Berlin nazraeli press (18 resultados)

Pp. mit Schutzumschlag. 1. 4°. 95 S. mit zahlreichen Abb. (sw). Pp. mit Schutzumschlag. Schutzumschlag leicht berieben, sonst neuwertig Sprache: Deutsch 1,500 gr.

gebundene Ausgabe. 71 Seiten, Kanten leicht berieben, sonst in einem guten Zustand 9783923922659 Sprache: Englisch Gewicht in Gramm: 923.

Hardcover. Condición: Near Fine. First edition. First edition. Hardcover. 12mo. Square. Unpaginated, accordian style folded sheets in paper covered boards. SIGNED BY THE ARTIST. Limited to 1000 copies. Collection of charming drawings of Ants in a circus. No text, picture titles in French. In original cardboard slipcase.…

Broschur. 179 Seiten, Einband stärker begriffen und etwas geschmutzt, innen in einem sehr guten Zustand 9783923922260 Sprache: Englisch Gewicht in Gramm: 374.

Condición: Sehr gut. 71 Seiten Zustand: Einband etwas berieben // Mit zahlreichen Abbildungen. /// Versand gratis Innerhalb Deutschlands - Portofrei in Deutschland- ab 20 Euro mit Post ID - Gratisversand deutschlandweit - innerhalb Deutschlands gratis Versand -Versandkostenfrei innerhalb Deutschlands /// Sprache: Englisch Gewicht in Gramm: 900 4°, 28,5 x 30,0 cm, Hardcover in Pappband, mit Schutzumschlag.…

8° , gebundene Ausgabe. 69 Seiten; SU etwas berieben. elicht fleckig und lichtrandig; SU Ränder etwas geknickt und mit minimalen Läsuren; SU-Rücken verblichen; Einband etwas beireben; Schnitt hat leichte Lagerungsspuren; sonst gut erhalten. 9783923922390 Sprache: Englisch Gewicht in Gramm: 550 First Print; limited to 1000 copies /1.Auflage, 1000 Exemplare..…

Condición: Gut. Ca. 30 Illustrationen (farbig) als Leporello; mit beiliegendem Textblatt; Qu.-12 cm. Leinenband mit Leinenschuber. Sehr gutes Ex. - Englisch. - Text / Beiblatt von Deborah Tall. - Moss Glen Falls; Green Mountain Power Corporation, Winooski River Vermont; Ice Falls Erie Canal; Niagara Falls; Great Falls of the Passaic; Fall Creek Falls / u.v.a. - They are pure verb - "shaking and quaking, pouring and roaring, flowing and going," as poet Robert Southey rhymed it. Waterfalls, after all, exist only in motion. The dry Rock of drought years is only a craggy cliff face - nothing much to write home about. Waterfalls in season, though, are nature's most reliable show. They are the river's current compressed to a moment, held up for view as if on a stage. The quieter waters of our lives pale by comparison. We take journeys with waterfalls as destination. We carry around their images and names in the travelogue of the brain: Niagara, Kaaterskill, Yosemite, Yellowstone, sites of some of the greatest American landscape painting and photography, our natural icons. Niagara Falls, a tourist magnet for hundreds of years already, was even consecrated by the Catholic Church in 1861 as a "pilgrim shrine." The great waterfalls of the nation remain, if not shrines, secular sanctuaries of the wild, emblems of the sublime view of nature that so shaped the early American imagination - oversized wilderness, landscape as revelation. Tradition aside, we do seem to have a particular attraction to vertical water versus horizontal. Maybe we think of Hercalitus's dictum that we can't step into the same river twice and realize that, standing before a waterfall, we can't see the same river twice. It arrives and vanishes in an instant, is endlessly in flux. We may try to follow a single drop of water from precipice to base, to measure its velocity, its drop and outward journey, but it disappears into the on-rushing whole. The waterfall broadcasts a perpetual carpe diem - over the edge into oblivion in the twinkling of an eye. Or, more accurately, over the edge into the dullness beyond - the suddenly still, sulky river that forgets it was ever anything as spectacu-lar as a waterfall. But if waterfalls are defined by their movement, their music and palpable presence in the air, the tension between their ongoing vanishing and very ongoingness, what hope is there of reproducing their impact in the still form of the photograph? Can the waterfall's performance survive still life? Not only do artists face this inherent obstacle in approaching the waterfall as subject, creative impulses. Our path to the waterfall is lined with markers pointing us toward the "appropriate" response. We earn the backpack of the sublime and the picturesque with us, reams of maudlin poems, the whole American mythology of Niagara and the Wild West. Can we ever hope to see waterfalls for what they are - an accident of nature, gravity, a moment of liquid energy:1 We almost cannot help but hear them "roar"; we watch their waters "rush" over the precipice as if it were an act of will. One must look far and wide for descriptive language free of personification. Whether as honeymoon mecca, spiritual emblem (the Almighty's handiwork), or symbolic slice of American wilderness, the waterfall has attracted its share of excess and kitsch. See it on any cheap calendar or dime store postcard rack. In ads for soap, it is an emblem of "cleanliness is next to godliness." As symbol of transcendence, it is the setting for any number of advertisements hawking uplift. . (D.T.) ISBN 9783923922994 Sprache: Englisch Gewicht in Gramm: 270.…

31,5 x 25 cm quer ; Leinen. Condición: Sehr gut. 26 Bl. ; Mit einer signierten Widmung von Naoya Hatakeyama. Großformatige Hardcoverausgabe mit Original-Kunststoffschuber, Leineneinband, Querformat, 26 Blatt mit zahlreichen farbigen Fotos. Sehr guter Zustand (very good Condition). hwR.-L.-1445 ISBN: 1590050800. …

Condición: gut. 1998. Eiji Ina Waste In deutscher Sprache. pages.

Hardcover. Condición: New in publisher's shrink wrap. 1/2000. Oblong Quarto. Original white cloth, with full-size cloth inside flaps, blind-stamped lettering on cover and housed in a clear acetate slipcase. Photographs of a mill and its surrounding area, arranged in two series, each bound to inside covers. "A leading figure in contemporary Japanese art Hatakeyama's previous series such as Lime Works, River and Underground have received international critical acclaim. The photographs in the previously unpublished series Atmos were made in En Camarque, Fos-sur-Mer in 2003, and are beautifully represented in this important new artist's book. Hatakeyama photographed this industrial area from two distinct perspectives: from inside the mill located within the town's borders, and from the outskirts of the town itself. The former document the terrifying power of machines man builds to produce goods; the latter reveal the dream-like variations in the surrounding landscape: salt fields, calm waters and pastures. The two bodies of work have been bound face to face within a hardcover case, allowing the viewer to create hundreds of double page spreads from the twenty-two reproductions." (Publisher).…

Folding Book. Condición: Near Fine. No Dust Jacket as Issued. First Printing. 16mo - over 5¾" - 6¾" tall. Square 6.5 X 6.5", 24pp. One of a thousand copies. Extended folded scroll, each page a color illustration with caption. Covered with a grey and pink boards, and encased in white card stock slipcase.…

29 x 22 cm. [64] S. OPappband mit illustriertem OUmschlag. Umschlag minimalst nachgedunkelt und mit kleinem Einriss. Sonst noch sehr gutes Exemplar. Nummeriertes Exemplar, hier die Nummer 080 / 500. Text in Deutsch und Englisch. Durchgehend mit meist farbigen Abbildungen versehen. Auflage: 500 nummerierte Exemplare. Auf dem Titelblatt von der Künstlerin mit einer sechszeiligen, handschriftlichen Widmung nebst Signatur ("Nora") versehen. Beiliegend zwei Einladungskarten zu Ausstellungen der Künstlerin. Sprache: Deutsch und Englisch.…

Auflage 1000 Exemplare. 27,5 x 22,5 cm. 53 S., 1 Blatt. OLeinen mit OUmschlag. Umschlagkanten mit kleinen Bereibungen und - fast unsichtbaren - Kratzern auf der Vorderseite. Sonst gutes bis sehr gutes Exemplar. Hier die Nummer 585 von 1000 Exemplaren durchgehend mit ganzseitigen photographischen Abbildungen (schwarz-weiss)versehen. Text in englischer Sprache.…

8 Bll. mit Faksimiles, die Reproduktion eines Fotos von Tony Gale u. einen Original-Druck von Joseph Mills. Orig.-Pappband. m. allseitigem Goldschnitt. Erste Ausgabe. - First edition. (= One Picture Book No. 34). - Signed by Mars and Mills.

Hardcover. Condición: Gut. 144 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. L15325 3923922612 Sprache: Deutsch Gewicht in Gramm: 1400.

Condición: Wie neu. Deutsche ERSTAUSGABE. 141 Seiten ; 25 cm FRISCHES, SEHR schönes Exemplar der deutschen ERSTAUSGABE. Aufgrund der von der Europäischen Union erlassenen Handels-Erschwernisse (die neue europäische Verpackungsverordnung mit extremen Gebühren für Händler) kann in folgende Länder KEIN VERSAND erfolgen: Bulgarien, Dänemark, Estland, Finnland, Griechenland, Irland, Kroatien, Lettland, Litauen, Luxemburg, Malta, Polen, Portugal, Rumänien, Schweden, Slowakei, Slowenien, Ungarn, Zypern. Falls Sie eine Rechnungs- und Lieferadresse in DEUTSCHLAND ermöglichen, kann an diese deutsche Adresse OHNE PROBLEME geliefert werden. Sprache: Deutsch Gewicht in Gramm: 700 Originalpappband mit Original-Schutzumschlag.…

Quarto, 94 pages, original boards, folding solander case, a near fine copy. Second Printing, one of 4,000 copies.

No binding. Condición: Fine. First Edition. Fine condition limited edition set by artist Fritz Scholder. Signed on reverse title card. Unbound. Set includes loose cards with his original work, poetry, and mixed media assemblages from the previous millennium.; as well as an accordian fold list of ideas for activities in the new millennium. Comes in custom red lucite box with clear cover. Unread or very lightly read. Some scuffing clear cover, else as new. Scholder, Fritz (ilustrador). signed by author or artist.…