Black art (223 resultados)

Softcover, edges bit worn, else in good condition, Text in English. Please see description or ask for photos.

Paperback, spine and edges of the cover discolored, slight traces of use, else in good condition. Text in English. Please see description or ask for photos.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Near Fine. Hardcover. Quarto. 157pp. Illustrated. Exhibition catalogue. Ships directly from our shop.

Softcover, edges worn/chafed, slight traces of use, else a good copy. Please see description or ask for photos.

Softcover, 36 pages; very good condition; clean and crisp; no internal marks.

Softcover, 128 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover. Condición: Near Fine. First Edition. Sterling condition softcover copy, with unfurled tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear to printed, illustrated wraps, in gate-fold, mostly wear to spine. Replete with black-and-white and duotone reproductions and photographs of the best works of Susan Weil, edited and with a lengthy essay by Donna Stein, "Susan Weil: Full Circle." Fifth in a series of "dossiers" produced for the Black Mountain College Museum and Art Center about artists, printers, actors and others who attended the College. v + 35 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

softcover. Condición: Used; Good. First Edition; First Printing. Numerous full-page plates in color and black and white. ; Tight and solid binding. Soiling to covers. Interior is in excellent condition. No inscriptions. Not ex-library.

softcover. Condición: Used; Good. First Edition; First Printing. Numerous illustrations in color and black and white. ; Tight and solid binding. Soiling to covers. Interior is in excellent condition. No inscriptions. Not ex-library.

Soft cover. Condición: Very Good. 8 1/2" x 11", card covers, 59pp., ills. VG: covers lightly rubbed, lightly soiled; binding quite sound; text and illustrations clean and bright.

Soft cover. Condición: Very Good. 8 1/2" x 11", card covers, 72pp., ills. VG: covers lightly rubbed, lightly soiled; binding quite sound; text and illustrations clean and bright save for some faint discoloration to the foot of the last leaves.

Soft cover. Condición: Very Good. 8 1/2" x 11", card covers, 64pp., ills. VG: covers lightly rubbed, lightly soiled; binding quite sound; text and illustrations clean and bright.

Soft cover. Condición: Very Good. 8 1/2" x 11", card covers, 64pp., ills. VG: covers lightly rubbed, lightly soiled; binding quite sound; text and illustrations clean and bright.

Soft cover. Condición: Very Good. 8 1/2" x 11", card covers, 62pp., ills. VG: covers lightly rubbed, lightly soiled; binding quite sound; text and illustrations clean and bright.

Soft cover. Condición: Very Good. 8 1/2" x 11", card covers, 70pp., ills. VG: covers lightly rubbed, lightly soiled; binding quite sound; text and illustrations clean and bright.

Soft cover. Condición: Very Good. 8 1/2" x 11", card covers, 70pp., ills. VG: covers lightly rubbed, lightly soiled; binding quite sound; text and illustrations clean and bright.

Paperback. Condición: Fine. 1st. 304 pages, illustrations (some colour), portraits; 25 cm. Published in conjunction with the exhibition Camera Atomica, Art Gallery of Ontario, 8 July 2014 to 25 January 2016. Firm binding, clean inside copy. *** "Photographs have a crucial place in the representation of the atomic age and its anxieties. This book examines narratives beyond the technological sublime that dominates much nuclear photography, suppressing representations of the human form in favor of representations of B-52 bombers and mushroom clouds. The book proposes that the body is the site where the social environment interacts with the so-called atomic road: uranium mining and processing, radiation research, nuclear reactor construction and operation, and weapons testing. Co-published with the Art Gallery of Ontario to accompany a major exhibition there in 2014. Cameras have both recorded and - in certain instances - provided motivation for the production of nuclear events. Their histories and technological development are intimately intertwined: at McGill University in the early 1900s, for example, Ernest Rutherford employed photography to identify the properties of radioactive materials, winning a Nobel Prize for his research, and at Los Alamos in the mid-1940s, Julian E. Mack and Berlyn Brixner designed specialized cameras for measuring the blast yield of nuclear weapons." - Publisher. *** CONTENTS: Acknowledgements, by John O'Brian; Introduction: through a radioactive lens, by John O'Brian; Photographing mushroom clouds in an age of risk, by John O'Brian; Uranium; Radiation. Posing by the cloud: U.S. nuclear test site photography in process, by Julia Bryan-Wilson; Hiroshima; Nagasaki. Hidden and forgotten Hibakusha: nuclear legacy, by Hiromitsu Toyosaki; The wrong sun, by Douglas Coupland; Text and protest. Through the lens, darkly, by Iain Boal & Gene Ray; Atomic photographs below the surface, by Blake Fitzpatrick; Visible and invisible. Radical contact prints, by Susan Schuppli; Atomic timeline. Size: 8vo. Collectible.…

Hardcover. Condición: Fine. 1st. Pictorial boards, 103 pages, illustrations (some colour); 28 cm. Firm binding, clean inside copy. *** Ukrainian artist working in site-specific installations. *** "Drawing on his Ukrainain heritage, Gec's work primarily deals with issues of migration and displacement, using the sea as a metaphor to reflect on political concerns and questions. In post Cold War Europe, Gec draws on the now obselete symboles of destruction, such as nuclear submarines, to create new, poetic structures. This book covers his more recent work, including 'Fragment/Vengeance', commissioned for Barrow in Furness, and 'Faedm', a globe, six feet across." - Publisher. Size: 4to.…

Oversize Hardback. Condición: Fine. No Jacket. A clean, unmarked book with a tight binding. 160 pages. 8 1/2"w x 11 1/4"h. 2.

Softcover, 304 pages; good condition, heavy bump / tears to top of spine; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket as issued, 208 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Very Good. No Jacket. 1st Edition. Minor wear. Very Good condition.

Softcover. Condición: Very Good. First Edition. Signed by Author & Illustrator; Card covers show light shelfwear and corner curl, light shelf soil bottom page edges.; Signed by author/ illustrator on front fly leaf. A bright, solid book.; 2; Colour Illustrations; Square 8vo 8" to 9" tall; 91 pages; Scott's colourful artwork appears on every second page with some background on the subject matter on the facing page. …

softcover. Condición: Used; Good. First Edition; First Printing. Numerous illustrations in color and black and white. ; Tight and solid binding. Soiling to covers. Interior is in excellent condition. No inscriptions. Not ex-library.

Softcover with flaps, oblong format, reading fold on the spine, slight traces of use to the (white) cover, else in good condition. Please see description or ask for photos.

Original cloth with decoration on front, pocket format, spine discolored, minor traces of use, else in good condition. Text in English. Please see description or ask for photos.

Softcover, edges worn, faint stain on the back of the cover, minor traces of use, else in good condition. Text in English. Please see description or ask for photos.

Original cloth, with dust jacket (spine sunned), large format, minor traces of use, in (very) good condition. Please see description or ask for photos.