vanderbeek stan (25 resultados)

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. Estado de la sobrecubierta: None. 128 pages, softcover, color illustrated wraps. B&w illustrations, some color. Articles on Andrew Wyeth, Louise Nevelson, film-makers Stan Vanderbeek, Ed Emshwiller and others, Millais Revisited. Clean, bright copy. Record # 406799.

Hardcover with dustjacket, 258 pages; as new condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Softcover, 104 pages; very good condition, small crimp to top of spine; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket as issued; 224 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, unpaginated; very good condition, clean and crisp; no internal marks. (Image on gray spine) Foreign shipping may be extra.

146 pp.; 30.5 x 22.8 cm.; glue bound; black-and-white & color; edition size 50,000; unsigned and unnumbered; offset-printed; January - February 1970 issue of Art in America, edited by Jean Lipman, with a feature called "Into the Seventies." Contents include: "Editorial: Art in America Yesterday and Tomorrow;" "Episodes From the Sixties," by Hilton Kramer; "Symptoms of the Seventies," by Jay Jacobs; "New Dealing," by Elayne H. Varian; "Public Art and Private Gallery," by James Wines; "Money for Money's Sake," by Jean Lipman; "Rediscovery: William O. Golding;" "New Talent - The Computer," by Stan VanDerBeek; "At Home With Art: The Samuel Rautbord House;" "Presenting Charles Close," by Cindy Nemser; "Francis Bacon at Sixty," by John Russell; "Paris: The Lettrist Movement," by Carol Cutler; "Vancouver: Scene and Unscene," by Peter Selz with Alvin Balkind; "Boston's Centenary Acquistions;" "Letters to the Editor;" "The State of Taste: Culturettes," by Russell Lynes; "Readers' Choice: Monet's La Terrasse," by Douglas Dillon; "New York Gallery Notes: The New Decade.at Dawn," by Grace Glueck; "Forum: The Vanishing Indian," by Rosalind Constable; "Graphics '70: Paul Jenkins," presented by Donald H. Karshan and "Books: Ambitious Projects," by Jay Jacobs. Cover: Robert Indiana. Includes "Phenomena Tide Finder," a 1969 full color original offset lithograph by Paul Jenkins printed by the Triton Press, bound into the magazine, and published in an edition of 50,000. Good. Yellowing of covers, light edgewear, and slight curl to publication. 3.5 cm. blue pen mark on recto. Contents clean and unmarked.

Soft cover. Condición: Near Fine. 1st Edition. First Edition, 1970. 88 pages. Double issue. Stapled Wrappers, measuring 8.5 x 11 inches. Near Fine. A clean bright copy. Includes a piece on Kenneth Anger & the Tenth Independent Film Award / Hollis Frampton interview by Michael Snow / The Cosmic Cinema of Jordan Belson by Gene Youngblood / Two Films by Ron Rice by Fred Camper / Yoko Ono on Yoko Ono / and contributions by Stan Vanderbeek, Max Kozloff and many others.

Condición: Fine. Number of pages: 256p Size: A5 Number of books: 1 book.

Condición: Fine. Number of pages: 256p Size: A5 Number of books: 1 book.

Condición: Fine. Number of pages: 256p Size: A5 Number of books: 1 book.

Condición: Fine. Number of pages: 256p Size: A5 Number of books: 1 book.

[1] pp.; 27.7 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Flyer / announcement published in conjunction with a series of dances premiering Mondays in August, [1965]. Dances by Jeff Duncan, Kenneth King, Elaine Summers, a film collage by Stan Vanderbeek, and music by Claude Debussy. Good. Folded in four, with parts of the program numbered in black pen. Light yellowing of paper from age and light bumping of corners.

Stapled Wraps/ Dust Jacket. Condición: Very Good. 3 Kitty Williams Ilustrador. First Edition. no date (tls from Matthews dated January 1974). No. 70 of 150 copies. pp. 24; 28 + (ii) poem cards in wallets; 17. Book 1 (12 x 9.5 ins.) bumped at head of spine with small closed tear on dust jacket. Book 2 (7 x 6 ins. landscape) offsetting from Smith's poem card, staples slightly rusty. Book 3 (as 2) minutely handled. Books available list with Steven Rosen poem at head & press device with full page Smith illustration on rear. Tls with press device to Peter Finch. Envelope beautifully silk-screened in red & black minutely creased at edges else fine. 0. Signed by Editor. Book.

Hardcover. Condición: Befriedigend. Zustand: AKZEPTABLER Zustand! Englisch 1078g.

[3] pp.; 35.5 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition checklist published in conjunction with show held September 28 - October 22, 1960. Artists include Ronald Alley, Stephen Antonakos, Ronald Bladen, Lee Bontecou, George Brecht, Alberto Burri, John Chamberlain, David Chapin, Chryssa, Bruce Conner, Joseph Cornell, Roy De Forest, Andre de Dienes, Sari Dienes, Jim Dine, Enrico Donati, Rosalyn Drexler, Jean Dubuffet, Claire Falkenstein, Dan Flavin, Jean Follett, Peter Forakis, Charles Ginnever, Mathias Goeritz, Robert Indiana, Jasper Johns, Allan Kaprow, Yves Klein, Irving Kriesberg, Anthony Magar, Robert Mallary, Louise Nevelson, Claes Oldenburg, Alfonso Ossorio, Lil Picard, Leo Rabkin, Robert Rauschenberg, George Rickey, Lucas Samaras, Salvatore Scarpitta, Jesus Rafael Soto, Richard Stankiewicz, Takis Vassilakis, Jean Tinguely, Stan Vanderbeek, Robert Watts, Robert Whitman, Wilfrid Zogbaum, and Berke, Bermudez, Bouras, Deschais, Doyle, Giles, Goodyear, Harris, Hendricks, Higgins, Kemeny, Kimball, Langlais, Latham, Levinson, Little, Long, Michaels, Millares, Terry, Wilson. Includes prices for works offered. Good. Folded in four with an additional vertical crease. Wear along fold lines and yellowing of pages. 8 mm. tear to top edge of first and second pages with chipping to third page. Fingerprint and ink smudging soiling to first page and bumping to top left corner with edgewear. Contents clean and unmarked.

[4] pp.; 21.6 x 17.8 cm. (folded) ; 21.6 x 35.6 cm. (unfolded); black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Program for "Variety" held at the Maidman Playhouse on March 24, 1962. Production supervised by Alan Marlow and Nicola Cernovich with lighting designed by William Linich [Billy Name]. Featuring films by Nicola Cernovich; "Second Nothing," by Ray Johnson; "Another Garden," by Fred Herko; "Stewed Prunes," by McIntyre Dixon and Richard Libertini; "Palinrome" by George Brecht with Barbara and William Gilmartin; "A La Mode," by Stanley Vanderbeek and featuring Simone Morris and La Monte Young. Very Good. Folded in two as issued and folded again in half, clean and unmarked.

[1] pp.; 27.8 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single page open letter issued by Stan VanDerbeek in May 1965. Letter opens "In Stony Point, N.Y. I am nearing the completion of my dome-studio-laboratory-theatre, to be called 'The Movie-Drome.'" VanDerbeek called it the first theatre project to be shown in the dome will be a film presentation of "Panels for the Walls of the World." Under the grant from the Ford Foundation, VanDerbeek plans to complete seven films over the winter. Letter requests help in the form of money, any kind of film, camera, graphic material, optical equipment, or sound equipment. Good / Very Good. Folded in three, light pencil notation boxing the address "Andy Photo," handling marks and edge wear. Multiple rubber stamps adorn the foot of the sheet.

Silkscreen poster (36 x 21.5 cm.); printed cyan and red on pink-flecked yellow sheet. Slight scuff to top left corner; otherwise Fine. Poster for a Living Theatre programme of experimental cinema, as curated by Amos and Marcia Vogel's pioneering film society Cinema 16. Comprised of short films from Kenneth Anger (Fireworks and Inauguration of the Pleasure Dome), Stan Brakhage (Reflections on black), and Stan VanDerBeek (What? Who? How?). Hosted on March 7th, 1960 at the Living Theatre loft at 14th and 6th.

[2] pp.; 84.5 x 55.2 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Oversized folded promotional poster for the 8th Annual New York Avant Garde Festival presented by Charlotte Moorman, held at the 69th Regiment Armory, New York, November 19, 1971. Artists included Otto Piene, Eric Siegel, Shirley Clarke, Nam June Paik, Shuya Abe, Frank Lincoln Viner, Douglas Davis, Ralph Hocking, Ken Dominick, Pulsa, Steina and Woody Vasulka, Morton Subotnick, Stefan Tcherepnin, Richard Teitelbaum, Lil Picard, Jud Yalkut, Ed Emshwiller, Stan Vanderbeek, Christo, Yoko Ono, John Lennon, Joe Jones, Robert Watts, Frank Gillette, John Reilly, Rudi Stern, Robert Breer, Ken Dewey, Geoff Hendricks, Ralph Ortiz, Tosun Bayrak, Bici Forbes, Gary Rieveschl, Jackson Mac Low, Philip Corner, Frederic Rzewski, Gregory Battcock, Shigeko Kubota, Joey Skaggs, Al Hansen, Emmett Williams, Jim McWilliams, Joseph Beuys, John Cage, Dick Higgins, Toshi Ichiyanagi, Allan Kaprow, Takehisa Kosugi, Pauline Oliveros, Faith Ringgold, Carolee Schneemann, Aldo Tambellini, Jean Toche, Ben Vautier, Wolf Vostell and many others. Photo by Peter Moore. Very Good. Folded in eight as issued. 2 cm. and 1.5 cm. yellowing on verso from removed tape with additional 7.4 cm. and 2.3 cm areas of yellow soiling. 24.5 cm. area of creasing and bumping along centerfold. Otherwise clean and unmarked.

Vintage silkscreen flyer for a film screening held at The Living Theatre on March 7, 1960. The films were selected and supplied by pioneering film society Cinema 16, and included Stan Brakhage's "Reflections on Black" (1955), Stan Vanderbeek's "What? Who? Who?" (1957), and Kenneth Anger's "Fireworks" (1947) and "Inauguration of the Pleasure Dome" (1954). 8.5 x 14 inches. Near Fine.

New York, Film Culture, 1966, 560x430mm, 12p., plié comme à parution. Rédaction Jonas Mekas, présentation graphique de George Maciunas, fondé conjointement à l'Expanded Cinema Festival at the Filmmakers' Cinématheque, en novembre et décembre 1965.C'est dans ce numéro qu'apparaît pour la première fois l'Expanded Arts Diagram de George Maciunas.Contributions de Ken Dewey, Henry Geldzahler, John Gruen, Stan Vanderbeek et Robert Whitman, Maxine Haleff, Gregory Battcock, Gordon Ball, Henry Flynt, entre autres. Bel exemplaire.(103760).

30,5x42 (Abb.) auf 45x57,4 cm. FotoOffset auf Siebdruckkarton. Inet // Ex. 23/65 // New York City 1927 - 1984 ebenda. Er war ein US amerikanischer Experimentalfilmer. Aufnahme eines Kunst- u. Architekturstudiums an der Cooper Union in Manhattan, anschließend am Black Mountain College in North Carolina, dort belegte er 1949 zwei Semester Fotografiekurse bei Hazel Larsen Archer. In den 1950er Jahren drehte er unabhängige Kunstfilme, während er Animationstechniken lernte und Kulissen und Bühnenbilder für Winky Dink and You malte. In den 1960er Jahren begann VanDerBeek mit Claes Oldenburg und Jim Dine sowie Vertretern des modernen Tanzes und des Expanded Cinema wie Merce Cunningham und Elaine Summers zusammenzuarbeiten. Gleichzeitig entwarf er Shows mit mehreren Projektoren in seinem Movie Drome Theater in Stony Point, New York. Sein Wunsch nach dem Utopischen führte ihn zur Zusammenarbeit mit Ken Knowlton an den Bell Labs, wo Dutzende von computeranimierten Filmen und holographischen Experimenten entstanden. Im gleichen Zeitraum lehrte er an vielen Universitäten. -Ein gutes Exemplar, unter PP! -RARA! Anm. zur Rechnungstellung: Die Buchpreise beinhalten die reduzierte MwSt von 7 %, diese wird gesondert ausgewiesen // Rechnungen für Kunstgegenstände wie Grafiken, Gemälde weisen gem. § 25a Abs.3 Satz 1 UStG (Differenzbesteuerung) bzw. § 25a Abs.3 Satz 2 UStG (Margenbesteuerung) keine MwSt aus (brutto = netto). 0 Gewicht in Gramm: 2001.