave's father Martial Caillebotte's meteoric rise in the textile industry, his education and pictorial training in Bonnat's studio and at the Beaux-Arts in Paris, his participation in the 1870 war at the age of 22, and his decisive encounter with the Impressionist group, led by Renoir, Monet and Degas. Thanks in particular to family archives, the book revisits Caillebotte's decisive role in the diffusion of the movement, including the organisation of the group's third exhibition, as well as the genesis and presentation of his own works, including the famous Raboteur.

Paperback. Condición: New. Born in Milan and trained at the Ecole Polytechnique in Lausanne, Nanda Vigo (1936-2020) made a name for herself in the 1960s with her cross-disciplinary approach to art, architecture and design. An important figure in the Italian avant-garde art scene, she has always favoured experimentation and exploration. From 1959, she frequented Lucio Fontana's studio, before becoming close to the artists Piero Manzoni and Enrico Castellani, who founded the Azimuth gallery in Milan. It was during this period that she discovered the artists and venues of the ZERO movement in Germany, the Netherlands and France. Between 1964 and 1966, she took part in numerous ZERO exhibitions in Europe; in 1965, she organised the legendary Zero Avantgarde exhibition in Lucio Fontana's studio in Milan. In 1971, she received the New York Award for Industrial Design for the Golden Gate lamp produced by Arredoluce, and completed one of her most emblematic projects for the Casa Museo Remo Brindisi in Lido di Spina. In 1976 she won the first Saint-Gobain prize for glass design, and in 1982 she took part in the 40th Venice Biennale. This book accompanies the exhibition Nanda Vigo, l'espace intérieur at Madd Bordeaux, which presents the artist's work through immersive installations. It looks at architecture, art and design as fields of total creation, to give us the opportunity to see, perceive and feel all the dimensions of space.Text in English and French.

Hardback. Condición: New. The life of Gustave Caillebotte is shrouded in legend - untimely death, hidden genius, generous patron of Monet, Pissaro, Sisley and Degas - making him one of the most appreciated and mysterious painters of the Impressionist movement. This biography, written by a descendant of the painter, journalist and producer of programs on France Culture, is illustrated with numerous previously unpublished photographic documents. It takes a detailed look at Gustave Caillebotte's history and career, placing his pictorial work in the context of his family, social and economic environment, for the life of Gustave Caillebotte is above all a lesson in history and geography, that of the Parisian bourgeoisie under the Second Empire and the blossoming of the Impressionist movement in the Ile-de-France region. The biography describes Gustave's father Martial Caillebotte's meteoric rise in the textile industry, his education and pictorial training in Bonnat's studio and at the Beaux-Arts in Paris, his participation in the 1870 war at the age of 22, and his decisive encounter with the Impressionist group, led by Renoir, Monet and Degas. Thanks in particular to family archives, the book revisits Caillebotte's decisive role in the diffusion of the movement, including the organisation of the group's third exhibition, as well as the genesis and presentation of his own works, including the famous Raboteur.

Hardback. Condición: New. Trained at the École Nationale Supérieure des Beaux-arts de Paris in the atelier of Georges Jeanclos, Elsa Sahal quickly focused on working with ceramics for their sensuality and fragility. Former resident at the Archie Bray Foundation for the Ceramic Arts, in 2013 (Helena, MT), at Alfred University, New York State College of Ceramics, in 2009-2010 (Alfred, NY) and at the Manufacture Nationale de Sèvres (2007-2008), Elsa Sahal has also taught at the Haute École d'Art et de Design in Geneva and at the École Supérieure d'Arts Décoratifs in Strasbourg. She experiments in particular with the idea of volume and balance in sculpture, while returning to an exploration of the themes of the body and femininity. Ambiguous, dense, sensual and colourful, her works oscillate between anthropomorphic landscape and the landscaped body, taking up Cézanne's dream of uniting women's curves with the shoulders of hills. Elsa Sahal conceives, kneads and then produces complex and disturbing forms sustained by dense colours and sublimated through enamel.Winner of the MAIF prize for sculpture, in 2008, and the contemporary sculpture prize awarded by the Fondazione Francesco Messina, in 2007, Elsa Sahal has presented her work in one-woman shows and group exhibitions in numerous museums around the globe: at the Bonnefantenmuseum, 'Ceramix, Ceramic art from Gauguin to Schütte', in 2015 (Maastricht); at the MAD Museum, 'Body and Soul, New International Ceramics', in 2013 (New York); at the Fondation d'entreprise Ricard, 'Sculptures', in 2008 (Paris); and at the Incheon Women Artists Biennale, in 2008 (Korea). Text in English and French.

Paperback. Condición: New. Chosen for the 59th Venice Biennale, to represent contemporary creation at the Lebanese pavilion Ayman Baalbaki is a Lebanese artist born in Beirut in 1975. He first trained at the Institute of Fine Arts of the university Lebanese school in Beirut, then at the National School of Decorative Arts in Paris. Five years after his arrival in France, he received the silver medal in painting at the Francophone Games and then participated in several exhibitions worldwide. Lebanon, France, Great Britain, Argentina, Egypt and Niger are all countries that welcome the works of the artist.His productions of the last 10 years have been compiled through this unpublished work, published in French, English and Arabic. The authors endeavour to decipher his paintings and installations, crossed by societal issues specific to Lebanon: war, abortive revolt, political and financial bankruptcy, the tragedy of the port of Beirut or even pandemic. The artist paints anonymous portraits of his contemporaries, which have today become symbols of the Middle East. It represents the city, its buildings, erected, but also in ruins. His art is vibrant, dynamic and textured.Text in English, French and Arabic.

Hardback. Condición: New. "It is a rare species, but it exists," as '60s art critic Pascal Renous pointed out on the subject of artistic couples. This designer-decorator duo of Janine Abraham and Dirk-Jan Rol met at Jacques Dumond's studio in 1955. The couple shares the same love of precision, line and plain colours. Their earliest joint creations were first exhibited at the Salon des artistes décorateurs, in Paris. Their furniture, made of wicker, wood and aluminium, twice won prizes at the Salon des artistes décorateurs (a sideboard in 1956 and an armchair in 1958), garnering notice from the public and professionals alike. Jean Royère did not hesitate to use their emblematic Soleil armchair (gold medal at the 1958 Brussels World's Fair) in the decoration of the palace of the Shah of Iran, in Teheran. Their light and functional designs are available today, re-edited by Yota Design.Abraham and Rol were also interior designers and intervened in this capacity for both individual clients and large corporate clients, such as Yves Rocher and Saint-Gobain, with the same precision and sense of composition that define their furniture pieces.Finally, the couple also expressed their creativity through architecture, their mastery of this discipline enabling them to design some twenty houses from the 1960s through the 2000s in the Île-de-France region. Their homes are genuine inhabited sculptures, of which certain have become truly emblematic. Text in English and French.

Hardback. Condición: New. Miró - Loeb. Correspondence 1926-1936 reveals the exceptional relationship between Joan Miró and Pierre Loeb, his gallerist and close friend in Paris. Through previously unpublished letters, richly illustrated with Miró's works and facsimiles, the book traces a decade of exchanges during which exhibitions, collaborations, and new visions of modern art took shape. This vivid and illuminating correspondence captures the daily life of an artist and a dealer at the heart of the cultural ferment of the interwar years. It offers a glimpse into the realities of the gallery world, the networks of friendship, and the evolving dialogue between artistic creation and its dissemination in a time of profound transformation. The volume is accompanied by texts by Albert and Sonia Loeb, which place these exchanges within their human and historical context, offering a sensitive perspective on a relationship that proved decisive for both modern art and the life of Parisian galleries in the twentieth century.Text in English and French.

Hardback. Condición: New. A major figure in decorative arts during the inter-war periods René Buthaud (1886-1986) developed an interest in ceramics upon finishing his studies at the École des beaux-arts de Paris and the École nationale supérieure des arts décoratifs, before being mobilised for the war. At times figurative and at other times geometrical or abstract, his vases met with great success at the Salon d'automne and the Salon des artistes décorateurs in 1920, where he exhibited works with his friends Jean Dunand and Alfred Janniot. From 1928 his works were distributed by the Rouard gallery, and he participated in most Salons as well as the major events of the time: the 1925 International Exhibition of Decorative Arts, the 1931 Colonial Exhibition, and the 1937 Exhibition of Art and Technology. Acting as technical director of the Sainte-Radegonde art pottery works for Primavera from 1923 to 1926, he was especially known and appreciated by the public for his great mastery of crackle enamel, a technique he reintroduced in France. Text in English and French.

Hardback. Condición: New. If Paul Lévi and Jean-Paul Poirot are to be believed, rue Lafayette, which has been home to the majority of Parisian gem dealers since the 19th century, is thought to have been home to almost 300 fine pearl merchants between the two world wars, between numbers 1 and 100. The sheer size of this number is striking when compared with the current state of the fine pearl market, both within the capital and worldwide. As well as unravelling the final mysteries surrounding this biomineral, the main aim is to show the extent to which pearls inspired Parisian jewellers and artists of all kinds, both young and old. They all seem to have been driven by the same pearlomania, whatever their medium, from opera to cinema, painting, photography, posters or illustrated books, to the point of making the pearl one of the symbolic forms of the Roaring Twenties.Text in English and French.

Hardback. Condición: New. Hubert Le Gall is an aesthete with eclectic and unclassifiable talent who refuses to be pigeonholed in a style or trapped by routine. Constantly coming up with new associations of quirky ideas, switching between set design, art, and decoration, Hubert Le Gall takes great delight in playing with traditions and derision, with forms, light and cast shadows, contents and containers, solids and things untied. Pic poissons Pedestal table, Taureau cabinet, Pot de fleurs armchair, Marguerites table, Spot Dog lamp, Dorian mirror, his playful and poetic pieces never fail to enchant or to surprise.Text in English and French.

Hardback. Condición: New. "Abandoned, forgotten form is reborn in the arms of an all-embracing nature, an envelope within which the origin of the human being, of a society gives us a sensibility, a presence of a fertility." - Vincent DubourgA graduate of the École nationale supérieure des Arts Décoratifs in Paris, Vincent Dubourg is a designer and a plastic artist. In 2004, he caught the eye of Julien Lombrail, founder of the Carpenters Workshop Gallery, where he has been exhibiting since 2006. Present at major salons and shows - the Pavillon des Arts et du Design, Paris; Design Miami Basel - he has received many public commissions from institutions such as Galeries Lafayette, Swarovski, Vienna, the musée de la chasse et de la nature, Paris, and the Sketch restaurant in London, among others.Vincent says that he feeds himself on the capitals like Paris and New York, which he regularly visits, and digests them in his isolated studio in the Creuse department in France. There, he questions contemporary furniture through the prism of nature and the five elements, like a perfect control of metal. With him, buffet, table and chairs become hallucinatory objects shifting between sculpture and functional furniture. A major exhibit will be devoted to him at the Carpenters Workshop Gallery in New York in late 2017. Solo Show, Carpenters Workshop Gallery, New York, November 2017.

Hardback. Condición: New. Born into the American aristocracy, Elizabeth Eyre de Lanux abandoned high society to pursue an artistic career. Starting her training with Constantin Brancusi, she then arrived in Paris in 1919, following her marriage to French diplomat and writer Pierre de Lanux. She soon met the designer Eileen Gray. Eyre took over Gray's research on laquer and continued experimenting with innovative materials not previously used in furniture, namely cork, amber and linoleum. With Evelyn Wyld, she created a literary universe in which the poetry of her rugs, blended with furniture and lamps in totally new ways, all in an environment of muted shades and modern comfort. An ambitious artist in the Surrealist Paris of the interwar years, she wanted to believe in a peaceful future. But the crash of 1929 and World War II sounded the death knell for the career of this fresh new talent, ensuring that her creations became the rarest of objects. A bridge between the pioneering Eileen Gray and the rational Charlotte Perriand, like them, Eyre de Lanux drew inspiration from Japonism. Neither poor, nor stripped bare, her rare architectured interiors have remained secret until now. Elizabeth Eyre de Lanux is a recognised name but a forgotten talent. With Eileen Gray, Eyre de Lanux, Charlotte Perriand and Maria Pergay, the four cardinal points have now been identified.

Hardback. Condición: New. Olivier Gagnère appeared on the French design scene in the 1980s.  Through his contact with the Memphis group of Ettore Sottsass in Milan, he developed his spirit of fantasy, great formal liberty, all with a touch of humour. In Japan, on the island of Kyushu, he immersed himself in the ancestral craftsmanship of the porcelain makers in the studios of Arita. He designed his earliest pieces of furniture for Artelano and Pierre Staudenmeyer's Galerie Néotù. He went on to collaborate with the Galerie Maeght to create works in Murano glass and with the Galerie Edition Limitée for works in earthenware. In 1994, his designs for the interior of the café Marly, in the Louvre, brought him great renown and have led to many collaborations with crystal works Saint-Louis, porcelain manufacturer Bernardaud, En attendant les Barbares. With Olivier Gagnère's artful mastery of every material, he is just as at ease working with porcelain as with iron, crystal, wood, leather or bronze. He blends simple and timeless forms with carefully sized volumes, in a range of bright contrasting colours. Steeped in the most classical traditions, he marks every one of his creations with a gesture, a demeanor that is a signature of his times.Text in English and French.

Hardback. Condición: New. Born in 1935 in France, Jean-Louis Avril studied architecture at École nationale supérieure des Beaux-Arts. Technique is central to his building process. He is passionate about jazz and is interested in American minimal art, particularly the work of Donald Judd. This monograph traces his career and focuses on his furniture, which represents the taste and aspirations of a generation of baby boomers. The choice of Celloderm, a derivative of cardboard, allows for a simple and accurate design language. The solutions display strong ideas: a beautiful shape, a practical function, an accessible price. His creations are very successful. With the creation of the company Marty-Lac (Carton Applications) in 1967 associated with his father-in-law, he achieved commercial success by developing numerous models of furniture, seats, tables, bed, shelves and lighting. They offer a strategy, a catalogue, sales outlet and export to England with Hull traders. Faithful to his commitment as an architect, he also imagines interior spaces with great spatial efficiency.Text in French.

Hardback. Condición: New. Spanish-born photographer Fadia Ahma (b.1975) lives and works in Lebanon. Her poetic series of photographs of Beirut eloquently captures the street life of that resilient city; merchants on street corners, grocers, fishermen, bathers, street artists, collapsed buildings, new construction. She presents fragments of life through fragments of the city itself. This is the first monograph of her vibrant and intuitive work on the people and places of Beirut.She has been crisscrossing her city with a camera since 2003. District after district, house after house, she explores the complexity and humanity of Beirut and the Lebanese people. "I decided," she explains, "to follow an itinerary, which is always the same, so that I wouldn't disperse myself. It is my constancy that allows me to discover, to meld with this city." Fadia Ahmad's imagines her photographs as paintings, which mirror Beirut and capture the poetry of place and people which are nestled in the slightest details.Text in English and French.

Hardback. Condición: New. Gaetano Pesce traces the visionary collaboration between the Italian designer and American entrepreneur Jay Chiat, founder of the advertising agency Chiat\Day. Through 500 images, rare archives, and previously unpublished interviews, this book explores the creation of Chiat\Day's New York offices-true laboratories of the virtual office concept. Conceived in the 1990s, this groundbreaking project merges art, architecture, and technology, redefining the very notion of workspace.From Venice to New York, the book situates this adventure within the career of a leading figure of radical design, for whom humanity and diversity remain central to every form of creation. Gaetano Pesce offers a richly documented and visually striking journey into the world of a total artist whose influence continues to shape the way we think about work, space, and creativity today.Text in English and French.

Hardback. Condición: New. Nicolas Eekman (1889-1973) is the heir of the great creators of his native Flanders, from Jérôme Bosh to James Ensor, as well as one of the representatives of the School of Paris.Born in Brussels where he studied architecture, he turned to painting and exhibited for a few years in Holland before settling in Paris in 1921. Close to his compatriot Mondrian with whom he exhibited at the Jeanne Bucher gallery (1928), he is also closely linked to the artists Jean Lurçat, Marcoussis, Max Jacob, Lipchitz, and later with Moïse Kisling and Frans Masereel.Influenced by Cubism to which he devoted a few outstanding years, he gradually returned, in the 1930s, to realism and then from the 1950s turned to the fantastic, reviving the Flemish painting of the fifteenth and sixteenth century.Author of an abundant painted work, he is also a renowned draftsman, illustrator and engraver whose works have been collected by numerous print studios (Brussels, Hanover, Berlin, Hamburg, Basel, Budapest).Text in English and French.

Hardback. Condición: New. Paul Andreu (1938-2018) is a major figure on the international architectural scene in the second half of the 20th century. He left his mark on airport architecture not only during his long career with Aéroports de Paris, but also with his work in Asia, in Japan and China, where he was one of the first French architects to make his mark, with the Kansai airport in 1988 and the Beijing opera house, inaugurated in 2007. Founded on a constant demand for functionality and technical rationality, the work of this architect and engineer is rooted in the notion of threshold, passage and transformation, bringing into play fundamental principles: earth and sky, East and West, thought and matter. This monograph is amply illustrated with sumptuous archive photographs and contemporary views, as well as drawings from 69 sketchbooks recently donated to the Cité de l'architecture et du patrimoine.Text in French.

Hardback. Condición: New. Pierre Bonnard and His Dogs offers a fresh perspective on the painter's work through the central place his dogs held within it. Present in his photographs, drawings, and paintings-from his Nabi beginnings to his final years in Le Cannet-they accompanied both his artistic journey and his private life. Drawing on rare sources, Stéphane Guégan shows how these companions shaped Bonnard's vision: they animate his compositions, disrupt perspective, and bring movement, tenderness, and moral reflection. The book traces this relationship from the joyful decorative scenes of his early years to the later works marked by solitude shared with Marthe. As the fourth title in the Amigos Forever series, it sheds new light on one of the most sensitive painters of the twentieth century and reveals how, through his dogs, Bonnard reflected on creation, freedom, and the vital connection uniting all living beings.

Hardback. Condición: New. The life of Gustave Caillebotte is shrouded in legend - untimely death, hidden genius, generous patron of Monet, Pissaro, Sisley and Degas - making him one of the most appreciated and mysterious painters of the Impressionist movement. This biography, written by a descendant of the painter, journalist and producer of programs on France Culture, is illustrated with numerous previously unpublished photographic documents. It takes a detailed look at Gustave Caillebotte's history and career, placing his pictorial work in the context of his family, social and economic environment, for the life of Gustave Caillebotte is above all a lesson in history and geography, that of the Parisian bourgeoisie under the Second Empire and the blossoming of the Impressionist movement in the Ile-de-France region. The biography describes Gustave's father Martial Caillebotte's meteoric rise in the textile industry, his education and pictorial training in Bonnat's studio and at the Beaux-Arts in Paris, his participation in the 1870 war at the age of 22, and his decisive encounter with the Impressionist group, led by Renoir, Monet and Degas. Thanks in particular to family archives, the book revisits Caillebotte's decisive role in the diffusion of the movement, including the organisation of the group's third exhibition, as well as the genesis and presentation of his own works, including the famous Raboteur.

Hardback. Condición: New. Renowned in Europe as an avant-garde architect in the 1970s, the Catalan architect Ricardo Bofill was called to the French stage following the destruction of Les Halles de Baltard in 1971. Called upon to compete in 1974, the architect attempted to revive the historic forms of Parisian architecture and urban planning. Rejected in April 1978 after more than 3 years of projects and models by Jacques Chirac, the first mayor of Paris, who preferred a neutral and less monumental architecture, Bofill nevertheless played a leading role in the development of new towns in France from 1972 to 1985, with projects that were as striking as they were controversial: These included Abraxas in Marne-la-Vallée, Le Lac in Saint-Quentin-en-Yvelines, Place Majeure in Cergy-le-Haut and the Antigone district of Montpellier.Designed as a fully illustrated diary describing the close relationship between architecture and politics under Valéry Giscard d'Estaing and François Mitterand, this book is the first to look back at the emblematic Les Halles project, which is covered by a confidentiality clause until the architect's death in 2021. Through the accounts of witnesses from the time - Jack Lang, Jean-Jacques Aillagon, Paul Chemetov, Roland Catro - and the Taller archives, the author describes Bofill's prodigious rise to superstar status, and the importance of architecture, which was at the center of everyone's conversations at the time.Text in English and French.

Hardback. Condición: New. This book is the first to explore the history of Le Corbusier's studio at 35 rue de Sèvres in Paris, known as 35S. It looks at the many artists with whom Le Corbusier worked, including Charlotte Perriand, André Wogenscky, Sahakura, Roger Aujame and Pierre Jeanneret. It includes many previously unpublished documents. Text in English and French.

Hardback. Condición: New. Published on the 100th anniversary of the discovery of Tutankhamun's tomb and the 200th anniversary of the deciphering of the Rosetta stone, this book responds to the ever-growing enthusiasm and curiosity for Egyptomania.This concept refers to a collective imagination which was nurtured throughout the 19th and 20th centuries by archaeological digs and exploratory trips. These key discoveries were crucial for creation and particularly for the Art Deco artists who found their inspiration in Egyptian lines and patterns.Art Déco and Egyptomanie explores the origins and functioning of this cultural and artistic movement shaped by many fields: architecture, cinema, sculpture, popular art, theatre and fashion.Art Déco and Egyptomanie comes with an explicit and previously unseen iconography.Text in French.

Hardback. Condición: New. "I only feel comfortable at home with my dog, my pencils and my paper" - Yves Saint Laurent, The Guardian, February, 2000Successor of Christian Dior then director of his own fashion house, Yves Saint Laurent has established himself as a visionary designer throughout his career. Inseparable from the myth of Saint Laurent, his dogs accompanied him as much in the habitation of his apartments shared with Pierre Bergé, as in the effervescence of the workshop on Avenue Marceau, and fashion shows. The author highlights the forgotten dogs of childhood, extravagant chihuahuas, such as Hazel, who were faithful companions of the artist for more than 20 years. Effigies on annual greeting cards, evening models for Rive Gauche, and muses of Warhol or Hockney, the four famous French Bulldogs - all named Moujik - will be an integral part of the legend of the creator.Enriched by a new iconography by Hedi Slimane, artistic director of Saint Laurent from 2012 to 2016 and artistic director of Céline since 2018, the book includes nearly 80 images from photographic archives, and drawings by Yves Saint Laurent.

Hardback. Condición: New. Gaetano Pesce traces the visionary collaboration between the Italian designer and American entrepreneur Jay Chiat, founder of the advertising agency Chiat\Day. Through 500 images, rare archives, and previously unpublished interviews, this book explores the creation of Chiat\Day's New York offices-true laboratories of the virtual office concept. Conceived in the 1990s, this groundbreaking project merges art, architecture, and technology, redefining the very notion of workspace.From Venice to New York, the book situates this adventure within the career of a leading figure of radical design, for whom humanity and diversity remain central to every form of creation. Gaetano Pesce offers a richly documented and visually striking journey into the world of a total artist whose influence continues to shape the way we think about work, space, and creativity today.Text in English and French.