walter cupperi (21 resultados)

hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

4°, Hardcover/Pappeinband. 376 S. Erschien anlässlich der gleichnamigen Ausstellung; Mit zahlreichen Abbildungen, gut erhalten Sprache: Deutsch Gewicht in Gramm: 550.

Condición: New. Looking at the production and reception of replicas and multiples before the nineteenth century, this book shows what happens if a copy purposely points not to an original but to another copy? What does it matter that some serially made multiples are not id.

Condición: NEW.

Buch. Condición: Neu. Multiples in Pre-Modern Art | Bilder Diskurs, Bilder-Diskurs | Walter Cupperi | Buch | 303 S. | Deutsch | 2013 | DIAPHANES AG | EAN 9783037343746 | Verantwortliche Person für die EU: diaphanes verlag, Dresdener Str. 118, 10999 Berlin, vertrieb[at]diaphanes[dot]net | Anbieter: preigu.

Buch. Condición: Neu. Neuware - In the last years replicated objects have gained an increasingly central position in the discourse about ancient, medieval and early modern art. 'Multiples', we are often told, lack uniqueness, invention, autonomy, and sometimes even authorship. Indeed, 'multiples' can be powerful multipliers - in that they enhance the 'aura of the originals' that they replicate - but they remain secondary indexes pointing to an 'original' imbued with significance. Yet, what happens if 'multiples' do not refer to other artifacts at all, or if they are associated with other 'multiples' rather than with a first version in the mind of their owners What happened when serially-made 'multiples' were not quite identical to each other, as was the rule with pre-modern artifacts What shaped their identity and the perception of them as identical This collection of essays explores different forms of interaction between the making of artifacts in more than one specimen and their reception before the nineteenth century. It addresses media such as metal, wax, plaster, terracotta, textiles, marble, ivory, porcelain, canvases and tables in an attempt to re-assess the current identification of the mediality of prints with that of pre-modern 'multiples' in general.

Hardcover. Condición: VG+/VG+. A dark gray casebound book with the title in debossed bronze lettering down the spine. There is a color illustrated matte dust jacket with the title in brown and in blue down a white spine. The free and pasted end pages are red. Pages: (5), 6-655. Profusely illustrated with color images. Contents are as follows: Introduction -- Hunting the wild aftercast: confessions of a medal collector / by Stephen K. Scher -- Note to the reader / by Aimee Ng -- Italy. Art at its apex: the medals of Italy / by Ulrich Pfisterer -- Germany and Austria. A handy mirror for princes and citizens: the rise and dissemination of medals in Germany / by Martin Hirsch -- France. "Proof stones of history": the medal in France, 1400-1900 / by Mark Jones -- The Netherlands. Perspectives in metal: a history of medals of the Low Countries / by Jan Pelsdonk -- England. Illustrating an island nation: the medals of Britain / by Christopher Eimer -- Russia and Scandinavia. The tale of the elephant, the lion, the dragon and other extinct animals: the early history of medallic art in Denmark, Sweden, and Russia / by Marie-Astrid Pelsdonk -- Switzerland, Mexico, and the United States -- Artist biographies -- Bibliography -- Index -- Photographic credits.

Hardback. Condición: New. Concepts such as "art collection" and "art cabinet" and "cabinet of curiosities" are strongly embedded in the scholarly discourse of the 19th and 20th centuries. They are based on the assumption that a form-based understanding of art has higher cultural value, that collections portray the "taste" and "passion" of their owners, and that art has no practical use. These terms were used in order to describe how objects were accumulated under very different cultural conditions long before the 18th century. This volume makes analogies with contemporary collections, institutions, and forms of knowledge in order to be able to explain the accumulation and presentation of objects since Greek antiquity.

Hardback. Condición: New. Concepts such as "art collection" and "art cabinet" and "cabinet of curiosities" are strongly embedded in the scholarly discourse of the 19th and 20th centuries. They are based on the assumption that a form-based understanding of art has higher cultural value, that collections portray the "taste" and "passion" of their owners, and that art has no practical use. These terms were used in order to describe how objects were accumulated under very different cultural conditions long before the 18th century. This volume makes analogies with contemporary collections, institutions, and forms of knowledge in order to be able to explain the accumulation and presentation of objects since Greek antiquity.

hardcover. Condición: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Rilegato in Seta. Condición: new. A cura di Cupperi W. e Settis S.Testo Italiano e Inglese.Modena, 2007; 2 voll., ril. in seta in cofanetto, pp. 56, 189 ill. b/n, 303 ill. col., tavv. col., cm 24x31.(Mirabilia Italiae).(Mirabilia Italiae. Collana diretta da Salvatore Settis. 14). Libro.

Condición: NEW.

Condición: Sehr gut. 304 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden Sprache: Deutsch Gewicht in Gramm: 795.

First Edition. Large hardcover in jacket, Italian text, 286 pp., plus plates, very good with light shelf wear.

4°, gebunden. Neu. Eingehende Bestellungen werden bestätigt, können wegen Urlaubs aber erst am 06.02.2026 versendet werden. Incoming order will be confirmed, but due to holidays cannot be shipped before February 6th, 2026. Sprache: Deutsch Gewicht in Gramm: 0.

260 S.,63 s/w u. 7 farb. Abb. Kart. *neuwertig*Texte Italienisch, Englisch, Deutsch - Concepts such as "art collection" and "art cabinet" and "cabinet of curiosities" are strongly embedded in the scholarly discourse of the 19th and 20th centuries. They are based on the assumption that a form-based understanding of art has higher cultural value, that collections portray the "taste" and "passion" of their owners, and that art has no practical use. These terms were used in order to describe how objects were accumulated under very different cultural conditions long before the 18th century. This volume makes analogies with contemporary collections, institutions, and forms of knowledge in order to be able to explain the accumulation and presentation of objects since Greek antiquity.

Brossura. Condición: As New. Estado de la sobrecubierta: As New. prima edizione. Scultura a Roma nella Seconda Metà del Cinquecento. Protagonisti e Problemi. Quantità: 1 ISBN: 8897684025 Prezzo: EURO 50,00.- Convertire valuta Spese di spedizione: EUR 12,46 In Italia Destinazione, tempi e costi Descrizione libro: Libro Co. Italia, 2012. Condizione libro: new. A cura di Walter Cupperi, Grégoire Extermann e Giovanna Ioele. San Casciano V.P., 2012; br., pp. 352, ill. e tavv. b/n, cm 17x24. (Percorsi di ricerca. 4. Collana diretta dal Dipartimento di Studi Storico-artistici, Archeologici e sulla Conservazione. Università Roma Tre). Codice libro della libreria 006672 - Language : Italian text Size: 170 x 240 mm.Coll. B 85.

Brossura. Condición: nuovo. Estado de la sobrecubierta: nuovo. prima edizione. Culture di scambio.Medaglie e medaglisti italiani tra >Milano e Bruxelles ( 1535-71 ),a cura di Walter Cupperi ( Prefazione di Philippe Sénéchal ).pISA 2020 Edizioni della Normale Pagine 255 ills. nuovo quarto brossura -Language : Italian text - Coll. Bibl.Maison Descrizione Nei decenni centrali del XVI secolo, le corti di Carlo V, Maria d'Ungheria e Filippo II, le loro parentele, la mobilità dei loro patrimoni, i viaggi e le esperienze dei loro ministri, ufficiali e ritrattisti favorirono una rete di relazioni che sfugge ai modelli interpretativi delle storie dell'arte nazionali e regionali: le vicende della medaglia ne sono testimoni. Attraverso profili di artisti, effigiati, agenti, committenti, consulenti, donatori, fruitori e possessori di raccolte questo libro esplora le pratiche sociali e le forme di riconoscimento reciproco attivate dall'esecuzione, promozione e accettazione di microritratti. La produzione, la circolazione e la conservazione di medaglie si dimostrano cartine al tornasole utili per valutare le forme di scambio, interazione e cooperazione maturate tra Milano, Bruxelles e altri centri dei domini asburgici.

Cloth with Slipcased. Condición: As New. Estado de la sobrecubierta: As New. Edition originale. Il palazzo Schifanoia a Ferrara. The Palazzo Schifanoia in Ferrara. Editore: Franco Cosimo Panini Editore(2007) ISBN 10: 8882908585?ISBN 13: 9788882908584 Nuovi Quantità: 1 Prezzo: EUR 650,00 Descrizione libro: Franco Cosimo Panini Editore, 2007. Condizione libro: new. A cura di Salvatore Settis e Walter Cupperi. Fotografie di Andrea Ghiraldini. Testo Italiano e Inglese. Modena, 2007; 2 voll., ril. in seta in cofanetto, pp. 670, 303 ill. e tavv. col., 189 ill. b/n, cm 25x31,5. (Mirabilia Italiae. Collana diretta da Salvatore Settis. 14). Codice libro della libreria 00814 Language : Italian text Size: 320x 240 mm.