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Hardback. Condición: Good. Emily Dickinson, poet of the interior life, imagined words/swords, hurling barbed syllables/piercing. Nothing about her adult appearance or habitation revealed such a militant soul. Only poems, written quietly in a room of her own, often hand-stitched in small volumes, then hidden in a desk drawer, revealed her true self. She did not live in time, as did that other great poet of the day, Walt Whitman, but in universals. As she knowingly put it: There is one thing to be grateful for--that one is one's self and not somebody else.Dickinson lived and died without fame: she saw only a few poems published. Her great legacy was later rescued from her desk drawer--an astonishing body of work revealing her acute, sensitive nature reaching out boldly from self-referral to a wider, imagined world. Her family sought publication of Dickinson's poetry over the years, selecting verses, often altering her words or her punctuation, until, in 1955, the first important attempt was made to collect and publish Dickinson's work, edited by Thomas H. Johnson for the Belknap Press of Harvard University Press.Now, after many years of preparation by Ralph Franklin, the foremost scholar of Dickinson's manuscripts, a new comprehensive edition is available. This three-volume work contains 1,789 poems, the largest number ever assembled. The poems, arranged chronologically, based on new dating, are drawn from a range of archives, most frequently from holographs, but also from various secondary sources representing lost manuscripts. The text of each manuscript is rendered individually, including, within the capacity of standard type, Dickinson's spelling, capitalization, and punctuation. Franklin gives Dickinson's alternative readings for the poems, her revisions, and the line and page, or column, divisions in the source. Each entry identifies Franklin's editorial emendations and records the publication history, including variants. Fourteen appendices of tables and lists give additional information, including poems attributed to Emily Dickinson. The poems are indexed by numbers from the Johnson edition, as well as by first lines.Franklin has provided an introduction that serves as a guide to this edition and surveys the history of the editing of Dickinson's poems. His account of how Dickinson conducted her workshop is a reconstruction of a remarkable poetic life. …

Hardback. Condición: Very Good. Emily Dickinson, poet of the interior life, imagined words/swords, hurling barbed syllables/piercing. Nothing about her adult appearance or habitation revealed such a militant soul. Only poems, written quietly in a room of her own, often hand-stitched in small volumes, then hidden in a desk drawer, revealed her true self. She did not live in time, as did that other great poet of the day, Walt Whitman, but in universals. As she knowingly put it: There is one thing to be grateful for--that one is one's self and not somebody else.Dickinson lived and died without fame: she saw only a few poems published. Her great legacy was later rescued from her desk drawer--an astonishing body of work revealing her acute, sensitive nature reaching out boldly from self-referral to a wider, imagined world. Her family sought publication of Dickinson's poetry over the years, selecting verses, often altering her words or her punctuation, until, in 1955, the first important attempt was made to collect and publish Dickinson's work, edited by Thomas H. Johnson for the Belknap Press of Harvard University Press.Now, after many years of preparation by Ralph Franklin, the foremost scholar of Dickinson's manuscripts, a new comprehensive edition is available. This three-volume work contains 1,789 poems, the largest number ever assembled. The poems, arranged chronologically, based on new dating, are drawn from a range of archives, most frequently from holographs, but also from various secondary sources representing lost manuscripts. The text of each manuscript is rendered individually, including, within the capacity of standard type, Dickinson's spelling, capitalization, and punctuation. Franklin gives Dickinson's alternative readings for the poems, her revisions, and the line and page, or column, divisions in the source. Each entry identifies Franklin's editorial emendations and records the publication history, including variants. Fourteen appendices of tables and lists give additional information, including poems attributed to Emily Dickinson. The poems are indexed by numbers from the Johnson edition, as well as by first lines.Franklin has provided an introduction that serves as a guide to this edition and surveys the history of the editing of Dickinson's poems. His account of how Dickinson conducted her workshop is a reconstruction of a remarkable poetic life.…

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Hardback. Condición: Good. Este livro examina a rela o entre a degrada o das infra-estruturas e o desempenho acad mico nas escolas prim rias p blicas africanas. A deteriora o do estado das infra-estruturas nas escolas tem demonstrado ter um impacto negativo nos resultados de aprendizagem dos alunos. Atrav s de uma revis o da literatura existente e da an lise de dados relevantes, este livro tem como objetivo fornecer informa es sobre a extens o do problema e as suas implica es para a qualidade do ensino nos pa ses africanos. Ser o tamb m discutidas recomenda es para resolver a degrada o das infra-estruturas e melhorar o desempenho acad mico nas escolas prim rias p blicas. …

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Hardback. Condición: Good. Ward, Lalla (ilustrador).

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Paperback. Condición: Good. A new, up-to-date edition of the popular and comprehensive encyclopedia by award-winning furniture designer, Jeremy Broun. This unique visual encyclopedia of techniques is the essential benchtop reference for all woodworkers. Divided into three parts, this first section introduces you to the tools, timbers and machines that are used and necessary to basic woodworking. Then, in A to Z format, woodworking techniques are fully demonstrated and described through helpful step-by-step photographs and text, from abrading and biscuit joints through to mortise and tenon joints and jigs. Power-tool and hand-tool variations are also fully detailed, providing you with that much-needed flexibility in your own workshop. Finally, a gallery of finished examples by leading craftspeople demonstrate the principles of design and construction, which will inspire both novice woodworkers as well as the more experienced craftsman.…