toro vera (28 resultados)

Condición: Bueno. : Esta guía ofrece una visión completa de las opciones para estudiar cine en España. Publicada en 2004, proporciona información sobre diferentes escuelas, programas y recursos disponibles para aquellos interesados en la industria cinematográfica. Es una herramienta útil para estudiantes y profesionales que buscan orientación en su formación cinematográfica en España. Incluye información sobre diseño creativo y está creada para un uso prolongado. EAN: 9788493420109 Tipo: Libros Categoría: Películas|Educación Título: Guía dónde estudiar cine en España Autor: Débora Castro Toro| Cecilia Paula Vera Battaglia Editorial: COMO HACER CINE S.L Idioma: es-ES Páginas: 224 Formato: tapa blanda.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New. El volumen propone una reconceptualización narratológica, investiga la construcción del discurso autoficcional y, novedosamente, analiza el fenómeno de la autoficción en el drama, en la lírica y en el cine. Se tratan los precedentes, la tradición y la recepción histórica de esta práctica literaria que, desde sus orígenes, juega con la autoría y la ficcionalidad y con las infracciones a las normas narrativas tradicionales. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Condición: Nuevo. Análisis del discurso autoficcional contemporáneo en el drama, la lírica y el cine, partiendo de los inicios, la tradición y la recepción histórica de esta práctica literaria que juega con la autoría y la ficcionalidad. 284 p.

Condición: Nuevo. 46 | Encuadernación: Otro formato libro | Páginas: 284 | Dimensiones: 150 x 220 | Sinopsis: Análisis del discurso autoficcinal contemporáneo en el drama, la lírica y el cine, partiendo de los inicios, la tradición y la recepción histórica de esta práctica literaria que juega con la autoría y la ficcionalidad. - Literatura.

Condición: Nuevo. Análisis del discurso autoficcinal contemporáneo en el drama, la lírica y el cine, partiendo de los inicios, la tradición y la recepción histórica de esta práctica literaria que juega con la autoría y la ficcionalidad.

Condición: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Gr.-8°. VI, 265 Pages. Original Hardcover-Volume. Very good Condition with only minimal Signs of Usage at the Cover. No Markings in the Text! No Underlinings! No Owner's Note! AS NEW!! (Narratologia, Volume 59).

Condición: Nuevo. Con este estudio narratológico se ofrece un modelo sistemático para el análisis de la autoficción en textos literarios narrativos. Además, se discute la autoficción dentro del reciente panorama de géneros meta entre bioficción, docuficción, metanovela y otros. Tomando como ejemplo una selección de novelas y cuentos de finales del siglo XX y del XXI se describen diferentes combinaciones de recursos narrativos antagónicos como clave lúdica autoficcional. Esta se plasma en tipos muy variados de una literatura mind-game, como se demuestra en las novelas de Rosa Montero, Javier Cercas, Juan José Millás, Darío Jaramillo y Carlos Feal. 360 pages.

Softcover. Condición: New. 22x15 cm. Ediciones de Iberoamericana, 97. 482 p., Rústica. Sprache: Spanisch, NUEVO / NEU / NEW. Muchos textos ficcionales modernos desorientan al receptor porque transgreden o anulan la doxa narrativa. La narración perturbadora permite conceptualizar estas desviaciones narrativas e introduce una herramienta para el análisis de técnicas que se ubican en tres estrategias narrativas: la engañosa, la paradójica y la enigmatizante. Después de su (re)modelización, la interacción de los recursos singulares se ilustra con el análisis de un amplio corpus de textos literarios y fílmicos. Sabine Schlickers, catedrática de Literaturas Iberorrománicas en la Universidad de Bremen, es autora de un estudio narratológico sobre adaptaciones cinematográficas (1997), una monografía sobre la novela naturalista hispanoamericana (2003), otra sobre la literatura gauchesca (2007) y una sobre la apropiación de la Conquista en crónicas, literatura y cine (2015). Es coeditora de estudios sobre la novela picaresca, la auto(r)ficción, la reinvención de Latinoamérica y estéticas de autenticidad. [Texto de contraportada] [sabine schlickers+vera toro+la narración perturbadora+nuevo concepto narratológico transmedial+teoría literaria+crítica literaria+literatura hispanoamericana]. ** 10% REBAJAS DE INVIERNO * WINTERSALE! * excl. New German Books * * * * 43,20 (original price 48,00) **.

01-06-2017 edición 220.

Condición: New. In.

Hardback. Condición: New. Perturbatory narration is a heuristic concept, applicable both quantitatively and qualitatively to a specific type of complex narratives for which narratology has not yet found an appropriate classification. This new term refers to complex narrative strategies that produce intentionally disturbing effects such as surprise, confusion, doubt or disappointment ? effects that interrupt or suspend immersion in the aesthetic reception process. The initial task, however, is to indicate what narrative conventions are, in fact, questioned, transgressed, or given new life by perturbatory narration. The key to our modeling lies in its combination of individual procedures of narrative strategies hitherto regarded as unrelated. Their interplay has not yet attracted scholarly attention. The essays in this volume present a wide range of contemporary films from Canada, the USA, Mexico, Argentina, Spain, France and Germany. The perturbatory narration concept enables to typify and systematize moments of disruption in fictional texts, combining narrative processes of deception, paradox and/or empuzzlement and to analyse these perturbing narrative strategies in very different filmic texts.

Rústica. Condición: New. Estado de la sobrecubierta: Nuevo. 01. Análisis del discurso autoficcinal contemporáneo en el drama, la lírica y el cine, partiendo de los inicios, la tradición y la recepción histórica de esta práctica literaria que juega con la autoría y la ficcionalidad. LIBRO.

Condición: Sehr gut. Zustand: Sehr gut | Seiten: 272 | Sprache: Englisch | Produktart: Bücher | Perturbatory narration is a heuristic concept, applicable both quantitatively and qualitatively to a specific type of complex narratives for which narratology has not yet found an appropriate classification. This new term refers to complex narrative strategies that produce intentionally disturbing effects such as surprise, confusion, doubt or disappointment ¿ effects that interrupt or suspend immersion in the aesthetic reception process. The initial task, however, is to indicate what narrative conventions are, in fact, questioned, transgressed, or given new life by perturbatory narration. The key to our modeling lies in its combination of individual procedures of narrative strategies hitherto regarded as unrelated. Their interplay has not yet attracted scholarly attention. The essays in this volume present a wide range of contemporary films from Canada, the USA, Mexico, Argentina, Spain, France and Germany. The perturbatory narration concept enables to typify and systematize moments of disruption in fictional texts, combining narrative processes of deception, paradox and/or empuzzlement and to analyse these perturbing narrative strategies in very different filmic texts.

Condición: Sehr gut. Zustand: Sehr gut | Seiten: 272 | Sprache: Englisch | Produktart: Bücher | Perturbatory narration is a heuristic concept, applicable both quantitatively and qualitatively to a specific type of complex narratives for which narratology has not yet found an appropriate classification. This new term refers to complex narrative strategies that produce intentionally disturbing effects such as surprise, confusion, doubt or disappointment ¿ effects that interrupt or suspend immersion in the aesthetic reception process. The initial task, however, is to indicate what narrative conventions are, in fact, questioned, transgressed, or given new life by perturbatory narration. The key to our modeling lies in its combination of individual procedures of narrative strategies hitherto regarded as unrelated. Their interplay has not yet attracted scholarly attention. The essays in this volume present a wide range of contemporary films from Canada, the USA, Mexico, Argentina, Spain, France and Germany. The perturbatory narration concept enables to typify and systematize moments of disruption in fictional texts, combining narrative processes of deception, paradox and/or empuzzlement and to analyse these perturbing narrative strategies in very different filmic texts.

Gebunden. Condición: New. Die Reihe Narratologia publiziert innovative Monographien und Sammelbaende zur modernen Erzaehltheorie und zu ihrer fachgeschichtlichen Rekonstruktion aus allen philologischen Disziplinen. Sie stellt das erste narratologische Forum dieser Art in Deutschlan.

Hardback. Condición: New. Perturbatory narration is a heuristic concept, applicable both quantitatively and qualitatively to a specific type of complex narratives for which narratology has not yet found an appropriate classification. This new term refers to complex narrative strategies that produce intentionally disturbing effects such as surprise, confusion, doubt or disappointment ? effects that interrupt or suspend immersion in the aesthetic reception process. The initial task, however, is to indicate what narrative conventions are, in fact, questioned, transgressed, or given new life by perturbatory narration. The key to our modeling lies in its combination of individual procedures of narrative strategies hitherto regarded as unrelated. Their interplay has not yet attracted scholarly attention. The essays in this volume present a wide range of contemporary films from Canada, the USA, Mexico, Argentina, Spain, France and Germany. The perturbatory narration concept enables to typify and systematize moments of disruption in fictional texts, combining narrative processes of deception, paradox and/or empuzzlement and to analyse these perturbing narrative strategies in very different filmic texts.

Buch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Perturbatory narration is a heuristic concept, applicable both quantitatively and qualitatively to a specific type of complex narratives for which narratology has not yet found an appropriate classification. This new term refers to complex narrative strategies that produce intentionally disturbing effects such as surprise, confusion, doubt or disappointment - effects that interrupt or suspend immersion in the aesthetic reception process. The initial task, however, is to indicate what narrative conventions are, in fact, questioned, transgressed, or given new life by perturbatory narration. The key to our modeling lies in its combination of individual procedures of narrative strategies hitherto regarded as unrelated. Their interplay has not yet attracted scholarly attention. The essays in this volume present a wide range of contemporary films from Canada, the USA, Mexico, Argentina, Spain, France and Germany. The perturbatory narration concept enables to typify and systematize moments of disruption in fictional texts, combining narrative processes of deception, paradox and/or empuzzlement and to analyse these perturbing narrative strategies in very different filmic texts.

Buch. Condición: Neu. Perturbatory Narration in Film | Narratological Studies on Deception, Paradox and Empuzzlement | Sabine Schlickers (u. a.) | Buch | VI | Englisch | 2025 | De Gruyter | EAN 9783110560824 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu.

Hardcover. Condición: New. New. book.

Condición: Usado- bueno.

Iberoamericana/Vervuert (Historia y Crítica de la Literatura, 46), Madrid, 2010. 22x15 cm. 288 págs. Ilustraciones. Perfecto estado. // Análisis del discurso autoficcional contemporáneo en el drama, la lírica y el cine, partiendo de los inicios, la tradición y la recepción histórica de esta práctica literaria que juega con la autoría y la ficcionalidad //.

Condición: Usado- bueno.

Encuadernación de tapa blanda. Condición: Bueno. 1ª Edición. 1 al 24. Director: Miguel Grinberg. Colección completa. 1980-1987. Rústica. Revista de no violencia, ecología, espititualidad, contracultura. Thomas Merton, Thomas Sanchez, Jacques-Yves Cousteau, Moris Birabent, Miguel Grinberg, Héctor Murena, José Luis D'amato, Aldo Pellegrini, Carlos Ponce, Carlos Barbarito, Liliana Lukin, Hilda Rais, Alberto Nigro, Claudio Caldini, Luis Jorge Jalfen, Andrew Feenberg, Stephen Gaskin, Raúl Vera Ocampo, Jhon McHale, Donald Keys, George Leonard, Alejandro Piscitelli, John Huston, Roberto Juarroz, David Spangler, Elias Piterbarg, Rolando Toro, Fidel Alegre y muchos otros. Buen estado.

HRD. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Buch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Perturbatory narration is a heuristic concept, applicable both quantitatively and qualitatively to a specific type of complex narratives for which narratology has not yet found an appropriate classification. This new term refers to complex narrative strategies that produce intentionally disturbing effects such as surprise, confusion, doubt or disappointment - effects that interrupt or suspend immersion in the aesthetic reception process. The initial task, however, is to indicate what narrative conventions are, in fact, questioned, transgressed, or given new life by perturbatory narration. The key to our modeling lies in its combination of individual procedures of narrative strategies hitherto regarded as unrelated. Their interplay has not yet attracted scholarly attention. The essays in this volume present a wide range of contemporary films from Canada, the USA, Mexico, Argentina, Spain, France and Germany. The perturbatory narration concept enables to typify and systematize moments of disruption in fictional texts, combining narrative processes of deception, paradox and/or empuzzlement and to analyse these perturbing narrative strategies in very different filmic texts. 272 pp. Englisch.

Buch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Perturbatory narration is a heuristic concept, applicable both quantitatively and qualitatively to a specific type of complex narratives for which narratology has not yet found an appropriate classification. This new term refers to complex narrative strategies that produce intentionally disturbing effects such as surprise, confusion, doubt or disappointment ¿ effects that interrupt or suspend immersion in the aesthetic reception process. The initial task, however, is to indicate what narrative conventions are, in fact, questioned, transgressed, or given new life by perturbatory narration. The key to our modeling lies in its combination of individual procedures of narrative strategies hitherto regarded as unrelated. Their interplay has not yet attracted scholarly attention. The essays in this volume present a wide range of contemporary films from Canada, the USA, Mexico, Argentina, Spain, France and Germany. The perturbatory narration concept enables to typify and systematize moments of disruption in fictional texts, combining narrative processes of deception, paradox and/or empuzzlement and to analyse these perturbing narrative strategies in very different filmic texts.Walter de Gruyter GmbH, Genthiner Strasse 13, 10785 Berlin 272 pp. Englisch.