Berlin sternberg press (195 resultados)

Paperback. Condición: Good. No Jacket. Soft cover. 2014. Light wrinkling of text block, pressure marks to wraps. Firmly bound, no spine crease. Crisp, clean, unmarked interior. Good or better condition.

Paperback. Condición: Very Good. 224 pp. Tightly bound. Spine not compomised. Text is free of markings. No ownership markings. Remainder mark on top fore-edge. Note: I noticed a light ding to the top edge of page 91/92. Otherwise a very nice copy close to "near fine" with remainder mark. (one small black dot).…

Softcover. Condición: Neu. Ohne Schutzumschlag. 1. Auflage. 95 and 87 pages with many illustrations, partly coloured.

Paperback. Condición: Very Good. 84 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Remainder mark bottom fore-edge. This is a small 12mo (7 1/2") paperback with French flaps.

Soft cover. Condición: Very Good to Near Fine. 269 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Remainder mark bottom fore-edge. This copy is smyth sewn. Smyth sewing is a method of book binding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding. …

Paperback. Condición: Very Good. 120 pp. Tightly bound. Spine not compomised. Text is free of markings. No ownership markings. Remainder mark on bottom fore-edge. Book still in original publisher shrink wrap.

softcover. Condición: Fine copy. 1st. 12mo, 141 pp., Edited by Nikolaus Hirsch & Markus Miessen., Still shrink-wrapped from the publisher. Lawler, Louise (ilustrador).

Plastic Comb. Condición: Very Good to Near Fine. 180 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Plastic comb paperback binding.

Paperback. Condición: Very Good. 382 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Remainder mark bottom fore-edge.

Paperback. Condición: Near Fine. 208 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. NOTE: Book is still in the original publisher shrink wrap. Remainder mark (one small black dot). NOTE: Text is in both German and English. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.…

Paperback. Condición: Near Fine. 352 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Book is still in the original publisher shrink wrap. NOTE: Remainder mark bottom fore-edge.

Paperback. Condición: Near Fine. Small remainder mark on one edge. A nice, bright copy. ; Sternberg Press; 7.9 X 5.7 X 0.6 inches; 196 pages.

Paperback. Condición: Near Fine. Remainder mark on bottom edge. A nice, crisp copy. ; 11.8 X 9.5 X 0.6 inches; 170 pages.

Softcover. Condición: Very Good. Remainder mark on top edge. ; Sternberg Press; B&W Illustrations; 9.4 X 6.7 X 0.9 inches; 276 pages.

First Edition. First edition. Softcover. 95 pages. Features texts by Paul Wombell and Gilles Deleuze along with a conversation between Bob Nickas and Kalpakjian. Inlcues numerous color illustrations, A fine copy in French style wrappers.

Paperback. Condición: Near Fine. Clean and solid. Remainder mark to top edge of text-block. ; Sternberg Press; Color Illustrations; 8vo; 128 pages.

Soft cover. Condición: Very Good. First Edition. Small 8vo. Softcover. 92 pp. Light scuffing to the spine ends, otherwise a fine copy.

Paperback. Condición: Very Good+. No Dust Jacket. Small remainder mark on one edge. A nice, bright copy.; Sternberg Press; B &W and Color Illustrations; 6.7 X 0.9 X 9.4 inches; 174 pages.

Paperback. Condición: Very Good. No Dust Jacket. Clean and solid.; Sternberg Press; B&W and color illustrations; 8vo; 379 pages.

Soft cover. Condición: As New. Berlin, DE: Sternberg Press, 2020. Softcover. Trade paperback, text in English, published as Volume 1 in the Counter-Histories series, 6.5 x 8.5 inches, 288 pp. Bound in yellow wraparound cardstock covers with French flaps; text block glued as issued but not affixed to the covers. Cover flaps are clear, no text or pricing. Covers are clean and bright. Interior is crisp and clean; pages are bright and unmarked with no ownership inscriptions, bookplates, or library markings; Not Ex-Library. Book condition: As New. An interdisciplinary collection of essays by theorists, artists, and critics examining contemporary ideas of the future, utopian thought, capitalism, technology, and political uncertainty in the twenty-first century. Books are shipped quickly and securely packed in a new box.…

Soft cover. Condición: Near Fine. Tall 8vo bound in red wrappers. Near Fine with a few scuffs to cover and a tiny remainder mark to lower edge. 67 pp. Please inquire about overseas shipping prior to purchase. [OJ].

Softcover. Condición: Sehr gut. Estado de la sobrecubierta: Ohne Schutzumschlag. 1. Auflage. 59 pages with many coloured illustrations on plates.

Hardcover. Condición: Very Good to Near Fine. Estado de la sobrecubierta: Published Without Dust Jacket. 424 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Published without dust jacket. Remainder mark bottom fore-edge. (one small dot).

Paperback. 4to. Remains in publisher's original shrinkwrap; fine.

Paperback. Condición: Near Fine to Fine. 248 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Note: Remainder mark bottom fore-edge. Note: Book is still in the original publisher shrink wrap.

Paperback. Condición: Fine. Still in shrinkwrap. ; 8vo; 160 pages.

Paperback. Condición: Very Good+. Small remainder mark on bottom edge. A nice, bright copy. ; Sternberg Press; Color Photographs; 12.4 X 9.3 X 0.6 inches; 192 pages.

Encuadernación de tapa blanda. Condición: Como Nuevo. Estado de la sobrecubierta: Como Nuevo. Arte. Libro ilustrado. Catálogo exposición. Edición bilingüe español-inglés.

Flexicover. Estado de la sobrecubierta: No Dust Jacket As Issued. Small remainder mark on bottom edge. A nice crisp copy.; Sternberg Press; B&W reproductions; 11.2 X 8.7 X 1.0 inches; 312 pages Near Fine No dust jacket as issued.

Soft cover. Condición: Fine. Fine - Pages are mostly intact and not marred by notes or highlighting, but book spine has slightly faded in color. This publication documents the 2016 exhibition One, No One and One Hundred Thousand, which took place at Kunsthalle Wien Karlsplatz. Curated by Luca Lo Pinto, the show took its inspiration from Oulipo, a literary strategy whose objective was to propose new "structures" for writing that were mathematical in nature. Using A Thousand Billion Poems, a 1961 book by Raymond Queneau, one of Oulipo's founders, as a manifesto for the exhibition, nine artists were invited to create new works in a display that would change depending on the wishes of the visitor. Investigating and reformulating the conventional structure and limitations of exhibition making, One, No One and One Hundred Thousand challenged curatorial authorship and explored potentiality. The main actor of the exhibition was the viewer who was not a consumer but a coproducer, alongside the artists and the curator. This publication, which comprises photographs, dates, time stamps, and the names of the visitors, is a record of the 178 unique exhibitions realized. With artist contributions by Darren Bader, Jason Dodge, Phanos Kyriacou, Adriana Lara, Jonathan Monk, Marlie Mul, Amalia Pica, Martin Soto Climent, Lina Viste Grønli.…