cordite publishing inc (57 resultados)

Paperback. Condición: new. Paperback. Dan Hogan's Secret Third Thing is a hyper-real comment on this hyper-real moment: it is suffused with internet culture and reections on the lives we live, now, largely online. What characterises Hogan's poetry is the way that, each time we come close to fully apprehending the impending collapse of capitalism, we are waylaid by something more urgent and mundane. To be non-binary, as these poems show, is not to just be a secret third thing, it is to bring class consciousness to bear upon gender.'Above anything else, then, this collection is a work of dialectical materialism. It not only insistently names class struggle, but also highlights its generative potential: the notion that the opposition of the two classes may not be (only) destructive, but lead to the creation of something else: a third, new thing.' - Eda Gunaydin Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. The labour never finishes. Astrid Lorange speaks of building a poetics - intensive and intentional - as a way of perceiving the world of relations in their shadow, every poem here requests an attentiveness to the relations of our lives, to the entwining of senses and references. Labour and Other Poems concerns life and the life of the species; work, the production of things that persist beyond mortal lives; action, the production and place of history itself.'We find ourselves in love or out of it; in a friendship but with an enemy; under contract; inscribed by the law; giving birth; accompanied by ghosts; making pacts; in pursuit of a lost object; oriented towards new and unknown attachments. We find ourselves in a relation, even when that relation is broken or non-reciprocal. This book is about relations and their ambiguous intimacies. The three poems approach the question of how to endure, survive, destroy or protect the relationships that both constrain and make life possible. I wrote these poems while reading the work of Andrew Brooks, Brandon Brown, Tongo Eisen-Martin, Silvia Federici, Elena Gomez, Stefano Harney, Saidiya Hartman, C?L?R James, Fred Moten, Jordy Rosenberg, Hortense Spillers, Wendy Trevino and Frank Wilderson III. The three poems that comprise this book are in debt to these thinkers and should be read as marginal notes to their ideas. One way to perceive relations is to study them intently and to construct a poetics in their shadow.' - Astrid Lorange Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Philosophical questions of reality and duality underpin many of the poems in Zenobia Frost's After the Demolition, leading to a sense of rebuilding and remembrance in the aftermath of abodes. Frost's poetic is a kind of antipodean neo-Gothic, interjecting female corporeality into a quirky, queer, feminist alter-poetic for living and dwelling. 'This book has multiple fire exits. This book has too many keys. You can climb through a window into this book. Some of these poems are not on the lease, and you are willing to take it all the way to the Residential Tenancies Authority.In The Poetics of Space, Gaston Bachelard says 'a house constitutes a body of images that give mankind proofs or illusions of stability'. These poems ask what proofs of stability we build when our homes and selves are in perpetual flux.After the Demolition is about rebuilding as much as it is about taking apart. It is about moving, and about moving on what we leave behind, and what we attach more firmly to ourselves. When a place is gone because we've given the keys back, or because the locks are lopped off our attachment can drive us towards saudade, nostalgia, replication. We mythologise the flaws of our past haunts and past lives, and this determines the ways we start over when everything is air rights.' - Zenobia Frost Philosophical questions of reality and duality underpin many of the poems in Zenobia Frost's After the Demolition, leading to a sense of rebuilding and remembrance in the aftermath of abodes. Frost's poetic is a kind of antipodean neo-Gothic, interjecting female corporeality into a quirky, queer, feminist alter-poetic for living and dwelling. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. *Shortlisted for the SPN Book of the Year Award 2020*Nganajungu Yagu is dedicated to Papertalk Green's mother, and is built around selected correspondence between Yagu and Daughter. It gently reminds us of the sacrifices made by our matriarchs over time. Each letter and response provide not only a 'mark of existence' for the writer, but a medium for mother / daughter to connect while at a distance. The love and respect penned here will inspire readers to think about the ways we should engage people we love through words. This revival of letters not only reminds me of the nearly lost art of letterwriting, but the impact one has on its receiver. 'Forty years ago, letters, words and feelings flowed between a teenage daughter and her mother. Letters written by that teenage daughter - me - handed around family back home, disappeared. Yet letters from that mother to her teenage daughter - me remained protected in my red life-journey suitcase. I carried them across time and landscapes as a mother would carry her baby in a thaga.In 1978 - 79, I was living in an Aboriginal girls' hostel in the Bentley suburb of Perth, attending senior high school. Mum and I sent handwritten letters to each other. I was a small-town teenager stepping outside of all things I had ever known. Mum remained in the only world she had ever known.Nganajungu Yagu was inspired by Mother's letters, her life and the love she instilled in me for my people and my culture. A substantial part of that culture is language, and I missed out on so much language interaction having moved away. I talk with my ancestors' language Badimaya and Wajarri to honour ancestors, language centres, language workers and those Yamaji who have been and remain generous in passing on cultural knowledge.' - Charmain Papertalk Green *Shortlisted for the SPN Book of the Year Award 2020* Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Says O'Keefe about her collection: 'Held under an incorrect adverb, the slowness of this book is expressed as intransigent buffering and refusal of optimisation. The book is shaped by a stubborn commitment to inclusive imprecision which seeks companionship with error and with the grit and offcuts we collect in the course of living.Objects of the industrial world are beheld in their strangeness and excess. An awareness of the hands, machines and historic forces that produce our material realities directs these poems, along with the attempt to understand that objects arrive with afterlives and consequences.Archive-shuffling was a useful model for writing, one that was connected to a desire to amplify minor histories and attend to the technologies of connection that wire, thread and beam us into the present. Voices drop out, a phrase is misremembered, the test pattern is the viewing event.The poems in Slowlier are propelled by the oscillation between an acquiescence which can only wryly index decline, and the desire to use the poem to scaffold and energise activities that kick against the logic of inevitability.'Says Spahr about the book: 'Ella O'Keefe writes poems with the waste products of capitalism. She uses juxtaposition so that fragments of the world fl oat by, bumping up against each other. The poems travel, board planes, catch the bus, have a lot of walking to do.Unsurprisingly, things are oft en seen through a screen. Concerned with how products are created, she builds a complicated world, one that attends to the uneconomic fractions, the waste rock, and turns them into the poem, or 'crystal form data-mining in the apricot light'.' Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. A post-apocalyptic tale of kin, connection and environmental loss.'The crisis is upon us, but abstraction is a bulwark. Deafness, everywhere. We have come to an edge. I want to find a way of taking the truth into my body, and then putting it down into the ground. From somewhere offstage, a misery of voices begins to murmur in the scrounge. What starts up is a grief work.' - Joan Fleming'In a shadeless season, on a blistered earth, a small band of humans are singing. They are trying to remember; they have tried to forget. They are making up something from the things that are left. They are salvaging. Song of less: this song we are singing in the wreckage.' - Anwen Crawford Post apocalyptic verse novel about belonging and loss. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Omar Sakr's poetry consists of rich and convincing detail charged with presence and particularity; his poetic voice is so firmly planted and immersed in the world around him that the urgency of his images and rhythms is completely convincing. His complex exploration of identity in clear yet layered language takes us to the core of his experience as a 'queer Muslim Arab Australian from Western Sydney, from a broke and broken family.' This is an impressive debut, a collection which announces a new and important voice in Australian poetry.'I won't keep you long. First, I acknowledge the Gadigal people of the Eora Nation, on whose land the majority of this collection was written.Now you are about to read the poetry of an Arab Australian, which is a rare thing when it shouldn't be. Now you are about to read the work of a queer Arab Australian, which is a rare thing when it shouldn't be. Now you are about to read the life of a queer Muslim Arab Australian from Western Sydney, from a broke and broken family - not rare, but it should be.This is not a definitive statement on Islam. This is not a definitive statement on Arab identity, not Arab Australian identity, not bisexuality, not even Western Sydney. It is a statement - an exploration of me and what I've seen.The only thing I ask of you is that you do not stop with me. Discover the other diverse writers and poets in this country find us, find our books. We're here, and we're growing.' - Omar Sakr 'I won't keep you long. First, I acknowledge the Gadigal people of the Eora Nation, on whose land the majority of this collection was written. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. The author's playfulness is to the fore in this strange, charming book. It is a game which invites the reader to roll the dice, take a card from the deck, gain points, lose a turn, and, one way or another, advance around a notional game board: a pirate's world of exotic ports, risky encounters, escapades, wonders and the routine of shipboard life, always in the presence of the moody, changeable sea.'A Pirate Life, a board game for the impossibly bored, is a tangy, buoyant ahoy. It is a game which invites the reader to roll the dice, take a card from the deck - short, shuffle-able blocks of prose are an avant-garde tradition - gain points, lose a turn, and, one way or another, advance around a notional board: a pirate's world of exotic ports, risky encounters, escapades, wonders and the routine of shipboard life. Cultural references bounce around, with jokes aplenty for the cognoscenti.' - Nicholas Jose Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. 'The poems in Sometimes's collection deftly transcend both spatial scales and time scales. From one line to another we careen across the universe. We fast-forward from the first picosecond of stuff forming in the universe to a Christmas card, millennia later. Her depiction of time and dynamism is visceral things froth and whizz and quiver in a temporospatial-grammatical practice. We become aware of the minutiae of a life, and of a language, against both vast and infinitesimal phenomena in the universe.Sometimes has written the celestial subjectively or is it the subjective celestially? and smears the lines between the practices of cosmology, poetry, and astrophysics. After reading this collection, it seems to me like poetry is as valid a method of interrogating the universe as any other.' - Andrea Rassell Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. 'Alex Creece's Potty Mouth, Potty Mouth is a reckless, glorious, grotty revolution. It's an insubordinate 'kissyface of cobwebs' that sticks it to capitalism, heteronormativity and the patriarchy.Quotably horny and delightfully vulgar, Potty Mouth, Potty Mouth reeks of dirty talk via stream of consciousness slide-worthy DMs. Creece's words surge with anti-capitalist, anti-authoritarian sentiments.This book tells us it's okay to simultaneously desire deviance and defiance, while also wanting to retreat between the lines of poems . and I am glad these poems never washed their mouths out with soap.' - Rae White Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. 'I want more books with the complexity and intelligence of Father, Son and Other Animals. Not just because we're going to need them if we're to find ways of processing and commemorating the transformation of the world, but because we need to find ways to live and celebrate as well as to mourn and rage. The book's sophisticated interweaving of text and image, grief and humour, wisdom and bafflement does just that, capturing not just the dislocation of our historical moment, but also the bonds of love and care that bind us to each other. Simultaneously painful, funny and profound, it is a small marvel of a book. Father, Son and Other Animals allows us to glimpse the degree to which the slow catastrophe of the pandemic and its reshaping of our world was not an isolated incident, but part of a larger derangement of both human and non-human life that is being driven by human activity.' - James Bradley Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. **Shortlisted, NSW Premier's Literary Awards 2023, Kenneth Slessor Prize for Poetry**In this new collection by a seasoned master, Kim Cheng Boey moves between Singapore and Australia, youth and middle age places and times rendered in vivid, sensory detail to give a haunting exploration of memory and the emigrant experience: departures and arrivals; family and home; exile, longing and loss.'When I was younger, poetry carried me posthaste, high on the fuel of experience and freshness of thought. Now I move in slow time, listen to the poem as I carry it, and let memory tell me where to go.' - Kim Cheng Boey'In this work of a mature artist, Kim Cheng Boey's characteristic style literary, allusive, with a flneur's sensibility is on full display.' - Shirley Geok-lin Lim Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. In A J Carruthers's new poetry collection, collisions between disparate languages, histories and ideas - each with their own distinct voices - are staged through a visually arresting and innovative approach to form. Drawing on media such as musical notation, Carruthers writes in vertical verse stanzas that can be read in any direction; recalling the the palindromic poems in the Chinese poetic tradition, they challenge the dominant linear mode of thinking and writing in the West. Z book 3 is the third book in the AXIS series, a lifelong project begun in 2011.'This book was written in the midst of a grave imbalance among the axes of the world. Voices not my own came from innumerable places and times to speak.' - A J Carruthers'AXIS Z Book 3 bears the empathy of this poet for the world, while also bearing witness to the limits of language in the face of human progress.' - Wang Guanglin Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Knig's queer decomposing shows us that our self-composition is more than simply identity. Who we are is part of 'we' as well as 'I'. This is a book you can do things along with: read it in self-isolation, on the bus, during sex, or on a walk, say, by the River Torrens. It's a book you can make into another book, taking apart its language, to see how it fits, falls, fucks, tumbles and mulches with other things. Try it.'As I write this, fires are burning out of control on Kangaroo Island and all along the east coast of Australia. Lives, homes, half a billion animals: gone. As I write this, I am awaiting a blood sunset, the kind that filters the land through a lens of pink, helping everything to complement the colour of my acrylic nails. As I write this, citizens of the USA (and the world) are holding their collective breath awaiting retaliation from the Iranian army in response to the assassination of Qasem Soleimani. As I write this, I can tell the three avocados in the fruit bowl beside me will all ripen tomorrow morning. As I write this, I am wondering if I can afford to renew my gym membership and what will happen to my body if I don't.As I write this, I question the necessity of a poem - written on and with and for atoms, spoken through waves - combustible, ephemeral, biodegradable. Each poem in this book exists in two forms, both inhabiting a unique state of decay or decomposition (perhaps re-composition?). How you choose to engage is entirely up to you. Read this book back to front, front to back, upside down, right way round. Start at the beginning, in the middle; breathe it in one word at a time. Use it as a doorstop, as Tinder, as rolling paper - but read it first if only to revel in its potential/futility.' - Em Knig Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. A collection, written in English and Scots, that explores immigration, home and place.'When I first left my home, the gnawing ache for all I'd left behind family, friends, my land, my whole life made me numb and thrawn. Weeping and sobbing bubblin an greetin, as you would call it in Scotland would have been too wet and hand-wringy. What I felt was bone-dry and primal; I wanted to drop to my knees, throw my head back and howl. I pined like an animal, without tears.' - Alison Flett'The people could be poet, family, reader or all of us on this drowning, burning earth. The present could be this moment, or a past so intensely remembered, or a future so powerfully imagined that past, present and future are simultaneously here. We are with a poet who knits intricate patterns of sound and image, line to line.' - Duncan McLean A collection, written in English and Scots, that explores immigration, home and place. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Australians hear the call of Country, but without knowledge of the history and the lives of its animals and plants, that call is confused and loses itself in opal fields and vainglorious stockman's museums. Follow Crisp: not for her the umbrella on the beach and a martini by the chlorinated pool. She is enmeshed with Country and throws herself into its wild embrace.'Yuiquimbiang is part of an ongoing project to create an ecopoetic form that integrates political essay and environmental poetics: a project that evolved out of my double life as a poet and environmental activist. It was driven by a desire to develop a radical ecopoetic form that would effectively communicate Australia's ecological crisis as encountered in two specific regions East Gippsland and the Monaro and enact an alternative inhabitation of the land.The series of mainly long-form texts in this collection is grounded in extensive walking, listening and research. A concomitant slow reading is encouraged. In the drafts, the work included detailed references that have been distilled here in the notes section at the end. I have spent decades attending to this place, and continue to search for a glimpse of the pre-European grasslands and forests and celebrate their rare survival. The work attempts to defy the continuing colonial violence that permits and supports the undoing of the land.'Yuiquimbiang' is the first recorded European mishearing / misrepresentation of a Ngarigu word, written down by John Lhotsky in 1834 as the name of a Monaro run, which later became known as Eucumbene. The Eucumbene River, once referred to as the East Branch of the Snowy River, was excluded from the 2002 intergovernmental agreements to return environmental flows to the Snowy.' - Louise Crsip Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Eh? You want bodies, blood, sex, gore, damning gods, raw uppercuts?Why, yes. Pooja Mittal Biswas welcomes you into the ring of identity and the hunt for an honest and rapier self.Glove up.'Confessional poetry can deteriorate into fetishism, in Biswas's hands the first person narrative soars detailed, raw, palpable, her poems have a sense of immediacy. The collection ends with a transported long poem titled 'madness' that more than hints at the poet's mental state and therapy. Stunned, I found myself anxious for the poet so human is this book, her hunger and predation included.' - Mani Rao Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. 'Formally consecutive but radically paratactical, these lines are never let loose portentously to dilate. While Wakeling's poems may aim to nullify Larkin and bog men, archaeologies of cultural inheritance, neither do the poems' Japanese intertexts serve any smug distortion from empty mind to Western mindfulness, a 'porcelain pseudo-history' glazed with ego delusory in vaunted self-denial.That's what these poems offer old lyric technology turning against its partiality to lull, to wrap up, the poems are fast as ice. I go outside and at the top of the street, it is bitterly cold and at the bottom sweltering, humid. Here is the street, here is the weather at every extreme. Transit becomes transit.' John Wilkinson Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. 'Sarah-Jane Burton conjures the city she came to know intimately while researching the lives and work of Robert Lowell, Sylvia Plath and Anne Sexton. These poems are odes to Boston's grand public spaces, universities, writers and pioneering hospitals.'With her expansive vision, Burton explores Boston, the self, family legacy, intergenerational trauma and poetic confession. With freedoms curtailed, American democracy seems on the brink of collapse. Yet, Burton senses its spirit still stirring in the libraries and archives of her adopted city.' Heather Clark Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. 'The poems in Sometimes's collection deftly transcend both spatial scales and time scales. From one line to another we careen across the universe. We fast-forward from the first picosecond of stuff forming in the universe to a Christmas card, millennia later. Her depiction of time and dynamism is visceral things froth and whizz and quiver in a temporospatial-grammatical practice. We become aware of the minutiae of a life, and of a language, against both vast and infinitesimal phenomena in the universe.Sometimes has written the celestial subjectively or is it the subjective celestially? and smears the lines between the practices of cosmology, poetry, and astrophysics. After reading this collection, it seems to me like poetry is as valid a method of interrogating the universe as any other.' - Andrea Rassell Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. 'I want more books with the complexity and intelligence of Father, Son and Other Animals. Not just because we're going to need them if we're to find ways of processing and commemorating the transformation of the world, but because we need to find ways to live and celebrate as well as to mourn and rage. The book's sophisticated interweaving of text and image, grief and humour, wisdom and bafflement does just that, capturing not just the dislocation of our historical moment, but also the bonds of love and care that bind us to each other. Simultaneously painful, funny and profound, it is a small marvel of a book. Father, Son and Other Animals allows us to glimpse the degree to which the slow catastrophe of the pandemic and its reshaping of our world was not an isolated incident, but part of a larger derangement of both human and non-human life that is being driven by human activity.' - James Bradley Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. Knig's queer decomposing shows us that our self-composition is more than simply identity. Who we are is part of 'we' as well as 'I'. This is a book you can do things along with: read it in self-isolation, on the bus, during sex, or on a walk, say, by the River Torrens. It's a book you can make into another book, taking apart its language, to see how it fits, falls, fucks, tumbles and mulches with other things. Try it.'As I write this, fires are burning out of control on Kangaroo Island and all along the east coast of Australia. Lives, homes, half a billion animals: gone. As I write this, I am awaiting a blood sunset, the kind that filters the land through a lens of pink, helping everything to complement the colour of my acrylic nails. As I write this, citizens of the USA (and the world) are holding their collective breath awaiting retaliation from the Iranian army in response to the assassination of Qasem Soleimani. As I write this, I can tell the three avocados in the fruit bowl beside me will all ripen tomorrow morning. As I write this, I am wondering if I can afford to renew my gym membership and what will happen to my body if I don't.As I write this, I question the necessity of a poem - written on and with and for atoms, spoken through waves - combustible, ephemeral, biodegradable. Each poem in this book exists in two forms, both inhabiting a unique state of decay or decomposition (perhaps re-composition?). How you choose to engage is entirely up to you. Read this book back to front, front to back, upside down, right way round. Start at the beginning, in the middle; breathe it in one word at a time. Use it as a doorstop, as Tinder, as rolling paper - but read it first if only to revel in its potential/futility.' - Em Knig Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. A collection, written in English and Scots, that explores immigration, home and place.'When I first left my home, the gnawing ache for all I'd left behind family, friends, my land, my whole life made me numb and thrawn. Weeping and sobbing bubblin an greetin, as you would call it in Scotland would have been too wet and hand-wringy. What I felt was bone-dry and primal; I wanted to drop to my knees, throw my head back and howl. I pined like an animal, without tears.' - Alison Flett'The people could be poet, family, reader or all of us on this drowning, burning earth. The present could be this moment, or a past so intensely remembered, or a future so powerfully imagined that past, present and future are simultaneously here. We are with a poet who knits intricate patterns of sound and image, line to line.' - Duncan McLean A collection, written in English and Scots, that explores immigration, home and place. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. Omar Sakr's poetry consists of rich and convincing detail charged with presence and particularity; his poetic voice is so firmly planted and immersed in the world around him that the urgency of his images and rhythms is completely convincing. His complex exploration of identity in clear yet layered language takes us to the core of his experience as a 'queer Muslim Arab Australian from Western Sydney, from a broke and broken family.' This is an impressive debut, a collection which announces a new and important voice in Australian poetry.'I won't keep you long. First, I acknowledge the Gadigal people of the Eora Nation, on whose land the majority of this collection was written.Now you are about to read the poetry of an Arab Australian, which is a rare thing when it shouldn't be. Now you are about to read the work of a queer Arab Australian, which is a rare thing when it shouldn't be. Now you are about to read the life of a queer Muslim Arab Australian from Western Sydney, from a broke and broken family - not rare, but it should be.This is not a definitive statement on Islam. This is not a definitive statement on Arab identity, not Arab Australian identity, not bisexuality, not even Western Sydney. It is a statement - an exploration of me and what I've seen.The only thing I ask of you is that you do not stop with me. Discover the other diverse writers and poets in this country find us, find our books. We're here, and we're growing.' - Omar Sakr 'I won't keep you long. First, I acknowledge the Gadigal people of the Eora Nation, on whose land the majority of this collection was written. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. A post-apocalyptic tale of kin, connection and environmental loss.'The crisis is upon us, but abstraction is a bulwark. Deafness, everywhere. We have come to an edge. I want to find a way of taking the truth into my body, and then putting it down into the ground. From somewhere offstage, a misery of voices begins to murmur in the scrounge. What starts up is a grief work.' - Joan Fleming'In a shadeless season, on a blistered earth, a small band of humans are singing. They are trying to remember; they have tried to forget. They are making up something from the things that are left. They are salvaging. Song of less: this song we are singing in the wreckage.' - Anwen Crawford Post apocalyptic verse novel about belonging and loss. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. Philosophical questions of reality and duality underpin many of the poems in Zenobia Frost's After the Demolition, leading to a sense of rebuilding and remembrance in the aftermath of abodes. Frost's poetic is a kind of antipodean neo-Gothic, interjecting female corporeality into a quirky, queer, feminist alter-poetic for living and dwelling. 'This book has multiple fire exits. This book has too many keys. You can climb through a window into this book. Some of these poems are not on the lease, and you are willing to take it all the way to the Residential Tenancies Authority.In The Poetics of Space, Gaston Bachelard says 'a house constitutes a body of images that give mankind proofs or illusions of stability'. These poems ask what proofs of stability we build when our homes and selves are in perpetual flux.After the Demolition is about rebuilding as much as it is about taking apart. It is about moving, and about moving on what we leave behind, and what we attach more firmly to ourselves. When a place is gone because we've given the keys back, or because the locks are lopped off our attachment can drive us towards saudade, nostalgia, replication. We mythologise the flaws of our past haunts and past lives, and this determines the ways we start over when everything is air rights.' - Zenobia Frost Philosophical questions of reality and duality underpin many of the poems in Zenobia Frost's After the Demolition, leading to a sense of rebuilding and remembrance in the aftermath of abodes. Frost's poetic is a kind of antipodean neo-Gothic, interjecting female corporeality into a quirky, queer, feminist alter-poetic for living and dwelling. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: new. Paperback. Says O'Keefe about her collection: 'Held under an incorrect adverb, the slowness of this book is expressed as intransigent buffering and refusal of optimisation. The book is shaped by a stubborn commitment to inclusive imprecision which seeks companionship with error and with the grit and offcuts we collect in the course of living.Objects of the industrial world are beheld in their strangeness and excess. An awareness of the hands, machines and historic forces that produce our material realities directs these poems, along with the attempt to understand that objects arrive with afterlives and consequences.Archive-shuffling was a useful model for writing, one that was connected to a desire to amplify minor histories and attend to the technologies of connection that wire, thread and beam us into the present. Voices drop out, a phrase is misremembered, the test pattern is the viewing event.The poems in Slowlier are propelled by the oscillation between an acquiescence which can only wryly index decline, and the desire to use the poem to scaffold and energise activities that kick against the logic of inevitability.'Says Spahr about the book: 'Ella O'Keefe writes poems with the waste products of capitalism. She uses juxtaposition so that fragments of the world fl oat by, bumping up against each other. The poems travel, board planes, catch the bus, have a lot of walking to do.Unsurprisingly, things are oft en seen through a screen. Concerned with how products are created, she builds a complicated world, one that attends to the uneconomic fractions, the waste rock, and turns them into the poem, or 'crystal form data-mining in the apricot light'.' Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.