Buffalo cepa gallery (45 resultados)

Paperback. Condición: Very Good. First Edition. [23] pp.; ill., 22 x 28 cm.: No ownership markings, some curling/creasing to corners wraps. Well packaged in a box, ships with tracking.

Paperback. Condición: Near Fine. 1st. 15 pages, illustrations; 22 x 28 cm. Edition of 1,000 copies. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. Offset printed artist's book. Size: Oblong. Collectible.

First Edition. First edition. Oblong softcover. 15 pages. Artist book by Casebere printed in an edition of 1000 copies. A very near fine copy in stapled wrappers.

Paperback. First edition, 2007, first printing. Fine/As New paperback. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. This volume presents work from two Carolee Schneemann exhibitions: Buffalo's CEPA Gallery focused on the themes of War, Erotics and Felines, while featuring Schneemann's best-known works, including "Interior Scroll," "Vulva's Morphia," and her films, Fuse and Meat Joy and; Toronto's Museum of Contemporary Canadian Art addressed Schneemann's history of working in Canada, also presenting three recent, large-scale, multi-channel video installations, "Devour," "SNAFU" and "Video Rocks," as well as large scale prints. Essays by Thomas McEvilley, Jim Drobnick, and Caroline Koebel; selections from the artist's texts. 96 pages; 56 color plates; 10.5 x 8 inches. Checklists, exhibition history. LAID-IN are four different Schneemann exhibition reviews from various arts publications plus a couple of other pieces of ephemera related to the artist.…

Soft cover. Condición: Near Fine. 10PP CATALOG WITH ESSAY, INTERVIEW, AND 2 3-D PHOTOS. SPECIAL GLASSES INCLUDED.LAID IN ARE SOME ITEMS INVITING US TO A LIFE TRIBUTE FOR JIM, WHO DIED EARLY. HE SAID JE WAS A TINKERER WHEN HIS WORK WAS SHOWN AT NYMOMA.

15 pp.; 21.5 x 28 cm.; staple bound; black-and-white; edition size 1000; unsigned and unnumbered; offset-printed Artist's book by James Casebere consisting of six black-and-white images and short tales of humor. Good / Very Good. Mild wear to recto cover. Contents clean and unmarked.

First Edition. First edition. Softcover. 10 pages. Exhibition catalog for a show that ran January 9-31, 1981. Features an introduction and acknowledgements Susan Krane and with the text of her interview of Pomeroy. Includes 2 images, list of previous exhibitions, list of selected performances, selected bibliography, list of public collections and commissions. A near fine copy in stapled wrappers and with laid in checklist but lacking the 3-D glasses. …

Softcover. Condición: VG. Color illus. wraps; 95 pp.; 56 color plates. Published in conjunction with the exhibition "Breaking Borders" at the Museum of Contemporary Canadian Art, and the exhibition "Remains To Be Seen" at the CEPA Gallery in Buffalo, New York; Includes several essays.

Staplebound. A black staplebound softcover book with white text on the front cover. Unpaginated; profusely illustrated with both color and black-and-white images. VG: Exlibrary book. Sticker in the lower left corner of the front cover. Sticker on the back inside cover. Stamp on the copyright page.

15 pp.; 21.5 x 28 cm.; staple bound; black-and-white; edition size 1000; unsigned and unnumbered; offset-printed Artist's book by James Casebere consisting of six black-and-white images and short tales of humor. Very Good. 5 mm. of bumping to top right corner of catalogue. 5.2 cm. of yellow soiling to verso. 1.3 cm. crease to right side of publication through to pages. Contents otherwise clean and unmarked.…

Paperback. Condición: Very Good. Carolee Schneemann is the catalog for a 2 museum exhibition. Text by Jim Drobnick, Caroline Koebel, Thomas McEvilley and Carolee Schneemann. 94 pages, paper with stiff cover. Color and black and whire reproductions. 8" x 10 1/2". Wear to cover edges, otherwise very good condition.…

Stapled. Condición: Very Good. No Jacket.

Softcover Stapled. Condición: Very Good. No Jacket. Edition of 1,000. Mild handling wear.

First Edition. First edition. Oblong softcover. Artist book published in conjuction with a show that ran January 28 through March 29, 1987 at Albright Knox Art Gallery and then February 7 through March 21, 1987 at Cepa Gallery. Includes 28 black and white images. A fine copy in stapled wrappers.

Soft cover. Condición: Near Fine. 1st Edition. Sq/ 8vo, stapled wrappers, 34pp.abt fine.(VV2/3).

Condición: Good. 8vo. [22 pp.]. Spiral-bound with cardboard covers. Very Good. B&W prints throughout.From the Collection of the Art Historian Peter Selz (1919-2019).

Softcover. Condición: Gut bis sehr gut. 1. Auflage. B : 10 pages, 5 bw plates. Includes a set of special glasses with which to view the exhibition. Includes two sample photo sets in the ctalogue.

Condición: Good. Original wrappers in sprial binding, softcover, illustrated with numerous (full page) photographs in b/w, oblong (circa 22x29cm).; Cover partly discoloured.

Soft cover. Condición: Very Good. Staple-bound publication accompanying exhibition Nathan Lyons: Riding First Class on the Titanic. Sequence of single-page black-and-white photographs. Small spot to upper edge of text block. No marks to inside pages. Edition of 2000 copies. 32 pages. s207.

Paperback. Condición: Near Fine. Staplebound catalog with glossy covers. (Green Cover variant) 1/2500 copies. Like new with light wear to covers and no marks to text. Art Annex; Brief Fictions Re-Sounding From The Proposal In Variable Piece #70: 1971 "To Photographically Document The Existence Of Every; 4to 11" - 13" tall.…

Condición: Good. [Exhibition brochure]. 18mo. Oblong. [4 pp]. Single stiff, color-printed sheet, folded into halves. Very good. Color plates. Brochure created to announce exhibition "Carolee Schneemann: Remains to be Seen" at CEPA Gallery in Buffalo, NY from March 31 through May 26, 2007, curated by Photios Gioavanis and presented by Roberta and Michael Joseph. Scarce. From the Collection of the Art Historian Peter Selz.…

First Edition. First edition. Softcover. One of 2500 copies. Exhibition catalog /artist book for a show that ran May 10 through June 30, 1985 concurrently at Albright-Knox Art Gallery and CEPA Gallery. Includes numerous black and white illustrations. From the publisher: "Crocodile Tears features a selection of photographs, taken from Huebler's Variable Piece no. 70 (in which the artist aimed to "photographically document the existence of everyone alive"), and found knock-offs of works by Van Gogh, Matisse, and Degas, to illustrate a disjointed screenplay involving a number of fictitious characters dealing in high-end art forgery. The cast includes Richard Decker, a "signature artist" cranking out salable objects to pay the mortgage; Arthur Lord, known as "the great corrector" for his ability to flawlessly replicate the works of the old masters without their original "mistakes"; and Alec Gregory, a con-artist who sells knock-offs of famous paintings to unsuspecting collectors. Huebler's parable is a witty and dark reflection on art-market politics and a compelling exploration of the problematics of authorship and authenticity." A very near fine copy in stapled wrappers.…

Sehr guter, frischer Zustand. Signiert. Softcover / Original Spiralbindung.

Softcover. Condición: Good. First Edition. 28cm x 21.5cm. [44] pages, black and white illustrations. Pictorial saddle-stapled wrappers. Brief fictions re-sounding from the proposal in Variable Piece #70: 1971 to photographically document the existence of everyone alive. Photographs of American conceptual artist Douglas Heubler's Variable Piece #70, and found forgeries of works by Van Gogh, Matisse, and Degas, illustrating a disjointed screenplay. A reflection on the dark side of the art market. Ex-Crocker Art Museum Research Library, minor stamps and stickers. Minor general wear. Category: Art & Design; ISBN: 0939784130. ISBN/EAN: 9780939784134. Inventory No: 0031632.…

[32] pp.; 13.7 x 19.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Artist's book by Laurie Simmons featuring black-and-white photographs taken between 1976 and 1979. Very Good / Fine. Yellowing of covers and light rubbing and creasing at spine on verso. Contents clean and unmarked.…

Softcover, staple-bound exhibition catalog, 44 pages of photos, drawings, text, and reproductions of other artworks; very good condition; light rubbing to covers; no internal marks.

Condición: Sehr gut. First Edition. Quarto (22.5 cm x 27.7 cm). 40 unnumbered pages. Original, illustrated dustjacket. Excellent condition with only minor signs of wear. Includes the original purchase-receipt. Douglas Huebler (October 27, 1924 July 12, 1997) was an American conceptual artist. Douglas Huebler grew up in rural Michigan during the Depression and served in the Marines in World War II. After the war, funded by the GI Bill, Huebler earned his bachelor's and master's degrees at the University of Michigan, and later went on to study at the Académie Julian in Paris. He worked for several years as a commercial art illustrator in New York as he established himself as an artist. (His family still has a few of the illustrations from this period.) Initially a painter, Huebler moved on to produce geometric Formica sculptures in the early '60s, which aligned him with the Minimalist movement. In 1969, he participated, with Joseph Kosuth, Robert Barry and Lawrence Weiner, in a landmark exhibition of conceptual art curated by Seth Siegelaub. As part of the show, Huebler issued one of his most famous statements: "The world is full of objects, more or less interesting; I do not wish to add any more." In the late 1960s Huebler's work was published in 0 to 9 magazine, an avant-garde journal which experimented with language and meaning-making. Huebler subsequently started producing works in numerous media often involving documentary photography, maps and text to explore social environments and the effect of passing time on objects. A representative example of Huebler's early work is Duration Piece #5, 1969, a series of ten black & white photographs with accompanying text; to document the piece, Huebler stood in Central Park and, each time he heard a bird call, he pointed his camera in the direction of the call and shot a photograph. In 1971, he began "Variable Piece #70 (In Process) Global," for which he proposed his intention "to photographically document the existence of everyone alive." In the 1980s and '90s, Huebler began incorporating painting into his conceptual art pieces, creating a persona he called "the Great Corrector," who took works by masters like Picasso, Matisse, Bruegel and Hieronymus Bosch and attempted to "make them better." For his "Buried Treasure" series, incorporating text about the unscrupulous dealer, Huebler paints fake Monets, Van Goghs, Gauguins and a De Chirico. Huebler's academic career spanned more than forty years; he taught art at Bradford College in Massachusetts, and at Harvard. Huebler served as dean of the art school at California Institute of Arts from 1976 to 1988 where he influenced a generation of artists including Mike Kelley and Christopher Williams. In 1989, he retired to Cape Cod. He died in Truro, Massachusetts in 1997. Huebler's first one-person museum exhibition was at the Phillips Gallery, Detroit, in 1953. Thereafter, he exhibited extensively in galleries and museums in the United States and Europe, as well as in international exhibitions such as documenta V (1972), and was included in many surveys of conceptual art. The last retrospective of his work during his lifetime was presented at the Palais des Beaux-Arts in Brussels in 1994. There have been several posthumous one-person exhibitions, including at the Camden Arts Centre, London (2002) and the MAMCO, Geneva (2006). In 2004, Huebler's work was included in the exhibition, A Minimal Future? Art as Object 19581968, at the Museum of Contemporary Art, Los Angeles. (Wikipedia). …

Condición: gut. 1983. Basic Meaning in Four Parts In englischer Sprache. pages.

kart. Condición: Gut. en. [42] Bl. , nur Ill. , 22,5 cm In English language. Original publishers brochure with title to spine and cover. Spine slightly tanned, otherwise in clean condition and well preserved. Institut. signature stamp on the verso of title. + + + Original-Broschur m. Deckelbetitelung. Einbandrücken gebräunt, sonst sauber und gut erhalten. Institut. Signatur-Stempel m. Löschvermerk verso Titel. 0939784009 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Englisch Gewicht in Gramm: 220. …

Condición: Good. 4to. [ca 20 pp.]. Soft Cover. Oblong. Near Fine. Illustrated paper wraps. Color and B&W plates throughout. Extremely Scarce.ISBN: 9780939784301 0939784300.Ghosts is the results of a 5-year collaboration among Robert Hirsch, Serge and Beate Klarsfeld, Bob Collignon, and Richard Schulenberg (model makers)"--Colophon."Ghosts: French Holocaust Children is a three-dimensional installation based on historic documents and photographs collected by Serge Klarsfeld and his wife Beate Klarsfeld.…