campisano editore roma (339 resultados)

Paperback. Condición: Near Fine. A nice, clean copy. ; B&W Photographs; 8.20 X 5.80 X 0.50 inches; 151 pages.

Condición: MOLTO BUONO. Roma, Campisano Editore cm.15x22, pp.159, brossura con copertina figurata a colori.

Condición: OTTIMO USATO. SPAGNOLO Spagnolo, traduzione di Ana Fernandez Ramos e Paula Gomis Soto, prefazione di P.Colonna, pagine in ottimo stato di conservazione, con numerose illustrazioni a colori nei testi, brossura editoriale illustrata, flessibile, lucida e con minime tracce d'uso. Numero pagine 93.

Soft Cover. Condición: Very Good. This is a very good softcover copy with almost no wear. Completely clean. The spine is not creased, binding firm. Text in ITALIAN. Illustrated with 17 color plates + 63 in black & white. 8" high X 6" wide, 225 pages. This book will be securely packed and shipped with tracking.

Condición: OTTIMO USATO. ITALIANO Brossura con alette in ottimo stato con piccoli segni di usura, risvolti, testo completamente fruibile. Pagine in ottimo stato. Immagini nel testo a colore e in bianco e nero. Numero pagine 1427.

Condición: NEW. Roma: Campisano Editore, 2025 9791280956842 Saggi di storia dell'arte 85 609 N vol.: 1, N pag.: 208, Peso: 609, L: 10, W: 15.5, Illustr.: B/N, N illustr.: 80 Carthago Delenda Est: these words of Cato the Censor give structure, strength and drama to the statement that best summarizes the folly behind an act of deliberate destruction. Even today, scholars of geopolitics and military science regard this phrase as the logical antecedent of total warfare, the modern concept of war that has been concretely developed and brought to its most lethal outcomes, especially in the last 100 years. The goal of this research is therefore to work within a specific time frame, 1945-2025, focusing on cities that have been (some unfortunately still are) theaters of war, real landscapes of desolation due to deliberate operations of annihilation. The book introduces an original reflection on the theme of war, focusing on the urban scenario, highlighting what has been suffered, and reflecting on the fact that the consequences, both for citizens and for urban spaces, do not end after the ceasefire. The insane will to erase a city develops over time, proceeding with violence and persistence, not with stratification but with continuous and constant subtraction. Organized in four sections The Days Before the End, The Days After, Policies and Processes of Urban Reconstruction, and Architects from the Frontline the book provides an overall picture of the theaters of war of the last 80 years (Berlin, Hiroshima, Sarajevo, Prishtina, Mariupol', Kharkiv, Irpin', Gaza) through a deliberately choral perspective. Ciotoli, Giusi.

Brossura. Immagini in b/n e a colori n.t. e f.t.Testo in Lingua Italiana, spagnola e portoghese.Texto en italiano, español y portugués.Texto em italiano, espanhol e português. Numero di tavole: 0 pp.126 9788898229529 altezza 21 larghezza 0 Esemplare in buone condizioni.Copertina con tracce di polvere e segni di usura ai bordi e agli angoli.Pagine ingiallite ai bordi.Testo in Lingua Italiana, spagnola e portoghese.Texto en italiano, español y portugués.Texto em italiano, espanhol e português.

Softcover. Condición: Wie neu. 1. Auflage. 125 pages with many b/w-illustrations and XL coloured plates.

Soft cover. Condición: Fine. 1st Edition. Proceedings of a conference held in Sapienza Universita? di Roma, Rome, Italy, Oct. 10, 2008. Text in Italian with passages in French. 314 p., [8] p. of plates : ill. (some col.), maps ; 24 cm. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Condición: Buono (Good). un volume in ottime condizioni, brossura, 70 pagine, tavole e illustrazioni b,n. Book.

Condición: NEW. Roma: Campisano Editore, 2020 9788885795396 Saggi di storia dell'arte 63 505 174 p., CXII p. of col. plates : ill. col. b/n, indice, bibliografia ; 22 cm. Pompeii exists not only in its concrete materiality in-situ and ex-situ, but also in countless adaptations and re-interpretations which shape our cities and deeply affect the modern world. This book examines the impact of Pompeian wall paintings on European architectural design and discourse during the Industrial Revolution, with particular focus on the role of the Vesuvian city as a laboratory for the creation of a new 'iron style'. When cast iron first appeared as a building material, architects faced unprecedented challenges after millennia of stone construction: cast iron required a new language, a new syntax, new proportions and ornamental patterns suited to the characteristics of the material and in line with the functional and aesthetic standards of modern cities. In this context, the imaginary structures painted on the walls of Pompeian buildings, interpreted as a prefiguration of a light, airy, dematerialised architectural order, were adapted to the needs of the time through a process of transfer from one medium (painted surface) to another (three-dimensional structure). A selection of case studies including works by Karl Friedrich Schinkel, Henri Labrouste, Jakob Ignaz Hittorff, and Gottfried Semper illustrate how the so-called Pompeian arabesques, i.e. models, motifs, and ideas found in fresco paintings, were transformed into iron elements at various scales, ranging from the decorative detail to the structural support. Pompeii exists not only in its concrete materiality in-situ and ex-situ, but also in countless adaptations and re-interpretations which shape our cities and deeply affect the modern world. This book examines the impact of Pompeian wall paintings on European architectural design and discourse during the Industrial Revolution, with particular focus on the role of the Vesuvian city as a laboratory for the creation of a new 'iron style'. When cast iron first appeared as a building material, architects faced unprecedented challenges after millennia of stone construction: cast iron required a new language, a new syntax, new proportions and ornamental patterns suited to the characteristics of the material and in line with the functional and aesthetic standards of modern cities. In this context, the imaginary structures painted on the walls of Pompeian buildings, interpreted as a prefiguration of a light, airy, dematerialised architectural order, were adapted to the needs of the time through a process of transfer from one medium (painted surface) to another (three-dimensional structure). A selection of case studies including works by Karl Friedrich Schinkel, Henri Labrouste, Jakob Ignaz Hittorff, and Gottfried Semper illustrate how the so-called Pompeian arabesques, i.e. models, motifs, and ideas found in fresco paintings, were transformed into iron elements at various scales, ranging from the decorative detail to the structural support.

Condición: NEW. Roma: Campisano Editore, 2018 9788885795006 Saggi di storia dell'arte 52 705 376 p. : ill. col. b/n, indice, biografia, bibliografia ; 21 cm. La fondazione della Grande Chiesa (Megalê Ekklêsia) di Costantinopoli sia come edificio fisico sia quale sede dell'episcopato della città va fata risalire ai primi mesi dell'anno 360. La nuova chiesa costituiva il coronamento di una vasta operazione religiosa e politica ad un tempo condotta sulla base di uno specifico accordo tra l'autorità imperiale e le locali gerarchie ecclesiastiche. Rappresenta inoltre un importante episodio del patronato artistico del figlio ed erede di Costantino, Costanzo II (337-361). La Grande chiesa di Costantinopoli si rivelò lo strumento attraverso il quale un episcopato avente prestigio ancora limitato se confrontato con le grandi sedi ecclesiastiche orientali di Antiochia, Alessandria o Gerusalemme riuscì a rendere visibile il suo crescente potere. Allo stesso tempo, così come era successo in altre grandi metropoli della parte orientale dell'Impero romano, la nuova chiesa episcopale divenne ben presto un simbolo di orgoglio civico e il teatro di confronti e scontri tanto sul piano politico quanto su quello religioso. Tale situazione comporta inoltre una totale identificazione fra le aspirazioni civiche e il simbolo architettonico del potere ecclesiastico locale. Il grande edificio costruito da Costanzo II e restaurato dai sovrani Arcadio (395-408) e Teodosio II (408-450) non solo è scomparso da secoli ma venne peraltro sostituito, sul medesimo sito e solo pochi anni dopo la sua totale distruzione, nel 532, da uno dei maggiori capolavori.

Condición: OTTIMO USATO. ITALIANO IL LIBRO È USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Copertina editoriale in cartoncino flessibile, con leggera ammaccatura al piede e piccola piega alle punte. Numero pagine 112. Il copyright dei dati è di Informazioni Editoriali I.E. Srl.

Condición: NEW. Roma: Campisano Editore, 2025 9791280956651 Quaderni della Bibliotheca Hertziana 14 711 N vol.: 1, N pag.: 256, Peso: 711, L: 24, W: 16.5, Illustr.: COL + B/N, N illustr.: 80 Today we are surrounded by maps of all sorts. As a result of their integration into everyday practices, cartographic images have become ever more ubiquitous and accessible. This pervasiveness has made the map the privileged medium for interrogating the transformations of our spatial consciousness and geographical imagination. But does it really deserve this status? What is the relationship between our conceptions of spatiality and the medium of the map? And what does it mean to read the history of space through the lens of cartography? The essays collected in this volume and written by specialists in geography, philosophy, architecture, film theory, literary studies, and visual culture address these questions by focusing on the mediality of maps and map- ping. They converge upon a fundamental point: a medium not only mediates between two or more elements but also remediates by appropriating the techniques, forms, and social significance of other media. This point has implications for investigating the history of space through the prism of the map's mediality. First and foremost, it means adopting a transmedial approach, emphasizing the processes of remediation, and exploring the relationships between the map and other media, supports, or devices, such as texts, books, films, paintings, urban plans, and landscape views. Michalsky, Tanja, Morawski Tommaso.

Condición: NEW. Roma: Campisano Editore, 2023 9791280956200 Quaderni della Bibliotheca Hertziana 11 809 296 p. : indice, biografia ; 24 cm. Can words alone help us grasp the material and phenomenological complexity of a space from the past? The most likely answer is no. It is undeniable, however, that texts are nonetheless a fundamental resource in attempts to reconstruct medieval sacred spaces that have either disappeared or whose architectural, aesthetic, and ritual aspects have been altered. The essays collected in this volume, written by specialists in the history of art, architecture, and liturgy, demonstrate this in many ways. They discuss various categories of textual sources related or linkable to sacred, ritual, and liturgical spaces in the Middle Ages, and although the geographical focus is on Southern Italy, other Italian and European cases are also included. The textual sources drawn upon span those of a narrative character (chronicles, gesta, hagiographies) to early modern records about medieval buildings and their decoration; from ekphrasis to ritual instructions and musical notations. The aim is to (re)consider both well- and less-known written sources and to explore some of the hermeneutical questions posed by their relationships to monuments, landscapes, and artistic products. Can words alone help us grasp the material and phenomenological complexity of a space from the past? The most likely answer is no. It is undeniable, however, that texts are nonetheless a fundamental resource in attempts to reconstruct medieval sacred spaces that have either disappeared or whose architectural, aesthetic, and ritual aspects have been altered. The essays collected in this volume, written by specialists in the history of art, architecture, and liturgy, demonstrate this in many ways. They discuss various categories of textual sources related or linkable to sacred, ritual, and liturgical spaces in the Middle Ages, and although the geographical focus is on Southern Italy, other Italian and European cases are also included. The textual sources drawn upon span those of a narrative character (chronicles, gesta, hagiographies) to early modern records about medieval buildings and their decoration; from ekphrasis to ritual instructions and musical notations. The aim is to (re)consider both well- and less-known written sources and to explore some of the hermeneutical questions posed by their relationships to monuments, landscapes, and artistic products. Scirocco,Elisabetta - Blaauw,Sible de.

Condición: OTTIMO USATO. ITALIANO IL LIBRO È USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Numero pagine 112. Il copyright dei dati è di Informazioni Editoriali I.E. Srl.

Condición: OTTIMO USATO. ITALIANO IL LIBRO È USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Curatore: Costantini, M.;Fasano, A. Numero pagine 70. Il copyright dei dati è di Informazioni Editoriali I.E. Srl.

Condición: OTTIMO USATO. ITALIANO IL LIBRO È USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Catalogo della mostra svoltasi a Frascati dal 16 maggio all'11 luglio 2004. Curatore: Costantini, M.;Fasano, A. Numero pagine 70. Il copyright dei dati è di Informazioni Editoriali I.E. Srl.

Condición: BUONO USATO. INTERLINGUE IL LIBRO È USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Pagine ingiallite ai bordi, in italiano ed inglese, tracce di polvere alla copertina. Numero pagine 91. Il copyright dei dati è di Informazioni Editoriali I.E. Srl.

Condición: OTTIMO USATO. I restauri ITALIANO IL LIBRO È USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Curatore: Schroth, M. A. Numero pagine 160. Il copyright dei dati è di Informazioni Editoriali I.E. Srl.

Condición: BUONO USATO. ITALIANO IL LIBRO È USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Leggera traccia di vecchia umidità all'angolo superiore ant.della sovracoperta e delle prime carte. Curatore: Costantini, M.;Fasano, A. Numero pagine 70. Il copyright dei dati è di Informazioni Editoriali I.E. Srl.

Paperback. Red wraps with color illustration and pink, white and black lettering; 278 pp.; 64 unnumbered pages of plates; richly illustrated, primarily in color. Text in French. Good+ (EX-LIBRARY, indicated only by a stamp reading "Withdrawn" on half-title; wraps are lightly edgeworn/scuffed/smudged; textblock edges are lightly worn/scuffed/smudged; interior is super clean and bright; binding is solid.).

cartonato. Condición: nuovo. Roma, 2024, Campisano. Cm. 28x22, PP. 111, ill. a colori n.t., ril. cartonato From Laboratories to Allegories: An Introduction to the Croce Collection, Francesca S. Croce - PAINTINGS - Pietro Faccini, appunti per un'accademia bolognese «alternativa», Emilio Negro - Divine Depictions: Analyzing the Heavenly Representations of Mary in the Croce Collection, Helen Kohn - Falsi e veri caravaggeschi: un Martirio di Sant'Agata di Mario Minniti a Columbus, Ohio, Antonio Vannugli - Un portrait peint par Vouet représenté dans un tableau italien du XVIIème siè??cle: une Allégorie de la peinture, Arnauld Brejon de Lavergnée - Gli eroi del passato nel racconto epico di Pietro da Cortona, Anna Lo Bianco - Due nuove Madonne del velo di Onorio Marinari, Francesca Baldassari - Copy or Cartoon? A Painting after Raphael's Miraculous Draft of Fishes from the Croce Collection, Larissa Mohr - Altre aggiunte al catalogo della produzione nota di Filippo Falciatore, Nicola Spinosa - DRAWINGS - Due studi di figura: Tintoretto e una proposta per Paris Bordone, Cristiana Romalli - 'Quel quadro che atterrisce tutti': Ludovico Carracci and Guercino for Bologna's Santi Gregorio e Siro, Francesca S. Croce - Photographic Credits.

Condición: NEW. Roma: Campisano Editore, 2017 9788898229895 1409 324 p. : ill. col., indice, bibliografia ; 27 cm. "The long and fascinating history of Jewish Rome is narrated by the objects and documents preserved in the Jewish Museum of Rome in the monumental complex of the Great Synagogue. The museum boasts an important collection of silvers and other decorative works of art from the 16th -19th century, hailing from the five scole (synagogues) of the ghetto. The collection of fabrics stands out among these. Precious textile decorations for liturgical use were made from second hand fabrics because of prohibitions that Jews were subjected to. The special aim of these decorations was to beautify and preserve the dearest object in the temple: the Sefer Torah. The museum preserves splendid examples of curtains (parochot) for the Holy Ark, binders to roll up the scrolls of the Torah and mantles (meilìm) to cover it. Amongst all these, the collection of almost two hundred mappot shines. They are the long fabrics that protect the Sefer Torah; cloths enriched by lavish embroidery with family crests, Hebrew inscriptions and suggestive images like the delivering of the Tablets of the Law on Mount Sinai, the Seven Fruits of the Land of Israel, spiral columns of the Temple of Solomon and other traditional Jewish symbols. Their inscriptions, a real and true textile archive, are an enchanting window onto the world of the ghetto and its inhabitants. Each donation tells a story, sometimes poetically inspired, and consists of the names of the protagonists and their families, relationships of love." "The long and fascinating history of Jewish Rome is narrated by the objects and documents preserved in the Jewish Museum of Rome in the monumental complex of the Great Synagogue. The museum boasts an important collection of silvers and other decorative works of art from the 16th -19th century, hailing from the five scole (synagogues) of the ghetto. The collection of fabrics stands out among these. Precious textile decorations for liturgical use were made from second hand fabrics because of prohibitions that Jews were subjected to. The special aim of these decorations was to beautify and preserve the dearest object in the temple: the Sefer Torah. The museum preserves splendid examples of curtains (parochot) for the Holy Ark, binders to roll up the scrolls of the Torah and mantles (meilìm) to cover it. Amongst all these, the collection of almost two hundred mappot shines. They are the long fabrics that protect the Sefer Torah; cloths enriched by lavish embroidery with family crests, Hebrew inscriptions and suggestive images like the delivering of the Tablets of the Law on Mount Sinai, the Seven Fruits of the Land of Israel, spiral columns of the Temple of Solomon and other traditional Jewish symbols. Their inscriptions, a real and true textile archive, are an enchanting window onto the world of the ghetto and its inhabitants. Each donation tells a story, sometimes poetically inspired, and consists of the names of the protagonists and their families, relationships of love." Davanzo Poli,Doretta - Melasecchi,Olga.

Condición: OTTIMO USATO. Quaderni di Saredosettantaquattro ITALIANO Volume della collana "Quaderni di Saredosettantaquattro". Giovanni Cavina: educatore visionario. Antologia degli editori su panorama per i giovani (1967 - 1996). A cura di Angelo Cianciarella. Premessa di Giorgio Ricci Maccarini. Prefazione di Giuseppe De Rita. Brossura con alette, conservata in ottimo stato, illustrata. In copertina: ritratto di Giovanni Cavina, 1973. Cerniera salda, pagine in ottimo stato. Numero pagine 271.

Condición: NEW. Roma: Campisano Editore, 2019 9788888168623 1405 313 p. : ill. col. b/n, indice, bibliografia ; 24 cm. The story of an historic Roman family, from its origins in the 12th century to the present day. An adventure lasting over 900 years, describing its decisive moments and key figures. In the background is the fascinating history of Rome from the Middle Ages to the Renaissance, from Baroque extravagance to modern times. The Eternal City, heart of Christendom, home of the Pope, capital of the Church State, of the Kingdom then the Republic of Italy. The reader is taken back through many episodes of Rome's history over the last nine centuries, some well known others less so. These are the framework for the various events involving distinguished members of the Colonna family. A very readable historical compendium, an easy reference, with no academic aspirations but carefully researched, as its rich bibliography confirms. The story of an historic Roman family, from its origins in the 12th century to the present day. An adventure lasting over 900 years, describing its decisive moments and key figures. In the background is the fascinating history of Rome from the Middle Ages to the Renaissance, from Baroque extravagance to modern times. The Eternal City, heart of Christendom, home of the Pope, capital of the Church State, of the Kingdom then the Republic of Italy. The reader is taken back through many episodes of Rome's history over the last nine centuries, some well known others less so. These are the framework for the various events involving distinguished members of the Colonna family. A very readable historical compendium, an easy reference, with no academic aspirations but carefully researched, as its rich bibliography confirms. Colonna,Prospero.

Condición: NEW. Roma: Campisano Editore, 2018 9788885795181 1409 384 p. : ill. col., fotografie, indice, biografia, bibliografia ; 27 cm. Frutto di ricerche svolte tra Roma, Durham e Città del Messico, ma condotte anche in Spagna, Francia, Germania, Ungheria e negli Stati Uniti, il catalogo della mostra Roma en México / México en Roma. Las academias de arte entre Europa y el Nuevo Mundo (1843-1867) indaga sotto nuova luce le strettissime relazioni che nel campo delle arti figurative l'Accademia di San Carlos di Città del Messico stabilì con la scena artistica cosmopolita di Roma alla metà dell'Ottocento. Per oltre vent'anni, pittori, scultori, architetti messicani in fieri si educarono in Messico e a Roma seguendo il modello 'purista' dell'allora ancora indiscussa capitale universale delle arti. Le loro opere rappresentano oggi un capitolo di grande interesse nella storia della geografia artistica mondiale di quel secolo, riletto in questa occasione da dodici specialisti italiani e messicani. L'indagine parte da Roma e dal contesto delle arti europeo ed è tesa a ricostruire una 'concordanza degli archivi' tra due realtà geografiche, politiche e culturali molto distanti tra loro, offrendo profondità di campo e concretezza storica alle relazioni, amicizie e sodalizi tra le varie persone coinvolte e alla mobilità di opere e artisti che diedero vita a una delle vicende più affascinanti dell'arte messicana nella prima età repubblicana. Capitelli,Giovanna - Cracolici,Stefano.

Condición: NEW. Roma: Campisano Editore, 2018 9788885795181 Storia dell'arte ill. Capitelli, G. - Cracolici, S.

Condición: BUONO USATO. Musei in Comune INTERLINGUE Mostra tenutasi presso Musei Capitolini. Brossura in cartoncino semirigido lucido, dalla copertina illustrata. Buonissimo lo stato di conservazione, pagine perfettamente tenute, velate da tonalità avorio, come i tagli, ricche di fotografie a colori nel testo. Lingue presenti italiano e inglese. Numero pagine 117.

Condición: BUONO USATO. I restauri ITALIANO IL LIBRO È USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Curatore: Pannuzi, S. Numero pagine 128. Il copyright dei dati è di Informazioni Editoriali I.E. Srl.