afterall publishing (217 resultados)

Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

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Paperback. Condición: New.

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Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: New.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Condición: new. Paperback. Afterall 49 looks at a nexus of art practices engaging with environmental issues and extractivist capitalism, covering alternative ways in which artists are occupying spaces of art, history or economics. The issue explores works by Sonia Boyce, Siren Eun Young Jung, and Amar Kanwar, amongst others. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. The newest issue from the triannual journal of art history and theory. Since its launching in 1999, Afterall, a journal of art, context, and inquiry, has offered in-depth considerations of the work of contemporary artists, along with essays that broaden the context in which to understand it. Published three times a year, Afterall also features essays on art history and critical theory. This issue will focus on disability, health, and altered modes of perception. Artists discussed include Imogen Stidworthy (commentary by Mladen Dolar and Nuria Enguita May), Christine Sun Kim (commentary by Barbara Rodriguez Munoz, as well as an artist contribution), Arthur Bispo do Rosario, and Tarek Atou (commentary by Rayya Badra). The issue also features Brenda Caro Cocotle on "care" as a trend, Justin Erik Halldor Smith on "The Normal and Pathological Today," and Sunil Shah on "Documenta." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Published twice a year, each issue of Afterall journal includes in-depth considerations of the work of contemporary artists, as well as essays on art history and critical theory. Issue 53 'Medium/Metaphor/Milieu' looks at the exhibitionary in and beyond exhibitions. Gathered through the notions of medium and milieu, it looks at a range of practices and modes of thinking that foreground the exhibitionary in concrete, spatial, architectural and experiential terms. In parallel, the artists and authors included also explore the risks and potential of metaphors as a site of exhibition-making. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Launched in 1999, Afterall is a journal of contemporary art that offers in-depth analysis of artists work, along with essays that broaden the context in which to understand it. Its academic format differentiates it from popular review magazines. Volume 48 is Afteralls 21st anniversary issue, in which the editorial team reflects on the journal's past though a series of reprints of contextual essays and artist features, together with new commissions that inform the present and future vision of the journal. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. Established in 1998, Afterall is a journal of contemporary art that provides in-depth analysis of art and its social, political, and philosophical contexts. Each issue provides the reader with well-researched contributions that discuss each artists work from different perspectives. Contextual essays and other texts discussing events, works, or exhibitions further develop the thematic focus of each issue. Issue 52 includes work from Kapwani Kiwanga, Natasa Petresin Bachelez, Sepake Angiama, Jonas Staal, Ana Texeira Pinto, Ghalya Saadawi, Aldo Tambellini, Darby English, and Enrico Camporesi. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. A richly illustrated exploration of Sung Hwan Kims complex record of migrant stories, displacement and belonging, border-crossings and translation.In A Record of Drifting Across the Sea (2017), Sung Hwan Kim turns to past histories of migration. The artist parses the tracesarchival and bodilyleft by undocumented Korean migrants who came to the US by way of Hawaii at the turn of the last century, and ponders over their impact on other migrant and indigenous communities. As an ongoing film and installation series, comprising two chapters and a third in progress, A Record unsettles the limits of the "one work" with its distributive, open-ended and collaborative nature. In this speculative inquiry, Janine Armin explores each chapter in Kims multilayered work as a mycelial network of feelers entangling and extending the wider work in process. Engaging history through the senses, folklore and myth, as much as through archival material, Kim navigates and crosses the boundaries between displacement and belonging. Focusing on the artists attempt to escape from representation, Armin illuminates and attends to the different stories and non-sovereign ways of being together towards which his work points us. This title is part of the One Work book series, which focuses on artworks that have significantly changed the way we understand art and its history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. A close examination of Agnes Martin's grid painting in luminous blue and gold. Agnes Martin's Night Sea (1963) is a large canvas of hand-drawn rectangular grids painted in luminous blue and gold. In this illustrated study, Suzanne Hudson presents the painting as the work of an artist who was also a thinker, poet, and writer for whom self-presentation was a necessary part of making her works public. With Night Sea, Hudson argues, Martin (1912-2004) created a shimmering realization of control and loss that stands alone within her suite of classic grid paintings as an exemplary and exceptional achievement. Hudson offers a close examination of Night Sea and its position within Martin's long and prolific career, during which the artist destroyed many works as she sought forms of perfection within self-imposed restrictions of color and line. For Hudson, Night Sea stands as the last of Martin's process-based works before she turned from oil to acrylic and sought to express emotions of lightness and purity unburdened by evidence of human struggle. Drawing from a range of archival records, Hudson attempts to draw together the facts surrounding the work, which were at times obfuscated by the artist's desire for privacy. Critical responses of the time give a sense of the impact of the work and that which followed it. Texts by peers including Lenore Tawney, Donald Judd, and Lucy Lippard are presented alongside interviews with a number of Martin's friends and keepers of estates, such as the publisher Ronald Feldman and Kathleen Mangan of the Lenore Tawney archive, which holds correspondence between Martin and Tawney. A close examination of Agnes Martin's grid painting in luminous blue and gold. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. An extended illustrated account of the Hollis Frampton film that marks critical moment in art history when photography meets filmmaking.In his 1971 short film, (nostalgia), American artist and writer Hollis Frampton oveturned the conventional narrative roles of words and images. In his account of an artists's transformation from photographer to filmmaker, Frampton burns photographs he had taken and selected from his past along with one found photograph. A calm voice tells a story about an image, but the story is about the following image, not the one shown. Confounding comprehension still further, the narration begins and ends during the photograph's combustion; smoke and ashes get in our eyes while we are trying to make sense of the image and the narration-trying to remember the story that fits the image, trying to remember the image that fits the story. Frampton's (nostalgia) is a formal masterpiece, long overlooked and understudied. It emerges from a body of film work that is rarely screened, the prints damaged and difficult to locate. Frampton's work is valued in artist filmmaking and film theory circles, but it has never taken its rightful place at the heart of modern art theory. This study will introduce a new generation to a critical moment in art history-when (nostalgia) confirmed both the essence and fragility of cinema itself. Afterall Books are distributed by The MIT Press. An extended illustrated account of the Hollis Frampton film that marks critical moment in art history when photography meets filmmaking. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.