william kooning (23 resultados)

Paper. Condición: Good. Estado de la sobrecubierta: Good. William De Kooning Ilustrador. 143 no pp paper ex cat 3 pp Directors fwd 35 4/C ills 1 2/C 1 3 pp gate fold in 4/C lists 36 wks 8pp Bib 1 pp list of lenders.

Hardcover. Condición: Fine. 1st Edition. 4to. 71, [2] pp. w/ 30 color plates. Grey paper boards lettered in black. Fine.

Paperback. Condición: Very good. Paperback. Light edgewear, else very good in publisher's stapled wraps.

Estado de la sobrecubierta: dj. First Edition. First edition and first printing. Hardcover. 76 pages. Exhibition catalog for a show that ran May 3 through June 30, 1996. Features text by Andrew Forge, David Sylvester, and William Tucker. Includes photographs by Adam Bartos. A near fine copy in cloth boards with some slight bumping to the bottom right corners and in a near fine dust jacket with the same slight bumping.

Soft cover. Condición: Very Good. 1st edition. VG. 8vo, 160pp, printed wrappers. Contains Learning from the Beatles, a 21-page essay by Richard Poirier in the aftermath of the release of Sgt. Pepper's Lonely Hearts Club Band. Unmarked copy, surface wear to cover, typical toning of paper stock. Not Signed.

hardcover. Condición: near fine. William de Kooning Ilustrador. First. Illustrated in color. 79 pages. Slim square 4to, blue cloth (a bit dusty, else fine). New York: L&M Arts, (2010). Near fine Published on the occasion of the exhibition.

Soft cover. Condición: Very good. No jacket. Great condition. Jacket spine is sunned but legibility is not affected. Inside is clean and unmarked.

softcover. Condición: New. no jacket. Jasper Johns; William de Kooning; Roy Lichtenstein; Jackson Pollock; Robert Rauschenberg; Andy Warhol Ilustrador. Museum of Modern Art, 2014. Set of 6 slim paperback volumes in slipcase. Unread copy. New & Sealed.

Couverture souple. Condición: Très bon. Estado de la sobrecubierta: Assez bon. in-4, 36pp, illustrated color and bw, text in Spanish.

Condición: Good. Folio. 58 pp. Cream cloth-covered boards with black lettering. Near Fine. Color plates. Some fold-outs. Catalog created for exhibit at Mnuchin Gallery in New York from November 2, 2016 through December 22, 2016. Heavy volume, extra shipping may apply.

First edition. 11.5 x 10.5 inches. 135 pages. Profusely illustrated in color and black-and-white. Original cloth; pictorial dust jacket. Published on the occasion of the exhibition held at Gagosian Gallery in 2004. Generaly a clean copy, with some very light wear to jacket edges.

4to. Pp: [i], 231. First Edition First Printing. Publisher's colour-illustrated dust jacket with black lettering. Publisher's black boards lettered in silver at front and spine. Colour illustrations throughout. ISBN: 9780300060119 Very good plus in very good plus dust jacket. Sunning to top edges of boards. Some light toning to page edges. Dust jacket slightly chipped at head of spine.

Soft cover. Condición: Good. No Jacket. 47 pages : illustrations ; 22 x 27 cm ; ISBN 9780815006831, 0815006837 ; OCLC 1733131 ; LC N6487C64.M376 1973 ; Artists include: Alfred Leslie, Adolph Gottlieb, Sam Francis, Allan Kapnow, Alex Katz, Karel Appel, James Brooks, Albert Burri, Willem de Kooning, Richard Diebenkorn, Jim Dine, Archie Gorky, Marsden Hartley, Hans Hofmann, Paul Jenkins, Lester Johnson, Morris Louis, Joan Mitchell, Jackson Pollock, Marca Relli, William Scoitt, Julian Stanczak, Antoni Tapies, John Chamberlain, Henry Moore, Louise Nevelson, Claes Oldenburg, Gio Pomodoro, Franz Kline, Christo Javacheff, John Mann, Marino Manni, Marcia Millares, Robert Motherwell, Mark Tobey; [Exhibition organized by] the University of Maryland Dept. of Art, University of Maryland Art Gallery, June 22 through September 30, 1973, the Finch College Museum of Art, October 16 through November 25, 1973, Albright Knox Art Gallery, January 8 through February 10, 1974 ; ex-library, marks, stamps, labels ; G. Book.

Hardcover. Condición: Fine. BOX R1 Decent quality book. Wrapped in plastic. Barely opened. not much to say.

hardcover. Condición: Very Good. Hardcover--dust cover shows slight wear--discoloration inside cover--otherwise, excellent condition.

Hardcover. Condición: Very Good. 293pp. Second printing. DJ: Very Good w/ 2 tiny dents on surface & some minute rubbing. The Book: Very Good+++.

First Edition. Softcover. First Edition. Produced in conjunction with an exhibition at the Des Moines Art Center that ran from March 6 to April 22, 1973. Very Good plus in wrappers, with brief scuffing overall and light toning on the front wrapper and spine.

gr.-8°, 25 Bll. mit 24 ganzseitigen Abbildungen, Orig.-Pappband mit Orig.-Umschlag. Erste Ausgabe.- Umschlag etwas angestaubt und gebräunt. Gutes Exemplar.

Stapled Wrappers in Jacket. Condición: Fine. Estado de la sobrecubierta: Very Good. First Edition. np (28pp), 8 color and 8 b&w illustrations. This is the lovely catalogue published in conjunction with a 1965 Paul Kantor Gallery exhibition of sixteen then-recent figurative works on paper by the famed Abstract Expressionist pioneer Willem De Kooning. It reproduces each of the pieces shown along with a brief essay by noted playwright William Inge. An internally bright, most handsome example of this uncommon item showing some light soiling and sunning to the spine and rear panel of its green dust jacket. Artist Monograph.

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Photography: The Coming to Age of Color Max Kozloff On the Invention of Photographic Meaning Allan Sekula De Kooning: Criticism and Art History Lawrence Alloway Richard Pousette-Dart: Toward an Invisible Center Lucy R. Lippard Al Held: Two Views Joseph Masheck and Robert Pincus-Witten.

Hardcover. Condición: Fine. Large 8vo, fine in about Fine D.J. with a Burckhardt photo, the composer David Diamonds copy with his chop stamp, small obit notice tipped into last blank page with an ink notation as to its date by Diamond who has also in a miniscule hand annotated two poems, one by adding a C to a poem called AARON, the other to a list of names of friends, thus elaine (de Kooning) and in the margin adding 'ME" a legendary book which is at the confluence of many streams of the awakening of the post war American A-Garde really nice copy with a few insignificant spots on front of the D.J. VVCLST2/3.

First edition of this exhibition flyer for the 1959 Tibor de Nagy exhibition of works by Larry Rivers and Grace Hartigan inspired by O'Hara's poetry. Octavo, original wrappers as issued, illustrated with twelve black and white lithographs. Association copy, inscribed by Larry Rivers on the verso of the front cover to fellow member of the informal New York School of artists Willem de Kooning, "For Bill de Kooning much admiration Larry Rivers." Musician, artist and filmmaker Larry Rivers took up painting in 1945 and lived in the the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol's Factory. A part of the New York School of the 1950s (of which Frank O'Harra was the crux due to his position at the MOMA), Rivers' paintings drew inspiration from the contemporary avant-garde movement, in particular abstract expressionism. De Kooning too was a part of the New York School, his well-known The Woman Series notable for its powerful expression of the frustrations and desires of the post-World War II era. In near fine condition. An intimate association copy, linking these great artists of the 20th century. The New York School was an informal group of American artists, musicians and poets active in New York City throughout the 50s and 60s. At the heart of the group was poet Frank O'Harra, due to his post as a curator at the Museum of Modern Art where he created connections between poets and painters including Larry Rivers, John Ashberry, and Fairfield Porter. The group participated in many joint collaborations including several publications, exhibitions, and works of art. While the poets of the group often wrote in an immediate and spontaneous manner reminiscent of stream of consciousness writing, the painters represented the New York abstract expressionists. The Abstract Expressionism movement in American painting was the first specifically American movement to achieve international influence and put New York City at the center of the western art world, a role formerly filled by Paris.

Washington, National Gallery of Art, 1973. 30,5 x 23 cm. [slightly damaged] Portfolio, containing 24 color reproductions. and 10 pag. text. [Art Art / American ].