Di donna galleries (9 resultados)

Hardcover. Condición: Near Fine. Hardcover, 115 pgs. Light bumps to top corners, else nearly new.

Cloth. Condición: Near Fine. No Jacket, As Issued. 110 pages. Hardcover exhibition catalogue. Light bumps to the corners of the boards. Else, the binding is tight, the interior clean and free of markings. Bound in illustrated paper covered boards and issued without a dustjacket on the occasion of the exhibition held from October 26-October 14, 2018, featuring works by Ruth Asawa, Jean Arp, Louise Bourgeois, Isamum Noguchi, and others.…

Hardcover. Condición: Very Good. No Dust Jacket. Oversized hardcover with decorated blue, plush cloth boards, no dust jacket, in very good condition. Published on the occasion of the exhibition 'Fields of Dream: The Surrealist Landscape' at Di Donna Gallery, New York, from 29 October to 18 December 2015. Colour and black and white plates throughout. Typed and signed letter from the gallery owner, Emmanuel Di Donna tipped in. Boards are lightly marked. Content is as unread. LW. Used.…

Hardcover without dustjacket as issued, 164 pages; very good condition except a few scuffs to covers; no internal marks. Foreign shipping may be extra.

First Edition. First edition. Oblong hardcover. 163 pages. Exhibition catalog for a show that ran April 26 through June 2, 2023. Features texts by Emmanuel Di Donna and Timothy Baum. Includes 70 black and white images and captions/checklist. A fine copy in black cloth boards with image affixed to the front cover. No dust jacket as issued. A nicely printed and designed catalog.…

Hardcover. Condición: Fine. First Edition. Hardback. 4to. pp 100. Original publishers plush blue cloth, lettered black and silver. Issued without dust jacket. Copiously illustrated in colour and black and white throughout. This major exhibition featured over six dozen artworks, several loaned from prominent foundations and private collections. Fields of Dream will include works by Hans Bellmer, Victor Brauner, Andre_ Breton, Alexander Calder, Federico Castelln, Leonora Carrington, Salvador Dal', Adrien Dax, Paul Delvaux, Giorgio de Chirico, Oscar Dom'nguez, Enrico Donati, Paul Eluard, Jimmy Ernst, Max Ernst, Leonor Fini, Arshile Gorky, Marcel Jean, Jacqueline Lamba, Ren Magritte, Man Ray, Matta, Joan Miro, Gordon Onslow Ford, Wolfgang Paalen, Pablo Picasso, Kay Sage, Kurt Seligmann, Yves Tanguy, Dorothea Tanning, and Antoni Tapies. Including a typed signed letter from the gallery owener, Emmanuel Di Donna to Simon Lee, dealer in contemporary art in Mayfair, London and Hong Kong. ISBN: 0984044760 Fine.ldin. Signedes.…

Condición: Sehr gut. 159 pp., quarto, hardback, with mounted pictures on fron cover, with many, partly full-page, colour ill., published on the ccasion of the exhibition "Moon Dancers: Yup'ik Masks and the Surrealists" April 27 - June 29, 2018. Sprache(n)/language(s): enCover very slightly bumped, otherwise fine. …

hardcover. Condición: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover, 96 pages, ENG. edition, 300 x 255 x 14 mm, NEW !, illustrated in color / b/w.,***please handle with care, book has a velvet-like cover ***. ISBN 9780984044733. Paul Delvaux, the subject of a modest exhibition at the Blain Di Donna gallery in Mayfair, was JG Ballard?s favourite painter. The writer prized him for the creation of a complete world. Ballard found that world curious and inviting. He said he could spend hours gazing at the pictures wishing he could escape into their alternate reality. Ballard was made of sterner stuff than me. The places Delvaux paints seem quiet but harsh, not much happens but they feel menacing. They are sparsely populated and lonely. On the other hand, Ballard had a point about how compelling and intriguing he made his vision. It is always either night or noon. The interiors are neo-classical apartments that belong to the European bourgeoisie from before the First World War, and they come with a full collection of Freudian indicators: locked doors, open windows, floors stripped down to the boards. The landscapes are either classical or barren and they have been emptied of all but a few people. The figures rarely interact with each other. No one speaks. The women always outnumber the men. They are thoughtful and distant, isolated but content and always utterly unapproachable. On the rare occasions they are clothed, it seems to be in the dress of the years before 1914: of Delvaux?s childhood. 900 g. …