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Paperback. Condición: Very Good. A Rave Fable. This play hurls one of Greek tragedy's most compelling sagas into a sleek netherworld of sex, drugs and trance music. Iphigenia is the daughter of a political celebrity who embraces sensuous excess with a transgendered glam rock star named Achilles in a desperate attempt to flee her inevitable fate. Svich's text is a unique language spoken by beings that inhabit the intermediate world that she creates. It vacillates between poetry and realism, composing a theatrical intercultural dialogue that fuses aspects of modern Latin American slang with US media lingo and original rock lyrics. -Chiori Miyagawa, The Brooklyn Rail Sacrificial women haunt the darkling world created by Caridad Svich in her bold play. It creates a transfixing vision of hell on earth, buttressed by Svich's fractured poetic voice and her unblinking laser gaze at the ethical costs of cheap labor and disposable celebrity. Svich cunningly twists our expectations of class and gender roles. -Kerry Reid, The Chicago Tribune Caridad Svich's IPHIGENIA . A RAVE FABLE is an exhilarating play. The narrative subtlety is what makes Svich's redux of Euripides's IPHIGENIA IN AULIS so stirring. Through video projections, throbbing music and brand-name chemicals may offer escape, they punish the soul. Svich's remarkable poetry and crackling words reveals that the ravers, now permanently numb, also want Iphigenia dead. A play of mythic power. -Mark Blankenship, Variety Caridad Svich's play has gorgeous, drunken poetry . This 'rave fable' re-invents the story of Agamemnon's doomed daughter as one of modern political exigency. In the chorus (of dead girls of Ciudad Juarez) Svich layers elegy and comedy, the shame and fear she feels for these lost girls. Svich makes the anonymous city stand in for the gods of ancient drama ― just as unforgiving, just as hungry, just as brutal. -Helen Shaw, N Y Sun.…

Paperback. Condición: Good. A Rave Fable. This play hurls one of Greek tragedy's most compelling sagas into a sleek netherworld of sex, drugs and trance music. Iphigenia is the daughter of a political celebrity who embraces sensuous excess with a transgendered glam rock star named Achilles in a desperate attempt to flee her inevitable fate. Svich's text is a unique language spoken by beings that inhabit the intermediate world that she creates. It vacillates between poetry and realism, composing a theatrical intercultural dialogue that fuses aspects of modern Latin American slang with US media lingo and original rock lyrics. -Chiori Miyagawa, The Brooklyn Rail Sacrificial women haunt the darkling world created by Caridad Svich in her bold play. It creates a transfixing vision of hell on earth, buttressed by Svich's fractured poetic voice and her unblinking laser gaze at the ethical costs of cheap labor and disposable celebrity. Svich cunningly twists our expectations of class and gender roles. -Kerry Reid, The Chicago Tribune Caridad Svich's IPHIGENIA . A RAVE FABLE is an exhilarating play. The narrative subtlety is what makes Svich's redux of Euripides's IPHIGENIA IN AULIS so stirring. Through video projections, throbbing music and brand-name chemicals may offer escape, they punish the soul. Svich's remarkable poetry and crackling words reveals that the ravers, now permanently numb, also want Iphigenia dead. A play of mythic power. -Mark Blankenship, Variety Caridad Svich's play has gorgeous, drunken poetry . This 'rave fable' re-invents the story of Agamemnon's doomed daughter as one of modern political exigency. In the chorus (of dead girls of Ciudad Juarez) Svich layers elegy and comedy, the shame and fear she feels for these lost girls. Svich makes the anonymous city stand in for the gods of ancient drama ― just as unforgiving, just as hungry, just as brutal. -Helen Shaw, N Y Sun.…

Paperback. Condición: Good. Emily Mann is one of our most urgently engaging, provocative and significant American playwrights.--Joyce Carol Oates Both as a socially conscious melodrama which arouses strong outrage in the viewer and as a valuable history lesson with contemporary relevance, Mrs. Packard is informative, lively and engrossing. -Talkin' Broadway Elizabeth Packard emerges as a vibrant, passionate force of nature.--The New York Times Illinois, 1861: Without proof of insanity, Elizabeth Packard is committed by her husband to an asylum. Based on historical events, Emily Mann's play tells of one woman's struggle to right a system gone wrong in this winner of the Kennedy Center Fund for New American Plays Award. Emily Mann is a playwright and director. Her plays include Execution of Justice, Still Life and Having Our Say, among others. She is currently Artistic Director of Princeton, New Jersey's McCarter Theatre--recipient of the 1994 Tony Award for Outstanding Regional Theatre. Her numerous awards for artistic excellence include a Guggenheim, a Playwrights Fellowship and Artistic Associate Grant from the National Endowment for the Arts, a McKnight Fellowship and a Rosamund Gilder Award for Outstanding Creative Achievement in the Theatre. In recognition of her achievements illuminating the possibilities for social, cultural and political change, Ms. Mann was awarded the Lee Reynolds Award from the League of Professional Theatre Women/NY. …

Paperback. Condición: Good. I sat in a theater at the Humana Festival last year, after the closing monologue of ONE FLEA SPARE, unable to move. I had known Naomi Wallace's work well, having directed an earlier play, and I knew she had tremendous talent and promise to do great things. Nothing had prepared me - not my admiration for her plays and for her beautiful, harsh, moving, brilliantly political poetry - for the experience of watching this play, which is in my opinion one of the finest works of dramatic literature written here or in England in the last two decades. Utterly without sentiment but possessed of a very great human heart, ONE FLEA SPARE touches upon many things, class and gender and the pressures of a plague upon internal and external human constructs; and, as I read it, most devastatingly it addresses a tragedy of almost inexpressible dimensions: the consequences of the horrors of biology and Capital on the young. As the play draws to its shattering close I was filled with thoughts of the children of Sarajevo and Rwanda and the slums of America. 'Almost' inexpressible except in the hands of a true poet, and Naomi Wallace so magnificently proves herself to be. Her ability to articulate the inarticulable, grief and loss and suffering beyond endurance, is a source of hope; as is the resilience and passion of the marvelous characters she's assembled. Everyone who loves the theater should read this play. It has made me INTENSELY envious and very full of joy. -Tony Kushner Naomi Wallace sharply tightens her focus in this latest, thrillingly original work, set for the most part in a virtually bare London room during the Great Plague. -Jeremy Kingston, The Times (London) Poetic . Naomi Wallace's ONE FLEA SPARE is another example of fine, ambitious writing . The London plague is evoked in statistics and the overwhelming reality of quirky, Marivaux-like social role reversals in a single room. -Michael Coveney, The Observer (London) Naomi Wallace makes an opaque but artful and haunting New York debut with her ONE FLEA SPARE . ONE FLEA SPARE is built to provoke, not to distract, and it doesn't surrender its meanings easily. But the play's powerful sexual subtext and its beautiful poetic surface reveal an original theatrical imagination. Whether Wallace will find a big audience remains to be seen. She has a big talent, though. Wherever her plays are mounted, they're worth finding. -John Lahr, The New Yorker.…

Paperback. Condición: Very Good. I sat in a theater at the Humana Festival last year, after the closing monologue of ONE FLEA SPARE, unable to move. I had known Naomi Wallace's work well, having directed an earlier play, and I knew she had tremendous talent and promise to do great things. Nothing had prepared me - not my admiration for her plays and for her beautiful, harsh, moving, brilliantly political poetry - for the experience of watching this play, which is in my opinion one of the finest works of dramatic literature written here or in England in the last two decades. Utterly without sentiment but possessed of a very great human heart, ONE FLEA SPARE touches upon many things, class and gender and the pressures of a plague upon internal and external human constructs; and, as I read it, most devastatingly it addresses a tragedy of almost inexpressible dimensions: the consequences of the horrors of biology and Capital on the young. As the play draws to its shattering close I was filled with thoughts of the children of Sarajevo and Rwanda and the slums of America. 'Almost' inexpressible except in the hands of a true poet, and Naomi Wallace so magnificently proves herself to be. Her ability to articulate the inarticulable, grief and loss and suffering beyond endurance, is a source of hope; as is the resilience and passion of the marvelous characters she's assembled. Everyone who loves the theater should read this play. It has made me INTENSELY envious and very full of joy. -Tony Kushner Naomi Wallace sharply tightens her focus in this latest, thrillingly original work, set for the most part in a virtually bare London room during the Great Plague. -Jeremy Kingston, The Times (London) Poetic . Naomi Wallace's ONE FLEA SPARE is another example of fine, ambitious writing . The London plague is evoked in statistics and the overwhelming reality of quirky, Marivaux-like social role reversals in a single room. -Michael Coveney, The Observer (London) Naomi Wallace makes an opaque but artful and haunting New York debut with her ONE FLEA SPARE . ONE FLEA SPARE is built to provoke, not to distract, and it doesn't surrender its meanings easily. But the play's powerful sexual subtext and its beautiful poetic surface reveal an original theatrical imagination. Whether Wallace will find a big audience remains to be seen. She has a big talent, though. Wherever her plays are mounted, they're worth finding. -John Lahr, The New Yorker.…

Paperback. Condición: Very Good. Your career as a writer is blossoming, your beautiful, young fiancee is waiting to get married and rush off to Cancun by your side - so what is your natural reaction? Well, if you're a man, it's probably to get nervous and start calling up old girlfriends. And so begins a single man's odyssey through four hotel rooms, as he flies across the country in search of the perfect woman (whom he's already broken up with). In grand LaBute fashion, this by turns outrageously funny and deadly serious portrait of the artist as a young seducer casts a truthful, hilarious light on a typical young American male as he wanders through the heart of darkness that is himself. LaBute's] view of modern men and women is unsparing . He] is holding up a pitiless mirror to ourselves. We may not like what we see, but we can't deny that - if only in some dark corner of our souls - it is there. -Jacques le Sourd, The Journal News LaBute . continues to probe the fascinating dark side of individualism . His] great gift is to live in and to chronicle that murky area of not-knowing, which mankind spends much of its waking life denying. -John Lahr, The New Yorker.…

Paperback. Condición: Good. PICK UP AX.has a smart, sassy script that's studded with bright, funny dialogue. Clarvoe's very hip script centers on the fortunes of two bright young men, Keith Rienzi and Brian Weiss, who have bootstrapped themselves from a free-wheeling, penny-ante operation into a multi-million dollar computer software corporation through Keith's inventive brilliance and Brian's business instincts. But at twenty-seven, Keith is losing some of his whiz-kid brain, Brian's financial pipeline is drying up, and their supplier is refusing to deliver vital microchips to them. Just when these two aging wunderkind are facing disaster, in walks.Mick Palomar, a slick operator armed with an M B A and a flair for old-fashioned extortion. Richard Christiansen, Chicago Tribune PICK UP AX is a fast, funny, entertaining play about a fascinating subject: the growing pains of the personal computer industry. PICK UP AX is likely to be an audience-pleaser because of the sheer exuberance and wit of the script. Brin., Variety.…

Paperback. Condición: Good. A glimpse into urban youth survival. When three Brooklyn Italian teenagers murder an innocent boy, they are immediately faced with the choice of redemption or naIve bravado. Like a slow-brewing cancer, this nightmare unwarily grows and festers within and ultimately overcomes each of them at a time when a child normally grows into the responsible decision-making adult they should become. AVEN'U BOYS is not for those with a low tolerance for verbal and visual violence, but it can be enthusiastically recommended to anyone who wants to step into a fever dream of urban America 1993, as searingly realized by a new and gifted 29-year-old playwright named Frank Pugliese.his gripping style, in which fragmented dialogue and incidents seem to slice through the night like switch blades, casts its own disturbing spell. The playwright is less interested in drawing pat conclusions than in jolting the audience into a world it might ordinarily ignore. Such is the tragic context of AVEN'U BOYS that these battered women seem the last, best hope for salvation in a city poised for civil war. Frank Rich, The New York Times.…

Paperback. Condición: Very Good. A Rave Fable. This play hurls one of Greek tragedy's most compelling sagas into a sleek netherworld of sex, drugs and trance music. Iphigenia is the daughter of a political celebrity who embraces sensuous excess with a transgendered glam rock star named Achilles in a desperate attempt to flee her inevitable fate. Svich's text is a unique language spoken by beings that inhabit the intermediate world that she creates. It vacillates between poetry and realism, composing a theatrical intercultural dialogue that fuses aspects of modern Latin American slang with US media lingo and original rock lyrics. -Chiori Miyagawa, The Brooklyn Rail Sacrificial women haunt the darkling world created by Caridad Svich in her bold play. It creates a transfixing vision of hell on earth, buttressed by Svich's fractured poetic voice and her unblinking laser gaze at the ethical costs of cheap labor and disposable celebrity. Svich cunningly twists our expectations of class and gender roles. -Kerry Reid, The Chicago Tribune Caridad Svich's IPHIGENIA . A RAVE FABLE is an exhilarating play. The narrative subtlety is what makes Svich's redux of Euripides's IPHIGENIA IN AULIS so stirring. Through video projections, throbbing music and brand-name chemicals may offer escape, they punish the soul. Svich's remarkable poetry and crackling words reveals that the ravers, now permanently numb, also want Iphigenia dead. A play of mythic power. -Mark Blankenship, Variety Caridad Svich's play has gorgeous, drunken poetry . This 'rave fable' re-invents the story of Agamemnon's doomed daughter as one of modern political exigency. In the chorus (of dead girls of Ciudad Juarez) Svich layers elegy and comedy, the shame and fear she feels for these lost girls. Svich makes the anonymous city stand in for the gods of ancient drama ― just as unforgiving, just as hungry, just as brutal. -Helen Shaw, N Y Sun.…

Paperback. Condición: Good. A Rave Fable. This play hurls one of Greek tragedy's most compelling sagas into a sleek netherworld of sex, drugs and trance music. Iphigenia is the daughter of a political celebrity who embraces sensuous excess with a transgendered glam rock star named Achilles in a desperate attempt to flee her inevitable fate. Svich's text is a unique language spoken by beings that inhabit the intermediate world that she creates. It vacillates between poetry and realism, composing a theatrical intercultural dialogue that fuses aspects of modern Latin American slang with US media lingo and original rock lyrics. -Chiori Miyagawa, The Brooklyn Rail Sacrificial women haunt the darkling world created by Caridad Svich in her bold play. It creates a transfixing vision of hell on earth, buttressed by Svich's fractured poetic voice and her unblinking laser gaze at the ethical costs of cheap labor and disposable celebrity. Svich cunningly twists our expectations of class and gender roles. -Kerry Reid, The Chicago Tribune Caridad Svich's IPHIGENIA . A RAVE FABLE is an exhilarating play. The narrative subtlety is what makes Svich's redux of Euripides's IPHIGENIA IN AULIS so stirring. Through video projections, throbbing music and brand-name chemicals may offer escape, they punish the soul. Svich's remarkable poetry and crackling words reveals that the ravers, now permanently numb, also want Iphigenia dead. A play of mythic power. -Mark Blankenship, Variety Caridad Svich's play has gorgeous, drunken poetry . This 'rave fable' re-invents the story of Agamemnon's doomed daughter as one of modern political exigency. In the chorus (of dead girls of Ciudad Juarez) Svich layers elegy and comedy, the shame and fear she feels for these lost girls. Svich makes the anonymous city stand in for the gods of ancient drama ― just as unforgiving, just as hungry, just as brutal. -Helen Shaw, N Y Sun.…

Paperback. Condición: Good. A startling dissection of cruelty and artistic creation from the author of In the Company of Men and Your Friends and NeighborsIn a modern version of Adam's seduction by Eve, The Shape of Things pits gentle, awkward, overweight Adam against experienced, analytical, amoral Evelyn, a graduate student in art. After a chance meeting at a museum, Evelyn and Adam embark on an intense relationship that causes shy and principled Adam to go to extraordinary lengths, including cosmetic surgery, and a betrayal of his best friend, to improve his appearance and character. In the process, Evelyn's subtle and insistent coaching results in a reconstruction of Adam's fundamental moral character. Only in a final and shocking exhibition does Evelyn reveal the nature of her interest in Adam, of her detached artist's perspective and sense of authority--to her, Adam is no more than flesh. one of the most perfect materials on earth. Natural, beautiful, and malleable. Labute's latest work is an intense and disturbing study not only of the uses of power within human relationships, but also of the ethics involved in the relationship of art and life. To what extent is an artist licensed to shape and change her medium or to alter the work of another artist? What is acceptable artistic material? At what point does creation become manipulation, and at what point does creation destroy? Or, is the new Adam, handsome and confident if heart broken, an admirable result of the most challenging artistic endeavor? The Shape of Things challenges society's most deeply entrenched ideas about art, manipulation, and love.…

Paperback. Condición: Good. ANGELS IN AMERICA has proved to be a watershed drama, the most lyrical and ambitious augury of an era since Tennessee Williams's The Glass Menagerie. John Lahr, The New Yorker The most influential American play of the last two decades. Patrick Healy, The New York Times Daring and dazzling The most ambitious American play of our time: an epic that ranges from earth to heaven; focuses on politics, sex and religion; transports us to Washington, the Kremlin, the South Bronx, Salt Lake City and Antarctica; deals with Jews, Mormons, WASPs, blacks; switches between realism and fantasy, from the tragedy of AIDS to the camp comedy of drag queens to the death or at least absconding of God. Jack Kroll, Newsweek The greatest American play of the waning years of the twentieth century. Chris Jones, Chicago Tribune.…

Paperback. Condición: Very Good. ANGELS IN AMERICA has proved to be a watershed drama, the most lyrical and ambitious augury of an era since Tennessee Williams's The Glass Menagerie. John Lahr, The New Yorker The most influential American play of the last two decades. Patrick Healy, The New York Times Daring and dazzling The most ambitious American play of our time: an epic that ranges from earth to heaven; focuses on politics, sex and religion; transports us to Washington, the Kremlin, the South Bronx, Salt Lake City and Antarctica; deals with Jews, Mormons, WASPs, blacks; switches between realism and fantasy, from the tragedy of AIDS to the camp comedy of drag queens to the death or at least absconding of God. Jack Kroll, Newsweek The greatest American play of the waning years of the twentieth century. Chris Jones, Chicago Tribune.…

Paperback. Condición: Fair. This collection includes 34 one acts and monologues by notable American women playwrights. 67201 by Adele Edling Shank: Love and fantasy in the afternoon. THE BEST OF STRANGERS by Lee Hunkins: Two women sharing a hospital room cope with breast cancer, husbands, and racial barriers. BOARDERS by Constance Congdon: Three short plays about apartment dwellers, with an epilogue by their landlady. BREAKFAST SERIAL by Megan Terry: A child abuser meets his match. BRUSSELS SPROUTS by Janet Neipris: Former lovers meet under very different circumstances the second time around. THE CORD AND THE TRACK by Helen Duberstein: Two older men discuss younger women. CURTAIN CALL by Roma Greth: An actress balances on an emotional tightrope strung between approaching retirement and a fading career. THE DEATH OF HUEY NEWTON by Lynda Sturner: A couple reflect on the twists and turns their lives have taken since their 1960s glory days. DRY SMOKE by Adele Edling Shank: The story behind a fatal fire. FOOD by Neena Beber: Two women are starving for something, anything, that might provide fulfillment. THE GHOST STORY by Lenore Bensinger: The title hints at half of it; the other half involves a psychic advisor, a couple of children, a golden retriever, double fudge brownies, and the C.I.A. HAITI (A DREAM) by Karen Sunde: The plight of a Haitian family aboard a rickety boat seeking their dream of America. HALFWAY by Roma Greth: There is a question as to who is the inmate and who is the attendant in this halfway house for mental patients. HELEN MELON AT THE SIDESHOW by Katy Dierlam: The carnival Fat Lady delivers a monologue. IN THE BEGINNING by Rebecca Ritchie: Lilith shares with Eve a few eye-opening tidbits about Adam. JIM'S COMMUTER AIRLINES by Lavonne Mueller: Two pilots undergo trauma when one's mother decides to fly incognito on the rickety airline he owns. LIFE GAP by Y York: A story about a very poor family and the do-gooder who wants to help them. METAMORPHOSES by June Siegel: Life changes experienced by three women. THE NIP AND THE BITE by Judy GeBauer: A brief, explosive story of American violence on Mexican soil. OCEAN DREAM by Nancy Rhodes: A young woman recovers her childhood during an afternoon on the beach. ORIGAMI TEARS by D Lee Miller: The love/hate relationship of an older married couple coming to terms with the husband's death. PANICKED by Sally Ordway: A performance artist's witty examination of life turns into a howl of help to alien beings. A PERMANENT SIGNAL by Sherry Kramer: The famous Siren sisters step down from the heavens to harvest the sweetness they planted eons before. The crop is not what they expected. A PLACE WHERE LOVE IS by Sally Dixon Wiener: A terminally ill father and his daughters struggle to understand one another. POOF By Lynn Nottage: The laws of the universe tumble when a meek woman finally speaks up. REPAIRS by Susan Miller: Finishing a basement is either a neurotic retreat from reality or a way of patching up the cracks. THE SLEEP SEEKER by Staci Swedeen: A woman struggles with unbearable memories. SPRINGTIME by Mar a Irene Forn s: The eternal story of love and betrayal. STEPPING OFF A CLOUD by Christina Cocek: A comedy about getting it together. TRIPS by Sally Ordway: Two women pass their time on the porch of a retirement home by counting passing cars. WATCHING THE DOG by Sybille Pearson: A play within a play set in a veterinarian's office. WATER PLAY by Sally Nemeth: The rain will not stop. Rising seas reclaim the land. In a loft barely above the water line, scientist Evangeline tracks the deluge. WELL DONE POETS by Laura Quinn: A math major, a biology major, and an economics major explore feminist poetry with the help of several pitchers of beer. WORKOUT by Wendy Wasserstein: A running commentary on, to, and about a woman's life and her exercise routine.…

Paperback. Condición: Good. I sat in a theater at the Humana Festival last year, after the closing monologue of ONE FLEA SPARE, unable to move. I had known Naomi Wallace's work well, having directed an earlier play, and I knew she had tremendous talent and promise to do great things. Nothing had prepared me - not my admiration for her plays and for her beautiful, harsh, moving, brilliantly political poetry - for the experience of watching this play, which is in my opinion one of the finest works of dramatic literature written here or in England in the last two decades. Utterly without sentiment but possessed of a very great human heart, ONE FLEA SPARE touches upon many things, class and gender and the pressures of a plague upon internal and external human constructs; and, as I read it, most devastatingly it addresses a tragedy of almost inexpressible dimensions: the consequences of the horrors of biology and Capital on the young. As the play draws to its shattering close I was filled with thoughts of the children of Sarajevo and Rwanda and the slums of America. 'Almost' inexpressible except in the hands of a true poet, and Naomi Wallace so magnificently proves herself to be. Her ability to articulate the inarticulable, grief and loss and suffering beyond endurance, is a source of hope; as is the resilience and passion of the marvelous characters she's assembled. Everyone who loves the theater should read this play. It has made me INTENSELY envious and very full of joy. -Tony Kushner Naomi Wallace sharply tightens her focus in this latest, thrillingly original work, set for the most part in a virtually bare London room during the Great Plague. -Jeremy Kingston, The Times (London) Poetic . Naomi Wallace's ONE FLEA SPARE is another example of fine, ambitious writing . The London plague is evoked in statistics and the overwhelming reality of quirky, Marivaux-like social role reversals in a single room. -Michael Coveney, The Observer (London) Naomi Wallace makes an opaque but artful and haunting New York debut with her ONE FLEA SPARE . ONE FLEA SPARE is built to provoke, not to distract, and it doesn't surrender its meanings easily. But the play's powerful sexual subtext and its beautiful poetic surface reveal an original theatrical imagination. Whether Wallace will find a big audience remains to be seen. She has a big talent, though. Wherever her plays are mounted, they're worth finding. -John Lahr, The New Yorker.…

Paperback. Condición: Good. This witty and passionate play explores the story of a man with Alzheimer's and at the same time turns into a travel guide to Middle America conducted by aliens from outer space. The play has a wonderful comic sensibility, but this is a chillingly painful play addressing postmodern society's collective nervous breakdown. If not the best new play of recent years, surely this is the most imaginative. Constance Congdon's brilliant Off-Broadway script wryly deflects the story of a man with Alzheimer's disease into a travel guide to Middle America conducted by aliens. -William Henry I, Time Constance Congdon's TALES OF THE LOST FORMICANS is a treat in so many ways - starting with its deliciously wry title . you shouldn't miss it: Congdon is a new voice, and her innumerable small triumphs are achieved with a freshness of spirit, with a humor and charm so distinctively individual, that one just wants to hear more and more from her . Congdon's aliens are a fluidly shifting metaphor for her own complex relation to the subject of her drama, a lower-middle suburban family coping with three generations' worth of stress simultaneously . -Michael Feingold, Village Voice . a savagely uncompromising play of searching insights, biting wit and all too recognizable home truths . There are laughs, wit and humor, but this is a chillingly painful play. Congdon is a terrific playwright with sure command of language and her subject . -Polly Warfield, Drama-Logue Congdon's writing creates dialogue that crackles with wit, imagination and incisive passion . -A J Esta, Drama-Logue.…

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. Plenty of glamorous backstabbing, diva dissing and sexual double-crossing.has every right to claim the name Dynasty for itself. But the title character in Betty Shamieh's bouncy, bumpy comic melodrama is the real thing. A queen, I mean, and not just of the self-dramatizing type. Scratch that. She's more than a queen. She's a pharaoh, one Hatshepsut, who reigned over Egypt for 20 odd years in the 15th-century B C, and the distinction is important in a time when women rarely ruled, at least not officially. (Ancient days, huh?) A subversive speculation on the nature of power Ben Brantley, The New York Times Funny, both witty--Shamieh's sharp-tongued women lacerate one another and their shared opponents--and farcical FIT FOR A QUEN may have attracted attention due to its election-season parallels.but it's Senenmut who is Shamieh's] favorite kind of antihero: the oppressed subject who refuses to play angel, the recipient of horrors who manages to deliver some horrors of her own. She's bundled contradictions, as the best-written characters always are: power-hungry but empathetic; hardened through experience but naive enough to be betrayed; often the smartest person in the room, so always surprised when she's outwitted. Harvard Magazine If the premise sounds like a history lesson, this play delivers a hilarious, beautifully written tale of what it takes to be a woman in power and how absolute power does inevitably corrupt absolutely.the writing is both poetic and powerful and the comedy is intelligent and sharp. The wily Senenmut has an evil streak that rivals many a Shakespearean villain. Tribeca Trib FIT FOR A QUEN reveals the life and reign of Hatshepsut in a way never before explored, thus ensuring Hatshepsut's name is not lost to the ages. Huffington Post.…

Paperback. Condición: Very Good. Your career as a writer is blossoming, your beautiful, young fiancee is waiting to get married and rush off to Cancun by your side - so what is your natural reaction? Well, if you're a man, it's probably to get nervous and start calling up old girlfriends. And so begins a single man's odyssey through four hotel rooms, as he flies across the country in search of the perfect woman (whom he's already broken up with). In grand LaBute fashion, this by turns outrageously funny and deadly serious portrait of the artist as a young seducer casts a truthful, hilarious light on a typical young American male as he wanders through the heart of darkness that is himself. LaBute's] view of modern men and women is unsparing . He] is holding up a pitiless mirror to ourselves. We may not like what we see, but we can't deny that - if only in some dark corner of our souls - it is there. -Jacques le Sourd, The Journal News LaBute . continues to probe the fascinating dark side of individualism . His] great gift is to live in and to chronicle that murky area of not-knowing, which mankind spends much of its waking life denying. -John Lahr, The New Yorker.…

Paperback. Condición: Good. Surrealism, magic realism and expressionism are the hallmarks of Jose Rivera's influential body of work. This new volume collects the author's plays written in the past five years, including References to Salvador Dal Make Me Hot (effortlessly melds otherworldly fantasy with gritty realism to make sparks fly onstage.--The Journal News), Sue o (a reworking for Pedro Calder n's Life is a Dream) and Sonnets for an Old Century, the author's most recent work, which recently premiered in Los Angeles.Puerto Rican-born playwright Jos Rivera plays have been produced all over the world and his work has been translated into seven languages. His best known work includes Marisol and Each Day Dies with Sleep. Rivera has a messianic mission to replace old and dying creeds with vibrant new visions.--Robert Brustein, New RepublicAlso available by Jos Rivera Marisol and Other Plays PB $15.95 1-55936-136-0 - USA.…

Paperback. Condición: Good. What if Neil Simon wrote a lovable comedy about a Muslim-American family trying to hold itself together amidst the misunderstandings that run amuck and the comedy that ensues when the generations collide? It would probably resemble something like the surprisingly enjoyable, charming and oftentimes hilarious TEN ACROBATS IN AN AMAZING LEAP OF FAITH. Fabrizio O Almeida, New City Chicago With TEN ACROBATS IN AN AMAZING LEAP OF FAITH, playwright Yussef El Guindi takes the genre (of the immigrant experience) to a new place--the Arab-American experience post September 11, 2001. With humor, passion and a lovely touch of whimsy, he's created a theatrical experience that's not to be missed. Louis Weisberg, CFP El Guindi's engrossing play.finds a workable balance between sharp humor and head-banging angst, which shapes his story effectively. Mary Houlihan, Chicago Sun-Times Woven into this complicated family drama are scenes of delightful humor. Humanity is the substance that ties not only all of the characters together but also binds the audience to them. This play beautifully serves the purposes of drama, comedy, the artistic theatrical process and, perhaps most importantly, demystifying the hate that comes from fear of unknown cultures. Venus Zarris, Gay Chicago Magazine The drama comes from an emotionally vivid story that captures a world of anger, joy, love and frustration as it plays out in a Muslim-American family. The appeal lies in Guindi's ability to transcend ethnicity while still writing a rich depiction of a Muslim family. The emotional difficulties could belong to any family of any (or no) religion. Smart, challenging, poignant, whimsical and at times, delightfully silly. Catey Sullivan, Pioneer Press.…

Paperback. Condición: Very Good. What if Neil Simon wrote a lovable comedy about a Muslim-American family trying to hold itself together amidst the misunderstandings that run amuck and the comedy that ensues when the generations collide? It would probably resemble something like the surprisingly enjoyable, charming and oftentimes hilarious TEN ACROBATS IN AN AMAZING LEAP OF FAITH. Fabrizio O Almeida, New City Chicago With TEN ACROBATS IN AN AMAZING LEAP OF FAITH, playwright Yussef El Guindi takes the genre (of the immigrant experience) to a new place--the Arab-American experience post September 11, 2001. With humor, passion and a lovely touch of whimsy, he's created a theatrical experience that's not to be missed. Louis Weisberg, CFP El Guindi's engrossing play.finds a workable balance between sharp humor and head-banging angst, which shapes his story effectively. Mary Houlihan, Chicago Sun-Times Woven into this complicated family drama are scenes of delightful humor. Humanity is the substance that ties not only all of the characters together but also binds the audience to them. This play beautifully serves the purposes of drama, comedy, the artistic theatrical process and, perhaps most importantly, demystifying the hate that comes from fear of unknown cultures. Venus Zarris, Gay Chicago Magazine The drama comes from an emotionally vivid story that captures a world of anger, joy, love and frustration as it plays out in a Muslim-American family. The appeal lies in Guindi's ability to transcend ethnicity while still writing a rich depiction of a Muslim family. The emotional difficulties could belong to any family of any (or no) religion. Smart, challenging, poignant, whimsical and at times, delightfully silly. Catey Sullivan, Pioneer Press.…