Continuum publishing corporation (Más de 4400 resultados)
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Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.
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Librería: WeBuyBooks, Rossendale, LANCS, Reino UnidoWeBuyBooks
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Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Idioma: Inglés
Editorial: Continuum Publishing Corporation, United States, New York 2012
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Librería: WorldofBooks, Goring-By-Sea, WS, Reino UnidoWorldofBooks
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EUR 1,67
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Paperback. Condición: Very Good. This is a practical guide, rooted in best practice, to designing a wide and engaging primary curriculum. Schools are struggling to balance the statutory requirements of a National Curriculum with their desire to provide the wide, engaging and exciting curriculum that they know children need. Conc…erns about standards often lead to a narrowing of the curriculum and many schools lack the confidence and approach to design that would enable them to resolve what seems like an impossible dilemma. In this authoritative yet engaging book, Brian Male looks at how schools can meet the requirements of a National Curriculum and yet be flexible enough to meet the needs, interests and concerns of pupils, to be rooted in their lives and localities and to give scope for teachers to use their own creativity. "The Curriculum Design Handbook - Primary Edition" is a practical guide on how to design a curriculum that will engage children's interest, excite their imaginations and at the same time provide them with the knowledge, skills and understanding they need to live successfully in the 21st Century. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Idioma: Inglés
Editorial: Continuum Publishing Corporation, United States, New York 2004
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Librería: WorldofBooks, Goring-By-Sea, WS, Reino UnidoWorldofBooks
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Paperback. Condición: Very Good. When Jonathan Aitken was in prison, he experienced a religious conversion. When he emerged into the light of day, he headed for Oxford where he read for and obtained a degree in theology. The Psalms have assumed a quite exceptional importance in his life. The Psalms are at the very heart of the C…hristian life and its liturgy - in them is found the whole range of human emotion, of triumph and despair. In this new book, Aitken expounds his own view of the Psalms, the fruit of much prayer, study and reflection. He has busy, stressed modern men and women and the forefront of his mind as he writes. Aitken was a successful businessman and financier before he ever entered government as Chief Secretary to the Treasury. He is fully aware of the enormous pressures on people in countless walks of life - as speed of communication increases and more and more people are obliged to live with targets hanging over them like the sword of Damocles. Aitken writes 'out of the depths': he has experienced as profoundly as any of us the heights of adulation and the depths of disgrace and shame and he understands the meaning of repentance. This is an account of the Psalms tried and tested in raw human emotion. This book is designed to be kept in the top drawer of a businessman's desk, the satchel of a student, or the briefcase of a top flight lady executive. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Librería: WeBuyBooks, Rossendale, LANCS, Reino UnidoWeBuyBooks
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EUR 1,37
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Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Librería: WeBuyBooks, Rossendale, LANCS, Reino UnidoWeBuyBooks
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Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.
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Librería: WeBuyBooks, Rossendale, LANCS, Reino UnidoWeBuyBooks
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Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.
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Librería: WeBuyBooks, Rossendale, LANCS, Reino UnidoWeBuyBooks
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EUR 2,38
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Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.
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Librería: WeBuyBooks, Rossendale, LANCS, Reino UnidoWeBuyBooks
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Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.
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Librería: Bahamut Media, Reading, , Reino UnidoBahamut Media
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Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
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Librería: West With The Night, Tucson, AZ, Estados Unidos de AmericaWest With The Night
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Trade paperback. Robert and Arlene Kogod Library of Judaic Studies. Audience: Professional and scholarly. Very good. whisper of shelfwear to the cover.
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Librería: Bahamut Media, Reading, , Reino UnidoBahamut Media
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EUR 4,08
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Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
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Librería: WeBuyBooks, Rossendale, LANCS, Reino UnidoWeBuyBooks
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EUR 1,77
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Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.
Idioma: Inglés
Editorial: Continuum Publishing Corporation, US 2011
Serie: 33 1/3, Libro 86 de 192. Libro 86 de 192 - 33 1/3
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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EUR 13,01
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Paperback. Condición: New. This is a fascinating and thoroughly researched exploration of the best-selling gospel album of all time. For two days in January 1972, Aretha Franklin sang at the New Temple Missionary Baptist Church in Los Angeles while tape recorders and film cameras rolled. Everyone there knew the event had the pot…ential to be historic: five years after ascending to soul royalty and commercial success, Franklin was publicly returning to her religious roots. Her influential minister father stood by her on the pulpit. Her mentor, Clara Ward, sat in the pews. Franklin responded to the occasion with the performance of her life and the resulting double album became a multi-million seller - even without any trademark hit singles. But that was just one part of the story. Franklin's warm inimitable voice, virtuoso jazz-soul instrumental group and Rev. James Cleveland's inventive choral arrangements transformed the course of gospel. Through new interviews, musical and theological analyses as well as archival discoveries, this book sets the scene, traces the recording's traditional origins and pop infusions and describes the album's enduring impact."33 1/3" is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 60 titles and is acclaimed and loved by fans, musicians and scholars alike. "It was only a matter of time before a clever publisher realized that there is an audience for whom "Exile on Main Street" or "Electric Ladyland" are as significant and worthy of study as "The Catcher in the Rye" or "Middlemarch".The series, which now comprises 29 titles with more in the works, is freewheeling and eclectic, ranging from minute rock-geek analysis to idiosyncratic personal celebration." ("The New York Times Book Review", 2006).
Idioma: Inglés
Editorial: Continuum Publishing Corporation, US 2010
Serie: 33 1/3, Libro 74 de 192. Libro 74 de 192 - 33 1/3
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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EUR 13,01
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Paperback. Condición: New. This is a brilliant study of the creation, impact, and legacy of one of rock's great albums, and a hymn to the nature of teenage fandom. Released in 1979, AC/DC's "Highway To Hell" was the infamous last album recorded with singer Bon Scott, who died of alcohol poisoning in London in February of 1980. O…fficially chalked up to "Death by Misadventure," Scott's demise has forever secured the album's reputation as a partying primer and a bible for lethal behavior, branding the album with the fun chaos of alcoholic excess and its flip side, early death. The best songs on "Highway To Hell" achieve Sonic Platonism, translating rock and roll's transcendent ideals in stomping, dual-guitar and eighth-note bass riffing, a Paleolithic drum bed, and insanely, recklessly odd but fun vocals. Joe Bonomo strikes a three - chord essay on the power of adolescence, the durability of rock and roll fandom, and the transformative properties of memory. Why does "Highway To Hell" matter to anyone beyond non-ironic teenagers?Blending interviews, analysis, and memoir with a fan's perspective, "Highway To Hell" dramatizes and celebrates a timeless album that one critic said makes 'disaster sound like the best fun in the world.' 'A growing Alexandria of rock criticism' - "Los Angeles Times", 2008. 'Ideal for the rock geek who thinks liner notes just aren't enough - "Rolling Stone". 'A brilliant series.each one a word of real love' - "NME"(UK).
Idioma: Inglés
Editorial: Continuum Publishing Corporation, US 2010
Serie: 33 1/3, Libro 73 de 192. Libro 73 de 192 - 33 1/3
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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EUR 13,01
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Paperback. Condición: New. This title presents a compelling examination of the classic "Pavement" album, including interviews with all band members and record label staff. Upon its release in 1995, Wowee Zowee confounded a lot of "Pavement"'s fans. And yet, over the subsequent years, it's an album that has come to be acclaimed b…y many as an alternative rock masterpiece. Bryan Charles talks to the people who made the record and those close to them at the time, letting them tell the story of how the record came to be, how they felt about it then and how they feel about it now. Charles pays close attention to Malkmus' growth as a musician and songwriter, both of which are evident everywhere on Wowee Zowee. He demonstrates how Malkmus essentially throws words together on the spot, often while tape is rolling or he's standing on stage, and argues that this shows an extraordinary verbal gift rare enough in the field of literature, to say nothing of rock and roll. 'A growing Alexandria of rock criticism' - "Los Angeles Times", 2008. 'This title is ideal for the rock geek who thinks liner notes just aren't enough' - "Rolling Stone". 'One of the coolest publishing imprints on the planet' - "Bookslut".For more information on the series and on individual titles in the series, check out our blog.
Idioma: Inglés
Editorial: Continuum Publishing Corporation, US 2011
Serie: 33 1/3, Libro 82 de 192. Libro 82 de 192 - 33 1/3
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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EUR 13,01
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Paperback. Condición: New. This is a thoroughly researched study of the origins of the New York City punk scene, focusing on Television and their extraordinary debut record. Two kids in their early twenties walk down the Bowery on a spring afternoon, just as the proprietor of a club hangs a sign with the new name for his venue.…The place will be called CBGB which, he tells them, stands for 'Country Bluegrass and Blues'. That's exactly the sort of stuff they play, they lie, somehow managing to get a gig out of him. After the first show their band, Television, lands a regular string of Sundays. By the end of the summer a scene has developed that includes Tom Verlaine's new love interest, a poet-turned-rock chanteuse named Patti Smith. American punk rock is born. Bryan Waterman peels back the layers of the origin myth and, assembling a rich historical archive, situates Marquee Moon in a broader cultural history of SoHo and the East Village. As Waterman traces the downtown scene's influences, public image, and reputation via a range of print, film, and audio recordings we come to recognize the real historical surprises that the documentary evidence still has to yield."33 1/3" is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 60 titles and is acclaimed and loved by fans, musicians and scholars alike. It was only a matter of time before a clever publisher realized that there is an audience for whom "Exile on Main Street" or "Electric Ladyland" are as significant and worthy of study as "The Catcher in the Rye" or "Middlemarch.The" series, which now comprises 29 titles with more in the works, is freewheeling and eclectic, ranging from minute rock-geek analysis to idiosyncratic personal celebration - "The New York Times Book Review", 2006. This is a brilliant series.each one a word of real love - NME (UK). For more information on the series and on individual titles in the series, check out our blog.
Idioma: Inglés
Editorial: Continuum Publishing Corporation, US 2013
Serie: 33 1/3, Libro 89 de 192. Libro 89 de 192 - 33 1/3
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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EUR 13,01
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Paperback. Condición: New. For a few decades now, They Might Be Giants' album Flood has been a beacon (or at least a nightlight) for people who might rather read than rock out, who care more about science fiction than Slayer, who are more often called clever than cool. Neither the band's hip origins in the Lower East Side scene…nor Flood's platinum certification can cover up the record's singular importance at the geek fringes of culture. Flood's significance to this audience helps us understand a certain way of being: it shows that geek identity doesn't depend on references to Hobbits or Spock ears, but can instead be a set of creative and interpretive practices marked by playful excess-a flood of ideas. The album also clarifies an historical moment. The brainy sort of kids who listened to They Might Be Giants saw their own cultural options grow explosively during the late 1980s and early 1990s amid the early tech boom and America's advancing leftist social tides. Whether or not it was the band's intention, Flood's jubilant proclamation of an identity unconcerned with coolness found an ideal audience at an ideal turning point. This book tells the story.
Idioma: Inglés
Editorial: Continuum Publishing Corporation, US 2011
Serie: 33 1/3, Libro 82 de 192. Libro 82 de 192 - 33 1/3
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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EUR 13,01
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Paperback. Condición: New. This is an in-depth study of the visceral slacker classic from 1987, an album that influenced enormously the nascent alternative scene. Dinosaur Jr, the stereotypical slackers. Mascis, Barlow, Murph (just Murph): three early-twenty somethings still overburdened by a torpid adolescence and a disastrous…dress sense. With battered guitar, bass, and kit, they carry around a catalogue of songs that betrays identities half-formed at best, schizoid at worst. But listen. "1987", a new album, a snapshot of a moment when a furious musical intensity swung upwards and pushed their lyrics and Mascis' vocal whine far into the margins. Searing riffs, mountainous solos, and the tightest of fills - underpinned by stream-of-consciousness structures and a palette of crazed effects - steal the show. These three build a one-off sound that stirred up the hardening alternative mainstream and drove it to distraction. "You're Living All Over Me": supposedly Mascis' indictment of what it was like to tour in a van with these other two misfits, but also testimony to the obsession - an itch, a disease - that the band's disengagement from their world had produced. This record cares so little it cares a lot."33 1/3" is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 60 titles and is acclaimed and loved by fans, musicians and scholars alike. It was only a matter of time before a clever publisher realized that there is an audience for whom "Exile on Main Street" or "Electric Ladyland" are as significant and worthy of study as "The Catcher in the Rye" or "Middlemarch"."The series, which now comprises 29 titles with more in the works, is freewheeling and eclectic, ranging from minute rock-geek analysis to idiosyncratic personal celebration". ("The New York Times Book Review", 2006).
Idioma: Inglés
Editorial: Continuum Publishing Corporation, US 2012
Serie: 33 1/3, Libro 87 de 192. Libro 87 de 192 - 33 1/3
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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EUR 13,01
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Paperback. Condición: New. Fear of Music, the third album by Talking Heads, was recorded and released in 1979. It is, like each of their first four albums, a masterpiece. Edgy, paranoid, funky, addictive, rhythmic, repetitive, spooky, and fun - with Brian Eno's production, it's a record that bursts out of the downtown scene that… birthed the band, and hints at the directions (positive and negative) they'd take in the near future. Here, Jonathan Lethem takes us back to the late 1970s in New York City and situates Talking Heads as one of the most remarkable and enigmatic American bands. Incorporating theory, fiction, and memoir, and placing Fear of Music alongside Fritz Lang, Edgar Allen Poe, Patti Smith, and David Foster Wallace. Lethem's book is a virtuoso performance by a writer at the peak of his powers, tackling one of his great obsessions.
Idioma: Inglés
Editorial: Continuum Publishing Corporation, US 2010
Serie: 33 1/3, Libro 78 de 192. Libro 78 de 192 - 33 1/3
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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EUR 13,01
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 2 disponibles
Paperback. Condición: New. "Tusk", the first record in history to cross the million dollar threshold in production costs, was the Fleetwood Mac's critically acclaimed, commercially disappointing 1979 double album. This book is an in-depth and 'official' look at one of the most unusual albums ever released by a major rock band. A…fter "Rumours" became the best-selling single album of all-time, Fleetwood Mac asked Warner Brothers Records to buy them a studio (the label refused, costing both Warner Brothers and the band significant cash in the long run) and then handed the reins to their guitarist and resident perfectionist Lindsey Buckingham, a fusion of factors that led "Tusk" to become the first record in history to cross the million dollar threshold in production costs. Blame (or credit) Buckingham's public perception as a punctilious performer and producer on this, the Mac's critically acclaimed, commercially disappointing 1979 double album (it's said that Warner Brothers executives could see their Christmas bonuses flying out the window upon finally hearing "Tusk's" first rough cuts).But the 1975 addition of Buckingham and Stevie Nicks undeniably transformed Fleetwood Mac from a barely viable blues-based group into a radio powerhouse. "Rumours", the second LP by the Mac reconfiguration of Buckingham, one-time paramour Nicks, drummer Mick Fleetwood, bassist John McVie and his wife and keyboardist Christine, sold more than 20 million copies. But during its creation, relationships within the band broke down - Buckingham split from Nicks, McVie from McVie - leaving the follow-up "Tusk" as a bizarre and fractious assemblage held together only by Buckingham's much-documented, Brian Wilson - like obsession. What remains is Fleetwood Mac's "Apocalypse Now", their "White Album", the epic beginning of their ongoing end, a shotgun blast of musical spray. And, without question, the ballsiest venture in rock history. 'A growing Alexandria of rock criticism' - "Los Angeles Times, 2008". 'Ideal for the rock geek who thinks liner notes just aren't enough' - "Rolling Stone". For more information on the series and on individual titles in the series, check out our blog.
Idioma: Inglés
Editorial: Continuum Publishing Corporation, US 2011
Serie: 33 1/3, Libro 80 de 192. Libro 80 de 192 - 33 1/3
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 13,01
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: New. This is an in-depth study of a pivotal moment in Ween's development, as they became one of the world's most endearing, and enduring, cult bands. In 1993, the scruffy, pointedly silly Pennsylvania duo Ween appeared to be just another alt-rock also-ran enjoying its five minutes of post-Nirvana MTV fame.…But currently the band presides over one of pop music's most devoted cult fan bases, complete with feverish bootlegging, copious online message boards, a string of Billboard 200 albums and sold-out three-hour-plus shows nationwide. How did such a seemingly frivolous project evolve into a genuine American institution? The answer might lie in 1994's Chocolate and Cheese. The album marked the first time Ween set aside its low-budget home-recording style in favor of entering a bona fide studio. Sporting a lusher sound though still retaining the insular oddness that had made the band's early work so charming, Chocolate and Cheese reassured die-hard fans and started Aaron Freeman and Mickey Melchiondo on their way to becoming posthippie folk heroes.Hank Shteamer speaks to the band, producer Andrew Weiss and many others in an attempt to figure out how Ween turned its grassroots goofiness into something that leftfield-pop enthusiasts everywhere could appreciate. "33 1/3" is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 60 titles and is acclaimed and loved by fans, musicians and scholars alike. It was only a matter of time before a clever publisher realized that there is an audience for whom "Exile on Main Street" or "Electric Ladyland" are as significant and worthy of study as "The Catcher in the Rye" or "Middlemarch.The" series, which now comprises 29 titles with more in the works, is freewheeling and eclectic, ranging from minute rock-geek analysis to idiosyncratic personal celebration - "The New York Times Book Review", 2006. This is a brilliant series.each one a word of real love - NME (UK). For more information on the series and on individual titles in the series, check out our blog.
Idioma: Inglés
Editorial: Continuum Publishing Corporation, New York 2010
Serie: 33 1/3, Libro 76 de 192. Libro 76 de 192 - 33 1/3
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 13,04
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: new. Paperback. Of all the seminal albums to come out in 1991the year of Nevermind, Loveless, Ten, and Out of Time, among othersnone were quieter, both in volume and influence, than Spiderland, and no band more mysterious than Slint. Few single albums can lay claim to sparking an entire genre, but Spiderlan…dall six songs of itlaid the foundation for post rock in the 1990s. Yet for so much obvious influence, both the band and the album remain something of a puzzle. This thoroughly researched book is the first substantive attempt to break through some of the mystery surrounding Spiderland and the band that made it. Scott Tennent has written a long overdue look at this remarkable album and its origins, delving into the small, insular musical universe that included bands like Squirrel Bait, Maurice, Bitch Magnet, and Bastro. The story, helped by in-depth interviews with band members David Pajo and Todd Brashear, explores the formation of Slint, the recording of Tweez, and the band's dramatic move into the sound of Spiderland. Presents a thorough history of Slint, and the Louisville scene that surrounded the band, leading up to and focusing on the creation of their masterpiece, "Spiderland". This book attempts to break through some of the mystery surrounding "Spiderland" and the band that made it. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 13,06
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: new. Paperback. Posing more riddles than the average sphinx, with its decipherable answers pointing somewhere dark, Song Cycle was anything but passive. I had already witnessed hippie bands playing with their backs to the hall, so the thought of late 60s musicians being interested in their audience struck m…e as a concept bordering on revolutionary. The debut album from songwriter and pianist Van Dyke Parks, Song Cycle first appeared in 1968 on Warner Brothers Records. Its twelve songs led listeners through Joycean wordplay and sound collages to reveal messages of dissent and personal loss, at odds with Parks' buoyant, riotously eclectic music. Monumentally ambitious and equally expensive, Song Cycle resembled a film - possibly Citizen Kane - more than the pop music of its day; like Kane, Parks' masterwork was adored by critics yet all but ignored by paying customers. In his efforts to plumb the mysteries of this quixotic record and its subsequent fate, Richard Henderson interviews several of the key figures involved with Song Cycle, notably Parks himself and producer Lenny Waronker. Despite Warner Brothers Records' conviction that it had mid-wifed the American equivalent of Sgt Pepper's Lonely Hearts Club Band, "Song Cycle" wasn't rock music, and it didn't sell like rock music. This title offers an intelligent take on a classic left-field album. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 13,07
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 2 disponibles
Paperback. Condición: New. Despite Warner Brothers Records' conviction that it had mid-wifed the American equivalent of Sgt. Pepper's Lonely Hearts Club Band, "Song Cycle" wasn't rock music, and it didn't sell like rock music. The album's arrangements taxed the storage capacity of multi-track tape and its lyrics allowed enquirin…g minds to follow a Joycean snakes-and-ladders path through multiple meanings, allusive wordplay and puns. "Van Dyke Parks' Song Cycle" is an intelligent take on a classic left-field album. For good and for ill, the full arsenal of bouquets and brickbats available to music writers has been tossed at Van Dyke Parks during his tenure of forty years and more in the music business. The Mississippi native has been hailed as a great American original - Charles Ives in Groucho Marx's pajamas, was Rolling Stone's pull quote - and derided as a charlatan. He was among the first to achieve the questionable status of cult artist; defended by a vocal few, dismissed or ignored by the greater audience. His career arc, and indeed his own life invite parallel consideration with another maverick who made his name in Hollywood, the film director and actor Orson Welles.Both were immediately recognized as child prodigies and took full advantage of the status conferred upon them. Each had the mantle of genius conferred upon them; in both cases, the mantle was worn with increasing difficulty as the years progressed. Both men, perhaps unfairly, have been accused of never bettering their artistic debuts. The compounded triumph and debacle of Welles' Citizen Kane is the stuff of a crammed shelf of film history books. In Van Dyke Parks' case, his calling card and his bete noir both fit within the same cardboard sleeve, the one containing "Song Cycle". The album was released on Warner Brothers Records in 1968. It cost more than any recording made prior to that time (Warners would ultimately recoup its costs sometime in the early 90s). No one can say that the label didn't get its money's worth: "Song Cycle"'s arrangements taxed the storage capacity of multi-track tape and its lyrics allowed enquiring minds to follow a Joycean snakes-and-ladders path through multiple meanings, allusive wordplay and puns. Said lyrics were sung by their author, his piping tenor swathed in a galactic fog of studio effects.The rhythms veered from Broadway to box step, little or none cut from the cloth of psychedelic, blues-based turbulence that dominated the landscape of the late 60s. 'A growing Alexandria of rock criticism' - "Los Angeles Times", 2008. 'Ideal for the rock geek who thinks liner notes just aren't enough' - "Rolling Stone". 'One of the coolest publishing imprints on the planet' - "Bookslut". 'A brilliant series.each one a word of real love" - "NME" (UK). For more information on the series and on individual titles in the series, check out our blog.
Idioma: Inglés
Editorial: Continuum Publishing Corporation, US 2010
Serie: 33 1/3, Libro 76 de 192. Libro 76 de 192 - 33 1/3
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 13,07
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 2 disponibles
Paperback. Condición: New. This is a thorough history of Slint, and the Louisville scene that surrounded the band, leading up to and focusing on the creation of their masterpiece, "Spiderland". Of all the seminal albums to come out in 1991 - the year of "Nevermind", "Loveless", "Ten", and "Out of Time", among others - none were…quieter, both in volume and influence, than "Spiderland", and no band more mysterious than Slint. Few single albums can lay claim to sparking an entire genre, but "Spiderland" - all six songs of it - laid the foundation for post rock in the 1990s. Yet for so much obvious influence, both the band and the album remain something of a puzzle. This thoroughly researched book is the first substantive attempt to break through some of the mystery surrounding "Spiderland" and the band that made it. Scott Tennent has written a long overdue look at this remarkable album and its origins, delving into the small, insular musical universe that included bands like Squirrel Bait, Maurice, Bitch Magnet, and Bastro.The story, helped by in-depth interviews with band members David Pajo and Todd Brashear, explores the formation of Slint, the recording of "Tweez", and the band's dramatic move into the sound of "Spiderland". For more information on the series and on individual titles in the series, check out our blog.
Idioma: Inglés
Editorial: Continuum Publishing Corporation, US 2010
Serie: 33 1/3, Libro 77 de 192. Libro 77 de 192 - 33 1/3
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 13,07
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 7 disponibles
Paperback. Condición: New. This is a brilliant exploration of Radiohead's game-changing album, looking at its place in the career of "The World's Best Band" with ten years of hindsight. Radiohead's Kid A never had a chance on paper. Not only did the band have the unenviable task of following up the near-universally lauded "OK Co…mputer", but Kid A didn't even have an official single or video. Neither did it help that the band largely abandoned rock-pop conventions for a sound that traversed glitch, free-jazz, modern composition, and krautrock. Rather than simply reinforcing Kid A's canonical status, Marvin Lin situates the album in the temporal, examining it from various philosophical and cultural interpretations of time in order to arrive at its political and social stakes. Why should we care how time is expressed through its aesthetic components like repetition, sampling, and hybridization? Where does the album subvert our sense of time with songs like "Treefingers"? In which ways does it attempt to transcend time and with what implications?Time is perhaps art's biggest enemy - all human creations will be erased eventually - but it's through these various articulations that we are able to uncover some of the most interesting insights about Kid A. For more information on the series and on individual titles in the series, check out our blog.
Idioma: Inglés
Editorial: Continuum Publishing Corporation, US 2011
Serie: 33 1/3, Libro 81 de 192. Libro 81 de 192 - 33 1/3
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 13,07
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 2 disponibles
Paperback. Condición: New. This title offers a superb investigation of what is arguably Johnny Cash's greatest album, focusing on his enduring mythology. When Johnny Cash signed to Rick Rubin's record label in 1993, he was a country music legend who, like his fellow Highwaymen Willie, Waylon and Kris, remained a fondly regarded…yet completely marginalized Nashville figure, unheard on the radio and unseen on the charts. Cash's odyssey from oldies act to folk hero pivots on his first American Recordings album, a document of almost unbearable solitude and directness. It is a singular record, an instance in which a musical giant has been granted a kind of midnight reprieve, a chance to regain and renew his legend. Tony Tost illuminates the ways in which American Recordings is the crossroads where cultural, spiritual and mythic archetypes come together in the figure of The Man in Black. Ultimately, this is a guidebook to myth and mystery, a means of apprehending the stark beauty of Cash's greatest record, the sound of a man alone and fighting for his soul, one song at a time. "33 1/3" is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys.Launched in September 2003, the series now contains over 60 titles and is acclaimed and loved by fans, musicians and scholars alike. For more information on the series and on individual titles in the series, check out our blog at our associated website.
Idioma: Inglés
Editorial: Continuum Publishing Corporation, US 2011
Serie: 33 1/3, Libro 84 de 192. Libro 84 de 192 - 33 1/3
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 13,07
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 3 disponibles
Paperback. Condición: New. This is a fascinating look at the Stones in the late 70s - inspired by a year just spent in the disco/punk cauldron of New York City. It's October 1977, and the Rolling Stones are in a Paris recording studio. They're under siege. Keith Richards' legal troubles after his arrest for heroin possession in…Canada threaten the band's future, and the broad consensus among is that the band will never again reach the heights of Exile on Main Street. But Mick Jagger is writing lyrics inspired by the year he has just spent in New York City, where he was hanging out with the punks at CBGB and with the glitterati at Studio 54. And new bandmember Ron Wood is helping Richards recapture the two-guitar groove that the band had been missing since the Brian Jones era. The result? Some Girls, the band's response both to punk rock and to disco, an album that crackles with all the energy, decadence, and violence of New York in the 1970s. Weaving together the history of the band and the city, Cyrus Patell traces the genesis and legacy of the album that Jagger would later call the band's best since "Let It Bleed"."33 1/3" is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 60 titles and is acclaimed and loved by fans, musicians and scholars alike. It was only a matter of time before a clever publisher realized that there is an audience for whom "Exile on Main Street" or "Electric Ladyland" are as significant and worthy of study as "The Catcher in the Rye" or "Middlemarch.The" series, which now comprises 29 titles with more in the works, is freewheeling and eclectic, ranging from minute rock-geek analysis to idiosyncratic personal celebration - "The New York Times Book Review", 2006. This is a brilliant series.each one a word of real love - NME (UK). For more information on the series and on individual titles in the series, check out our blog.
