design press ny (21 resultados)

Wraps. Condición: Very Good. Black and White Photos Ilustrador. 1st Printing. Retired library copy with the usual stamps, stickers, and labels. Textblock clean and tight; Covers are clear-plastic reinforced along the spine, front and back; Lightly edge and corner worn; 143p., including index. Size: 8vo - 7 3/4" - 9 3/4 " Tall. Ex-Library Paperback.

Boards w/DJ. Condición: VG/VG. Black & White Illustrations Ilustrador. First Edition. New York, NY: Design Press. VG/VG. (1991). First Edition. Boards w/DJ. Color Plates . 8vo., 197 pp. .

Trade Paperback. Condición: Used - Like New. Very nice clean, tight copy free of any marks.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Black and white illustrations throughout. First printing. Near fine in a near fine dust jacket.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. First Printing. In VG+ DJ (in protector) ; Signed by author. Blue cloth hardback ; 8vo (9.1 X 6.6 X 1.1 inches); 141 pages; Signed by Author.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st. 256pp.incl.index; HB black w/gilt; fine condition w/clean, tight pgs. DJ black w/white-color pic. cover; slight rub w/wear on edges & corners. "For the first time ever, over 400 graphically stunning and conceptually ingenious medical ads, promotions, and illustrations have been brought together in a single, full-color volume." 12 1/4 x 9 1/4" isbn 0935603204.

Soft Cover. Condición: Fine. Second Edition. wrappers/sewn binding, as issued., no flaws or wear. clean. no markings. no bumps, tears, creases. tight sewn binding.; vii-229pp., 300 b/w illustrations. second edition of book first published in 1975. contains wide range of judd's writings on art. Size: 4to - over 9¾" - 12" tall.

240 pp.; 28 x 22 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Originally published in 1975, this collection of Donald Judd's writings is a sought-after classic. His uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than 500 artists showing in New York at that time, and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kasimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland, and Claes Oldenburg. His 1965 "Specific Objects" essay, discussions of sculptural thought in the 60s, is included as well as Judd's notorious polemical essay, "Imperialism, Nationalism, Regionalism." Very Good. Light dusting of covers with 2.5 cm. and 6 mm. light soiling to recto and very light bumping of bottom edge of publication. 3 mm. tear to top edge of page 163, contents otherwise clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Paperback. Condición: Very good. Paperback. First Edition. Bookseller ticket on inside of rear wrap, else a fine paperback in a near fine, just slightly darkened jacket. Nicer than usual copy. Writings on music and composition from one of the twentieth century greats of minimalism and a pioneer in the use of tape loops (now ubiquitous via sampling) to explore musical concepts, most notably in this cataloger's experience with the piece "Come Out".

134 pp.; 29.2 x 22.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Twelve transcribed dialogues between Carl Andre and Hollis Frampton. Edited and annotated by Benjamin H.D. Buchloh. Appendix photographs by Hollis Frampton of works by Carl Andre 1958 - 1963. Includes index, autobiographies and bibliographies. "Except to delete two sentences of personal reference, I have not altered my share of these dialogues. That is not to say that my opinions have remained unchanged. Quite the opposite is true. In fact most of my opinions have just dropped away over the course of the years. It is a good thing, in principle, to declare your interests and these were the interests of Carl Andre at age 24. Friedel Dzubas once remarked that as he grew older he became more demanding and more tolerant at the same time. I think the same is happening to me." -- Carl Andre, New York, 1979. Very Good. 3 cm. of bumping to bottom left corner of publication, light rubbing of dust jacket edges, light dusting of covers, and light yellowing of pages. Contents clean and unmarked.

134 pp.; 29.2 x 22.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Twelve transcribed dialogues between Carl Andre and Hollis Frampton. Edited and annotated by Benjamin H.D. Buchloh. Appendix photographs by Hollis Frampton of works by Carl Andre 1958 - 1963. Includes index, autobiographies and bibliographies. "Except to delete two sentences of personal reference, I have not altered my share of these dialogues. That is not to say that my opinions have remained unchanged. Quite the opposite is true. In fact most of my opinions have just dropped away over the course of the years. It is a good thing, in principle, to declare your interests and these were the interests of Carl Andre at age 24. Friedel Dzubas once remarked that as he grew older he became more demanding and more tolerant at the same time. I think the same is happening to me." -- Carl Andre, New York, 1979. Very Good. Rubbing and bumping of cover edges including a 1 cm. tear to bottom edge of verso. Light dust soiling of covers. Light yellowing of pages, contents otherwise clean and unmarked.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 255 p. : ill. (some col.) ; 21 x 31 cm. ; ISBN: 0830655069; 9780830655069 LCCN: 89-1532 ; OCLC: 507833462 ; LC: Z43; Dewey: 745.6/1977 ; white cloth in pictorial dustjacket ; "Anderson is the Keith and Jan Hurlbut Senior Fellow at the Hoover Institution. After serving as Special Assistant to Richard Nixon, he was a senior policy adviser to the 1976 and 1980 presidential campaigns of Ronald Reagan, and served as chief domestic and economic policy adviser under President Reagan. He has a PhD in industrial management from MIT." ; Contents: At the end of the twentieth century : The state of handwriting -- An invitation to fantasy : and an encounter with Italic handwriting -- The focal point : Roman letters -- In gardens of grace : the variations -- The echo of language : Interpretations -- The use of the alphabet to visualize linguistic events ; "This is a report on a more than twenty-three year long career dedicated to the teahing of European handwriting and to its ever -developing didactics. The field is applied art, as taught at a German university. This is not a textbook. It is instead a picture book, a manual that makes visible the process of teaching and learning and the nature of the instriction process. The examples are exclusively the works of students, guests, and visitors of my evening seminars. I offer this book to teachers in elementary and secondary schools as well as professors at academies and universities. May it revitalize instruction, provide food for throughr, give encouragement, and be a beacon in the desolation of contemporary education in handwriting. The ministers of culutral affairs and education have neglected any intelligent and intensive teaching of handwriting in any applicable departments. Such neglect is foolish as well as dangerous, and should finally yield to the realization that our written heritage is an asset of extraordinary importance." ; large volume ; AS NEW. Book.

229 pp.; 27.8 x 21.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed First edition printing of the collected writings of Donald Judd. Judd's uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than 500 artists showing in New York at that time, and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kasimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland, and Claes Oldenburg. His 1965 "Specific Objects" essay, discussions of sculptural thought in the 1960s, is included as well as Judd's notorious polemical essay, "Imperialism, Nationalism, Regionalism." Good. Dusting and discoloration of covers, with concentrated discoloration / sunning of spine. Rubbing of cover edges and corners; 3.5 cm., 3 cm., 3.8 cm., and 3 mm. of soiling to covers. 2 cm. crease to top right corner and light bumping of bottom right corner of recto. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

229 pp.; 27.8 x 21.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed First edition printing of the collected writings of Donald Judd. Judd's uncompromising reviews avoid the familiar generalizations so often associated with artistic styles emerging during the 1950s and 60s. Here, Judd discusses in detail the work of more than 500 artists showing in New York at that time, and provides a critical account of this significant era in American art. While addressing the social and political ramifications of art production, the writings focus on the work of Jackson Pollock, Kasimir Malevich, Barnett Newman, Ad Reinhardt, John Chamberlain, Larry Poons, Kenneth Noland, and Claes Oldenburg. His 1965 "Specific Objects" essay, discussions of sculptural thought in the 1960s, is included as well as Judd's notorious polemical essay, "Imperialism, Nationalism, Regionalism." Very Good / Fine. An outstandingly well preserved copy with minimal wear to covers. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. First edition, first state. 78pp; b&w illus. Gray cloth; dust jacket. Mild dust soiling board edges, light toning to edges of leaves. Very good to near fine in a very good jacket, somewhat rubbed and soiled, with a 1.5-inch closed tear at base of front panel. The correct first issue of this collection of writings by American composer Steve Reich (b. 1938), his first published book; essays, variously, on his aesthetic philosophy, compositional processes, studies of Ghanaian and Balinese music, etc. $.

89 pp.; 22.5 x 28.7 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Artist's book composed of a collection of writings by Dan Graham on his video works with grouping of drawings and photographs to illustrate his installation works. Edited by Benjamin H.D. Buchloh, with contributions by Michael Asher and Dara Birnbaum. Includes exhibition history and bibliography. Good. Rubbing and wear to dust-jacket including 10.6 cm. dog-ear to bottom right corner of dust-jacket and bumping and creasing of top left corner of dust-jacket verso with light bumping of covers. Yellowing of covers. Contents clean and unmarked.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. First Edition, 1997. Near Fine binding; clean and tightly bound. Extremely slight bump at spine base. Contents and plates are Fine. The dust jacket shows light rubbing and edge wear including one 1-1/2" closed tear, remains Very Good. International shipping may require added postage charges.

First Edition. First edition. Softcover. 133 pages. Edited and annotated by Benjamin H.D. Buchloh. Feature prefaces by Carl Andre and Hollis Frampton. Includes the texts of 12 conversations between Carl Andre and Hollis Frampton along with black and white photographs by Frampton. A near fine copy in wrappers with some of the usual toning to the pages and some other very minute wear. A very pleasing copy.

89 pp.; 22.5 x 28.7 cm.; sewn bound; black-and-white; edition size unknown; offset-printed Artist's book composed of collection of writings by Dan Graham on his video works with grouping of drawings and photographs to illustrate his installation works. Edited by Benjamin H.D. Buchloh, with contributions by Michael Asher and Dara Birnbaum. Includes bio-bibliographical notes. Fine. First edition hardback, SIGNED by DAN GRAHAM.

Soft cover. Condición: Near Very Good. 1st Edition. Paperback variant. 8vo. Wrappers. Unpaginated (316pp.). Without the information slip which was tipped-in to some copies, but not all (and never present here); the publication details are in any case incorporated into the book elsewhere. Slightly rubbed and marked outwardly, with a few creases to the upper and lower wrappers, and the spine more obviously creased, but towards Very Good overall.

29,2:22,7 cm. 134 S. mit 92 tw. ganzseit. Abb. Kurzbiogr., Index. OKt. mit illustr. OSchutzumschlag. Sehr schöner Katalog über dasFrühwerk von Carl Andre. Textbeitrag aus verschiedenen Gesprächen, die zwischen Andre u. Frampton geführt wurden. Schutzumschlag am Rücken vereinzelt berieben, sonst gutes Exemplar.