Deadbeat club (28 resultados)

Soft cover. Condición: Near Fine. 1st Edition. [Los Angeles]: Deadbeat Club, 2015. First edition, one of 200 copies. [44]pp; b&w (and one color) plates. Saddle-stapled in photo-illustrated wraps. Near fine, with mild edge wear. Black-and-white portraits and street portraits shot in New York by the now Los Angeles-based photographer and videographer noted for his extensive documentation of skateboard scenes.…

Hardcover. Condición: Fine. First edition, Deadbeat Club #87. SIGNED at colophon page. Square quarto, a collection of reproduced black and white photographs bound in publisher's blue cloth lettered in silver, with reproduced images pasted to both boards (fine). Signed by Author(s).

Paperback. Condición: Fine. First Edition, First Printing. Thin octavo. 6 x 9 in. Unpaginated. Profusely illustrated with color reproductions of photographs. Fine in original plain staple-bound wrappers. Signed on the title page. From a limited edition of 200 copies. With an essay by Kevin O'Sullivan. Signed.…

Soft cover. Condición: Fine. 48 Pages. Duotone Offset. 7 x 9 . Fine. The pictures in Taylor Galloway s I Can Feel You Dreaming are glimpses of things, sometimes slippery, peripheral, brief, furtive shadows in the margins; they re slowly unraveling threads that you can t quite follow back to anything, but that nonetheless feel like clues, pieces of a forensic puzzle; they re trance visions, or something you briefly noticed while looking for something else.…

Hardcover. Condición: Very Good. Deadbeat Club #95. First edition. Folio, just over 11 1/4 inches tall, unpaginated, in publisher's black cloth with no backstrip and the stitching of the text block exposed, stamped in silver at boards, and black at "spine" (the cloth is suseptable to attracting dust, so it has some dusting, else very good to near fine).…

Hardcover. Condición: New.

Hardcover. Condición: New.

Hardcover. Condición: Fine. No Jacket. 1st Edition. 1st edition of 1500. Pages are clean and unmarked. Binding is tight. Cover shows slight edge wear. Ships from California.

Soft cover. Condición: As New. 1st Edition. Softcover w/ Die-Cut & Tip-on. Tritone Offset. 70 Pages. 9.5 x 11 . Swiss Bound. As new. You Will Look To The Mountains, Rearick s first monograph with Deadbeat Club, is the long-awaited result of her visits to Appalachia as a young and impressionable photographer more than 30 years ago. From hog killing to hair braiding, a family graveyard and children playing, Rearick captured candid moments of unaffected revelry, fellowship and tradition. These images, however, are resolutely straightforward, never sentimentalized. In that sense, we see the emerging artist laying the foundation for the humanist vision that has animated her highly-regarded practice ever since.…

Soft cover. Condición: New. 1st Edition. 1st. edition, 1st. Printing 2022, Soft cover in illustrated wraps, 104 page book. This scarce copy by Vanessa Winship is signed by her on the first title page. Illustrated with her excellent black & white work, a true artist photographer . Condition : NEW Size: 4to - over 9¾ - 12" tall. Vanessa Winship (ilustrador). Signed by Author(s). Book.…

Hardcover. Condición: As New. 1st Edition. 80 Pages. Hardcover. Full Color Offset. 7.5" x 9.75". As new. Big River is a visual diary, equal parts road novel (the Mississippi is, after all, the original Highway 61) and buddy movie. Through his bleary yet clear-eyed and tender portrait of both the river and America, O'Dell makes his own contribution to the mythology (and the demythologization) of the Mississippi.…

paperback. Condición: As New. Remastered EDition. Fotografie a colori e in bianco e nero di Maude Arsenault per questa nuova edizione rimasterizzata che, pur mantenendo la stessa sequenza e lo stesso design della prima stampa originale, ha migliorato la rilegatura e i materiali, e utilizzato una stampa a 5 colori su una speciale carta giapponese Design di Maude Arsenault e Clint Woodside. Cm 31x24. pp. 58. . Perfetto (Mint). . Remastered EDition. . Entangled racchiude un momento cruciale per il lavoro di Arsenault, rappresentando un cambiamento di prospettiva e di responsabilità personale. "Dopo anni dedicati alla creazione di immagini femminili glorificate", racconta l'artista a proposito del suo successo nella fotografia di moda, "sono arrivata a mettere in discussione il mio ruolo e la mia influenza nella trasmissione dei modelli di femminilità". Sebbene sia stata informata da un'educazione progressista e non binaria, questa introspezione è necessaria ora, nel contesto della maternità, mentre cresce tre figli, tra cui una giovane donna.Parlando di Entangled, Arsenault invoca la parola francese carcan - che significa "stratagemma", "imboscata" o "trappola ideologica" - per spiegare la motivazione che l'ha spinta a realizzare le immagini scarne ed evocative di questa monografia d'esordio. Con ciò l'autrice intende dire che l'essere diventata adulta e genitore le ha permesso di prendere le distanze e di guardare in prospettiva le richieste culturali fatte ai corpi e ai ruoli sociali delle giovani donne, e in particolare le scelte di vita che sono state costrette o addirittura preordinate. Arsenault definisce l'opera "una poesia, un'ode, un grido", e si intuisce che la forza silenziosa del libro risiede nelle contraddizioni ancora irrisolte, anche quando l'autrice acquisisce esperienza e indipendenza. "Mi sento spesso intrappolata nella persona che ho cercato di essere per tutta la vita", afferma l'autrice in una dichiarazione toccante e rivelatrice, che riecheggia perfettamente le tensioni finemente calibrate e i timidi trionfi evocati in queste pagine. Ora sono in piedi, traballante ma viva, e guardo il mio mondo come una donna con la migliore speranza possibile".La prima ristampa in assoluto della casa editrice, Entangled, riporta in auge la premiata monografia d'esordio di Maude Arsenault, pubblicata originariamente e rapidamente esaurita nel 2020. Book.…

paperback. Condición: Perfetto (Mint). Prima edizione (First Edition). Fotografie in bianco e nero e un testo di Anne Rearick Copertina fustellata. Cm 28x24. pp. 70. . Perfetto (Mint). . Prima edizione (First Edition). . Nel corso della sua lunga e apprezzata carriera, Anne Rearick ha realizzato fotografie in luoghi lontani come il Kazakistan, il Sudafrica e i Paesi Baschi francesi. Ma nell'estate del 1989, prima di tutte le borse di studio e i premi (compreso un Guggenheim nel 2003), era una studentessa universitaria che non aveva mai scattato fotografie lontano da casa. Le cose cambiarono quando entrò in contatto con la famiglia Riddle della Perry County, nel Kentucky orientale.You Will Look To The Mountains è il risultato tanto atteso delle sue visite in Appalachia come giovane e impressionabile fotografa più di 30 anni fa. Sulla copertina del libro, una Amy Riddle altrettanto giovane e con gli occhi spalancati fa capolino da dietro un mazzo di fiori, come se ci salutasse con fascino e curiosità in parti uguali. Non appena ha conosciuto i Riddle, Rearick è stata prontamente accolta nella loro vita familiare quotidiana. Dall'uccisione del maiale all'acconciatura dei capelli, dal cimitero di famiglia ai giochi dei bambini, Rearick ha catturato momenti candidi di baldoria, affiatamento e tradizione. Queste immagini, tuttavia, sono decisamente dirette, mai sentimentali. In questo senso, vediamo l'artista emergente gettare le basi per la visione umanistica che da allora anima la sua apprezzata attività. Book.…

paperback. Condición: Fine. Hardcover copy, in fine condition.

Hardcover. Condición: Very good. No jacket. Signed by the photographer on the back endpaper. Includes a small booklet entitle Plant Photographs.

paperback. Condición: As New. Prima edizione (First Edition). Fotografie a colori e in bianco e nero di Vanessa Winship. Un racconto di Jem Poster . Cm 25x19,5. pp. 104. . Perfetto (Mint). . Prima edizione (First Edition). . Le origini di Snow sono da ricercare in una commissione (da parte di un'artista che molto raramente lavora su commissione, anche se Winship dice di approcciarsi spesso alle cose "come se fossi stata in qualche modo mandata da qualcuno"), ma l'interesse della fotografa per ciò che ha trovato ha presto eclissato qualsiasi cosa che potesse essere propriamente considerata una "storia". Così ha fatto ripetuti viaggi in un particolare paesaggio - e, in particolare, in una particolare stagione - per capire cosa l'avesse sconcertata nella realizzazione iniziale di queste fotografie.Winship è nota e apprezzata per i suoi ritratti intimi, ma in Snow si avverte una notevole distanza fisica tra la fotografa e i suoi soggetti. Quel poco che lo spettatore può afferrare è la sottile ripetizione degli elementi più umili della terra. Nell'insieme, le immagini incarnano la lotta dell'artista per entrare in contatto e dare un senso a questo luogo, pur riconoscendo che lei, come tutti noi, non è altro che un'estranea in questo mondo.Questo straniamento riecheggia in un testo del poeta e romanziere Jem Poster che si intreccia con Snow. Racconta di una fotografa di ritratti e del suo soggetto recalcitrante. Ma questo personaggio non è Winship, e il soggetto non è una fotografia di Winship. Quella di Poster è una finzione basata su un costrutto immaginario - un altro strato affascinante in un libro complicato che cerca sempre di mettere a nudo la scivolosità della narrazione e di destabilizzare le letture facili. Book.…

hardcover. Condición: Nuovo (New). Prima edizione (First Edition). Fotografie in bianco e nero di Roger Richardson . Cm 26,5x23. pp. 80. Firma autografa dell'Autore al frontespizio (Signed by the Author at the title-page). Nuovo (New). . Prima edizione (First Edition). . Quando politici ed esperti parlano del cuore della terra, o del cuore del paese, in genere non si stanno riferendo a luoghi come Middletown di Roger Richardson, che si trova nella contea di Orange, nella valle dell'Hudson di New York. Eppure le persone e i luoghi in Let Me Sow Love esistono proprio nel bel mezzo di una miriade di realtà americane del XXI secolo. Si percepisce subito che Richardson conosce questo posto intimamente e che questa è la sua gente. Di conseguenza, Let Me Sow Love presenta con notevole chiarezza un ritratto avvincente di una comunità umana del tutto realistica in un momento unico e radicalmente insicuro nella storia del paese. Book.…

Hardcover. Condición: As New. 1st Edition.

Hardcover. Condición: Used. Estado de la sobrecubierta: Very Good. First Edition. Used very good condition. 1st edition. Minor bumps/wear at edges/corners. Pages are clean and bright. Spine is straight and tight.

Soft cover. Condición: New. 1st Edition. First impression of this paperback edition. Large format paperback in new condition. Double signed by David Billet and Ian Kline to title page. No markings. This is a new book. Please see pictures. PayPal accepted, any questions please get in touch. Signed by Author(s).…

Soft cover. Condición: Very Good. 1st Edition. [Los Angeles]: Deadbeat Club, 2015. First edition, one of 400 copies. [36]pp; b&w and color plates. Saddle-stapled in photo-illustrated wraps. Light wear to corners, rubbing along spine; very good. Signed by Templeton with a doodle of his trademark eyeball creature to interior rear cover. Photo zine American skateboarder, artist, and photographer Ed Templeton (b. 1972), consisting primarily of Southern California street (and beach) portraits. Published on the occasion of a 2015 exhibition of the same name at the Huntington Beach Art Center, and issued as Deadbeat Club #38. Signed by Author(s).…

Condición: Very Good. SIGNED! Los Angeles, California: Deadbeat Club, 2019. 1st edition. 4to Hardcover. Unpaginated. B/W illustrations. Unnumbered copy of 707. Signed by author opposite title page. Very Good book. Some scuffing to covers, bottom corners slightly bumped. (childbirth, northeast storms, pictorial works, artistic, photography) Inquire if you need further information.…

Hardcover. Condición: Fine. First Edition, First Printing. Quarto. 9 x 11 in. [72 pp.] Fully illustrated with black & white reproductions of photographs. Fine in original pictorial stiff wrappers and fine in original brown cloth slipcase. Signed on the title page by Billet and Kline as well as signed on the verso of a laid-in black & white print. From a limited edition of 20 copies, of which this is number 9. Signed.…

Hardcover. Condición: New. No Dust Jacket as Issued. 1st Edition. 1st. Edition, 2022. Cloth illustrated hardcover, 96 page book. Illustrated with full page color plates. This copy is also signed by Ian Bates on title page. Condition : NEW. Size: 4to - over 9¾ - 12" tall. Author (ilustrador). Signed by Author(s). Book.…

Hardcover. Condición: New. 1st Edition, Special Edition. Special Edition Book With Print (Edition 13 of 15). Condition is New. Ships from Maine, USA. ---------- To make the pictures in Meadowlark, Ian Bates spent years driving the vast, sparsely-populated spaces of the American West, often sleeping in his car. This is a project borne of both passion and patience, and though Bates was initially inspired by the Western Meadowlark—state bird of North Dakota, Montana, Wyoming, Oregon, Kansas, and Nebraska—the bird ultimately proved elusive, and appears here only once, as a crude facsimile painted on a weathered scrap of plywood. It turns out there's plenty of space out there for even birds to disappear. Bates' photographs are full of things disappearing in plain sight; like all photos, they're an imposition, but given the glorious anonymity of sprawling tracts of western and plains states geography, they're also about respectful distance, and the space(s) between people, places, and things. These are places famous for keeping their secrets, and for maintaining a (long) arm's reach from the outside world. A person drifting in such landscapes can never be entirely sure where they are, other than simultaneously on the outskirts of everything and in the thick of a perpetual and sublime (and very quiet) mystery. Every photographer is essentially exploring outer space, but in Meadowlark Bates is in deep space, and these are photos that are as reticent as their subjects. This world doesn't much nurture silence, but it's still out there, a stealth force, a glacier, and in the places it lives it can hear things coming from a long way away. EACH BOOK IS SIGNED & NUMBERED. 9" X 11" ARCHIVAL PIGMENT PRINT ON COTTON RAG PAPER, ALSO SIGNED & NUMBERED. ALL OF THIS COMES IN A SPECIALLY DESIGNED FOIL STAMPED SLIPCASE. VERY LIMITED EDITIONS OF ONLY 15 EACH PRINT. FEATURING A POEM FROM JIM HARRISON 96 PAGES HARDCOVER + SLIPCASE FULL COLOR OFFSETS ISBN: 978-1-952523-05-2-SP. Signed by Author(s).…

Condición: New. 1st Edition, Special Edition. Special Edition of Book with Print (12 of 15). Condition is new. Ships from Maine, USA. ---------- Magdalena Wywrot's Pestka is a gravity-defying, through-the-looking-glass portrait of the life of a mother and her adolescent daughter, a series of time-lapse dispatches seemingly beamed from a hermetic space station suspended high above a planet (and Krakow, Poland) where time is literally standing still. The world outside the windows of Wywrot's space station/apartment looks both distant and desolate and incredibly beautiful, almost devoid of a human presence. Yet the mother continues to take photos, while the daughter goes about her life and grows up before our eyes. A sort of rapture appears to have taken place outside, while an intimate metamorphosis (and an intimate surveillance) is slowly going on inside. A dreamlike sense of unsettling dislocation pervades the entire work. That sense will likely be familiar to anyone who has lived with a child and experienced firsthand the endless and startling transformations that occur—day by day and year by year—as a child grows into adulthood. There is fishbowl quality to Wywrot's photos, which shapeshift, mercury-like, between Expressionism, Impressionism, and abstraction. The portraits are tender, mysterious, full of sparks of wonder and ecstasy, while the landscapes are disorienting, forbidding, vaguely apocalyptic, and often sublime. You have a sense of an unmistakable consciousness in the work, yet you're never quite certain where you are, and there's a moment somewhere in the book when you suddenly feel as if some giant, ambiguous lifeforce or spirit is lurking in the murky streets below, waiting for Wywrot to complete her work and turn her daughter loose on the planet. EACH BOOK IS SIGNED & NUMBERED PRINT : 8.5" X 8.5" ARCHIVAL PIGMENT PRINT ON COTTON RAG PAPER, ALSO SIGNED & NUMBERED IN PROTECTIVE FOLIO. ALL OF THIS COMES IN A SPECIALLY DESIGNED FOIL STAMPED SLIPCASE. VERY LIMITED EDITIONS OF ONLY 15 PRINTS. 146 PAGES HARDCOVER + SLIPCASE DUOTONE OFFSET. Signed by Author(s).…

Hardcover. Condición: New. 1st Edition, Special Edition. Condition is new. Ships from Maine, USA. ---------- It took Courtney Allen more than half a decade, and thousands of miles of travel across a dozen states, to make the pictures that comprise her debut monograph Splendor. As the title implies, there is an undeniable sense of glory and of grandeur in the American landscape. "If we can understand the capacity for beauty in any situation, it is there," she says. "It is a primary and universal experience." And yet, attending the light there is always a darkness; in these photographs, the almost-inescapable built environment complicates and confounds our varied expectations of nature: to be nurtured, to conquer, to stand atop, to be held within. Allen's meditative meandering of the natural world is punctuated by moments when things appear out of place, as if one has been awoken from a dreamlike state. "To be inside a Courtney Allen image," Kathleen Alcott observes in her essay, "is to eavesdrop on an argument between the secular and the divine, the sentient and the manufactured, the forever and the recent." Importantly, these tensions are not merely described by Allen, but rather evoked, as we see things not only through her eyes, but as a collective experience, an act of community among people who have also been drawn to these sites. Courtney Allen (b. 1988) is a photographer based in Brooklyn, NY. Her work centers on our relationship with the natural world—our hopeful expectations meeting the reality of our contributions. In 2014, she co-founded Austin, TX-based curatorial project and art gallery, Magic the Gallery. EACH BOOK IS SIGNED & NUMBERED. 8" X 10" ARCHIVAL PIGMENT PRINT ON COTTON RAG PAPER, ALSO SIGNED & NUMBERED. ALL OF THIS COMES IN A SPECIALLY DESIGNED FOIL STAMPED SLIPCASE. ESSAY BY KATHLEEN ALCOTT 80 PAGES FLEXIBOUND COVER + SLIPCASE FULL COLOR OFFSET. …

Hardcover, unpaginated. Condición: Near fine. Signed by Wilcox on bottom corner of title page in black sharpie. Like new save for light rubbing to corners.