distanz publishing (174 resultados)

Condición: As New. Like new and unread hardcover - minor wear.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: New. 2014. paperback. . . . . . Books ship from the US and Ireland.

Condición: New. 2016. paperback. . Not a first edition copy. . . . Books ship from the US and Ireland.

Condición: New. 2014. Bilingual. hardcover. . Not a first edition copy. . . . Books ship from the US and Ireland.

Condición: New. 2012. hardcover. . . . . . Books ship from the US and Ireland.

Condición: New. 2014. hardcover. . . . . . Books ship from the US and Ireland.

Condición: New. 2012. hardcover. . . . . .

Condición: New. 2014. Bilingual. hardcover. . Not a first edition copy. . . .

Condición: New. 2014. paperback. . . . . .

Condición: New. 2014. hardcover. . . . . .

Condición: New. 2016. paperback. . Not a first edition copy. . . .

hardcover. Condición: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Condición: New.

Paperback. Condición: New.

Hardcover. Condición: Very Good. 151 pages. Catalog of the exhibition in the Kunstsammlung Nordrhein-Westfalen, 2014. Dtsch.-Engl. With an einl. Text v. Diedrich Diederichsen. | The work of Katharina Sieverding (born 1944 in Prague, lives and works in Dusseldorf) has been developing for over four decades in a plethora of statements between the poles individual and society, sensation and criticism, presence and withdrawal. The book designed by Sieverding and her studio documents Stauffenberg-Block's work from 1969 in a completely new way. The work, consisting of sixteen large-format color photographs, is dedicated to the resistance fighter and Hitler assassin Claus von Stauffenberg, who was executed in 1944. It is here combined with the series Maton Solarization of 1969 and Transformer Cyan Solarization of 1973/74. The three works are continuous transformations of the conceptual self-portrait of the artist. His serial repetition questions the apprehension of identity in a single portrait. Three works from the series Visual Studies from 2002 as well as the archival storage ORWO from 2014, which was presented as a space object, complete the selection. They refer to the diverse image archive that Katharina Sieverding bases her work on. With an introductory text by Diedrich Diederichsen on feminism, anti-fascism and psychedelia. (SL#163).

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Couverture souple. Condición: Assez bon. Pli plat avant. grosse tache plat arrière.intérieur du livre neuf.

paperback. Condición: New. Disss-co (A Fragment) (KONTEXT) Brand new item sourced directly from publisher. Packed securely in tight packaging to ensure no damage. Shipped from warehouse on same/next day basis.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Couverture rigide. Condición: Assez bon. In-8; 40 p. pli plat avant. bilingue ENG/D.

Paperback. Condición: new. Paperback. Who owns the city?In Tulips, artist duo Hannah Quinlan & Rosie Hastings, alongside scholar Christina B. Hanhardt map a terrain where they explore gestures of authority and obedience in the public space within the urban context of gentrification and policing against marginalized queer communities.The work of Hannah Quinlan & Rosie Hastings (b. 1991 in Newcastle and 1991 in London, live and working in London) deals with the socio-cultural and political structures that reinforce conservatism and discriminatory practices within and around the LGBTQIA+ community. In their works the artist duo explores how the queer communitys safe spaces have been displaced by political strategies and how a history of femininity and the colonized body in the transition to capitalism is shaped by rationalization of social reproduction and ownership of the self.Christina B. Hanhardt (lives and works in New York) is Associate Professor in the Department of American Studies. Her research focuses on the historical and contemporary study of U.S. social movements and cities since the mid-20th century, with an emphasis on the politics of stigma, punishment, and uneven development.KONTEXT, a series by DISTANZ, brings together artists and writers for an exchange between the worlds of writing and contemporary art. With commissioned text, reissued essays, or experimental writing, the publication series seeks to look at and comment on current debates through writing and contemporary art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. In Tumbling Ruins, the artist Henrike Naumann, the art historian Angela Schoenberger, and the architect and design theorist Andreas Brandolini develop a project that draws discursive connections between Naumanns work Ruinenwert (2019), Schoenbergers research on Albert Speer, and Brandolinis postmodernist design theory.In the early 1990s, the artist Henrike Naumann (b. Zwickau, 1984, lives and works in Berlin) watched the far-right ideology as the predominant youth culture in her hometown. Her work reflects on the history of right-wing terrorism in Germany and the widespread acceptance of racist ideas in large segments of the population today. She scrutinizes the mechanisms of radicalization and how they tie in with personal experiences and youth culture. Studying the friction between antagonistic political convictions sparked by the ambivalence of personal aesthetic tastes, Naumann builds immersive installations that combine video and sound with scenographic settings.Angela Schoenberger (b. Kaufbeuren, 1945) wrote her dissertation in the 1970s on the new Reich Chancellery building as a central scene of the Nazis crimes and on Albert Speers theory of ruin value, interviewing the architect for her research. After the fall of the Wall, the former managing director of the Internationales Design Zentrum Berlin turned her attention to the structural transformation of the former East Germany and the emergence of new products and designs. Schoenberger was director of the Berlin State Museums Kunstgewerbemuseum, or Museum of Decorative Arts, until 2010.Andreas Brandolini (b. Taucha, 1951; lives and works in Saarbruecken and Petit-Rederching, France) was a cofounder of the avant-gardist New German Design of the 1980s. In 1987, his seminal German Living Room was featured at documenta 8; Jasper Morrison and Axel Kufus were his partners in the studio Utilism International. As a writer and lecturer, Brandolini calls for furniture that elicits or allows for stories and adamantly rejects the dictates of functionalism. In Tumbling Ruins, the artist Henrike Naumann and the art historian Angela Schoenberger develop a collaborative project that draws discursive connections between Naumanns work Ruinenwert (2019) and Schoenbergers research. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Condición: Fine. No Jacket. 1st Edition. Exhibition catalogue. 192pp. Full colour and b&w photographs, mono. in German and English. Fine illustrated card. This is a heavy volume and export post and packing would be more than quoted by abe.

Couverture rigide. Condición: Très bon. 72 p. text ENG/D.

Soft cover. Condición: New. Distanz. Condition: New. Paperback. 2015.

Hardcover. Condición: Very Good. He Xiangyu This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condición: Fine. Unused. A few light scratches on front cover otherwise fine.

Paperback. Condición: new. Paperback. On occasion of the 375th anniversary of the Peace of Westphalia, the internationally renowned artist Ibrahim Mahama (b. Tamale, Ghana, 1987; lives and works in Accra, Kumasi, and Tamale, Ghana) delves into the history of the city of Osnabrueck as a center of the production of and trade in textiles, especially linen. Linen was not only sold as a raw material, but also used to manufacture apparel for forced laborers on plantations in the West Indies. And it served as a medium of exchange for prisoners from the coastal regions of the African continent. Mahamas research and exhibition project analyzes these intricate cycles of transfer connecting Central Europe and Western Africa that were installed in the shadow of colonialism. The Ghanaian artist wrapped the former Galeria Kaufhof department store building in downtown Osnabrueck in handwoven cotton fabrics and recycled jute bags: zooming out from local history and the experiences of war and the postwar period, Mahamas intervention embeds them in the context of global trade relations and power structures.The publication documents the installation TRANSFER(S), which was on public view in Osnabrueck, as well as the projects second part, a symposium held in Tamale, Ghana. With writings by Akosua Adomako Ampofo, Bernard Akoi-Jackson, Isaac Gyasi, Thorsten Heese, Priscilla Kennedy, Bettina Klein, Koliko, Kwasi Ohene-Ayeh, Zohra Opoku and The Revival, Gabriel Schimmeroth, karikachae seidou, Klaus Weber, and the artist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.