diaphanes ag (Más de 1.100 resultados)

Paperback. Condición: New. Is there an autonomous republic of art that transcends time and place? Canadian writer Madeleine Thien reflects on a fragment of a mural depicting Three Uighur Princes from one of the Bezeklik Caves along the Northern Silk Road, in what is now the Xinjiang Uighur Autonomous Region of China. This most renowned donor portrait of Uighur-Buddhist art was brought to the Berlin museums following the Second German Turfan Expedition (1904-5). Thien responds to its vibrant colors and expressive lines with a literary text, transporting us into the daily lives of the painters who adorned the caves with strikingly lifelike murals in the tenth century.

Paperback. Condición: New. A personal reflection on fragmentation, language, and place. Following one of the Turfan archaeological expeditions in the early 1900s, a fragment of a Manichaean text written in Uighur and Old Turkic found its way to the Asian Art Museum in Berlin. Originating from the Northern Silk Road region (now the Xinjiang Uighur Region in China), these "loose leaves" became a source of inspiration for Rawi Hage.  Hage writes, "I was born near Byblos in Lebanon. The ancient city of Byblos is believed to be the place where the first alphabet was invented." Encountering this rare and precious manuscript, with its layered and multicolored words, Hage reflects on the movement, uprooting, displacement, and migration of both objects and people.

Paperback. Condición: new. Paperback. A reflection on the reconstruction of the Berlin Palace and its contradictory use as an ethnological museum. Having recently accepted German citizenship, writer and activist Priya Basil explores the Humboldt Forum from a deeply personal perspective. She delves into the question of what such a building, such a project, means for an understanding of the past and for belonging in the present. This much disputed, contested, celebrated monument now existsbut what exactly does it monumentalize? Basil writes, "In German, the word Schloss means a palace, and also a lock. The central question: Can a lock also be a key?" Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. A study of the history of before-and-after images of catastrophes, bombed-out cities, and large-scale political transformations. Catastrophes, bombed-out cities, large-scale political transformations: "Image complexes" of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people's fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.

Paperback. Condición: New. A personal reflection on fragmentation, language, and place. Following one of the Turfan archaeological expeditions in the early 1900s, a fragment of a Manichaean text written in Uighur and Old Turkic found its way to the Asian Art Museum in Berlin. Originating from the Northern Silk Road region (now the Xinjiang Uighur Region in China), these "loose leaves" became a source of inspiration for Rawi Hage.  Hage writes, "I was born near Byblos in Lebanon. The ancient city of Byblos is believed to be the place where the first alphabet was invented." Encountering this rare and precious manuscript, with its layered and multicolored words, Hage reflects on the movement, uprooting, displacement, and migration of both objects and people.

Paperback. Condición: New. Is there an autonomous republic of art that transcends time and place? Canadian writer Madeleine Thien reflects on a fragment of a mural depicting Three Uighur Princes from one of the Bezeklik Caves along the Northern Silk Road, in what is now the Xinjiang Uighur Autonomous Region of China. This most renowned donor portrait of Uighur-Buddhist art was brought to the Berlin museums following the Second German Turfan Expedition (1904-5). Thien responds to its vibrant colors and expressive lines with a literary text, transporting us into the daily lives of the painters who adorned the caves with strikingly lifelike murals in the tenth century.

Paperback. Condición: new. Paperback. A personal reflection on fragmentation, language, and place. Following one of the Turfan archaeological expeditions in the early 1900s, a fragment of a Manichaean text written in Uighur and Old Turkic found its way to the Asian Art Museum in Berlin. Originating from the Northern Silk Road region (now the Xinjiang Uighur Region in China), these "loose leaves" became a source of inspiration for Rawi Hage. Hage writes, "I was born near Byblos in Lebanon. The ancient city of Byblos is believed to be the place where the first alphabet was invented." Encountering this rare and precious manuscript, with its layered and multicolored words, Hage reflects on the movement, uprooting, displacement, and migration of both objects and people. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Is there an autonomous republic of art that transcends time and place? Canadian writer Madeleine Thien reflects on a fragment of a mural depicting Three Uighur Princes from one of the Bezeklik Caves along the Northern Silk Road, in what is now the Xinjiang Uighur Autonomous Region of China. This most renowned donor portrait of Uighur-Buddhist art was brought to the Berlin museums following the Second German Turfan Expedition (19045). Thien responds to its vibrant colors and expressive lines with a literary text, transporting us into the daily lives of the painters who adorned the caves with strikingly lifelike murals in the tenth century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. An astonishing new narrative of Mandu Yenu, a throne from the ancient Kingdom of Bamum. "Most of the time, it is the power of men that we remember." With these words, which open Léonora Miano's text for Objects Talk Back, an astonishing new narrative unfurls around Mandu Yenu, a throne from the ancient Kingdom of Bamum (present day Cameroon).  The Germans long claimed the object was a gift from King Njoya to Kaiser Wilhelm II. Miano reads "between the lines of beads and cowrie shells" to show the complex intricacies of colonial and gender relations. Dismissing all pretense of egalitarianism between colonizer and colonized, she hones in on the very nature of power-how and by whom it is defined-wielded-subverted.  King Njoya said he "felt like a woman in his relationship with the Germans." Miano takes this as a prompt to examine contrasting cultural notions of femininity and thus reveals how central women are to the story of the throne. As the very name of the object suggests, it is the power of women we should remember.

Paperback. Condición: New. A reflection on the reconstruction of the Berlin Palace and its contradictory use as an ethnological museum. Having recently accepted German citizenship, writer and activist Priya Basil explores the Humboldt Forum from a deeply personal perspective. She delves into the question of what such a building, such a project, means for an understanding of the past and for belonging in the present. This much disputed, contested, celebrated monument now exists-but what exactly does it monumentalize? Basil writes, "In German, the word Schloss means a palace, and also a lock. The central question: Can a lock also be a key?".

Paperback. Condición: New. Antonin Artaud's journey to Ireland in 1937 marked an extraordinary-and apocalyptic-turning point in his life and career. After publishing the manifesto The New Revelations of Being about the "catastrophic immediate-future," Artaud abruptly left Paris for Ireland, remaining there for six weeks without money. Traveling first to the isolated island of Inishmore off Ireland's western coast, then to Galway, and finally to Dublin, Artaud was eventually arrested as an undesirable alien, beaten by the police, and summarily deported back to France. On his return, he spent nine years in asylums, remaining there through the entire span of World War II. During his fateful journey, Artaud wrote letters to friends in Paris which included several "magic spells," intended to curse his enemies and protect his friends from the city's forthcoming incineration and the Antichrist's appearance. (To André Breton, he wrote: "It's the Unbelievable-yes, the Unbelievable-it's the Unbelievable which is the truth.") This book collects all of Artaud's surviving correspondence from his time in Ireland, as well as photographs of the locations he traveled through. Featuring an afterword and notes by the book's translator, Stephen Barber, this edition marks the seventieth anniversary of Artaud's death.

Paperback. Condición: New. "Only the wastelands can save us now." An urban investigator has been commissioned by a global corporation to determine how cities worldwide are being engulfed and destroyed by the wastelands that are mysteriously appearing at their heart. They are being "wastelanded," generating turmoil and catastrophic technological meltdown in every global megalopolis. Throughout his inquiries he discovers that the world's cities are becoming apocalyptic, experiencing ecocide. The investigator himself will have to travel to the "true north" to escape that endpoint. Today, urban imaginaries and speculative fictions often depict abandoned wastelands and ruinous cities that hold the expansive potential to engulf all urban and environmental space and render it entirely apocalyptic. In his novel Into the Wastelands Stephen Barber examines urgent aspects of our wasted realities through fictional narratives: How does the figure of the proliferating, infinitely expansive wasteland enable us to understand that point of rupture for urban futures? Does the wasteland allow us to accurately assess the contemporary dynamic between the apocalyptic and the urban?

Paperback. Condición: New. A study of the history of before-and-after images of catastrophes, bombed-out cities, and large-scale political transformations. Catastrophes, bombed-out cities, large-scale political transformations: "Image complexes" of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people's fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.

Paperback. Condición: new. Paperback. A study of the history of before-and-after images of catastrophes, bombed-out cities, and large-scale political transformations. Catastrophes, bombed-out cities, large-scale political transformations: "Image complexes" of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people's fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. An astonishing new narrative of Mandu Yenu, a throne from the ancient Kingdom of Bamum. "Most of the time, it is the power of men that we remember." With these words, which open Léonora Miano's text for Objects Talk Back, an astonishing new narrative unfurls around Mandu Yenu, a throne from the ancient Kingdom of Bamum (present day Cameroon).  The Germans long claimed the object was a gift from King Njoya to Kaiser Wilhelm II. Miano reads "between the lines of beads and cowrie shells" to show the complex intricacies of colonial and gender relations. Dismissing all pretense of egalitarianism between colonizer and colonized, she hones in on the very nature of power-how and by whom it is defined-wielded-subverted.  King Njoya said he "felt like a woman in his relationship with the Germans." Miano takes this as a prompt to examine contrasting cultural notions of femininity and thus reveals how central women are to the story of the throne. As the very name of the object suggests, it is the power of women we should remember.

Paperback. Condición: New. A reflection on the reconstruction of the Berlin Palace and its contradictory use as an ethnological museum. Having recently accepted German citizenship, writer and activist Priya Basil explores the Humboldt Forum from a deeply personal perspective. She delves into the question of what such a building, such a project, means for an understanding of the past and for belonging in the present. This much disputed, contested, celebrated monument now exists-but what exactly does it monumentalize? Basil writes, "In German, the word Schloss means a palace, and also a lock. The central question: Can a lock also be a key?".

Paperback. Condición: New. A narrative of the early modern Indian sculpture known as the Mithuna couple. Meena Kandasamy writes about the Mithuna couple, a seventeenth-century ivory sculpture from Tamil Nadu, India, depicting lovers. Kandasamy unfurls a multi-layered, multi-directional narrative built from images, questions, and contradictions evoked by the sculpture. "How can we look at this work and not talk about who produced it?" Kandasamy asks and then examines how caste and class are carved into the object as indelibly as its physical details. Such knowledge complicates easy associations of love that may be evoked by the couple.  Refusing any impulse to idealize or exoticize, Kandasamy connects the carving to personal and political stories that expose painful realities of who gets to love whom, and how. She sets the intimate alongside the institutional to interrogate terms such as decolonize, restitution, and preservation. Through an astonishing stylistic mix, including Twitter, academic discourse, poetry, and memoir, she talks back, forward, and sideways with the object.

Paperback. Condición: New. "Here Lies" preceded by "The Indian Culture" collects two of Antonin Artaud's foremost poetic works from the last period of his life. He wrote both works soon after his release from the psychiatric hospital of Rodez and his return to Paris, and they were published during the flurry of intensive activity and protests against his work's censorship. The Indian Culture is the first and most ambitious work of Artaud's last period. It deals with his travels in Mexico in 1936 where Artaud sets aside his usual preoccupations with peyote and the Tarahumara people's sorcerers to directly anatomize his obsessions with gods, corporeality, and sexuality. Here Lies is Artaud's final declaration of autonomy for his own body from its birth to its imminent death, won at the cost of multiple battles against the infiltrating powers amassed to steal that birth and death away from him. Both works demonstrate Artaud's final poetry as a unique amalgam of delicate linguistic invention and ferociously obscene invective.  "Here Lies" preceded by "The Indian Culture" was translated by the award-winning translator Clayton Eshleman, widely seen as the preeminent translator into English of Artaud's work, with its profound intensity and multiply nuanced language. For the first time since its first publication, this bilingual edition presents the two works in one volume, as Artaud originally intended. This edition also features a contextual afterword by Stephen Barber as well as new material, previously untranslated into English.

Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Condición: new. Paperback. An astonishing new narrative of Mandu Yenu, a throne from the ancient Kingdom of Bamum. "Most of the time, it is the power of men that we remember." With these words, which open Leonora Miano's text for Objects Talk Back, an astonishing new narrative unfurls around Mandu Yenu, a throne from the ancient Kingdom of Bamum (present day Cameroon). The Germans long claimed the object was a gift from King Njoya to Kaiser Wilhelm II. Miano reads "between the lines of beads and cowrie shells" to show the complex intricacies of colonial and gender relations. Dismissing all pretense of egalitarianism between colonizer and colonized, she hones in on the very nature of powerhow and by whom it is defined-wielded-subverted. King Njoya said he "felt like a woman in his relationship with the Germans." Miano takes this as a prompt to examine contrasting cultural notions of femininity and thus reveals how central women are to the story of the throne. As the very name of the object suggests, it is the power of women we should remember. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. "Only the wastelands can save us now." An urban investigator has been commissioned by a global corporation to determine how cities worldwide are being engulfed and destroyed by the wastelands that are mysteriously appearing at their heart. They are being "wastelanded," generating turmoil and catastrophic technological meltdown in every global megalopolis. Throughout his inquiries he discovers that the world's cities are becoming apocalyptic, experiencing ecocide. The investigator himself will have to travel to the "true north" to escape that endpoint. Today, urban imaginaries and speculative fictions often depict abandoned wastelands and ruinous cities that hold the expansive potential to engulf all urban and environmental space and render it entirely apocalyptic. In his novel Into the Wastelands Stephen Barber examines urgent aspects of our wasted realities through fictional narratives: How does the figure of the proliferating, infinitely expansive wasteland enable us to understand that point of rupture for urban futures? Does the wasteland allow us to accurately assess the contemporary dynamic between the apocalyptic and the urban? Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Here Lies preceded by The Indian Culture collects two of Antonin Artauds foremost poetic works from the last period of his life. He wrote both works soon after his release from the psychiatric hospital of Rodez and his return to Paris, and they were published during the flurry of intensive activity and protests against his works censorship. The Indian Culture is the first and most ambitious work of Artauds last period. It deals with his travels in Mexico in 1936 where Artaud sets aside his usual preoccupations with peyote and the Tarahumara peoples sorcerers to directly anatomize his obsessions with gods, corporeality, and sexuality. Here Lies is Artauds final declaration of autonomy for his own body from its birth to its imminent death, won at the cost of multiple battles against the infiltrating powers amassed to steal that birth and death away from him. Both works demonstrate Artauds final poetry as a unique amalgam of delicate linguistic invention and ferociously obscene invective. Here Lies preceded by The Indian Culture was translated by the award-winning translator Clayton Eshleman, widely seen as the preeminent translator into English of Artauds work, with its profound intensity and multiply nuanced language. For the first time since its first publication, this bilingual edition presents the two works in one volume, as Artaud originally intended. This edition also features a contextual afterword by Stephen Barber as well as new material, previously untranslated into English. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: New. Calfapietra, Lucia Ilustrador. At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life's "big questions," however strange or impractical. Plato and Co. introduces children-and curious grown-ups-to the lives and work of famous philosophers, from Socrates to Descartes, Einstein, Marx, and Wittgenstein. Each book in the series features an engaging-and often funny-story that presents basic tenets of philosophical thought alongside vibrant color illustrations.             Kierkegaard and the Mermaid takes a "leap into the absurd," exploring the existential philosophy of Søren Kierkegaard from the bottom of the sea, through the eyes of a princess with a fish's tail. Though living in a coral palace and betrothed to the handsomest and tenderest of all the water sprites, our heroine soon finds herself heartbroken. She must look deep into the world of the spirit to find out what it all means.

Hardback. Condición: New. Wauters, Julia Ilustrador. Vienna, 1714: Late in life, Gottfried Wilhelm Leibniz, the universal genius of his time, puts down his pen and declares his description of the universe to be complete. In the evening, he sits in his study room among letters, books, and manuscripts as his young friend Theodor comes for a visit. Theodor is bothered by one question: Why is there evil? And why do people commit crimes? With an example from ancient Greek mythology, Leibniz develops his theory about the best of all possible worlds. With this vivid "story within a story" Jean Paul Mongin successfully imparts the complex philosophical ideas of Leibniz to young readers. At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life's "big questions," however strange or impractical. Plato and Co. introduces children-and curious grown-ups-to the lives and work of famous philosophers, from Socrates to Descartes, Einstein, Marx, and Wittgenstein. Each book in the series features an engaging-and often funny-story that presents basic tenets of philosophical thought alongside vibrant color illustrations.

Paperback. Condición: New. When a meteor crashes into greaser Rockabilly's backyard, a ripple of strange events ensues. The tattoo of a pin-up girl on his back comes to life and begins to exert her murderous control over the suburb in which he lives. His precocious teenage neighbor Suicide Girl begins spontaneously lactating, and her pet lizard goes missing. A disturbed neighbor begins to pace the block to quiet his unseemly thoughts. Meanwhile, the neighborhood dog, Bones, suddenly able to think human thoughts, begins to hatch a plan. With economic language and well-crafted timing, Rockabilly leads us on a hair-raising journey, artfully deconstructing archetypes of suburban America. Taking us past garish lights of strip malls and empty strips of desert, this dystopian novel presents a unique take on trash aesthetics, the philosophy of tattoo art, and American pop culture.

Hardback. Condición: New. Sorel, Vincent Ilustrador. At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life's "big questions," however strange or impractical. Plato and Co. introduces children and curious grown-ups to the lives and work of famous philosophers, from Socrates to Descartes, Einstein, Marx, and Wittgenstein. Each book in the series features an engaging and often funny story that presents basic tenets of philosophical thought alongside vibrant color illustrations. In Diogenes the Dog-Man, the philosopher Diogenes not only admires the honesty of dogs, he has actually become one sleeping, eating, and lifting his leg to pee wherever he chooses! Best of all, unlike humans, who dupe one another as to their true feelings, Diogenes the Dog-Man is free to bark his displeasure and even bite his adversaries in the calves even if they happen to be Alexander the Great. Initially, the citizens gathered in the Agora think Diogenes is mad. Does he have rabies?But it soon becomes clear that we can all learn a thing or two from dogs about how to live a simple life.

Paperback. Condición: New. "Only the wastelands can save us now." An urban investigator has been commissioned by a global corporation to determine how cities worldwide are being engulfed and destroyed by the wastelands that are mysteriously appearing at their heart. They are being "wastelanded," generating turmoil and catastrophic technological meltdown in every global megalopolis. Throughout his inquiries he discovers that the world's cities are becoming apocalyptic, experiencing ecocide. The investigator himself will have to travel to the "true north" to escape that endpoint. Today, urban imaginaries and speculative fictions often depict abandoned wastelands and ruinous cities that hold the expansive potential to engulf all urban and environmental space and render it entirely apocalyptic. In his novel Into the Wastelands Stephen Barber examines urgent aspects of our wasted realities through fictional narratives: How does the figure of the proliferating, infinitely expansive wasteland enable us to understand that point of rupture for urban futures? Does the wasteland allow us to accurately assess the contemporary dynamic between the apocalyptic and the urban?

HRD. Condición: New. Sorel, Vincent Ilustrador. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. Antonin Artauds journey to Ireland in 1937 marked an extraordinaryand apocalypticturning point in his life and career. After publishing the manifesto The New Revelations of Being about the catastrophic immediate-future, Artaud abruptly left Paris for Ireland, remaining there for six weeks without money. Traveling first to the isolated island of Inishmore off Irelands western coast, then to Galway, and finally to Dublin, Artaud was eventually arrested as an undesirable alien, beaten by the police, and summarily deported back to France. On his return, he spent nine years in asylums, remaining there through the entire span of World War II. During his fateful journey, Artaud wrote letters to friends in Paris which included several magic spells, intended to curse his enemies and protect his friends from the citys forthcoming incineration and the Antichrists appearance. (To Andre Breton, he wrote: Its the Unbelievableyes, the Unbelievableits the Unbelievable which is the truth.) This book collects all of Artauds surviving correspondence from his time in Ireland, as well as photographs of the locations he traveled through. Featuring an afterword and notes by the books translator, Stephen Barber, this edition marks the seventieth anniversary of Artauds death. Letters from Ireland. 10 halftones Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

HRD. Condición: New. Novi, Nathalie Ilustrador. New Book. Shipped from UK. Established seller since 2000.