Architectural book publishing co (387 resultados)

Hardcover. Condición: Very Good. No Jacket. Oversize hardcover in very good condition. No jacket. Very light shelfwear to cover, a few pencil marks (price, inventory #) inside cover. Ships from USA.

Hardcover. Condición: Very Good.

Hardcover. Condición: Good.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Good. No Jacket. 1st Edition. THE MEXICAN HOUSE OLD AND NEW By Verna Cook Shipway & Warren Shipway - 1960 hardcover, illustrated, photos and plans facade, patios, gallerias, balconies, windows, doors, doorways, conchas, lighting fixtures, interiors fireplaces, outdoor fireplaces, kitchens, stairways, chimneys, gardens,walls, paving, facings, native houses 1st Edition published by Architectural Book Publishing Co Inc. ?small tear back cover otherwise clean tight and very good? BX79.…

Hardcover. Condición: Good. Good, with minor edge wear. The book is in good condition with a sturdy hardcover binding. The dust jacket is intact, exhibiting minor edge wear but no significant tears or damage. The pages are clean and unmarked, providing a pristine reading experience for those interested in the subject matter.…

Paperback. Condición: As New. This book is about the shape of things. What limits the height of a tree, why is a large ship or office building more efficient than a small one, what is the similarity between a human rib cage and an airplane, or a bison and a cantilevered bridge? How might we plan for things to improve as they are used instead of wearing out? The author has chosen eight criteria that constitute the major influences on three-dimensional form. These criteria comprise the eight chapters of the book; each looks at form from entirely different viewpoints. The products of both nature and man are examined and compared. This book will make readers - especially those who design and build - aware of physical environment and how to break away from previously held assumptions and indifference about the way forms in our human environment have evolved. It shows better ways to do things. The author's practical, no-nonsense approach and his exquisite drawings, done especially for this volume, provide a clear understanding of what can and cannot be; how big or small an object should be, of what material it will be made, how its function will relate to its design, how its use will change it, and what laws will influence its development. The facts and information were gathered from many sources: the areas of mechanics, structure, materials, geology, biology, anthropology, paleobiology, morphology and others. These are standard facts in these areas of specialization, but they are also essential to the designer's overall knowledge and understanding of form. The result is an invaluable work for students, designers, architects, planners, and an informed introduction to a fascinating subject for laymen.…

Hardcover. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. Photographs, measured drawings of Spanish colonial houses built for comfort and convenience.

Paperback. Condición: Fine. xiv, 125 pages, chiefly illustrations, plans; 28 cm. First published, 1929. With an introduction to the new edition by David Gebhard. Firm binding, clean inside copy. Size: 4to.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. 1st Edition. Local history. Covers nice, spine ends bumped and faded, corners sharp. Interior clean and tight. Dust jacket sunned, spine panel faded, price clipped, ink re-priced.

1st thus. Republication of the authors' comprehensive 1931 survey (photographs & their drawings) of the early 19th century Spanish adobe architectural style (not to be confused with the later Monterey style); 110 pages, well illustrated. Fine paperback book in decorative wrappers (softcover book). Oversize 4to. …

Paperback. Condición: New.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First American Edition. Owner's name stamped inside, otherwise Very Good condition in Very Good dust jacket. Dust jacket encased in new Brodart protector. 216 pages with index and black & white photos and illustrations. Size: 4to - over 9¾" - 12" tall. …

hardcover. Condición: Acceptable. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.…

Hardcover. Condición: New. Estado de la sobrecubierta: New. Reprint. This is a New and Unread copy of the first Reprint edition. Originally published in 1972. This edition has a new introduction. Includes detailed description of the Victoria Mansion in Portland, Maine.

Hardcover. Condición: Near Fine in Fair dust jacket. Book has previous owner's stamp on free front endpage, DJ 5" mended tear on front, spine ends and corners chipped: now in mylar sleeve. ; B/w photos throughout. Sites appropriate for restaurants: urban areas, shops, urban hotels, theatres and exhibitions, in traffic installations, recreational areas, holiday villages and hotels. Also layout requirements for snack bars, quick service restaurants, conventional restaurants. Text in German and English. ; 9 3/4 x 11 1/4 "; Unpaginated pages.…

Cloth. Condición: Very Good. Estado de la sobrecubierta: Good. First Edition. Some wear and chipping on dust jacket.

Hardcover. Reprint of the 1937 edition in good only condition in Good only dust jacket. 217 pp. With index, b&w photos, drawings. Cover heavily faded along edges; crack at front hinge that does not affect soundness or tightness of binding. DJ very worn, with tears, etc.

Paperback. Condición: New.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. Light edge wear to jacket.

Hardback. Condición: Good.

Paperback. Condición: Very Good. has a remainder mark.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Poor.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. First US edition. Fine green cloth-bound hardcover in a Near Fine dust jacket with light wear at the edges and a couple scratches to the back panel. A nice copy. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. A thorough examination of the planning and implementation of pedestrian areas in urban environments from 22 cities around the world. Text by Klaus Uhlig. 152 pages; profusely illustrated with b&w photos, maps and diagrams; 9 x 10.5 inches.…

Paperback. Condición: new. Paperback. Origins of Form is about the shape of things. What limits the height of a tree? Why is a large ship or office building more efficient than a small one? What is the similarity between a human rib cage and an airplane or a bison and a cantilevered bridge? How might we plan for things to improve as they are used instead of wearing out? The author has chosen eight criteria that constitute the major influences on three-dimensional form. These criteria comprise the eight chapters of the book: each looks at form from entirely different viewpoints. The products of both nature and man are examined and compared.This book will make readersespecially those who design and buildaware of their physical environment and how to break away from previously held assumptions and indifference about the ways forms in our human environment have evolved. It shows better ways to do things. The authors practical, no-nonsense approach and his exquisite drawings, done especially for this volume, provide a clear understanding of what can and cannot be; how big or small an object should be, of what material it will be made, how its function will relate to its design, how its use will change it, and what laws will influence its development.The facts and information were gathered from many sources: the areas of mechanics, structure, and materials; geology, biology, anthropology, paleobiology, morphology and others. These are standard facts in these areas of specialization, but they are also essential to the designers overall knowledge and understanding of form. The result is an invaluable work for students, designers, architects, and planners, and an informed introduction to a fascinating subject for laymen. Origins of Form will make readers-especially those who design and build-aware of their physical environment. Williams' practical, no-nonsense approach and his exquisite drawings provide a clear understanding of what can and cannot be, how big or small and object should be, how. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: new. Paperback. For forty years (18801920), the now-legendary architectural firm led by Charles Follen McKim, William Rutherford Mead and Stanford White was responsible for many of the finest buildings in America. The Boston Public Library, Pennsylvania Station in New York, and the campus of Columbia University are among the national landmarks designed by these men and their partners, Bert Fenner and William Mitchell Kendall.This anthology of plans, elevations, and details of major works of McKim, Mead, and White is an invaluable reference source and inspiration for the student of architecture. As Allan Greenberg writes in his introduction: The legacy of [McKim, Mead, and White] is so vast that . . . both its outer boundaries and its inner characteristics are only barely discernible. As architects of some of the most important buildings in the history of American architecture, the work of the office of McKim, Mead, and White reached a level of quality which has never been equaled by any large office before or after.Charles Follen McKim cofounded the firm with William Rutherford Mead in 1878, along with his brother-in-law William B. Bigelow. One year later, Bigelow left the firm and was replaced by young Stanford White. Among the commissions that McKim worked on were the Villard Houses, the Boston Public Library, the Chicago Worlds Fair Columbian Exposition and the Agriculture Building, the Columbia University campus, Symphony Hall in Boston, alterations to the White House, the Pierpont Morgan Library, Pennsylvania Station, and the University Club in New York.Stanford White, who, ironically, had replaced Charles McKim at the firm of Gambrill and Richardson in New York, joined the partnership in September 1879. A young, enthusiastic man who could draw like a house afire, in the words of McKim, White was responsible for many of the firms great architectural projects, including Madison Square Garden; the Washington Arch; the Judson Memorial Church; what is now Bronx Community College, and the accompanying Hall of Fame of Great Americans; the Tiffany Building, and the Gorham Building. His life and career ended abruptly at the age of fifty-three, when he was murdered on the roof of Madison Square Garden in a well-publicized shooting incident in 1906. For nearly forty years the legendary firm led by Charles Follen McKim, William Rutherford Mead, and Stanford White was responsible for many of the finest buildings in America, including the Boston Public Library, Penn Station in New York, the Morgan Library, and the campus of . Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…