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Añadir al carritoPaperback. Condición: New. A study of the history of before-and-after images of catastrophes, bombed-out cities, and large-scale political transformations. Catastrophes, bombed-out cities, large-scale political transformations: "Image complexes" of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people's fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.
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Añadir al carritoPaperback. Condición: New. A study of the history of before-and-after images of catastrophes, bombed-out cities, and large-scale political transformations. Catastrophes, bombed-out cities, large-scale political transformations: "Image complexes" of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people's fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.
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Añadir al carritoPaperback. Condición: Brand New. 96 pages. 7.47x4.72x7.36 inches. In Stock.
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Librería: Ria Christie Collections, Uxbridge, Reino Unido
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Librería: GreatBookPricesUK, Woodford Green, Reino Unido
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Librería: GreatBookPricesUK, Woodford Green, Reino Unido
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Añadir al carritoCondición: Brand New. German language. 4.45x0.59x7.28 inches. In Stock.
Publicado por Zürich : Diaphanes [2024]., 2024
ISBN 10: 3035806551 ISBN 13: 9783035806557
Idioma: Alemán
Librería: nika-books, art & crafts GbR, Nordwestuckermark-Fürstenwerder, NWUM, Alemania
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Añadir al carrito8° , Broschur, 108 Seiten, Das Buch ist in einem sehr guten Zustand. 9783035806557 Sprache: Deutsch Gewicht in Gramm: 119.
EUR 20,01
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Añadir al carritoPaperback. Condición: New. A study of the history of before-and-after images of catastrophes, bombed-out cities, and large-scale political transformations. Catastrophes, bombed-out cities, large-scale political transformations: "Image complexes" of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people's fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.
EUR 13,77
Cantidad disponible: 6 disponibles
Añadir al carritoPaperback. Condición: New. A study of the history of before-and-after images of catastrophes, bombed-out cities, and large-scale political transformations. Catastrophes, bombed-out cities, large-scale political transformations: "Image complexes" of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people's fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.